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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "William Andrews ClarkJrLibrary"/1) | (@(roleclean,performerclean) "William Andrews ClarkJrLibrary")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12455 results for: Keyword - William Andrews Clark@Jr@Library
We found 10867 matches on Author, 1755 matches on Performance Comments, 510 matches on Event Comments, 60 matches on Performance Title, and 0 matches on Roles/Actors.

11001
23 August 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Italian Monk

Performance Comment: As17970815, but Margaritone-Miss Andrews in place of Mrs Edward.
Cast
Role: Margaritone Actor: Miss Andrews in place of Mrs Edward.

Afterpiece Title: The Padlock

Song: As17970816

11002
15 January 1798 @ Haymarket Theatre

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Bartleman, Leete, Page, Walker, Sale, Miss Leak, Miss Andrews, Miss Poole.
Cast
Role: Principal Vocal Performers Actor: Bartleman, Leete, Page, Walker, Sale, Miss Leak, Miss Andrews, Miss Poole.

Music: In course: solo on the violin, of his own composition-Barthelemon

11003
19 January 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Feudal Times; or, The Banquet Gallery

11004
09 February 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Feudal Times

11005
29 October 1659 @ The City, London

Event Comment: The Lord Mayor's Show. By John Tatham. The author mentions as his assistants: Andrew Dakers and William Lightfoot, painters; Thomas Whiting, joyner; and Richard Clear, carver

Performances

Mainpiece Title: London's Tryumph

11006
01 December 1792 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: The Scenes, principally new, designed and painted by Richards, Hodgins, Pugh, Walmsley, and assistants. With entire new Dresses and Decorations. "The management of the earthquake in which the Temple of the Sun is destroyed was a very fine piece of stage mechanism; the effect of which was considerably heightened by the improved performance of the Bold Thunder, and that also of his Electrical Harbinger. The gradations and cadences of the first were superior to anything of the kind we remember within the walls of the theatre...The scene of the rising sun was uncommonly dingy" (Public Advertiser, 3 Dec.). "Mr Morton in full for Columbus #214 10s. 6d." [MS annotation on BM playbill, 26 Dec. 1792 (cg, Vol. VIII)]. Morning Herald, 14 Dec. 1792: This day at noon will be published Columbus (1s. 6d.). Receipts: #301 8s

Performances

Mainpiece Title: Columbus; Or, A World Discovered

Afterpiece Title: Love in a Camp

Related Works
Related Work: Love in a Camp; or, Patrick in Prussia Author(s): William Shield

11007
10 January 1797 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. True Briton, 19 Jan.: Morton was paid #400, and #150 "for the Copy-right, which Harris has purchased." Ibid., 27 Mar.: This Day was published A Cure for the Heart Ache (2s.). Receipts: #237 15s. (236.0; 1.15)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Comus

11008
11 January 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald (his Miscellaneous Poems, 1801, p. 88). Epilogue by Miles Peter Andrews (London Chronicle, 12 Jan.)]: With new Scenes and Dresses. Morning Herald, 14 Apr. 1798: This Day is published Secrets Worth Knowing (2s.). Receipts: #311 6s. (307.9; 3.17)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Harlequin and Quixotte

Related Works
Related Work: Harlequin and Quixotte; or, The Magic Arm Author(s): William Reeve

11009
13 September 1660 @ no theater listed

Performances

11010
06 December 1660 @ Theatre in Vere Street

Performances

Mainpiece Title: Rollo, Duke Of Normandy

11011
26 October 1671 @ no theater listed

Performances

11012
17 November 1677 @ Dorset Garden Theatre

Performances

Mainpiece Title: Sir Popular Wisdom; Or, The Politician

11013
09 September 1681 @ Bartholomew Fair

Performances

Mainpiece Title: Entertainments

11014
02 January 1693 @ Whitehall or St. James's

Performances

Mainpiece Title: A Duke And No Duke

11015
31 August 1693 @ Bartholomew Fair

Performances

11016
August 1696 @ Bartholomew Fair

Event Comment: Newdigate newsletters, 29 Sept. 1696: The Close of least Week one of our merry Andrews or Jack Puddings in Bartholomew ffaire stood in ye Pillory at Temple Bar for saying upon ye publick Stage yt in a little tyme Piggs would be roasted by ye flames of Exchange Telleyes & yt Bank Bills should Singe ye Haire of ym off. Transcribed by Professor John Harold Wilson

Performances

11017
13 October 1735 @ Covent Garden

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Momus Turned Fabulist; or, Vulcan's Wedding

Dance: Two Pierrots by Nivelon and Lalauze. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

11018
08 May 1759 @ King's Theatre

Performances

Mainpiece Title: Farnace

11019
05 June 1762 @ King's Theatre

Performances

Mainpiece Title: Arianna E Teseo

11020
13 November 1762 @ King's Theatre

Performances

Mainpiece Title: Il Tutore E La Pupilla

11021
23 November 1765 @ King's Theatre

Performances

Mainpiece Title: Eumene

Dance: NNew Dances-

11022
28 November 1771 @ Covent Garden

Event Comment: Recruiting Officer oblig'd to be Deferr'd on account of Indisposition of a principal performer. Paid Messrs Monk & Hird (button makers) #6 12s. 6d.; Andrews (haberdasher) #5 10s. 6d.; Thompson (peruke maker) #2 13s. 6d.; Bigner (peruke maker) #1 3s. (Account Book). Receipts: #175 (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Fairy Prince

11023
08 July 1780 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; CO 2, by Miles Peter Andrews]: The Overture from the celebrated Fire and Water Music of Handel. The new Airs and Chorusses by Dr Arnold. With new scenes by Rooker. Books of the Songs may be had at the Theatre. Public Advertiser, 8 July 1780: This Day is published the Songs in Fire And Water! (6d.). Ibid, 22 July 1780: This Day is published Fire And Water! (price not listed)

Performances

Mainpiece Title: The Suicide

Afterpiece Title: Fire and Water

Related Works
Related Work: Fire and Water! Author(s): Miles Peter Andrews

11024
04 December 1780 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 4 years [not acted since 30 Oct. 1771]. Afterpiece [1st time; F 2, by Edward Topham. Prologue by Miles Peter Andrews (Public Advertiser, 7 Dec.). Larpent MS 539; not published]. Receipts: #207 11s. 6d. (158.18.0; 48.12.6; 0.1.0)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Deaf Indeed

11025
09 July 1781 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews. Prologue by Frederick Pilon. Epilogue by Edward Topham (see text)]: With Music High and Low Dutch [ascribed to Dr Arnold]. New Dresses and Decorations. The new Scenes painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 30 July 1781: This Day is published The Baron....(price not listed)

Performances

Mainpiece Title: The Baron Kinkvervankotsdorsprakengatchdern

Related Works
Related Work: The Baron Kinkvervankotsdorsprakengatchdern! Author(s): Miles Peter Andrews

Afterpiece Title: The Apprentice

Dance: As17810612