SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "William Andrew ClarkJrLibrary"/1) | (@(roleclean,performerclean) "William Andrew ClarkJrLibrary")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11122 matches on Author, 1755 matches on Performance Comments, 510 matches on Event Comments, 60 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love And Money Or The Fair Caledonian

Performance Comment: Auld Andrew-Suett; Peter-Wathen; Drowsy-R. Palmer; Meanright-Caulfield; Lord Rakish-Palmer Jun.; Pliant-Abbot; Runlet-Waldron Jun.; Anchor-Ledger; Jemmy-Trueman; Barbara-Miss Leak; Jane-Mrs Kemble.
Cast
Role: Auld Andrew Actor: Suett

Afterpiece Title: The Spanish Barber

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: A Mogul Tale

Afterpiece Title: The Prisoner at Large

Afterpiece Title: Bannian Day

Performance Comment: Captain Macgallagher-Johnstone; Bobby Notice-Suett; Jack Hawser-Wathen; Mr Goodwill-Davies; Lieut. Goodwill-Trueman; Batch-Fawcett; Polly-Mrs Bland; Maid-Mrs Jones; Mrs Goodwill-Miss Andrews.
Cast
Role: Mrs Goodwill Actor: Miss Andrews.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The London Hermit or Rambles in Dorsetshire

Afterpiece Title: My Grandmother

Performance Comment: Vapour-C. Kemble; Gossip-Suett; Souffrance-Caulfield; Sir Matthew Medley-Davenport; Woodly-Trueman; Charlotte-Mrs Edward; Florella-Miss Andrews.
Cast
Role: Florella Actor: Miss Andrews.

Performances

Mainpiece Title: The Battle Of Hexham Or Days Of Old

Performance Comment: Gondibert-Palmer; Barton-Aickin; La Varenne-C. Kemble; Duke of Somerset-Lyons; Prince of Wales-Miss Menage; Fool-R. Palmer; Corporal-Wathen; Drummer-Trueman; Fifer-Waldron Jun.; Marquis of Montague-Caulfield; Egbert-Palmer Jun.; Robbers-Bannister, Davies, Abbot; Gregory Gubbins-Fawcett; Adeline-Mrs Harlowe; Villagers-Mrs Bland, Miss Andrews, Mrs Edwards; Queen Margaret-Mrs Fawcett (1st appearance in that character).

Afterpiece Title: The Irishman in London

Related Works
Related Work: The Irishman in London; or, The Happy African Author(s): William Macready

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Dead Alive

Performance Comment: Motley-Fawcett; Edward-Davies; Degagee-Caulfield; Dennis-Usher; Coachman-Ledger; Servants-Abbot, Lyons, Chippendale; Sir Walter Weathercock-Suett; Miss Hebe Wintertop-Mrs Davenport; Caroline-Miss Andrews (Their 1st appearance in those characters); Comfit-Miss DeCamp.
Cast
Role: Caroline Actor: Miss Andrews

Song: As17970623

Performances

Mainpiece Title: The Italian Monk

Performance Comment: As17970815, but Margaritone-Miss Andrews in place of Mrs Edward.

Afterpiece Title: The Padlock

Song: As17970816

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Bartleman, Leete, Page, Walker, Sale, Miss Leak, Miss Andrews, Miss Poole.

Music: In course: solo on the violin, of his own composition-Barthelemon

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Feudal Times or The Banquet Gallery

Performance Comment: [Characters by Cory, Barrymore, Kelly, Middleton, Surmont, Bannister Jun., Wathen, Suett, Sedgwick, Dignum, Caulfield, Trueman, Sparks, Hollingsworth, Webb, Ryder, Roffey, Grimaldi, Mrs Crouch, Mrs Bland, Miss Menage, Mrs Maddocks. Cast from text (Cadell and Davies [1799]: Baron Fitzallan-Cory; Baron Ruthenwolf-Barrymore; Edmund-Kelly; Henry-Middleton; Orlando-Surmont; Martin-Bannister Jun.; Andrew-Wathen; Nicholas-Suett; Villagers-Sedgwick, Dignum, Caulfield, Trueman, Hollingsworth; Servants-Webb, Ryder; Claribel-Mrs Crouch; Rachael-Mrs Bland; Susan-Miss Menage; Old Woman-Mrs Maddocks; unassigned-Sparks, Roffey, Grimaldi; Chorus of Soldiers-Danby, Tett, Atkins, Dibble, Denman, Caulfield [Jun.], Maddocks, Brown, Wentworth, Fisher, Cook; Chorus of Villagers-Potts, Meyers, Willoughby, Phillimore, Fisher, Evans, Aylmer, Gallot, Bardoleau, Peck, Ms Butler, Ms Bowyer, Ms Coates, Ms Gawdry, Ms Jacobs; Minstrels-Ms Roffey, Ms Jacobs [sic], Ms R. Jacobs, Ms Jackson, Ms Wentworth, Ms Arne, Ms Illingham, Ms Saunders, Ms B. Menage; Principal Dancer-Mlle Parisot; Vassals-Whitmell, Wells, Garman, Johnston, Goodman, Gauron, Bayzand, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake.
Cast
Role: Andrew Actor: Wathen

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Feudal Times

Performance Comment: As17990204, but Martin-Wathen in place of Bannister Jun.; Andrew-Caulfield of Wathen; Villagers-Evans, _Caulfield; Chorus of Soldiers-+Mead, +Sawyer, _Bardoleau; Chorus of Villagers-+Bardoleau, _Mead, _Sawyer.
Cast
Role: Andrew Actor: Caulfield of Wathen
Event Comment: The Lord Mayor's Show. By John Tatham. The author mentions as his assistants: Andrew Dakers and William Lightfoot, painters; Thomas Whiting, joyner; and Richard Clear, carver

Performances

Mainpiece Title: Londons Tryumph

Event Comment: Mainpiece [1st time; MD 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: The Scenes, principally new, designed and painted by Richards, Hodgins, Pugh, Walmsley, and assistants. With entire new Dresses and Decorations. "The management of the earthquake in which the Temple of the Sun is destroyed was a very fine piece of stage mechanism; the effect of which was considerably heightened by the improved performance of the Bold Thunder, and that also of his Electrical Harbinger. The gradations and cadences of the first were superior to anything of the kind we remember within the walls of the theatre...The scene of the rising sun was uncommonly dingy" (Public Advertiser, 3 Dec.). "Mr Morton in full for Columbus #214 10s. 6d." [MS annotation on BM playbill, 26 Dec. 1792 (cg, Vol. VIII)]. Morning Herald, 14 Dec. 1792: This day at noon will be published Columbus (1s. 6d.). Receipts: #301 8s

Performances

Mainpiece Title: Columbus Or A World Discovered

Afterpiece Title: Love in a Camp

Related Works
Related Work: Love in a Camp; or, Patrick in Prussia Author(s): William Shield
Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. True Briton, 19 Jan.: Morton was paid #400, and #150 "for the Copy-right, which Harris has purchased." Ibid., 27 Mar.: This Day was published A Cure for the Heart Ache (2s.). Receipts: #237 15s. (236.0; 1.15)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Comus

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald (his Miscellaneous Poems, 1801, p. 88). Epilogue by Miles Peter Andrews (London Chronicle, 12 Jan.)]: With new Scenes and Dresses. Morning Herald, 14 Apr. 1798: This Day is published Secrets Worth Knowing (2s.). Receipts: #311 6s. (307.9; 3.17)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Harlequin and Quixotte

Related Works
Related Work: Harlequin and Quixotte; or, The Magic Arm Author(s): William Reeve
Event Comment: The death of the Duke of Gloucester on this day apparently closed the theatres for a short time. Andrew Newport, writing on 15 Sept. 1660 to Sir Richard Leveson, stated: The court is in deep mourning and will continue so for 6 weeks (Sutherland MSS., HMC, 5th Report, Appendix, 1876, p. 156), but it is not until 27 Sept. 1660 that Rugg reported: playes are for present forbiden because of the death of the Duke of Gloucester (BM Add. Mss. 10116, folio 90v). The theatres may have opened on Monday 8 Oct. 1660; certainly they were acting by 11 Oct. 1660

Performances

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. Andrew Newport to Sir Richard Leveson, 6 Dec. 1660: Plays at court every week (HMC, 5th Report, Part I, 1876, p. 158)

Performances

Mainpiece Title: Rollo Duke Of Normandy

Event Comment: John Aubrey to Anthony a Wood, 26 Oct. 1671: I am writing a comedy for Thomas Shadwell, which I have almost finished since I came here, et quorum pars magna sui.... And I shall fit him with another, The Countrey Rebell, both humours untoucht, but of this, mum! for 'tis very satyricall against some of my mischievous enemies which I in my tumbling up and down have collected (Aubrey's Brief Lives, ed. Andrew Clark [Oxford, 1898], I, 52n). See also the season of 1670-71

Performances

Event Comment: The Duke's Company. The play was not printed. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 349. Andrew Marvell to Sir Edw. Harley, 17 Nov. 1677: To-day is acted the first time Sir Popular Wisdom or the Politician, where my Lord Shaftesbury and all his gang are sufficiently personated. I conceive the King will be there (HMC, 14th Report, Appendix, Part II, 1894, Portland MSS., Volume III, p. 357)

Performances

Mainpiece Title: Sir Popular Wisdom Or The Politician

Event Comment: Luttrell, A Brief Relation, I, 186: There [has] been a tall Irish man to be seen in Bartholomew-fair. The Epilogue to a revival of Mithridates (See mid-October 1681) has some lines which refer to recent activities at Bartholomew Fair: @Have not you seen the Dancing of the Rope?@When Andrew's wit was clean run off the Score,@And Jacob's Cap'ring Tricks could do no more,@A Damsel does to the Ladders Top advance@And with two heavy Buckets drags a Dance;@The Yawning Crowd pearch't up to see the sight,@And slav'r'd at the Mouth for vast delight.

Performances

Mainpiece Title: Entertainments

Event Comment: The United Company. Writing on 3 Jan. 1692@3, Anthony Wood states: A new comedie composed by Mr Tate, poet laureat, was acted before their majesties, M. 2 Jan. (Andrew Clark, The Life and Times of Anthony Wood [Oxford, 1894], III, 413). Since no new play by Tate is known to have been acted at this time, and since A Duke and No Duke was reprinted in 1693 (Term Catalogues, May 1693), and acted several times (Gentleman's Journal, January 1692@2, issued in March):A Duke and no Duke being often acted now, and scarce, is reprinted, with the addition of a curious Preface, by our Laureat, concerning Farce. [Possibly Wood was mistaken in thinking that A Duke and no Duke was a new play. It seems the one most likely to fit the circumstances of this period.

Performances

Mainpiece Title: A Duke And No Duke

Event Comment: Newdigate newsletters, 2 Sept. 1693: On Thursday a person acting ye Jack pudding on a stage in Bartholomew fair Bantering upon ye Straits Expedition & return of the ffleet was taken into Custody (Folger Shakespeare Library, transcribed by Professor John Harold Wilson). Luttrell, A Brief Relation, III, 176, 2 Sept. 1693: A merry andrew in Bartholomew fair is committed for telling the mobb news that our fleet was come into Torbay, being forced in by some French privateers, and other words reflecting on the conduct of great ministers of state. Newdigate newsletters, 12 Sept. 1693: On Sunday [10 Sept.] Mr Percivall who kept a Booth during St Barthollomew fair was siezed near Charing cross upon ye acct of clipping being discovered by a young man (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). [See also Luttrell, A Brief Relation, III, 183, 205, 207, 212.

Performances

Event Comment: Newdigate newsletters, 29 Sept. 1696: The Close of least Week one of our merry Andrews or Jack Puddings in Bartholomew ffaire stood in ye Pillory at Temple Bar for saying upon ye publick Stage yt in a little tyme Piggs would be roasted by ye flames of Exchange Telleyes & yt Bank Bills should Singe ye Haire of ym off. Transcribed by Professor John Harold Wilson

Performances

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Momus Turned Fabulist or Vulcans Wedding

Performance Comment: Momus (Merry Andrew)-Mullart; Jupiter (A Rake)-Bridgwater; Neptune (Waterman)-Aston; Apollo (Ballad Singer)-Stoppelaer; Mars (Sergeant of Grenadiers)-Walker; Plutus (Pawnbroker)-Hippisley; Vulcan (Blacksmith)-M. Stoppelaer; Mercury (Ticket Porter)-Clarke; Minister of Destiny (Hangman)-Bencraft; Juno (Oyster Woman)-Mrs Mullart; Venus (Lady of Pleasure)-Miss Norsa; Aegle (Parish Girl)-Miss Rogers .

Dance: Two Pierrots by Nivelon and Lalauze. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

Event Comment: Subscriptions for the fall season may be taken at Andrew Drummond's, Bankers, at Charing Cross

Performances

Mainpiece Title: Farnace

Event Comment: Tickets at half a guinea. Gallery 5s. N.B. As part of the Serenata must be performed in the upper Gallery, it is humbly hoped the Nobility and Gentry will not take it amiss that servants cannot be admitted this night. The last night of performing this season. Sga Mattei humbly desires Subscribers for the ensuing season to pay their subscription money to Mess. Andrew Drummond and Co., Bankers, at Charing Cross; or to Mr Crawford, Agent and Treasurer of said Theatre

Performances

Mainpiece Title: Arianna E Teseo

Event Comment: A new Comic Opera, music by several celebrated Composers. With new Cloaths, new Decorations, and new Dances. Pit and Boxes put together, and no Persons to be admitted without Tickets, which will be delivered that Day, at half a Guinea each. Gallery 5s. By Their Majesties Command no Persons whatsoever to be admitted behind the Scenes, nor into the Orchestra. Gallery, Pit and Boxes will be opened at Five; To begin at 6:30. [Prices, terms of admission, and time repeated in subsequent bills.] Subscription Money to be paid to Andrew Drummond and Co. Bankers, or to Mr Crawford, Treasurer, for Silver t ickets. Signor Giardini the principal serious singer has arrived, and serious opera will begin as soon as possible (Public Advertiser). [Signora Mattei was again the promoter of Operas this season; Crawford the Treasurer.

Performances

Mainpiece Title: Il Tutore E La Pupilla