Event Comment: The Lord Mayor's Show. By John Tatham. The author mentions as his assistants: Andrew Dakers and William Lightfoot, painters; Thomas Whiting, joyner; and Richard Clear, carver

Event Comment: Mainpiece [1st time; MD 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: The Scenes, principally new, designed and painted by Richards, Hodgins, Pugh, Walmsley, and assistants. With entire new Dresses and Decorations. "The management of the earthquake in which the Temple of the Sun is destroyed was a very fine piece of stage mechanism; the effect of which was considerably heightened by the improved performance of the Bold Thunder, and that also of his Electrical Harbinger. The gradations and cadences of the first were superior to anything of the kind we remember within the walls of the theatre...The scene of the rising sun was uncommonly dingy" (Public Advertiser, 3 Dec.). "Mr Morton in full for Columbus #214 10s. 6d." [MS annotation on BM playbill, 26 Dec. 1792 (cg, Vol. VIII)]. Morning Herald, 14 Dec. 1792: This day at noon will be published Columbus (1s. 6d.). Receipts: #301 8s

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. True Briton, 19 Jan.: Morton was paid #400, and #150 "for the Copy-right, which Harris has purchased." Ibid., 27 Mar.: This Day was published A Cure for the Heart Ache (2s.). Receipts: #237 15s. (236.0; 1.15)

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald (his Miscellaneous Poems, 1801, p. 88). Epilogue by Miles Peter Andrews (London Chronicle, 12 Jan.)]: With new Scenes and Dresses. Morning Herald, 14 Apr. 1798: This Day is published Secrets Worth Knowing (2s.). Receipts: #311 6s. (307.9; 3.17)

Event Comment: The death of the Duke of Gloucester on this day apparently closed the theatres for a short time. Andrew Newport, writing on 15 Sept. 1660 to Sir Richard Leveson, stated: The court is in deep mourning and will continue so for 6 weeks (Sutherland MSS., HMC, 5th Report, Appendix, 1876, p. 156), but it is not until 27 Sept. 1660 that Rugg reported: playes are for present forbiden because of the death of the Duke of Gloucester (BM Add. Mss. 10116, folio 90v). The theatres may have opened on Monday 8 Oct. 1660; certainly they were acting by 11 Oct. 1660

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. Andrew Newport to Sir Richard Leveson, 6 Dec. 1660: Plays at court every week (HMC, 5th Report, Part I, 1876, p. 158)

Event Comment: John Aubrey to Anthony a Wood, 26 Oct. 1671: I am writing a comedy for Thomas Shadwell, which I have almost finished since I came here, et quorum pars magna sui.... And I shall fit him with another, The Countrey Rebell, both humours untoucht, but of this, mum! for 'tis very satyricall against some of my mischievous enemies which I in my tumbling up and down have collected (Aubrey's Brief Lives, ed. Andrew Clark [Oxford, 1898], I, 52n). See also the season of 1670-71

Event Comment: The Duke's Company. The play was not printed. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 349. Andrew Marvell to Sir Edw. Harley, 17 Nov. 1677: To-day is acted the first time Sir Popular Wisdom or the Politician, where my Lord Shaftesbury and all his gang are sufficiently personated. I conceive the King will be there (HMC, 14th Report, Appendix, Part II, 1894, Portland MSS., Volume III, p. 357)

Event Comment: Luttrell, A Brief Relation, I, 186: There [has] been a tall Irish man to be seen in Bartholomew-fair. The Epilogue to a revival of Mithridates (See mid-October 1681) has some lines which refer to recent activities at Bartholomew Fair: @Have not you seen the Dancing of the Rope?@When Andrew's wit was clean run off the Score,@And Jacob's Cap'ring Tricks could do no more,@A Damsel does to the Ladders Top advance@And with two heavy Buckets drags a Dance;@The Yawning Crowd pearch't up to see the sight,@And slav'r'd at the Mouth for vast delight.

Event Comment: The United Company. Writing on 3 Jan. 1692@3, Anthony Wood states: A new comedie composed by Mr Tate, poet laureat, was acted before their majesties, M. 2 Jan. (Andrew Clark, The Life and Times of Anthony Wood [Oxford, 1894], III, 413). Since no new play by Tate is known to have been acted at this time, and since A Duke and No Duke was reprinted in 1693 (Term Catalogues, May 1693), and acted several times (Gentleman's Journal, January 1692@2, issued in March):A Duke and no Duke being often acted now, and scarce, is reprinted, with the addition of a curious Preface, by our Laureat, concerning Farce. [Possibly Wood was mistaken in thinking that A Duke and no Duke was a new play. It seems the one most likely to fit the circumstances of this period.

Event Comment: Newdigate newsletters, 2 Sept. 1693: On Thursday a person acting ye Jack pudding on a stage in Bartholomew fair Bantering upon ye Straits Expedition & return of the ffleet was taken into Custody (Folger Shakespeare Library, transcribed by Professor John Harold Wilson). Luttrell, A Brief Relation, III, 176, 2 Sept. 1693: A merry andrew in Bartholomew fair is committed for telling the mobb news that our fleet was come into Torbay, being forced in by some French privateers, and other words reflecting on the conduct of great ministers of state. Newdigate newsletters, 12 Sept. 1693: On Sunday [10 Sept.] Mr Percivall who kept a Booth during St Barthollomew fair was siezed near Charing cross upon ye acct of clipping being discovered by a young man (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). [See also Luttrell, A Brief Relation, III, 183, 205, 207, 212.

Event Comment: Newdigate newsletters, 29 Sept. 1696: The Close of least Week one of our merry Andrews or Jack Puddings in Bartholomew ffaire stood in ye Pillory at Temple Bar for saying upon ye publick Stage yt in a little tyme Piggs would be roasted by ye flames of Exchange Telleyes & yt Bank Bills should Singe ye Haire of ym off. Transcribed by Professor John Harold Wilson

Event Comment: Subscriptions for the fall season may be taken at Andrew Drummond's, Bankers, at Charing Cross

Event Comment: Tickets at half a guinea. Gallery 5s. N.B. As part of the Serenata must be performed in the upper Gallery, it is humbly hoped the Nobility and Gentry will not take it amiss that servants cannot be admitted this night. The last night of performing this season. Sga Mattei humbly desires Subscribers for the ensuing season to pay their subscription money to Mess. Andrew Drummond and Co., Bankers, at Charing Cross; or to Mr Crawford, Agent and Treasurer of said Theatre

Event Comment: A new Comic Opera, music by several celebrated Composers. With new Cloaths, new Decorations, and new Dances. Pit and Boxes put together, and no Persons to be admitted without Tickets, which will be delivered that Day, at half a Guinea each. Gallery 5s. By Their Majesties Command no Persons whatsoever to be admitted behind the Scenes, nor into the Orchestra. Gallery, Pit and Boxes will be opened at Five; To begin at 6:30. [Prices, terms of admission, and time repeated in subsequent bills.] Subscription Money to be paid to Andrew Drummond and Co. Bankers, or to Mr Crawford, Treasurer, for Silver t ickets. Signor Giardini the principal serious singer has arrived, and serious opera will begin as soon as possible (Public Advertiser). [Signora Mattei was again the promoter of Operas this season; Crawford the Treasurer.

Event Comment: By Command of their Majesties. A new serious Opera. Pit and Boxes put together and no Persons to be admitted without Tickets, which will be delivered this Day, at the Office, at Half a Guinea each. Gallery 5s. By their Majesties Command no Persons whatsoever to be admitted behind the Scenes or in the Orchestra. Gallery, Pit and Boxes to be opened at Five. 6:30 p.m. [Repeated in the subsequent bills.] Messrs Crawford, Vincent, and Gordon most humbly request that the Nobility and Gentry, Subscribers to the Operas for the ensuing Season, will please send their Subssciptions to Andrew Drummond and Co., Bankers at Charing Cross; or to Crawford, at the theatre, where attendance will be given every day from Ten to Two, to receive Subscriptions, and the names of the Subscribers who are pleased to honor the Managers with their Protection to enable them to get the Tickets engraved before the Operas begin (Public Advertiser through October and November)

Event Comment: Recruiting Officer oblig'd to be Deferr'd on account of Indisposition of a principal performer. Paid Messrs Monk & Hird (button makers) #6 12s. 6d.; Andrews (haberdasher) #5 10s. 6d.; Thompson (peruke maker) #2 13s. 6d.; Bigner (peruke maker) #1 3s. (Account Book). Receipts: #175 (Account Book)

Event Comment: Afterpiece [1st time; CO 2, by Miles Peter Andrews]: The Overture from the celebrated Fire and Water Music of Handel. The new Airs and Chorusses by Dr Arnold. With new scenes by Rooker. Books of the Songs may be had at the Theatre. Public Advertiser, 8 July 1780: This Day is published the Songs in Fire And Water! (6d.). Ibid, 22 July 1780: This Day is published Fire And Water! (price not listed)

Event Comment: Mainpiece: Not acted these 4 years [not acted since 30 Oct. 1771]. Afterpiece [1st time; F 2, by Edward Topham. Prologue by Miles Peter Andrews (Public Advertiser, 7 Dec.). Larpent MS 539; not published]. Receipts: #207 11s. 6d. (158.18.0; 48.12.6; 0.1.0)

Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews. Prologue by Frederick Pilon. Epilogue by Edward Topham (see text)]: With Music High and Low Dutch [ascribed to Dr Arnold]. New Dresses and Decorations. The new Scenes painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 30 July 1781: This Day is published The Baron....(price not listed)