SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Willaim Richards"/1) | (@(roleclean,performerclean) "Willaim Richards")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1991 matches on Author, 696 matches on Performance Title, 668 matches on Performance Comments, 470 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: [An edition of 1678 has a cast partially pertaining to this time (see also 31 Jan. 1672): Ferdinand-$Harris; Cardinal-$Young; Antonio-$Smith; Delio-$Midburn; Bosola-$Betterton; Castruchio-$Richards; Sylvio-$Cademan probably not acting now]; Pescara-$Norris; Malateste-$Price (not living in 1676); Roderigo-$Cogun (not living in 1676); Grisolan-$Percival; Dutchess of Malfey-$Mrs Betterton; Cariola-$Mrs Norris; Old Lady-$Mrs Osborn; Julia-$Mrs Shadwell.
Cast
Role: Castruchio Actor: Richards

Performances

Mainpiece Title: The Debauchee; Or, The Credulous Cuckold

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira; Or, The Mistress

Performances

Mainpiece Title: The Triumphs Of London

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Several new Songs-Mrs Hudson, Mr Elford accompany'd with the Lute; Also particular Performances-Mr Paisible, Mr Banister; concluding with a Song made upon St. Cecilia's Day, but never yet perform'd-

Performances

Mainpiece Title: Vice Reclaim'd; Or, The Passionate Mistress

Performances

Mainpiece Title: Aesop

Song: As17050104

Dance: duRuel, Cherrier, Mrs duRuel, Mrs Bicknell

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: Pyramus and Thisbe, Lyon, Moonshine, and Wall

Music: With all New Musick (for that Night) both Vocal and Instrumental Musick-

Performances

Mainpiece Title: The Stratagem

Performances

Mainpiece Title: Jane Shore

Song:

Dance:

Performances

Mainpiece Title: Woman's A Riddle

Dance:

Performances

Mainpiece Title: The Spartan Dame

Song: As17191003

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Singing-Mrs Manina; Hautboy-Keitch; Sixth Flute-John Baston

Performances

Mainpiece Title: Measure For Measure

Dance: As17201125; Two Harlequins and Two Punches-

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; particularly Mr Handel's Water@Musick-; Singing-Mrs Fitzgerald

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Afterpiece Title: The Escapes of Harlequin

Music: Between the Acts: Select Piece-

Performances

Mainpiece Title: The Recruiting Officer

Dance: Scaramouch-a Boy of Nine Years of Age

Event Comment: Benefit Brown, Buchanan, Richards, Sparkling. [The Prologue was printed in British Journal, 29 Feb.

Performances

Mainpiece Title: The Royal Convert

Afterpiece Title: The Adventures of Half an Hour

Afterpiece Title: The Plots of Harlequin

Performances

Mainpiece Title: The Rover

Dance: End I: Polonese-Miss Robinson, Rainton; III: A new Passacaille-Miss Robinson; V: A New Comic Dance-Miss Robinson, Rainton

Music: II: 2d Concerto of Corelli-; IV: Select Piece with Hautboys and Flutes-