SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Widow of the late Dr Arne"/1) | (@(roleclean,performerclean) "Widow of the late Dr Arne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2524 matches on Event Comments, 1134 matches on Performance Comments, 913 matches on Performance Title, 897 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by the late N. Rowe, Poet-Laureat. With New Habits. Afterpiece: Set to Musick by Mr T. Arne Jr. [See Daily Post, 6 Nov., and London Evening Post, 6 Nov., for prosecution of actors at HAY by officials of DL, CG, and GF.]

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Milward; Bajazet-Mills; Moneses-A. Hallam; Axalla-Cibber; Arpasia-Mrs Heron; Selima-Mrs Grace. With the usual Prologue .

Afterpiece Title: The Opera of Operas

Cast
Role: Tom Thumb Actor: Young Master Arne
Role: Princess Actor: Miss Arne
Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Thomas Arne

Dance: As17331031

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by the late N. Rowe, Esq; Poet Laureat. Afterpiece: Set to Musick by Mr T. Arne Jr

Performances

Mainpiece Title: Tamerlane

Performance Comment: As17331105 With the usual Prologue .

Afterpiece Title: The Opera of Operas

Cast
Role: Tom Thumb Actor: Young Master Arne
Role: Princess Actor: Miss Arne
Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Thomas Arne

Dance: As17331031

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Sir Richard Steele. Afterpiece: Set to Musick by Mr T. Arne Jr

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: The Opera of Operas

Cast
Role: Tom Thumb Actor: Young Master Arne
Role: Princess Actor: Miss Arne
Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Thomas Arne

Dance: Les Bergeries by Essex, Miss Robinson, Holt, F. Tench, Miss Mann, Miss Brett

Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by the late Mr Otway. Afterpiece: Set to Musick by Mr Arne Jr

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Opera of Operas

Cast
Role: Tom Thumb Actor: Young Master Arne
Role: Princess Actor: Miss Arne
Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Thomas Arne

Dance: As17331029

Event Comment: Mainpiece: Taken from the French of Moliere. Second Piece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: The Mother in law

Afterpiece Title: Dido and Aeneas

Afterpiece Title: The Burgomaster Trickd

Dance: As17340129

Event Comment: Benefit Vaughan, Boxkeeper, and Gwinn's Widow, late Pit Doorkeeper. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Provokd Wife

Cast
Role: With the additional Scene Actor: .

Afterpiece Title: The Honest Yorkshireman

Dance: I: Comic Dance-Richardson, Miss Cantrel; II: Two Pierrots-Nivelon, Lalauze; III: Je ne scai quoy-Tench, Villeneuve, Miss Oates; IV: Pantomime Dance-Nivelon, Mrs LeBrun; V: Grecian Sailors-Glover

Song: III: Chancon a Boire-Leveridge, Laguerre

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Performance Comment: Edition of 1699: Prologue-; Rinaldo-Betterton; Ubaldo-Thurman; Carlo-Scudamore; Armida-Mrs Barry; Urania-Mrs Boman; Phenissa-Mrs Lee; Epilogue-; The Musical Entertainment ...All Compos'd by Mr John Eccles, and Writ by Mr Dennis-.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: The Devil-Bannister; Sir ThomasMaxwell-Gardner; Invoice-R. Palmer; Dr Julep-Baddeley; Dr Apozem-Barrett; Dr Fingerfee-Painter; Dr Camphire-Webb; Dr Calomel-Usher; Dr O'Sassafras-Davis; Dr Sligo-Egan; Dr Broadbrim-Kenny; Dr Habbakuk-Peirce; Macpherson-Walker; Forceps-Stevens; Printer's Devil-Master Hitchcock; Dr Last-Edwin; Margaret Maxwell-Mrs Webb; Harriet-Mrs Jewell.
Cast
Role: The Devil Actor: Bannister

Afterpiece Title: The Genius of Nonsense

Related Works
Related Work: The Genius of Nonsense Author(s): George Colman, the elder

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: Principal Parts by Blissett, Gardner, Egan, R. Palmer, Jackson, Massey, Stevens, Parsons, Davis, Walker, Painter, Kenny, Peirce, Bannister, Mrs Webb, Mrs Jewell. Cast adjusted from playbill of 13 Aug. 1779: Dr Julep-Blissett; Sir ThomasMaxwell-Gardner; Dr Sligo-Egan; Invoice-R. Palmer; Dr Apozem-Jackson; Dr Camphire-Massey; Forceps-Stevens; Dr Last-Parsons; Dr O'Sassafras-Davis; Macpherson-Walker; Dr Fingerfee-Painter; Dr Broadbrim-Kenny; Dr Habbakuk-Peirce; The Devil-Bannister; Margaret Maxwell-Mrs Webb; Harriet-Mrs Jewell.
Cast
Role: The Devil Actor: Bannister

Afterpiece Title: The Apprentice

Performance Comment: Dick (with the original Prologue, and a variety of Imitations)-Bannister Jun. (1st appearance on any stage); Gargle-Gardner; Simon (1st time)-Stevens; Irishman-Egan; Scotchman-Walker; Watchman-Jackson; Porter-Silvester; Wingate-Dunstall (of cg); Charlotte-Miss Walton.

Dance: As17780615

Event Comment: Benefit the Widow and Family of the late Mr Bowen

Performances

Mainpiece Title: The Old Batchelor

Song:

Dance:

Event Comment: Benefit Penkethman's Widow. Written by the late Mr Farquhar

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17251213, but Brazen-Giffard, being the second Time of his appearing on the Stage.

Music: Between Acts: Select Pieces-

Dance: Roger, Lally, Mrs Brett, Mrs Walter, Young Rainton, Miss Robinson

Event Comment: Benefit Rowland and Widow Atkins. Written by the late Sir John Vanbrugh. Receipts: money #9 9s.; tickets #108 8s. Probable attendance: boxes, 13 by money and 200 by tickets; stage, 2 by money; pit, 8 by money and 256 by tickets; first gallery, 15 by money and 200 by tickets; second gallery, 19 by money

Performances

Mainpiece Title: The Provokd Wife

Song: LL'Amor Che Parte Sento, Gently Touch the Warbling Lyre-Miss Warren; two part Song-Leveridge, Laguerre

Dance: TTwo Pierrots-Poitier, Pelling; Dutch Burgomaster and His Frow-Newhouse, Mrs Ogden

Event Comment: Benefit Mines, Maine, and Keene's Widow. Second Piece: Written by the late Sir John Vanbrugh. Receipts: money #20 14s.; tickets #120 12s

Performances

Mainpiece Title: A Womans Revenge

Afterpiece Title: The Country House

Afterpiece Title: Flora

Cast
Role: Hob's Mother Actor: Mrs Egleton.

Dance: HHighlander and Mistress-Salle, Mrs Legar; Fingalian-Newhouse, Mrs Ogden; Dutch Skipper-Moreau, Mrs Bullock; Comic Dance-Young Tench, Lilliputian Filch

Event Comment: Benefit Hippisley and Mrs Egleton. Mainpiece: Written by the late Mr Congreve. Tickets for The Amorous Widow taken at this play. Receipts: money #26 17s.; tickets #143 5s

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Cheats of Scapin

Dance: TTwo Pierrots-Nivalon, Poitier

Event Comment: Benefit Thompson, Aston, Widow Atkins. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #22 12s.; tickets #94 6s

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The What Dye Call It

Song: I: Peggy O-Tony Aston; III: The Medley Hodge@Podge-Aston; V: Hold John-Aston; I afterpiece: Mrs Wright

Dance: II: French Clown-Nivelon; IV: Highlander and his Mistress-Salle, Mrs Laguerre; End of Farce: Drunken Man-Aston

Event Comment: Benefit Wilmer and Widow Redfern, Boxkeeper. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #7 12s.; tickets #100 19s

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Flora

Cast
Role: Hob's Mother Actor: Mrs Egleton.

Dance: PPeasant-Nivelon; Saraband-Glover, Miss LaTour; French Peasant-Newhouse, Miss Wherrit

Event Comment: Benefit Taylor, Beaw, Cooper, Widow Cook (Boxkeeper). Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse

Performance Comment: As17320210, but Sir John-A. Hallam; Berinthia-Mrs Horton; Nurse-Mrs Wetherilt.
Cast
Role: Nurse Actor: Mrs Wetherilt.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: TThe Hussars-Essex, Mrs Booth; Saraband-Lally, Miss Mears

Event Comment: Benefit Ford and Salle's Widow. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #20 4s.; tickets #154 18s

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: Flora

Performance Comment: As17330418 but Hob's Mother-Mrs Egleton.
Cast
Role: Hob's Mother Actor: Mrs Egleton.

Dance: I: Scottish Dance-Master Weeks; II: Tambourine-Miss Rogers; IV: Dutch Skipper-Jones, Mrs Ogden; V: Clown-Nivelon; End of Afterpiece: Scottish Dance, as17330501

Song: III: Chanson a Boire-Leveridge, Laguerre

Event Comment: Benefit Vallois and Mrs Vallois (late Widow to Monsieur Roger, the Pierrot in Drury Lane, Deceas'd). Acted by the Comedians form the Theatre in Goodman's Fields. At the particular Desire of several Persons of Quality. 6:30 p.m. Boxes 5s. Pit 3s. Gallery 1s. 6d

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: Townly-Havard; Manly-Hulett; Sir Francis-Morgan; Richard-Norris; Basset-Giles; Moody-Pearce; Jenny-Miss M. Hughes; Mrs Motherly-Mrs Norris; Myrtilla-Miss J. Hughes; Trusty-Mrs Vallois; Lady Townly-Mrs Leonard; Lady Wronghead-Mrs Christian; Lady Grace-Mrs Houghton.
Cast
Role: Mrs Motherly Actor: Mrs Norris

Afterpiece Title: The Mock Doctor

Dance: I: Minuet, a new Ragadoon-De Vallois, Madam De Vallois; II: French Peasant-; III: Pierrot and Pierroress-De Vallois and Madam De Vallois; IV: Pastoral-De Vallois and Madam De Vallois; V: Wooden Shoe Dance-De Vallois, Bowford, Pawlet

Event Comment: Benefit Miss Oates. Mainpiece: Written by the late Mr Farquhar. 6 p.m. Tickets [for Demagny, a Widow in Distress, Leigh, Nosom, and Legard taken at this play. For another comment on the Licensing Act, see Daily Gazetteer, 15 June.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Honest Yorkshireman

Dance: I: A new Serious Dance-Master and Miss Oates; II: Irish Trot-Master and Miss Oates; V: Peasant Dance-Master and Miss Oates

Event Comment: Benefit Widow and Child of James Miller, the author. As the Play of to-night is entirely for mine and my children's Benefit, and was allotted (by the Manager) for that purpose a considerable time ago, has since been advertis'd in the Publick papers upwards of ten days, and the Boxes chiefly been taken by Ladies of Quality and Distinction, I humbly hope, as Charity and Humanity are my advocates, the Performance will be permitted without interruption. D. Miller.--General Advertiser. To Those who remained in the Pit in Drury Lane Playhouse on Thursday Evening, and were refus'd their money: GENTLEMEN: If you are sensible of the Insults that we receiv'd from the servants of the Manager (after we had remain'd orderly in the House expecting our money for the best part of an hour) being expos'd to the danger of our lives from several sticks, &c being thrown at us from the stage, and from the attack of Soldiers jumping into the Pit with their bayonets fix'd, you'll meet tomorrow several Gentlemen equally injur'd, at the Fountain Tavern in Catherine Street in the Strand, at two o'clock, as well as, Your most humble Servant, J. Johnston.--Daily Advertiser. [Daily Gazetteer contained a letter by Anti-Mimus on the manager's publication of reasons for his late extraordinary measures.

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The School Boy

Performance Comment: School Boy-Yates; Major Rakis-Bridges; Young Rakish-Cross; Friendly-Green; Father Benedict-Blakes; Lettice-Mrs Yates; Lady Manlove-Mrs Cross.
Cast
Role: Father Benedict Actor: Blakes

Song: Lowe

Dance: Muilment

Event Comment: Benefit for Mrs Woodman, late of Covent Garden, left a Widow with five Children. By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. [Public Advertiser, 21 Feb., contained a long letter concerning the small attendance on this occasion: "One of the finest Female Singers this Country has for many years produced is now, through a Series of Misfortunes as unavoidable as unforeseen, in a State of Wretchedness scarcely credible. [Her husband, a schoolteacher, died.] Alas! she had five helpless innocent to drink of the same bitter Cup, to harrow up all the Heartstrings of a Mother, and to tear her Soul unavailingly for that Support, of which she herself was depriv'd by the Death of their Father. [The expenses of the benefit performance exceeded the receipts of the house.] Calamity became heaped upon Calamity, and she is now weeping in a Prison, over her unhappy little ones, for a Sum not exceeding #50." Appeal is made for gifts to relieve her. On 23 May, Mrs Woodman released from prison, gave a Benefit Concert at the Crown and Anchor Tavern, concluding with an Occasional Musical Address to the Town called The Grateful Acknowledgment, written and the music compiled from a most eminent Master by Adam Smith, sung by Mrs Woodman.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Bradney; Justice Woodcock-Merryfield, first appearance on any stage; Hawthorne-Massey; Sir William-Lewis; Eustace-Trotter; Hodge-Winton; Madge-Mrs Nost; Debora-Mrs Cokayne; Lucinda-Mrs Simmons; Rosetta (with a new introductory song composed by Bates)-Mrs Woodman; Servants at the Statute-Williams, Hayes, Baldwin, King.

Afterpiece Title: The Devil to Pay or the Wives Metamorphosed

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: II: Hornpipe-Rawlins

Song: End Opera: Aileen a Roon-Mrs Woodman

Event Comment: Benefit for Mrs Barry. Mainpiece: A Tragedy altered from Thomson [by Thomas Hull] never perform'd. Part of Pit laid into the Boxes. Servants who are to keep places are desired to be at the stage door by 4 o'clock, and those Ladies and Gentlemen who have taken seats in the Pit are requested to come early to prevent confusion in getting to their places. Epilogue by Sheridan. [This play had been refused a license on 26 March 1739, While Walpole was still Prime Minister, probably because of such speeches as: @Is there a cure on Humankind so fell@So pestilent, to Prince and People,@As the base servile vermin of a court;@Corrupt, Corrupting ministers and favourites?@How oft have such eat up the widow's morsel,@The Peasant's toil, the Merchant's far-sought gain,@And wantoned to the ruin of a nation!-Larpent MS, op. p. 65.@ Also the play equalizes Christianity and Mohammedanism before God, and gives a slight edge to the latter (Act IV, scene ii), suggesting the part politics play in Christian churches. An account of the alterations made for the present performance is given in the Westminster Magazine for March. The review concludes: The Play was got up altogether well, and reputedly acted, and is in its present state what the Ladies call "a very pretty tragedy."

Performances

Mainpiece Title: Edward And Eleonora

Performance Comment: Edward-Lewis; Selim-Bensley; Gloster-Hull; Theald-Clarke; Assassin-L'Estrange; Officer-Thompson; Daraxa-Mrs Mattocks; Eleonora-Mrs Barry; Prologue-Hull; Epilogue-Mrs Mattocks.
Cast
Role: Theald Actor: Clarke

Afterpiece Title: The Padlock

Dance: End Epilogue: The Vintage Festival, as17741007

Event Comment: By Permission of the Lord Chamberlain. [Both Prologues by David Garrick.] To begin at 7:00

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Calvert (from the Theatre Royal, Dublin); King Henry-Gardner; Buckingham-Usher; Tressel-Riley; Lord Stanley-Jackson; RatclifF-Frost; Norfolk-Neale; Prince Edward-Miss Painter; Duke of York-Master Symmonds [i.e. Simmons]; Richmond-Stratford; Queen-Mrs Lefevre; Duchess of York-Mrs Fowler; Lady Anne-Mrs Cuyler .

Afterpiece Title: The Apprentice

Performance Comment: Dick (with the original Prologue)-A Gentleman (1st appearance on any stage [unidentified]); Wingate-Barrett; Simon-Kippling; Charlotte-Mrs Swords .

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .
Event Comment: Benefit for the Widow and Children of the unfortunate Mr Linton, late of this Theatre. [Linton, a musician belonging to the CG band, had been attacked and killed by footpads on 8 July.] "The band were all dressed in mourning, suited to the occasion, and are entitled to their share of applause" (Public Advertiser, 30 Sept.). Afterpiece: Not acted these 4 years

Performances

Mainpiece Title: Zara

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Lewis; Baptista-Thompson; Biondello-Chalmers; Music Master-Stevens; Hortensio-Helme; Tailor-Jones; Pedro-Gaudry; Haberdasher-Besford; Nathaniel-Ledger; Grumio-Quick; Bianca-Mrs Poussin; Curtis-Mrs White; Catherine-Mrs Bates .
Cast
Role: Catherine Actor: Mrs Bates