SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Widow of the late Dr Arne"/1) | (@(roleclean,performerclean) "Widow of the late Dr Arne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2524 matches on Event Comments, 1134 matches on Performance Comments, 913 matches on Performance Title, 897 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Irish Widow [announced on playbill of 19 May] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #154 7s. 6d. (134/16/0; 16/11/0; 3/0/6)

Performances

Mainpiece Title: Percy

Afterpiece Title: Whos the Dupe

Event Comment: Benefit for Fawcett and the Widow Butler. Morning Chronicle, 17 May: Tickets to be had of Fawcett, Craven Buildings; of Mrs Butler, next door to the theatre. Receipts: #235 1s. (21/17/0; 16/16/6; 0/6/6; tickets: 196/1/0) (charge: #108 18s. 4d.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber

Dance: As17860522

Event Comment: [Mainpiece in place of Two to One; afterpiece of The Widow's Vow, both announced on playbill of 14 July.]

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: A Mogul Tale

Cast
Role: The Mogul Actor: Williamson
Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Larpent MS 779; not published; synopsis of plot in Universal Magazine, Aug. 1787, p. 100. Prologue by the author; Epilogue by George Colman elder (European Magazine, July 1787, pp. 63-64). In 1789 altered as The School for Widows]

Performances

Mainpiece Title: The Country Attorney

Performance Comment: Principal Characters by Bensley, Aickin, Kemble, Browne, R. Palmer, Johnson, Lyons, Ledger, Bannister Jun., Mrs Bulkley, Miss Woollery, Mrs Cuyler, Miss Brangin, Miss Farren. [Cast from European Magazine, July 1787, pp. 63-64, and Crouch, II, 25: Sterling-Bensley; Worldly-Aickin; Sir Wilful Wayward-Kemble; Frederick Wayward-Browne; Lord Millamour-R. Palmer; Gayless-Johnson; Jack Volatile-Bannister Jun.; Mrs Worldly-Mrs Bulkley; Arabella Grenville-Miss Woollery; Mrs Gayless-Mrs Cuyler; Lucy-Miss Brangin; Lady Rustic-Miss Farren; unassigned-Lyons, Ledger; Prologue-Bensley; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Harvest Home

Cast
Role: Muzzy Actor: Mathews
Event Comment: [Mainpiece in place of Summer Amusement; afterpiece of The Widow's Vow, both announced on playbill of 1 Aug.

Performances

Mainpiece Title: Two To One

Related Works
Related Work: Two to One Author(s): George Colman, the younger
Related Work: Poor Old Haymarket; or, Two Sides of the Gutter!!! Author(s): George Colman, the younger

Afterpiece Title: The Son in Law

Event Comment: Account-Book: Tickets delivered by Shuter, Simmons, Strahan, Luxmore, Walker, Saby, Atkins, Young, Curteen, Hall [box-keeper], Hill, Combs, Heathcot, Widow Ansell, Keys, Berecloth, Egan will be admitted. Receipts: #376 12s. 6d. (29.17.6; 2.12.0; tickets: 344.3.0)

Performances

Mainpiece Title: The Chapter Of Accidents

Cast
Role: Warner Actor: Mrs Davenett

Afterpiece Title: Robin Hood

Event Comment: [Afterpiece in place of The Irish Widow, advertised on playbill of 6 Jan.] Powell: Virgin Unmasked rehearsed at 10 (dismissed); New Ballet at 12. Receipts: #205 2s. 6d. (156.15.0; 46.17.0; 1.10.6)

Performances

Afterpiece Title: The Virgin Unmaskd

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Widow. Tickets delivered for the 25th will be admitted. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Wilkinson; Maria-The Lady who performs Rutland.

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

Performance Comment: End: Collins's Ode on the Passions-Wilkinson.
Event Comment: [Account-Book: Tickets delivered by Hall (box-keeper), Clarke, Townsend, Bent, Coombs, Wilkins, Robson, Warwhick, the widow Ansell, W. Linton, Wost, Purkins, Simpson, Standen will be admitted.] Receipts: #365 3s. 6d. (44.5.0; 3.13.0; tickets: 317.5.6(

Performances

Mainpiece Title: Lifes Vagaries

Afterpiece Title: The Poor Sailor

Dance: As17951002

Song: End: The [Little] Farthing Rushlight-Young Standen

Monologue: After Singing: A Pantomimic Interlude in which the Dying and Skeleton Scene, with the Escape of Harlequin through a Hogshead of Fire. Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Scaramouch-Abbot; Doctor-Rees; Colombine-A Young Lady [unidentified]

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Wilson, widow of Richard Wilson, lately of the Theatre-Royal, Covent-Garden and Haymarket [whose 1st appearance on the stage was at Manchester, 26 Feb. 1796]. Tickets to be had of Mrs Wilson, No. 239, Piccadilly, near the Haymarket

Performances

Mainpiece Title: The Rivals

Performance Comment: Captain Absolute-Palmer; Faulkland-Egerton; Julia-Mrs Wilson (1st time in a London Theatre, and 4th on any stage).
Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe

Afterpiece Title: The Miser

Performance Comment: Lappet-Mrs Wilson; other Characters-The Ladies and Gentlemen of the Shakesperian Society.

Entertainment: Monologue Mainpiece: The Original Epilogue [by Richard Brinsley Sheridan]-Mrs Wilson

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-Murray (1st appearance in that character); Harcourt-Barrymore (of dl); Belville-Toms; Countryman-Wilde; Sparkish-Knight; Alithea-Miss Chapman; Lucy-Mrs Fawcett; The Country Girl-Mrs Jordan (of dl).
Cast
Role: Alithea Actor: Miss Chapman
Role: The Country Girl Actor: Mrs Jordan

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Performance Comment: Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years).recte 7] years).
Event Comment: By Permission of the Lord Chamberlain. Benefit for the Widow of a Baronet [Sir Richard Perrott], and a large Infant Family. Tickets to be had of Lady Perrott, No. 28, Spring-street, Portman-square

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Irishman in London or The Happy African

Entertainment: Monologue An Occasional Address-a Young Lady (1st appearance on any stage [unidentifield])

Event Comment: [As afterpiece the playbill announces The Irish Widow, but on the Kemble playbill this is deleted, and a MS annotation substitutes The Purse.] Receipts: #416 (380.7; 35.1; 0.12)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Purse

Song: As17990529

Event Comment: Charles II entered London on this day, an event which occasioned several works of a quasi-dramatic nature. One was The Famous Tragedie of the Life and Death of Mrs Rump...As it was presented on a burning Stage at Westminster the 29th of May, 1660. It has a Prologue and Epilogue; the author is not known. A second is An Ode Upon the Happy Return of King Charles II to his Languishing Nations, May 29. 1660. This work, by James Shirley, with music by Dr Coleman, was printed in 1660, and reprinted in A Little Ark, ed. G. Thorn-Drury (1921), pp. 21-23. A third is A True Relation of the Reception of his Majestie and Conducting him through the City of London...on Tuesday the 29 of this instant May, being the Day of his Majesties Birth

Performances

Event Comment: The Duke's Company. Pepys, Diary, 20 Oct.: Young Killigrew did so commend The Villaine, a new play made by Tom Porter, and acted only on Saturday at the Duke's house, as if there never had been any such play come upon the stage. The same yesterday was told me by Captain Ferrers; and this morning afterwards by Dr Clerke, who saw it. Downes, p. 23: Written by Major Thomas Porter; this Play by its being well perform'd, had Success extremly beyond the Company's Expectation....It Succeeded 10 Days with a full House, to the last. [Downes especially praises Price. The edition of 1663 has a Prologue but no actors' names and no epilogue.

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald
Event Comment: The Duke's Company. William Hamon (or Hammond) saw a performance near the end of the period between Michaelmas 1663 and Lady Day 1664. The entry in his journal (which I owe to the courtesy of Dr. Giles Dawson) reads: Item spent in carrying Mrs & sistar to King Lear 00 09 06 (Folger MS. v. a. 422)

Performances

Mainpiece Title: King Lear

Event Comment: Pepys, Diary: Discoursed most about plays and the Opera, where, among other vanities, Captain Cooke had the arrogance to say that he was fain to direct Sir W. Davenant in the breaking of his verses into such and such lengths, according as would be fit for musick, and how he used to swear at Davenant, and command him that way, when W. Davenant would be angry, and find fault with this or that note--but a vain coxcomb I perceive he is, though he sings and composes so well. But what I wondered at, Dr Clerke did say that Sir W. Davenant is no good judge of a dramatick poem, finding fault with his choice of Henry the 5th, and others, for the stage, when I do think, and he confesses, The Siege of Rhodes as good as ever was writ

Performances

Event Comment: [The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. There is no certainty that this performance is the premiere, btt an additional known performance on 15 June suggests that early June probably saw the initial run. The music for two songs, Thou joy of all hearts and When you dispense your influence, both set by Dr William Turner, is in Choice Ayres and Songs, Second Book, 1679. Preface, Edition of 1676: I have no reason to complain of the success of this Play, since it pleased those, whom, of all the World, I would please most: Nor was the Town unkind to it....[There] being no Act in it, which cost me above Five days writing: and the last Two (the Play-house having great occasion for a Play) were both written in Four Days. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the Company great Reputation. The Libertine perform'd by Mr Betterton Crown'd the Play

Performances

Mainpiece Title: The Libertine

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Performance Comment: Edition of 1683: The Prologue-Mr Smith; The Epilogue-Mr Lee in the Character of Bartaline the Old Lawyer.

Performances

Mainpiece Title: Concert

Performance Comment: A Pindarick Ode, on New@Year's@Day-; Vocal and Instrumental Musick Perform'd before Their Sacred Majesties, K. William and Q. Mary. Set by Dr John Blow, and Written by ThomasD'Urfey-.
Event Comment: Gentleman's Journal, November 1693: An Ode upon His Majesty's Birth-day, Set to Musick by Dr Staggins; and Perform'd before Their Majesties, Nov. 4. 1693. The Words by N. Tate, Servant to Their Majesties. [The Ode was published separately as a broadside in 1693. A song, Gallic force, in vain, set by Staggins and sung to the King on his birthday, is in Comes Amoris, The Fifth Book, 1694.

Performances

Mainpiece Title: Concert

Event Comment: Betterton's Company. Possibly Edmund Warcup attended this performance: Soe to the play with Dr Needham (The Journals of Edmund Warcup, 1676-1684, ed. Keith Feiling and F. R. D. Needham, English Historical Review, XL [1925], 241)

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: The Mourning Bride

Event Comment: London Gazette, No. 3266, 25 Feb.-1 March 1696@7: The Consort of Musick, which was perform'd last Wednesday in York-Buildings, will be perform'd again on Wednesday next being the 3 instant, with several Additions of Dr Blow, and Mr Henry Purcell's Musick

Performances

Mainpiece Title: Concert