Event Comment: Benefit Widow Bowen and Widow Leigh. With all the Original Decorations of Rising, Sinking, and Flying; and Dances proper to the Play

Event Comment: Mainpiece: By Particular Desire. Tickets deliver'd by Mrs Lampe, and Mrs Jones, Mrs Masters (formerly Miss Lalauze), Besford, Miss Cranfield, Bates, Widow Wise, Widow Emery, and Ledger, and those deliver'd for She Stoops to Conquer will be taken. Doors open half past 5. To begin at half past 6 o'clock

Event Comment: Benefit Aston's Family. At the Blue Post Tavern without Holborn Bars

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Event Comment: Benefit Mrs Walter. Tickets at Mrs Walter's House, near the Fishmonger's, in Bridges Street. Afterpiece: As 30 April