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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow White"/1) | (@(roleclean,performerclean) "Widow White")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1574 results for: Keyword - Widow White
We found 786 matches on Performance Comments, 459 matches on Performance Title, 455 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1326
29 January 1796 @ Drury Lane Theatre

Event Comment: Oracle, 2 Feb.: Mrs Siddons wore a dress "wholly composed of white muslin, with a zone of jewels." Account-Book:Paid Barratt, Sperm Oil and Candles to 25th Inst. #125 5s. Receipts: #302 19s. 6d. (296.9.6; 6.10.0)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Harlequin Captive

1327
12 November 1796 @ Drury Lane Theatre

Event Comment: The Publick is most respectfully informed that on account of the sudden Indisposition of a Principal Performer, the new Tragedy of The Conspiracy [advertised on playbill of 11 Nov.] is obliged to be deferred. "A new tragedy, entitled The Conspiracy, written by Mr Jephson, was announced for representation on Saturday evening; but (as the apology stated) on account of the indisposition of a principal performer, The Grecian Daughter was substituted in its room. All the principal performers advertised for the new play having, however, appeared in The Grecian Daughter, it is supposed, and generally understood, that it was the interference of the Lord Chamberlain's interdiction (who, by the mighty virtues of his white wand, valiantly frustrated the meditated Conspiracy), that produced the sudden change of performance" (Morning Herald, 14 Nov.), Receipts: #256 7s. 6d. (167.6.6; 84.11.0; 4.10.0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: My Grandmother

Ballet: End: The Scotch Ghost. As17961108, but Glaude-Grimaldi

1328
18 February 1797 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Bantry Bay

Performance Comment: Principal Characters-Johnstone, Murray, Townsend, Haymes, Claremont, Gray, Linton, Street, Mrs Clendining. [Cast from text (Richard White, 1797). and Monthly Visitor, Feb. 1797, p. 165: O'Laughlin-Johnstone; Justice-Murray [in text: Hull]; Lieut. Hamilton-Townsend; Capt. Broadside-Haymes [in text: Incledon]; Patrick-Claremont; Nelly-Mrs Clendining; [The text adds Shaneen O'Shee-Waddy; M'Huckaback-Powel; La Jeunesse-Farley; Louisa-Mrs Mountain; Principal Characters-Gray, Linton, Street; Irish Peasants-Delpini, Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, Kenrick, J. Linton, Thomas, Oddwell, Cooke, Everett, Philipps, Cranfield, Rayner, Wilde, [J.] Lee, Mrs Gilbert, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Owen, Miss Logan, Mlle St.Amand.J.] Lee, Mrs Gilbert, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Owen, Miss Logan, Mlle St.Amand.

Afterpiece Title: The Ghost

1329
28 February 1800 @ Covent Garden

Event Comment: Principal Instrumental Performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, Barret, R. Ashley, Parkinson, Woodham, Jenkinson, M'Arthur, the Munros, Purney, Cantelo, Taylor, M'Intosh, Gwilliam, Nicks, Cobham, Leffler, Betts, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Ware, J. Ware, Wood, G. Jones, Moorehead, Slezack, Francis, Jackson, Vial, White, &c. Organ by J. Ashley. The Band and Chorusses will be numerous and complete, and assisted by the Trombones and Double Drums, used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley Sen. Places for the Boxes to be had of Brandon at the stage door. The Doors to be opened at 6:00, and the Performance to begin at 7:00 precisely [same throughout oratorio season]. Half Price will be taken at 9:00. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance to be had at the Theatre (6d.)

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

1330
14 August 1660 @ The Red Bull Theatre

Event Comment: In Herbert, Dramatic Records, p. 82, is a list of the plays acted by the Red Bull actors: The Humorous Lieutenant. Beggars Bushe. Tamer Tamed. The Traytor. Loves Cruelty. Wit without Money. Maydes Tragedy. Philaster. Rollo Duke of Normandy. Claricilla. Elder Brother. The Silent Woman. The Weddinge. Henry the Fourthe. Merry Wives of Windsor. Kinge and no Kinge. Othello. Damboys [Bussy D'Ambois]. The Unfortunate Lovers. The Widow. This list (see Hotson, Commonwealth and Restoration Stage, p. 203) apparently concerns plays revived by this company, some before 10 Sept. 1660, some afterward. (See also the list of plays at the opening of the season and also 6 and 23 June 1660.

Performances

1331
02 January 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Richard Legh, writing to his wife, 3 Jan. 1667@7, reported to her concerning this play: which is so damn'd bawdy that the Ladyes flung their peares and fruites at the Actors (Lady Newton, The House of Lyme, p. 240). Pepys, Diary: Alone to the King's House, and there saw The Custome of the Country, the second time of its beind acted, wherein Knipp does the Widow well; but, of all the plays that ever I did see, the worst--having neither plot, language, nor anything in the earth that is acceptable; only Knipp sings a little song admirably. But fully the worst play that ever I saw or I believe shall see

Performances

Mainpiece Title: The Custom Of The Country

1332
09 November 1671 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

1333
03 March 1701 @ York Buildings

Event Comment: Benefit for Widow of the late Mr William Hall, who formerly had the Consort of Musick at his House in Norfolk-street. At 8 p.m

Performances

Mainpiece Title: Concert

Music: New Vocal and Instrumental Music-

1334
10 March 1701 @ York Buildings

Event Comment: Benefit the Widow of Thomas Williams, who perform'd in the Theatre Royal. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, particularly that celebrated Song, set by the late Mr Henry Purcell (for the Yorkshire Feast)-the best Masters of each Profession in England performing their Parts

1335
18 June 1701 @ York Buildings

Event Comment: Benefit Widow and 7 Children of Mr Charles Powel, late Servant to his Majesty and his late Highness the Duke of Gloucester. At the desire of several Persons of Quality. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, Composed by the late Famous Mr Henry Purcell for the York-shire Feast-

1336
27 August 1705 @ Bartholomew Fair

Event Comment: At Widow Barnes'/Booth, over against the Cross Daggers in Smithfield

Performances

Mainpiece Title: Rope Dancing

Entertainment: By the most Famous Rope Dancers of Europe; who perform such strange and surprising Things on the Dancing Rope, as are incredible to relate; with great Variety of Encomparable fine Tumbling, Walking on the Slack Rope, Vaulting-; far surpassing all that has ever yet been seen. Together with the diverting Entertainments of your Old Friend Pickle Herring-, the chief of all his imitating Brethren

1337
01 May 1706 @ May Fair

Event Comment: At the Widow Barnes-Evans-Finley Booth. Be pleas'd to take notice, that there is no Rope-Dancing at Mr Penkethman's Booth

Performances

Mainpiece Title: Rope Dancing

Entertainment: The most famous Rope/Dancers of Europe, who perform such strange and surprizing things as were never before seen, and which are almost incredible to relate

1338
25 May 1708 @ Drury Lane Theatre

Event Comment: For the Benefit of the Author'd Widow and Children

Performances

Mainpiece Title: The Constant Couple

1339
04 June 1711 @ Drury Lane Theatre

Event Comment: Benefit the Widow of the late famous Tragedian Mr Betterton. At the particular Desire of several Ladies of Quality. Written by Sir George Etheridge

Performances

Mainpiece Title: The Man Of Mode

1340
17 March 1712 @ Drury Lane Theatre

Event Comment: [By Ambrose Phillips.] At the Desire of several Ladies of Quality. William Egerton: And in the Spring came on Mr Phillips's Tragedy, The Distrest Mother. Mrs Rogers, an Actress, who in her Turn, had made a considerable Figure on the Stage, was designed the Part of (Andromache, Hector's Widow, &. i.e.) the Distrest Mother. But the Author, as well as his Friends, were soon convinced that Mrs Oldfield was infinitely the more accomplished Person for so Capital a Part. Upon its being given to Her, Mrs Rogers raised a Posse of Profligates, fond of Tumult and Riot, who made such a Commotion in the House, that the Court hearing of it send four of the Royal Messengers, and a strong Guard, to suppress all Disorders. This being effected, the Play was brought upon the Stage and crowned with deserved Success (Egerton, pp. 31-32)

Performances

Mainpiece Title: The Distrest Mother

1341
05 May 1715 @ Stationer's Hall

Event Comment: Benefit the Widow and Children of Christian Steffkins. At 6 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Singing-New Italian Lady

1342
03 June 1715 @ Lincoln's Inn Fields

Event Comment: Benefit Rawlins and Cook. Tickets for The Amorous Widow taken this Day. Receipts: #66 6s

Performances

Mainpiece Title: The Squire Of Alsatia

Song: Dialogue between a Drunken Smith and his Wife-Cook, Newberry; Trumpet Song-Rawlins never perform'd on that Stage before; Two/Part Song-The Two Boys never perform'd but once before

Dance: As17150512; Also Dutch Skipper-delaGarde, Mrs Bullock

1343
27 March 1717 @ Stationer's Hall

Event Comment: Benefit the Widow Armstrong. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the very best Masters; The Vocal Parts-Hughs, Weely, Gates, Turner, Mrs Fitzgerald, Mrs Boman; With an Entertainment on the Harpsicord-Babel intirely new; A Solo on the Flute-Paisible; Solo on the Hautboy-Kitch

1344
03 May 1718 @ Drury Lane Theatre

Event Comment: Benefit the Widow and Family of the late Mr Bowen

Performances

Mainpiece Title: The Old Batchelor

Song:

Dance:

1345
04 December 1718 @ Lincoln's Inn Fields

Event Comment: Benefit Keene's Widow. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Double Dealer

Song: As17181006

Dance: delaGarde, delaGarde's Two Sons, Moreau, Mrs Bullock, Mrs Moreau

1346
29 April 1719 @ Drury Lane Theatre

Event Comment: Benefit the Widow Bowen

Performances

Mainpiece Title: The Relapse

1347
01 May 1719 @ Lincoln's Inn Fields

Event Comment: Benefit Widow of Keene

Performances

Mainpiece Title: The Island Princess

Song: With the Original Dialogues-Leveridge, Pack; Mrs Barbier, Mrs Fletcher, Mrs Pulmon

Dance: As17190430

1348
25 May 1719 @ Drury Lane Theatre

Performances

Mainpiece Title: She Wou'd If She Cou'd

Performance Comment: Advertised as a benefit for the Widow Bowen, to make up the Deficiency of her last Benefit, but dismissed.

1349
24 August 1719 @ Bartholomew Fair

Event Comment: At Bullock and the Widow Leigh's Great Booth, in the Greyhound Inn Yard. An excellent new Droll

Performances

Mainpiece Title: The Constant Lovers; Or, The False Friend; With The Comical Humours Of Sir Timothy Timberhead And His Man Pismire

Song: Mrs Willis

Dance: Newhouse, Pelling, Miss Francis, Mrs Willis

1350
14 March 1720 @ Lincoln's Inn Fields

Event Comment: Benefit Widow of Keene

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Jealous Doctor; or, The Intriguing Dame

Dance: As17200120