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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow Sheark"/1) | (@(roleclean,performerclean) "Widow Sheark")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1063 results for: Keyword - Widow Sheark
We found 430 matches on Performance Title, 421 matches on Performance Comments, 306 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

801
17 October 1793 @ Covent Garden

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Pope (1st appearance in that character); Sir Brilliant Fashion-Bernard; William-Macready; Sideboard-Farley; John-Abbot; Sir Bashful Constant-Quick; Mrs Lovemore-Mrs Pope; Lady Constant-Miss Chapman; Muslin-Mrs Mattocks; Mignionet-Miss Stuart; Furnish-Mrs Watts; Widow Belmour (with a song)-Mrs Esten (1st appearance in that character).
Cast
Role: Widow Belmour Actor: Mrs Esten

Afterpiece Title: The Farmer

Dance: As17931015

802
30 December 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Performance Comment: Oroonoko-Barrymore; Blandford-Aickin; Lieut. Governor-Caulfield; Stanmore-Benson; Stanmore Jun.-Bland; Daniel-Suett; Capt. Driver-Wewitzer; Hotman-Cooke; Slaves-Usher, Maddocks, Lyons, &c.; Planters-Burton, Jones, &c.; Aboan-Bensley// Charlotte Welldon-Mrs Goodall; Lucy Welldon-Miss Tidswell; Widow Lackit-Mrs Hopkins; Imoinda-Mrs Powell .
Cast
Role: Widow Lackit Actor: Mrs Hopkins

Afterpiece Title: HARLEQUIN PEASANT

803
12 December 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: [Principal Characters by Bensley, Kemble, Aickin, Bannister Jun., Whitfield, C. Kemble, Benson, Caulfield, Bland, Packer, King, R. Palmer, Phillimore, Mrs Powell, Mrs Jordan, Mrs Booth, Miss Miller, Miss Tidswell. Cast from text (J. Debrett, 1793 [sic]) conflated With Genest, VII, 183: King-Bensley; Bertram-Kemble; Lafeu-Aickin; Clown-Bannister Jun.; Dumain-Whitfield; Lewis [i.e. 2nd Lord ]-C. Kemble; Biron [i.e. 1st Gentleman ]-Benson; Jaquez [i.e. 2nd Gentleman ]-Caulfield; Tourville [i.e. Astringer ]-Bland; Steward-Packer; Parolles-King; Soldier (Interpreter)-R. Palmer; Soldier-Phillimore; Countess-Mrs Powell; Helena-Mrs Jordan; Widow-Mrs Booth; Diana-Miss Miller; Mariana-Miss Tidswell.
Cast
Role: Widow Actor: Mrs Booth

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

804
16 November 1795 @ Covent Garden

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lord Mayor's Day

Performance Comment: Act I. Scene I. A View in Laplandv; The Death and Renovation of the Elk-; Harlequin-Farley; Whalebone-Follett; Ulan Shmolinski Czernsdorff [, the Gynosophist-Thompson; Columbine-Mlle St.Amand; Aerial Spirit-Mrs Martyr; [Scene II. Cornhillv-Mr Deputy Gobble's Housev; The False Step-O'Flanagan's Blunders-The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone; Sailor-Townsend; Polly-Mrs Mountain (with the Duetto, Oh! welcome home, my dearest Jack, composed by Shield); English Amazonians-Mrs Platt, Miss Logan, Miss Walcup, Mrs Blurton, Mrs Crowe, Mrs Cranfield, Miss Kirton, Miss Cox, Miss Coombs, Mrs Norton, Mrs Rowson; [Scene III. Inside of Gobble's Housev. The Widow Bewitched-How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv; Scene V. Inside of Dancing Academyv; In which The Long Minuet-(Taken from the Caricature Print [see17951109]); Principal Dancers-Cranfield, King, Bayzand, Jackson, Coombs, Price, Rayner, Noble, Mrs Watts, Mrs Follett, Miss Ives, Mrs Castelle, Mrs Masters, Miss Webb, Miss Smith, Mrs Bayzand; Dancing Master-Simmons; [Scene VI. Inside of Hair-dressing Academyv; Shaving made easy to the meanest Capacity. Master of the Academy-Wilde; Irish Song-Johnstone; [To conclude with a Dance of Block Heads-; [Act II. Scene I. Cornhillv; Lord Mayor's Coach returning to Guildhall. I sup with Gobble, My names's O'Flanagan-Johnstone?; [Scene II. A Streetv; A Balcony on each side of the Stage. The Lover's Leap-Harlequin's Flight across the Theatre. Scene III. Inside of Gobble's Housev; The Power of Harmony. Music hath Charms-O'Flanagan's performance on the Violin-Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv; A Meeting of the Council-Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot; [Scene the Last. A View of Londonv; taken from the Surrey Shorev, with an exact Representation of the Lord Mayor's Show on the Water. To conclude with a Dance-; a Finale-[composed by Shield.composed by Shield.
Cast
Role: The Widow Bewitched Actor: How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv

805
09 June 1796 @ Drury Lane Theatre

Event Comment: Benefit for the Widow and Three Orphan Children of the late Mr Benson. [Address by John Taylor, Poems, I, 62.] "Benson [who committed suicide on 19 May] was remarkable for a very retentive memory, which enabled him on the slightest notice to become a substitute for almost any performer who might be suddenly disabled from appearing" (European Magazine, June 1796, p. 397). The house was a very good one, but it has been said that Sheridan went to the Treasury and carried off the money, so that Benson's widow and children never got a sixpence" (Genest, VII, 245). Receipts: #678 10s. 6d. (319.8.0; 66.3.6; 2.19.0; tickets: 276.6.0; odd money: 13.14.0) (charge: #212 15s.)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Sultan

Song: End I: Whither my Love, Ah! Whither art thou fled? (from The Haunted Tower)-Sga Storace; From Shades of Night-Braham; This fond Sorrow-Braham, Sga Storace (both from Mahmoud); End II: the celebrated Harp Song Ah che nel petto io sento, from Idalide,-Mme Mara; In IV: a Masquerade Scene, in which Ally Croker-Miss Leak, Master Welsh

Entertainment: MonologueEnd: a new Occasional Address-Mrs Jordan

806
08 December 1797 @ Covent Garden

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Murray (1st appearance in that character); Sir Brilliant Fashion-Betterton; William-Clarke; Sideboard-Farley; John-Abbot; Sir Bashful Constant-Quick; Mrs Lovemore-Mrs Coates; Lady Constant-Miss Chapman; Muslin-Mrs Mattocks; Mignionet-Miss Leserve; Furnish-Mrs Watts; Widow Belmour-Mrs Abington.
Cast
Role: Widow Belmour Actor: Mrs Abington.

Afterpiece Title: The Round Tower

807
30 April 1798 @ Covent Garden

Performances

Mainpiece Title: The Eccentric Lover

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Fawcett, Murray, Knight, Whitfield, Waddy, Simmons, Rees, Curties, Miss Betterton, Mrs Pope, Mrs Gilbert, Mrs Mattocks. [Cast from Times, 1 May: Sir Francis Delroy-Lewis; Peter Crowfoot-Quick; Fenton-Holman; Admiral Delroy-Munden; Doctor Crisis-Fawcett; Gangrene-Murray; Gabriel-Knight; Sir Henry Netterville-Whitfield; Ostrich-Waddy; Tom Transit-Simmons; John Seagrave-Rees; Admiral's Servant-Curties; Eleanor de Ferrars-Miss Betterton; Constantia-Mrs Pope; Widow Blandy-Mrs Gilbert; Fidelia-Mrs Mattocks; [Times does not spell all the parts as they are listed in the text, in Cumberland's Posthumous Dramatic Works, 1813, Vol. II, which assigns no parts, but in which they are spelled as above. Times erroneously assigns Doctor Crisis to Farley, and lists Mrs Mattocks' part as Mrs Crowfoot; it does not assign Gabriel or the Servant.] Prologue-Holman; Epilogue-Mrs Mattocks.
Cast
Role: Widow Blandy Actor: Mrs Gilbert

Afterpiece Title: Raymond and Agnes

Dance: Afterpiece to conclude with: Dance of Savoyards-Platt, Miss Cranfield, Mlle St.Amand

808
13 July 1799 @ Haymarket Theatre

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: Ways and Means

Afterpiece Title: The Castle of Sorrento

Performance Comment: Characters by Fawcett, Johnstone, Suett, Davies, Linton, Abbot, Chippendale, Miss Griffiths, Miss DeCamp. [Cast from text (Cadell and Davies, 1799): Blinval-Fawcett; Governor of Sorrento-Johnstone; Germain-Suett; Count Murville-Davies; Centinel-Linton [unassigned in text; see18000614]; Footman-Abbot; Corporal-Chippendale; Rosina-Miss Griffiths; Widow Belmont-Miss DeCamp; Chorus-Lyons, Kenrick, Little, Willoughby, Dibble, Aylmer, Brown, Caulfield Jun.
Cast
Role: Widow Belmont Actor: Miss DeCamp

809
26 April 1800 @ Covent Garden

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Social Songsters

Afterpiece Title: The Castle of Sorrento

Performance Comment: Blinval-Fawcett; Governor O'Rourke O'Donnel-Johnstone; Count Murville-Hill; Germain-Emery; Corporal-Lee; Sentinel-Linton; Widow Belmont-Mrs Chapman; Rosina-Mrs Atkins.
Cast
Role: Widow Belmont Actor: Mrs Chapman

810
02 June 1800 @ Covent Garden

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: Welford-Holman; Sir Buzzard Savage-Munden; Captain Douglas-H. Johnston; Cheaterly-Claremont; Colonel Staff-Thompson; Nicholas-Fawcett; Ordeal-Murray; Clara-Miss Murray; Grace-Mrs Mills; Widow Volatile-Mrs Dibdin; Constance-Miss Mills; Lady Flippant Savage-Mrs Glover (Their 1st appearance in those characters).
Cast
Role: Widow Volatile Actor: Mrs Dibdin

Afterpiece Title: A Whitsun Festival

Afterpiece Title: Five Thousand a Year

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Song: End I: the Battle Song-Incledon as18000522

811
14 August 1660 @ The Red Bull Theatre

Event Comment: In Herbert, Dramatic Records, p. 82, is a list of the plays acted by the Red Bull actors: The Humorous Lieutenant. Beggars Bushe. Tamer Tamed. The Traytor. Loves Cruelty. Wit without Money. Maydes Tragedy. Philaster. Rollo Duke of Normandy. Claricilla. Elder Brother. The Silent Woman. The Weddinge. Henry the Fourthe. Merry Wives of Windsor. Kinge and no Kinge. Othello. Damboys [Bussy D'Ambois]. The Unfortunate Lovers. The Widow. This list (see Hotson, Commonwealth and Restoration Stage, p. 203) apparently concerns plays revived by this company, some before 10 Sept. 1660, some afterward. (See also the list of plays at the opening of the season and also 6 and 23 June 1660.

Performances

812
02 January 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Richard Legh, writing to his wife, 3 Jan. 1667@7, reported to her concerning this play: which is so damn'd bawdy that the Ladyes flung their peares and fruites at the Actors (Lady Newton, The House of Lyme, p. 240). Pepys, Diary: Alone to the King's House, and there saw The Custome of the Country, the second time of its beind acted, wherein Knipp does the Widow well; but, of all the plays that ever I did see, the worst--having neither plot, language, nor anything in the earth that is acceptable; only Knipp sings a little song admirably. But fully the worst play that ever I saw or I believe shall see

Performances

Mainpiece Title: The Custom Of The Country

813
09 November 1671 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

814
03 March 1701 @ York Buildings

Event Comment: Benefit for Widow of the late Mr William Hall, who formerly had the Consort of Musick at his House in Norfolk-street. At 8 p.m

Performances

Mainpiece Title: Concert

Music: New Vocal and Instrumental Music-

815
10 March 1701 @ York Buildings

Event Comment: Benefit the Widow of Thomas Williams, who perform'd in the Theatre Royal. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, particularly that celebrated Song, set by the late Mr Henry Purcell (for the Yorkshire Feast)-the best Masters of each Profession in England performing their Parts

816
18 June 1701 @ York Buildings

Event Comment: Benefit Widow and 7 Children of Mr Charles Powel, late Servant to his Majesty and his late Highness the Duke of Gloucester. At the desire of several Persons of Quality. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, Composed by the late Famous Mr Henry Purcell for the York-shire Feast-

817
27 August 1705 @ Bartholomew Fair

Event Comment: At Widow Barnes'/Booth, over against the Cross Daggers in Smithfield

Performances

Mainpiece Title: Rope Dancing

Entertainment: By the most Famous Rope Dancers of Europe; who perform such strange and surprising Things on the Dancing Rope, as are incredible to relate; with great Variety of Encomparable fine Tumbling, Walking on the Slack Rope, Vaulting-; far surpassing all that has ever yet been seen. Together with the diverting Entertainments of your Old Friend Pickle Herring-, the chief of all his imitating Brethren

818
01 May 1706 @ May Fair

Event Comment: At the Widow Barnes-Evans-Finley Booth. Be pleas'd to take notice, that there is no Rope-Dancing at Mr Penkethman's Booth

Performances

Mainpiece Title: Rope Dancing

Entertainment: The most famous Rope/Dancers of Europe, who perform such strange and surprizing things as were never before seen, and which are almost incredible to relate

819
25 May 1708 @ Drury Lane Theatre

Event Comment: For the Benefit of the Author'd Widow and Children

Performances

Mainpiece Title: The Constant Couple

820
04 June 1711 @ Drury Lane Theatre

Event Comment: Benefit the Widow of the late famous Tragedian Mr Betterton. At the particular Desire of several Ladies of Quality. Written by Sir George Etheridge

Performances

Mainpiece Title: The Man Of Mode

821
17 March 1712 @ Drury Lane Theatre

Event Comment: [By Ambrose Phillips.] At the Desire of several Ladies of Quality. William Egerton: And in the Spring came on Mr Phillips's Tragedy, The Distrest Mother. Mrs Rogers, an Actress, who in her Turn, had made a considerable Figure on the Stage, was designed the Part of (Andromache, Hector's Widow, &. i.e.) the Distrest Mother. But the Author, as well as his Friends, were soon convinced that Mrs Oldfield was infinitely the more accomplished Person for so Capital a Part. Upon its being given to Her, Mrs Rogers raised a Posse of Profligates, fond of Tumult and Riot, who made such a Commotion in the House, that the Court hearing of it send four of the Royal Messengers, and a strong Guard, to suppress all Disorders. This being effected, the Play was brought upon the Stage and crowned with deserved Success (Egerton, pp. 31-32)

Performances

Mainpiece Title: The Distrest Mother

822
05 May 1715 @ Stationer's Hall

Event Comment: Benefit the Widow and Children of Christian Steffkins. At 6 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Singing-New Italian Lady

823
03 June 1715 @ Lincoln's Inn Fields

Event Comment: Benefit Rawlins and Cook. Tickets for The Amorous Widow taken this Day. Receipts: #66 6s

Performances

Mainpiece Title: The Squire Of Alsatia

Song: Dialogue between a Drunken Smith and his Wife-Cook, Newberry; Trumpet Song-Rawlins never perform'd on that Stage before; Two/Part Song-The Two Boys never perform'd but once before

Dance: As17150512; Also Dutch Skipper-delaGarde, Mrs Bullock

824
27 March 1717 @ Stationer's Hall

Event Comment: Benefit the Widow Armstrong. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the very best Masters; The Vocal Parts-Hughs, Weely, Gates, Turner, Mrs Fitzgerald, Mrs Boman; With an Entertainment on the Harpsicord-Babel intirely new; A Solo on the Flute-Paisible; Solo on the Hautboy-Kitch

825
03 May 1718 @ Drury Lane Theatre

Event Comment: Benefit the Widow and Family of the late Mr Bowen

Performances

Mainpiece Title: The Old Batchelor

Song:

Dance: