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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow Phillips"/1) | (@(roleclean,performerclean) "Widow Phillips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1593 results for: Keyword - Widow Phillips
We found 760 matches on Performance Comments, 550 matches on Performance Title, 425 matches on Event Comments, 80 matches on Author, and 0 matches on Roles/Actors.

1551
14 May 1779 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Every Man in his Humour and The Irish Widow [both announced on playbill of 13 May], which were to have been performed this Evening, for the Benefit of Fawcett and Sga Crespi, are obliged to be deferred till Monday next. Receipts: #216 2s. 6d. (193.7.0; 22.7.6; 0.8.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Who's the Dupe

Dance: End I afterpiece: The Coopers, as17781211

Ballet: End III: The Humours of Newmarket. As17790503 at cg Jockeys-Dagueville, Harris, Master Dagueville, Master Holland; Ladies-Miss Ross, Sga Tinte, Miss Armstrong

1552
19 May 1779 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Colles, the Widow Legg & Miss Kirby. Morning Post, 17 May: Tickets to be had of Miss Kirby, No. 70, Long-acre [others not listed]. Receipts: #225 15s. (37.9.0; 11.11.6; 1.2.6; tickets: 175.120) )charge: #105)

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Rival Candidates

1553
26 May 1779 @ Drury Lane Theatre

Event Comment: Benefit for Dickinson, pit office-keeper, and Carleton Jun., box lobby door-keeper. [Afterpiece in place of The Irish Widow, announced on playbill of 25 May.] Morning Chronicle, 18 May: Tickets to be had of Dickinson, No. 5, Wild-court, Wild-street, Lincoln's-Inn-Fields [Carleton not listed]. Receipts: #280 3s. 6d. (26.1.0; 6.9.0; 0.18.6; tickets: 246.5.0) (charge: #105)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Lyar

Dance: End: Hornpipe, as17790521

1554
15 September 1779 @ Haymarket Theatre

Event Comment: [Miss Harper was taken ill; The Irish Widow was thereupon substituted and begun, but the audience was clamorous, and insisted on The Son-in-Law. A long delay ensued until the proper acters had been brought back to the theatre and until they were dressed. Mrs Jewell read Miss Harper's part. While trying to find out what the audience wanted, Bannister retorted sharply from the stage to one of the noisiest of the objectors. This action caused several letters to be written to various newspapers debating the right of a "servant of the public" to reprimand a member of the audience even when that member might be in the wrong (Morning Chronicle, 16 Sept., et seq.).] The last Night of the Season

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Son-in-Law

1555
14 February 1780 @ Covent Garden

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Widow Of Delphi, announced on playbill of 12 Feb.] Receipts: #262 3s. 6d. (260.7.0; 1.16.6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Deaf Lover

Dance: As17791022

1556
18 May 1780 @ Covent Garden

Event Comment: Tickets delivered by Dagueville, Simpkinson, the widow of the late Jones, and the Performers in the Orchestra will be admitted. Receipts: #182 15s. (34.15; 1.3; tickets: 146.17)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deaf Lover

Dance: End II: The Embarkment for Cythera- (see17791022); with a new Minuet-Master and Miss Dagueville, Master Holland, Miss Armstrong; End IV: Cupid Recruiting- (see17800417); in which The Prince of Wales's New Minuet (composed by Dagueville)-Master Dagueville, Miss Simonet (of the Opera-House);

Ballet: End: The Humours of New-Market. As17800508, but Jockies-Master Holland, _Holloway, _Holland

1557
31 July 1780 @ Haymarket Theatre

Event Comment: [As 2nd piece Public Advertiser for this day and the playbill of 29 July announce Othello, but "Mrs Crawford not being well enough to act the part of Desdemona...The Suicide...will be performed this Evening." 3rd piece in place of The Irish Widow, announced on playbill of 29 July.

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Afterpiece Title: The Son-in-law

1558
18 April 1781 @ Covent Garden

Event Comment: Benefit for Quick. 1st piece: Never acted here; with Alterations. 3rd piece [1st time; F 2, author unknown, based on George Dandin, by Moliere, and on The Amorous Widow, by Thomas Betterton, and on the anonymous No Wit Like a Woman's. Text 1st published by S. Bladon, 1788.]. Receipts: #283 8s. 6d. (186.11.6; tickets: 96.17.0) (charge: #105)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: A Fete

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

1559
26 October 1781 @ Covent Garden

Event Comment: Duplicity [announced on playbill of 25 Oct.] is again obliged to be postponed on account of Henderson's Illness. [Afterpiece in place of Comus, announced on playbill of 25 Oct. In mainpicce the playbill retains Mrs Mattocks as Mrs Racket and Miss Younge as Letitia, but "Miss Younge having yesterday lost a near Relation could not play her part in the Belle's Stratagem, in consequence of which an apology was made for her Absence ... To remedy the inconvenience Mrs Mattocks last night played the character of Miss Hardy, and Mrs Whitfield that of Widow Racket" (Morning Chronicle, 27 Oct.).] Receipts: #100 6s. (97/1/6; 3/4/6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Golden Pippin

Dance: As17811024

1560
08 May 1782 @ Covent Garden

Event Comment: Tickets delivered for a Comedy, by Messink, Jones, Ledger, Newton, Painter, Darley, Lloyd, Mrs Davenett, Mrs Sharpe and the Widow of the late Dr Arne will be admitted this Evening. Receipts: #281 1s. (91/16; 5/1; tickets: 184/4)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: Retaliation

1561
27 May 1782 @ King's Theatre

Event Comment: Benefit for Mrs Bach (Widow of the late [J. C] Bach). Tickets, half a guinea each, to be had of Mrs Bach, at Zoffany's, Albemarle-street, near Piccadilly

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Le Triompbe de l'Amour Conjugal, as17820312End of Act II Rinaldo and Armida, as17820223

1562
21 May 1783 @ Covent Garden

Event Comment: Benefit for Booth, Egan, Stevens & the widow of the late Mr Branson. Receipts: #204 2s. (none listed; tickets: 204/2) (charge: #105)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Ghost

Related Works
Related Work: Marforio, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Drapper, Buskin, Propter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lorg Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts Author(s): Edward Phillips

Dance: As17820927

Song: End of Act II of mainpiece The Huntsman's sweet Hollo!, as17830516; End of Dance ThomasDay. Goody Cramp-Bannister; Goody Rheum-Brett; Goody Twitch-Edwin

1563
28 May 1783 @ Covent Garden

Event Comment: Tickets delivered by Darley, Jones, Painter, Besford, Mrs Davenett, Mrs Sharpe, the Widow of the late Dr Arne, and Mrs Dalrymple will be admitted. Tickets delivered for The Maid of the Mill will be taken. [Afterpiece in place of THE Devil upon Two Sticks, announced on playbill of 27 May.] Receipts: #286 14s. 6d.(93/6/6; 3/1/0; tickets: 190/7/0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Lord Mayor's Day

Dance: End of mainpiece The Fingalian; or, The Female Frolic by Miss Besford and others

1564
29 May 1783 @ Drury Lane Theatre

Event Comment: Benefit for Portal, Shade, Enoe & the Widow of the late Carleton Sen. Receipts: #264 (39/10/0; 17/2/6; 0/7/6; tickets: 207/0/0) (charge: #107 12s. 2d)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Deserter

Cast
Role: Louisa Actor: Miss Phillips

Dance: As17821214

1565
15 May 1784 @ Covent Garden

Event Comment: Tickets delivered by Jones, Painter, Bates, Goodwin, Atkins, Mrs Davenett, Miss Francis, Mrs Branson, Mrs Sharpe, and the Widow of the late Dr Arne will be admitted this Evening. Receipts: #229 3s. 6d. (46/11/6; 2/7/0; tickets: 180/5/0)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Flitch of Bacon

Dance: End of Act III of mainpiece The Rival Nympbs, as17840318athi

Song: End of mainpiece Let not Age by a Young Lady (1st appearance on any stage [unidentified])

1566
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .

1567
28 September 1784 @ Covent Garden

Event Comment: Benefit for the Widow and Children of the unfortunate Mr Linton, late of this Theatre. [Linton, a musician belonging to the CG band, had been attacked and killed by footpads on 8 July.] "The band were all dressed in mourning, suited to the occasion, and are entitled to their share of applause" (Public Advertiser, 30 Sept.). Afterpiece: Not acted these 4 years

Performances

Mainpiece Title: Zara

Afterpiece Title: Catherine and Petruchio

1568
20 May 1786 @ Drury Lane Theatre

Event Comment: The Irish Widow [announced on playbill of 19 May] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #154 7s. 6d. (134/16/0; 16/11/0; 3/0/6)

Performances

Mainpiece Title: Percy

Afterpiece Title: Who's the Dupe

1569
23 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Fawcett and the Widow Butler. Morning Chronicle, 17 May: Tickets to be had of Fawcett, Craven Buildings; of Mrs Butler, next door to the theatre. Receipts: #235 1s. (21/17/0; 16/16/6; 0/6/6; tickets: 196/1/0) (charge: #108 18s. 4d.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Humourist

Dance: As17860522

1570
15 July 1786 @ Haymarket Theatre

Event Comment: [Mainpiece in place of Two to One; afterpiece of The Widow's Vow, both announced on playbill of 14 July.]

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: A Mogul Tale

1571
15 June 1787 @ Covent Garden

Event Comment: [Extra night] Benefit for the Widow and three youngest Children of the late Dr Glover. [Dr William Frederick Glover, a surgeon, had died on 25 Feb. in straitened circumstances. A subscription--in behalf of which this Benefit was organized--had been set on foot for the relief of his family (see Gentleman's Magazine, Mar. 1787, p. 276). In the 1760's he was for some years an actor on the Dublin stage (see Tate Wilkinson, Memoirs, III, 198).] Tickets to be had at the Thatched-House Tavern, St. James's Street; at Free-Mason's Tavern, Great Queen Street; the Antigallican Coffee House, Royal Exchange; the Globe Tavern, Fleet Street; at Messrs Robinsons, booksellers, Paternoster Row; and of the Printer of the Morning Chronicle, Dorset Street, Salisbury Square. Received from Their Majesties for Box [for season] #70; from the Princess Royal for Box #35. Receipts: #127 11s. (125.5; 2.6; tickets: none listed)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Afterpiece Title: Love a-la-Mode

1572
07 July 1787 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Larpent MS 779; not published; synopsis of plot in Universal Magazine, Aug. 1787, p. 100. Prologue by the author; Epilogue by George Colman elder (European Magazine, July 1787, pp. 63-64). In 1789 altered as The School for Widows]

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: Harvest Home

1573
02 August 1787 @ Haymarket Theatre

Event Comment: [Mainpiece in place of Summer Amusement; afterpiece of The Widow's Vow, both announced on playbill of 1 Aug.

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Son-in-Law

1574
29 April 1790 @ Covent Garden

Performances

Mainpiece Title: The Female Adventure; Or, Stop Her Who Can

Afterpiece Title: Cymon

Dance: Following Imitations at end: As17891021; In afterpiece: Dances, as17900409

Entertainment: End II: Tragic Imitations [of Mrs Siddons in Belvidera's 1st scene in Venice Preserved, I.i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells

Performance Comment: i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells.

1575
16 June 1790 @ Covent Garden

Event Comment: [Extra night] Benefit for the Widow Fearon, and her Eight Orphan Children. Tickets to be had of Mrs Fearon, No. 6, Spur-street, Leicester-Fields; and of Brandon, at the Theatre, where Places for the Boxes may be taken. [Fearon had died 30 Sept. 1789.] Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Quaker