SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow Phillips"/1) | (@(roleclean,performerclean) "Widow Phillips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 760 matches on Performance Comments, 550 matches on Performance Title, 425 matches on Event Comments, 80 matches on Author, and 0 matches on Roles/Actors.
Event Comment: It is possible that Katherine Phillips' Pompey, which was given in Dublin in February 1662@3, may have been presented in London in the late spring of 1663. Sir William Davenant's The Playhouse To Be Let, which apparently appeared in London in the late summer of 1663, has in Act V some elements of travesty upon Pompey. It is unlikely that its appearances in Dublin would make satire upon it have much point to London audiences without a performance in London; the spring of 1663 would be the most likely time for a presentation in London

Performances

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Performances

Mainpiece Title: Psyche Debauched

Event Comment: Intelligence Domestick and Foreign, 21-25 June 1695: One Phillips, a Dancer in the Playhouse, is Committed to Newgate for being one of those concerned in the Robbery of the Theatre in Dorset-Garden, and a great many of their Habits are recovered again, but plundered of their Silver and Gold Lace, Fringes, &c. [See also Wilson, Theatre Notes from the Newdigate Newsletters, p. 82.

Performances

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: Hametalhaz-the young gentleman who played Chamont on 7 July (Phillips); who speaks a new Epilogue-the young gentleman.

Song:

Dance:

Event Comment: [According to the Poetical Courant, 6 April, a private performance of Caius Marius by several Gentlemen for their Diversion" had been acted by this date. A Prologue by Mrs Phillips is printed in that issue of the Poetical Courant.

Performances

Mainpiece Title: The Wonders In The Sun

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Song: Ray

Dance: Thurmond Jr, Topham, Miss Smith

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Dance: Weaver, Shaw, Mrs Booth, Mrs Bicknell

Performances

Mainpiece Title: The Bondman

Afterpiece Title: Harlequin Turn'd Judge

Dance: Weaver, Shaw, Thurmond Jr, Mrs Bicknell, Mrs Younger, Mrs Tenoe; Tollet's Ground-Mrs Bicknell, Mrs Younger

Event Comment: [By William Phillips.] Never Acted before. The Characters all new Dress'd. Receipts: #57 10s. 6d

Performances

Mainpiece Title: Hibernia Freed

Event Comment: [By Ambrose Phillips.] Never Acted before. With new Habits. [See also Weekly Journal or Saturday's Post, 24 Feb., and Freeholder's Journal, 21 Feb.

Performances

Mainpiece Title: The Briton

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips
Event Comment: As 11 Jan. Benefit Cap. Phillips. Receipts: money #37 15s. 6d.; tickets #63

Performances

Mainpiece Title: Every Man In His Humour

Performances

Mainpiece Title: Philotas

Event Comment: Benefit Roberts and Jones. Afterpiece: A New Ballad Opera of one Act [by Edward Phillips]. [For a puff of the afterpiece, see Daily Advertiser, 25 April, and Daily Post, 2 May.

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Livery Rake; or, The Intriguing Servants

Dance: I: Drunken Peasant-LeBrun; II: Saraband, Minuet-Lally Jr, Miss Mears; IV: English Maggot-Haughton, Mrs Walter; V: The Watteau-Miss Robinson; End of Afterpiece: Bartholomew Fair-F. Tench, Mrs Delorme

Event Comment: Benefit Phillips (LeBrun) and Mrs Mullart. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Country Revels

Afterpiece Title: Harlequin Restor'd

Dance: I: Drunken Peasant-LeBrun

Event Comment: Benefit Arne and Young Master Arne. At the particular Desire of several Persons of Quality. Afterpiece: a new Masque. Alter'd from the Serenata made on the Joyous Occasion of the Royal Nuptials: With Additions. [See Love and Glory, DL, 21 March, by Phillips and Arne.] Tickets for Tench at othello taken this night

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Britannia; or, Love and Glory

Related Works
Related Work: Love and Glory Author(s): Thomas Phillips

Music: Select Pieces. IV: By particular Desire, Mons Charle will perform a Solo on the French Horn, the first time of his Appearance on this Stage, and the last of his Performance in Publick during his Stay in England

Dance: I: The Pierrots by Poitier and Nivelon. II: English Maggot by S. Lally and Mrs Walter. III: Drunken Peasant by Le Brun

Event Comment: Benefit Phillips Le Brun, Harlequin. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Colombine Courtezan

Dance: I: Dutchman and Frow by Le Brun and Miss Brett. II: Russian Sailor by Denoyer. III: Drunken Peasant by LeBrun. IV: Pierrots by Nivelon and Lalauze

Performances

Mainpiece Title: Double Dealer

Afterpiece Title: Lover's Opera

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Drunken Peasant by Phillips. V: A new dance by Essex, Mrs Walter, Dukes, Davenport, Rector, Miss Mann, Miss Cantrell, Miss Brett

Performance Comment: III: Drunken Peasant by Phillips. V: A new dance by Essex, Mrs Walter, Dukes, Davenport, Rector, Miss Mann, Miss Cantrell, Miss Brett .

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplish'd Fools

Afterpiece Title: The Mock Doctor

Music: Select Pieces

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Drunken Peasant by Phillips. IV: Serious Dance by Mlle Roland. V: Rover by Essex, Mrs Walter, Miss Mann, &c

Performance Comment: III: Drunken Peasant by Phillips. IV: Serious Dance by Mlle Roland. V: Rover by Essex, Mrs Walter, Miss Mann, &c .

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Virgin Unmask'd

Dance: I: Pierrots by Delamagne and Villeneuve. III: Black and White Joak by Phillips and Miss Mann. V: English Maggot by Villeneuve and Mrs Walter

Performance Comment: III: Black and White Joak by Phillips and Miss Mann. V: English Maggot by Villeneuve and Mrs Walter .

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Virgin Unmask'd

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Grand Ballet by Essex, Mrs Walter, &c. IV: Dutchman and His Frow by Phillips and Miss Mann. v: Rover, as17360412

Performance Comment: III: Grand Ballet by Essex, Mrs Walter, &c. IV: Dutchman and His Frow by Phillips and Miss Mann. v: Rover, as17360412.

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Mock Doctor

Dance: I: Mason's Dance by Delamayne. II: English Maggot by Villeneuve and Mrs Walter. IV: Black and White Joak by Phillips and Miss Mann. After Epilogue: The Rover by Essex, Mrs Walter, Miss Mann, &c

Performance Comment: II: English Maggot by Villeneuve and Mrs Walter. IV: Black and White Joak by Phillips and Miss Mann. After Epilogue: The Rover by Essex, Mrs Walter, Miss Mann, &c .

Song: I: The Enter'd Prentice's Song: Come let us Prepare. III: On, on, my dear Brethren. V: Sing then my Muse

Performances

Mainpiece Title: Love For Love

Music: The March in Zara. By Desire, a Solo composed by Charke will be performed on the Violin by his Scholar, Master Oates

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: A new dance by Master Oates and Miss Oates, Scholars to Villeneuve. III: Minuet by Villeneuve and Mrs Anderson. IV: Peasant by Master Oates and Miss Oates. V: Dutchman and his Frow by Phillips and Miss Brett

Performance Comment: II: A new dance by Master Oates and Miss Oates, Scholars to Villeneuve. III: Minuet by Villeneuve and Mrs Anderson. IV: Peasant by Master Oates and Miss Oates. V: Dutchman and his Frow by Phillips and Miss Brett .

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mock Doctor

Dance: I: English Maggot by Villeneuve and Mrs Walter. III: Dutchman and his Frow by Phillips and Miss Brett. V: Revellers by Essex, Mrs Walter, &c

Performance Comment: III: Dutchman and his Frow by Phillips and Miss Brett. V: Revellers by Essex, Mrs Walter, &c .

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Livery Rake and Country Lass

Music: Select Pieces between the Acts, composed by Arne, particularly the March in Zara

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Scot's Dance by Mr and Mrs Davenport. III: Drunken Peasant by Phillips. IV: Minuet by Villeneuve and Mrs Anderson. V: Grand Ballet by Essex, Mrs Walter, &c

Performance Comment: II: Scot's Dance by Mr and Mrs Davenport. III: Drunken Peasant by Phillips. IV: Minuet by Villeneuve and Mrs Anderson. V: Grand Ballet by Essex, Mrs Walter, &c .

Song: