SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow Motteux"/1) | (@(roleclean,performerclean) "Widow Motteux")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 432 matches on Performance Comments, 431 matches on Performance Title, 320 matches on Event Comments, 143 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Reformed in Time

Afterpiece Title: The Honest Thieves

Song: In course: Old Towler, Black Ey'd Susan-Incledon

Monologue: Monologue. End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: Albert and Adelaide

Dance: As17990504

Performances

Mainpiece Title: What Is She

Afterpiece Title: The Horse and the Widow

Afterpiece Title: Raymond and Agnes

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: Albert and Adelaide

Dance: As17990504

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: The Jew and the Doctor

Music: Preceding 1st piece: Grand Sonata on the Piano Forte, as17990515; End I 2nd piece: Lesson of Nicolai, as17990515

Entertainment: Monologues End 1st piece: Alexander's Feast, as17990515; End 2nd piece: Grand Address to the Audience, as17990515

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: Lover's Vows

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: Inkle and Yarico

Afterpiece Title: The School for Arrogance

Dance: In II 2nd piece: Negro Dance, as17990513, but added: Blurton

Song: In course Evening: Young William was a Seaman true-Incledon; A favorite new song-Miss Waters; comic song-Munden; Old Towler-Incledon; Boxing the Compass-Fawcett

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Dramatist

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: The Volcano

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: The Volcano

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: The Volcano

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: The Volcano

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Performance Comment: Edition of 1697: Prologue-Mr Betterton by Mr Motteux; Old Mr Gerald-Bright; Young Mr Gerald-Hodson; The Doctor-Underhill; Wife to the Doctor-Mrs Leigh; Mrs Angelica-Mrs Bowman; Beatrice-Mrs Lawson; Martin-T. Harris; Crispus-Bowen; Simon-Trout; Waiting Woman-Mrs Robinson; Prologue to Her Royal Highness-Mr Motteux; Epilogue-Mr Motteux.

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Innocent Mistress

Performance Comment: Edition of 1697: Sir Charles Beauclair-Betterton; Sir Francis Wildlove-Verbruggen; Searchwell-Knap; Beaumont-Hodgson; Spendall-Bowman; Lyonell-Freeman; Cheatall-Bowen; Gentil-Harris; Flywife-Underhill; Bellinda-Mrs Barry; Mrs Beauclair-Mrs Bracegirdle; Arabella-Mrs Prince; Lady Beauclair-Mrs Lee; Peggy-Mrs Howard; Eugenia-Mrs Lawson; Dresswell-Mrs DuQua; Mrs Flywife-Mrs Lassel; Jenny-Mrs Willis; Prologue by Mr Motteux-Mr Verbruggen; Epilogue by Mr Motteux-Mr Scudamore.
Event Comment: London Gazette, No 2878, 8-12 June 1693: Next Saturday being the 17th of June will be perform'd in Villers-street in York-Building, for that time only, Mr Franks Consort, which will consist of English Dialogues and Songs (the Words by Mr Motteux) with Instrumental Musick proper to them, beginning exactly at 7 at Night. The Gentleman's Journal, May 1693 (issued in June 1693): We have had lately a Consort of Music, which as it hath pleased the most nice and judicious Lovers of that Art; would doubtless have had your Approbation; I only speak of the Notes which were by Mr Franck; As for the words I [Motteux] made them in haste (p. 148)

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Neglected Virtue; Or, The Unhappy Conquerors

Performance Comment: [The Dedication is signed by Hildebrand Horden, who does not claim it for his own.] Edition of 1696: The Prologue [Writ and-Mr Horden; Phraates-Powell; Artaban-Horden; Memnon-Dizney; Castillio-Mills; Lysander-Hill; Castillio Jr-Penkethman; Bretton-Bullock; Lycastes-Harland; Curio-Simpson; Thermusa-Mrs Knight; Alinda-Mrs Rogers; Eudora-Mrs Powell; Emilia-Mrs Mills; Ariena-Mrs Temple; Aramdine-Mrs Cross; The Epilogue by Mr Motteux-Mr Haynes [Acting the Mad-Man.

Performances

Mainpiece Title: The Princess Of Parma

Performance Comment: Edition of 1699: Prologue-; Epilogue-Mrs Bracegirdle Written by Mr Motteux; Doria-Betterton; Zinelli-Scudamore; Grimaldi-Arnold; Spinola-Thurmond; Barbarelli-Verbruggen; Durazzo-Freeman; Almira-Mrs Bracegirdle; Julia-Mrs Barry; Fidelia-Mrs Martin.

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

Performance Comment: Edition of 1700: Prologue by Tho. Cheek Esq-Mr Powell; Epilogue by Mr Motteux-Mr Norris; Eriphile-Mrs Wilkins.
Cast
Role: Mr Motteux Actor: Mr Norris

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Edition of 1702 lists: Elder Wouldbe-Wilks; Young Wouldbe-Cibber; Richmore-Husband; Trueman-Mills; Subtleman-Penkethman; Balderdash-Johnson; Alderman-Johnson; Clear Account-Fairbank; Teague-Bowen; Constance-Mrs Rogers; Aurelia-Mrs Hook; Mandrake-Bullock; Steward's Wife-Mrs Moor; Prologue written by Motteux-Wilks; Epilogue-Aurelia.
Cast
Role: Motteux Actor: Wilks

Performances

Mainpiece Title: She Ventures And He Wins

Performance Comment: Edition of 1696: Prologue-Mrs Bowman [in Man's Cloaths; Epilogue-Mr Dogget [drest as a Beau, by Mr Motteux; Sir Charles Frankford-Boman; Sir Roger Marwood-Scudamore; Lovewell-Hudson [Hodgson]; Freeman-Freeman; Squire Wouldbe-Doget; Charlot-Mrs Bracegirdle; Juliana-Mrs Boman; Bellafira-Mrs Martyn; Urania-Mrs Barry; Dowdy-Mrs Bowtel; Mrs Beldam-Mrs Lee; Doll-Mrs Lawson.
Event Comment: Rich's Company. The date of the first production is not known, but the fact that it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695, indicates that it was probably acted not later than September 1695. Three songs were published separately: O how you protest, possibly set by Henry Purcell and sung by Mrs Knight; 'Twas within a Furlong, the words by Thomas D'Urfey, set by Henry Purcell, and sung by the Girl [Miss Cross]; and Man is for the woman made, the words by Pierre Motteux and set by Henry Purcell, are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XX (1916), xix-xx. Preface, Edition of 1696: Notwithstanding the many Accidents that concurr'd to the Ruin of this Play, it succeeded above my Expectations: And I must own my self infinitely oblig'd to the Town, in receiving so favourably, what I at first never design'd for the Stage. Gildon, English Dramatick Poets, p. 121: This particular Play met with pretty good Success, for the Season of the Year, considering it the first Essay by a Young Writer, unacquainted with the Town. A Comparison Between the Two Stages (1702), p. 18: Sullen: Mock-Marriage, a young Fellows of the Town, a Retainer, and kind of Pensioner to the Stage. Ramble: What was it's Fate? Sullen: Damn'd, Damn'd

Performances

Mainpiece Title: The Mock-marriage