SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow Crosse"/1) | (@(roleclean,performerclean) "Widow Crosse")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 430 matches on Performance Title, 421 matches on Performance Comments, 309 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: A Cure for a Coxcomb; or, The Beau Bedevil'd

Song: In 3rd piece: will be introduced the following Favorite songs: When virtue forms-Mrs Davis; The Bottle-Davies; The Pleasures of the Chace-Incledon; Farewell each Tonish Life-Munden; Bucket of Water, 'Tis a mighty fine thing-Johnstone; Kitty Grogan, Tho' I'm no dancing master-Johnstone; Anna's Love-Incledon; The Pig, You all must have heard-Fawcett; To-morrow, In the downhill of life-Darley; You are aw nodding-Mrs Harlowe; Coach box, You may feast your ears-Cubitt

Performances

Mainpiece Title: Lodoiska

Afterpiece Title: THE IRISH WIDOW

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: True Blue; or, The Parting Lovers

Afterpiece Title: Netley Abbey

Dance: As17950428

Song: In 2nd piece: the following additional songs: Wives and Sweethearts-Townsend; The Wand'ring Sailor-Incledon (1st time); When gen'rous wine-Bowden; The days we now possess-Munden; The Storm-Incledon; Ye Gentlemen of England, as17950428; Rule Britannia-Incledon

Entertainment: Monologue In evening: The Young Widow a fable-Harley

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Merry Sherwood

Performances

Mainpiece Title: The Ghost

Afterpiece Title: The Widow of Malabar

Afterpiece Title: Merry Sherwood [and see17951221]

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: The Doldrum

Afterpiece Title: Harlequin's Treasure 0

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Reformed in Time

Afterpiece Title: The Honest Thieves

Song: In course: Old Towler, Black Ey'd Susan-Incledon

Monologue: Monologue. End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: Albert and Adelaide

Dance: As17990504

Performances

Mainpiece Title: What Is She

Afterpiece Title: The Horse and the Widow

Afterpiece Title: Raymond and Agnes

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: Albert and Adelaide

Dance: As17990504

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: The Jew and the Doctor

Music: Preceding 1st piece: Grand Sonata on the Piano Forte, as17990515; End I 2nd piece: Lesson of Nicolai, as17990515

Entertainment: Monologues End 1st piece: Alexander's Feast, as17990515; End 2nd piece: Grand Address to the Audience, as17990515

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: Lover's Vows

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: Inkle and Yarico

Afterpiece Title: The School for Arrogance

Dance: In II 2nd piece: Negro Dance, as17990513, but added: Blurton

Song: In course Evening: Young William was a Seaman true-Incledon; A favorite new song-Miss Waters; comic song-Munden; Old Towler-Incledon; Boxing the Compass-Fawcett

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Dramatist

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: The Volcano

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: The Volcano

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: The Volcano

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: The Volcano

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Event Comment: An unnamed play was given by the Duke's Company, with the usual fee of #20 received by Thomas Crosse. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 171

Performances

Event Comment: Pepys, Diary: And took up my wife, and to Polichinelli at Charing Crosse, which is prettier and prettier, and so full of variety that it is extraordinary good entertainment. (See also George Speaight, The History of the English Puppet Theatre [London, 1955], p. 75.

Performances

Mainpiece Title: Puppetry

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee