SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow Bowen"/1) | (@(roleclean,performerclean) "Widow Bowen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 618 matches on Performance Comments, 431 matches on Performance Title, 334 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Play Is The Plot

Performance Comment: Edition of 1718 lists: Sir Barnaby Bindover-Johnson; Capt. Carbine-Walker; Col. Ringwood-Pinkethman; Peter Pirate-Cibber; Machone-Miller; Buskin-Norris; Truncheon-Bowen; Spangle-Shepherd; Jeremy-Oates; Fidelia-Mrs Mountfort; Prudentia-Mrs Saunders; Jenny-Mrs Garnet; Betty Kimbow-Leigh; Mrs Buskin-Mrs Baker; Prologue-; Epilogue-Mrs Mountfort.
Cast
Role: Truncheon Actor: Bowen
Event Comment: Weekly Journal or British Gazetteer, 12 July: On Thursday last, Mr Quin was try'd at the Old Baily for killing Mr Bowen, the Comedian, and the Jury found it Manslaughter. Weekly Journal or Saturday's Post, 12 July: Quin the Comedian was burnt in the Hand for killing Bowen

Performances

Performances

Mainpiece Title: The Chances

Performance Comment: John-Wilks; Frederick-Mills; Duke-Thurmond; Antonio-Penkethman; Petruchio-Bowen; Peter-Norris; Antony-Cross; 1st Constantia-Mrs Younger; 2d Constantia-Mrs Booth; Landlady-Mrs Willis.
Cast
Role: Petruchio Actor: Bowen

Dance:

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Tradge; Lucius-Paul; Sempronius-Williamson; Juba-Bowen; Syphax-Ward; Portius-Randall; Marcus-Pritchard; Decius-Jones; Marcia-Miss Hughes; Lucia-a young Gentlewoman who never appeared on any Stage. And (by Desire) the Original Prologue by Mr Tradge .
Cast
Role: Juba Actor: Bowen

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-a Young Gentleman of the Temple; Ballance-Machen; Worthy-Bowen; Brazen-Boothby; Kite-Jones; Scale-Matthews; Scruple-Rogers; Bullock-Topham; Appletree-Hulstone; Pearmain-Whittaker; Constable-Freeman; Sylvia-Mrs Talbot; Rose-Miss Jones Jr; Luey-Miss Jones Sr; Melinda-Miss Atherton .
Cast
Role: Worthy Actor: Bowen

Afterpiece Title: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great

Music: A Preamble on the Kettle-Drums, with Mr Hendel's Water-Musick on the Stage, by Mr J. Baker

Song:

Dance:

Event Comment: Benefit Widow Harper. See Daily Advertiser, 30 April: The case of the Widow of the late John Harper, Comedian: Mr Harper, having been seiz'd about four years since with a Paralitic Disorder, which not only rendered him incapable of acting, but depriv'd him of the use of his limbs, and in some degree affected his senses so as to make him an object of great compassion; during which long and dreadful Indisposition of near four years all possible means were tried (tho' in vain) to recover him, which impair'd and hurt his Circumstances, so greatly, as not to permit him to leave a sufficent Support for his widow, who is in years and unprovided for. Mr Harper dying in January last, according to a custom in the theatre his widow is entitled to a Benefit, and the Comedy of The Miser is to be acted to-morrow night for her Benefit, at Drury Lane; but as she is incapable of making a proper interest for it, without applying to the Compassion and Generosity of the Publick, she hopes to be excused in giving them the Trouble of this her case. Tickets deliver'd out by Roger will be taken.See Garrick's Additional Benefit for her on 11 May.] Receipts: #50

Performances

Mainpiece Title: The Miser

Afterpiece Title: The King and Miller of Mansfield

Song: I: The Noontide Air-Beard; V: Ellen@a@Roon (by Particular Desire)-Mrs Clive

Dance: II: Running Footman's Dance, as17420428 IV: a Dutch Dance-Phillips

Performances

Mainpiece Title: Love In A Tub

Performance Comment: [See16640300 The Prologue-; The Epilogue-the Widow?, Wheadle?; Lord Beanford-Betterton?; Colonel Bruce-Smith?; Lovis-Morris?; Sir NicholasCully-Nokes?; Palmer-Underhill?; Wheadle-Saunford?; Graciana-Mrs Betterton?; Aurelia-Mrs Davies?; Widow-Mrs Long?; Sir Frederick Frolick-Harris?; Dufoy-Price?.
Cast
Role: The Epilogue Actor: the Widow?, Wheadle?
Role: Widow Actor: Mrs Long?

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: Edition of 1677: Prologue-; Epilogue-Widow-Blackacre; Manly-Hart; Freeman-Kynaston; Vernish-Griffin; Novell-Clark; Major Oldfox-Cartwright; Lord Plausible-Haines; Jerry Blackacre-Charlton; Olivia-Mrs Marshall; Fidelia-Mrs Boutell; Eliza-Mrs Knep; Letice-Mrs [Ursula or Frances] Knight (see below); Widow Blackacre-Mrs Cory.
Cast
Role: Epilogue Actor: Widow-Blackacre
Role: Widow Actor: Blackacre
Role: Widow Blackacre Actor: Mrs Cory.

Performances

Mainpiece Title: The Devil Of A Duke; Or, The Conjuror's Bastard; With The Comical Humours Of Captain Tipple

Performance Comment: Conjuror's Bastard-Chapman; Duke Lavinio-Winstone; Mago-Cross; Prince Brunetto-Ware; Barberino-Bembridge; Alberto-Richards; Captain-Spackman; Clout-Gray; Flout-Clough; Isabella-Mrs Cross; Prudentia-Miss Ferguson; Flametta-Miss Dodson; 1st Widow-Mrs Taylor; 2d Widow-Mrs Powel; Miss Sol@Fa-Mrs Booth; Drunken Captain-Hippisley.
Cast
Role: 1st Widow Actor: Mrs Taylor
Role: 2d Widow Actor: Mrs Powel

Afterpiece Title: The Matrimonial Squabble; or, A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

Event Comment: Benefit the Widow and Four Small Children of the late Henry Carey. Tickets at the stage door, or at the Widow Carey's in Cross St., Hatton-Garden; at Langbourn-Ward Coffee House; and of Mrs Suertt, at the Apple Tree in Cold Bath Fields. N.B. The Unfortunate Widow humbly hopes that the Good Nature and Humanity of her Friends will admit her melancholy circumstances, and the shortness of time, as a sufficient excuse for not waiting on them, and continue the favours, formerly shown to her late Husband, to her and her Distress'd Family, being left entirely destitute of any provision

Performances

Mainpiece Title: The Miser

Afterpiece Title: n% Old Man Taught Wisdom; or, The Virgin Unmask'd

Event Comment: TTony Aston's program as 26 Feb., but Widow Motteux as Widow as in scene from Plain Dealer. Benefit Widow Motteaux

Performances

Performances

Mainpiece Title: Bury Fair

Performance Comment: Edition of 1689: Lord Bellamy-Betterton; Wildish-Mountfort; Oldwit-Underhill; Sir Humph. Noddy-Noakes; Trim-Bowman; Le Roch-Leigh; Valet-Bohen [Bowen?]; Charles-Mrs Butler; Lady Fantast-Mrs Cory; Mrs Fantast-Mrs Boutell; Mrs Gertrude-Mrs Mountfort; Prologue-Mr Mountfort; Epilogue-Mrs Mountfort.

Performances

Mainpiece Title: The Amorous Bigotte: With The Second Part Of Tegue O Divelly

Performance Comment: Edition of 1690: Bernardo-Underhill; Luscindo-Williams; Doristeo-Bowman; Finardo-Alexander [Verbruggen]; Tegue O Divelly-Leigh; Hernando-Boen [Bowen]; Diego-Young Lee; Belliza-Mrs Corey; Elvira-Mrs Jordan; Rosania-Mrs Bracegirdle; Grycia-Mrs Osborn; Levia-Mrs Butler; Gremia-Noakes; Prologue-Mrs Butler; Epilogue-Mrs Bracegirdle.
Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Performances

Mainpiece Title: Abdelazar; Or, The Moor's Revenge

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3130, 7-11 Nov. 1695, suggests that it was acted not later than October 1695, although the first production may have been earlier than that. Part of the music was composed by Henry Purcell: Celia has a thousand charms, sung by Young Bowen; Take not a woman's anger ill, sung by Leveridge; and How happy is she, sung by Miss Cross; all are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XXI (1917), x-xi. Another song, To me you made a thousand vows, set by John Blow, is in Amphion Anglicus, 1700. Dedication, Edition of 1696: I...found so much interrutpion and discouragement from some prejudic'd Gentlemen, who ought to have us'd me better, or, at least, had no reason to use me ill, that I repented I had bestow'd any time upon it....In spite of 'em, my Lord, it was kindly receiv'd, and that too, at a time when the Town was never thinner of Nobility and Gentry

Performances

Mainpiece Title: The Rival Sisters; Or, The Violence Of Love

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 27-30 June 1696, suggests that it was first acted not later than early June 1696 and probably not later than late May 1696. A dialogue, Fly, fly from my sight, between a Eunuch Boyr and a Virgin, set by Daniel Purcell and sung by Bowen and Mrs Cross, is in Deliciae Musicae, The Second Book of the Second Volume, 1696. This was also printed separately, without a date, by Thomas Cross, with the statement that the dialogue was written by Thomas D'Urfey. Gildon, English Dramatick Poets, ca. 1698, p. 111: For the Distress of Morena never fail'd to bring Tears into the Eyes of the Audience

Performances

Mainpiece Title: Ibrahim, The Thirteenth Emperour Of The Turks

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-27 Aug. 1696, suggests that it was first acted not later than July 1696 and possibly in June 1696. In the edition of 1696 are two dialogues, set by Clarke, the words by Haynes, and sung by Bowen and Mrs Cross. A Comparison Between the Two Stages (1702), p. 18: Cornish Comedy: No matter whose, 'twas Damn'd

Performances

Mainpiece Title: The Cornish Comedy

Performances

Mainpiece Title: The Intrigues At Versailles; Or, A Jilt In All Humours

Performance Comment: Edition of 1697: Prologue-; Duke de Sanserre-Betterton; Guillamour-Verbruggen; Count de Brissac-Boen [Bowen]; Count de Fiesque-Hudson; Count de Tonnere-Bowman; Sir Plunder Bosies-Underhill; Countess de Sanserre-Mrs Bracegirdle; Countess de Brissac-Mrs Bowman; Madam de Vandosme-Mrs Barry; Daubroy-Mrs Willis; La Busque-Mrs Lawson; Grossiere-Mrs Leigh; Epilogue-Mrs Barry (as in a fret).
Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 28-30 April 1698, suggests a first performance in late March. The Songs, published separately, include: Come all ye shepherds, set by Daniel Purcell and sung by Freeman. Let every shepherd bring his lass, set by Daniel Purcell and sung by Magnus. Life is but a little span, set by Daniel Purcell and sung by Young Bowin and Mrs Campion. Fond shepherd, set by Daniel Purcell and sung by Pate. To pensive years resign your pining, set by Daniel Purcell and sung by Young Bowen. Look down, set by Daniel Purcell and sung by Pate. Dedication, edition of 1698: I have no Reason to complain of the Success it had on the Stage. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Phaeton; Or, The Fatal Divorce

Event Comment: Post Boy, No. 477, 24-26 May 1698: On Saturday next, being the [28th] of May, will be perform'd in York-Buildings, an Entertainment of Vocal and Instrumental Musick, Set by the late Mr Hen. Purcell, and perform'd by Mr Pate, and Mr Bowen, for Mr Leveridge his Benefit

Performances

Mainpiece Title: Concert

Event Comment: Post Boy, No 482, 4-7 June 1698: At York Buildings this Day, being the 7th of June, will be performed an Entertainment of New Musick, Vocal and Instrumental, Mr Pate, Mr Leveridge, Mr Freeman, Mr Bowen, and all the best Masters perform their Parts. Composed by Mr Daniel Purcell for his Benefit

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Xerxes

Performance Comment: Edition of 1699: The Prologue-Mr Batterton; The Epilogue-; Xerxes-Verbruggen; Mardonius-Hodgson; Attabanus-Betterton; Aranthes-Scudamore; Memnon-Freeman; Cleontes-Thurmond; Poet-Boin [Bowen]; Tamira-Mrs Barry.
Event Comment: Benefit Hodgson and Bowen

Performances

Mainpiece Title: The Virtuoso

Music: An Entertainment of Musick, never performed in Publick before, by the famous -Mons Li Rich, lately arrived from the Court of Poland: being the only and last Time of performing the said Entertainment, or any other, by reason of his sudden return to the said Kingdom

Event Comment: Benefit Bowen. For the Entertainment of Hamet Ben Hamet Cardenas

Performances

Mainpiece Title: The Humorous Lieutenant

Song: Comical songs and dialogues-from the last new Opera [Wonders in the Sun, presumably]

Dance: deBarques, Mrs Elford, Firbank, Mrs Bicknell

Event Comment: See Tatler, 26 May. [In Daily Courant, 24 May, William Bowen announced that The Stratagem, advertised for this day as his benefit, is deferred and that tickets for it will be accepted on 1 June at Sganarell; or, The Cuckold in Conceit.

Performances

Mainpiece Title: The Recruiting Officer