SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4442 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Authors of Prologue and Epilogue unknown. MS: Larpent MS 1096; not published]. Receipts: #358 12s. 6d. (280.6.6; 76.10.6; 1.15.6)

Performances

Mainpiece Title: The Dependent

Afterpiece Title: My Grandmother

Event Comment: [1st piece in place of The Wives Revenged, advertised on playbill of 22 Oct.] 2nd piece: 4th Time [i.e. in continuation of the reckoning for the previous season]. In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgment-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. And in the Last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by the Scenery and Certainty of its Judgments, produced many alarming Events in the 15th century, throughout the Germanic Empire. 3rd piece: In the course of the Pantomime a Representation of an Engagement between an English and French Man of Warv. A Shipwreckv. The original Allegoric Scene from Provocation. A View of an English Campv. A Naval and Military Procession. Receipts: #235 3s. 6d. (209.0.0; 26.3.6)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Secret Tribunal

Afterpiece Title: The Shipwreck or Treachery and Ingratitude

Song: In 3rd piece: a song-Townsend

Event Comment: Mainpiece: 19th Time [i.e. in continuation of the reckoning for the previous season]. Receipts: #130 19s. 6d. (124.11.0; 6.8.6)

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: A Divertisement

Event Comment: Mainpiece [altered by John Philip Kemble]: With new Scenes, Dresses, Decorations, and Machinery. In Act I, at the opening will be introduced, for the First Time a Battle between the Macedonians and the Persians. In Act IV, the Royal Banquet. [These were included in all subsequent performances.] The Scenes designed and painted by Marinari. The Dresses and Decorations by Johnston and Miss Rein. The Machinery by Cabanel. "[In the last scene] the expiring tone with which [Kemble] pronounces 'Cover me'; his shivering, when wrapt round in the imperial robes; his wan and wasted countenance; the manner of his labouriously drawing his legs together, and their aguish knocking when they meet, surpass all description" (Monthly Mirror, Jan. 1796, p. 180). Receipts: #375 2s. 6d. (306.14.6; 67.3.0; 1.5.0)

Performances

Mainpiece Title: Alexander The Great

Related Works
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Afterpiece Title: My Grandmother

Song: In II: Alexander's Triumphal Entry into Babylon-; The Grand Chorus of Priests Youths Virgins-Bannister, Sedgwick, Dignum, Wathen, Welsh, Wentworth, Trueman, Cooke, Danby, Evans, Fisher, Master Welsh, Master DeCamp, Master Gregson, Mrs Bland, Miss Leak, Miss DeCamp, Miss Arne, Miss Mellon, Mrs Bramwell, Mrs Boimaison, Mrs Maddocks, Miss Menage, Miss Jackson, Miss Granger, Miss Chatterley, Miss Wentworth, Mrs Butler

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Son in Law

Performance Comment: Cranky-Suett; Vinegar-Aickin; Bouquet-Dignum; Bowkit-Bannister Jun.; Man of the House-Maddocks; Signor Arionelli (1st time)-Miss DeCamp; Idle-R. Palmer; Mum-Wewitzer; John-Trueman; Lilly-Master Gregson; Cecilia-Miss Leak; Dolce-Mrs Jones.
Event Comment: Mainpiece: Not acted these 5 years [acted 24 Nov. 1791]. "Fawcett is unfortunate in his laugh, which is forced and affected, as if it were more the result of some specific direction acting on his memory, than of any combination of ludicrous images excited in his mind" (Monthly Mirror, Dec. 1795, p. 123). Receipts: #170 12s. (168.8.6; 2.3.6)

Performances

Mainpiece Title: King Henry The Fourth First Part

Performance Comment: Sir John Falstaff (1st time)-Fawcett; King Henry-Harley; Prince of Wales-Lewis; Sir Richard Vernon-Middleton; Worcester-Hull; Poins-Macready; Francis-Knight; Sir W. Blunt-Richardson; Bardolph-Thompson; Douglas-Farley; Northumberland-Davenport; Westmorland-Claremont; Sheriff-Haymes; Peto-Rees; Gadshill-Williamson; Prince John of Lancaster-Holland; Messenger-Abbot; Hotspur's Servant-Master Curties; Travellers-Blurton, Coombs, Wilde; Carriers-Quick, Munden; Hotspur-Holman; Hostess-Mrs Davenport; Lady Percy-Miss Chapman.

Afterpiece Title: The Flitch of Bacon

Event Comment: 1st piece: In one Act [i.e. reduced from the original two]. 2nd piece [1st time; MD 3, by Richard Cumberland. Author of Prologue unknown]. Receipts: #235 13s. 6d. (232.9.6; 3.4.0)

Performances

Mainpiece Title: Arrived At Portsmouth

Afterpiece Title: The Days of Yore

Afterpiece Title: Merry Sherwood

Cast
Role: Apollo Actor: Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Hercules Actor: Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Diana Actor: Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Orion Actor: and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: and Cupid Actor: Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Persians Actor: Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Parthian Actor: Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Scythian Actor: Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Ethiopian Actor: Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Amazonian Actor: Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Grecian Actor: Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Thracian Actor: Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lycian Actor: Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: representing the Landing of Julius Caesar Actor: Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Saxon Archer Actor: Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Danish Archer Actor: Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Norman Archer Actor: English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: English Archer Actor: Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Event Comment: Afterpiece [1st time; P 2 (?), by William Linley. Also attributed to Cordal Powel, librarian to the Prince of Wales (London Chronicle, 19 Jan. 1796). Larpent MS 1106; not published, except for Airs (C. Lowndes, 1796). Synopsis of action in Pocket Magazine, Jan. 1796, p. 59]. The Musick composed by W. Linley. The Scenes [for a description of which see Theatre Notebook, 1965, XIX, p. 58] entirely new, and painted by Greenwood. The Machinery and Decorations by Cabanel, Johnston and Jacobs. The Dresses by Johnston and Miss Rein. Nothing under Full Prince will be taken. Account-Book, 22 Jan.: Paid Wm. Linley for music of new pantomime #25. Receipts: #619 3s. (608.9; 10.14)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Harlequin Captive or The Magick Fire

Performance Comment: Characters by Caulfield, Banks, Boimaison, Master Welsh, Dubois, Fairbrother, Wathen, Russell, Benson, Hollingsworth, Burton, Phillimore, Maddocks, Jones, Webb, Fisher, Wentworth, Evans, Roffey, Keys, Whitmell, Wells, Butler, W. Banks, Nicolini, Garman, Master Gregson, Master DeCamp; Miss DeCamp, Miss Mellon, Mrs Boimaison, Miss Heard, Mrs Cuyler, Mrs Booth, Miss Tidswell, Mrs Maddocks, Mrs Hedges, Mrs Heard, Mrs Butler, Mrs Brooker, Miss Chatterley, Mrs Jones, Mrs Mills, Mrs Brigg, Mrs Haskey, Mrs Barrett. Chorus of Knights and Ladies (Vocal Parts)-Sedgwick, Dignum, Trueman, Danby, Cooke, Welsh, Mrs Bland, Miss Leak, Miss Arne, Mrs Bramwell, Miss Granger, Miss Jackson, Miss Menage, Miss Stuart, Miss Wentworth; Cast adjusted from playbill of 9 Nov. 1796: Ormandine-Caulfield; Harlequin-Banks; Ormandine's Servant-Boimaison; Ariel-Master Welsh; Clown-Dubois; Sailor-Fairbrother; Sir Epicure-Hollingsworth; Crop-Burton; Landlord-Phillimore; Countrymen-Maddocks, Jones; Constable-Webb; Prigg-Fisher; Gipsies-Evans, Garman, Mrs Butler, Mrs Jones, Mrs Mills, Mrs Brigg; Furies-Roffey, Wells, Master Gregson; Gardener-Whitmell; Waiter-Butler; Cheesemonger-Nicolini; Postboy-Master DeCamp; Colombine-Miss DeCamp; Minerva-Miss Mellon; Spirit-Miss Heard; Landlady-Mrs Booth; Lady-Miss Tidswell; Countrywomen-Mrs Maddocks, Mrs Heard; Cook-Mrs Brooker; Chambermaid-Miss Chatterley; unassigned-Wathen, Russell, Benson, Wentworth, Keys, W. Banks, Mrs Boimaison, Mrs Cuyler, Mrs Hedges, Mrs Haskey, Mrs Barrett.
Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft. Prologue and Epilogue by the author (Knapp, pp. 119, 309)]: With new Scenes and Dresses. Oracle, 30 Jan. 1796: On Tuesday next [2 Feb.] will be published The Man of Ten Thousand (2s.). Receipts: #540 7s. (538.19.6; 1.7.6)

Performances

Mainpiece Title: The Man Of Ten Thousand

Afterpiece Title: Harlequin Captive

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Edward Topham ( see text)]: With new Scenery, Dresses, &c. [Oracle, 1 Feb. 1796, recounts the financial transactions relative to this play. Thomas Harris, the cg proprietor, bought the copyright from Morton for #140; he was also to give Morton #100 on each of his benefit nights, i.e. the 3rd, 6th, 9th and 21st of the run of the play. Morton's profit was therefore #540.] Receipts: #281 16s. 6d. (278.9.6; 3.7.0)

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: The Poor Soldier

Event Comment: 2nd piece [1st time; MF 2, by Prince Hoare]: The Music principally composed by Shield [and selected from Paisiello]. The Overture by W. Parke. Books of the Songs to be had at the Theatre. 3rd piece: Representation of the Indian Manner, &c., as 26 Oct. 1795. Account-Book, 22 Feb.: Paid Hoare in full for Lock & Key #210. Receipts: #197 10s. (195.6; 2.4)

Performances

Mainpiece Title: The Days Of Yore

Afterpiece Title: Lock and Key

Afterpiece Title: The Shipwreck

Dance: As17951031

Event Comment: [First two pieces in place of The Regent, advertised on playbill of 18 Feb.] The Publick are most repectfully informed that on account of Mrs Siddons's illness The Regent cannot be acted this evening, and that the Performances will be [as above]. 3rd piece [1st time; MF 2, by James Cobb. Larpent MS 1111; not published]: Books of the Songs to be had in the Theatre. Receipts: #398 8s. 6d. (275.5.6; 115.14.6; 7.8.6)

Performances

Mainpiece Title: The Wedding Day

Afterpiece Title: The Child of Nature

Afterpiece Title: The Shepherdess of Cheapside

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; Tyrants would (Athalia)-; Lord to thee (Theodora)-; The smiling dawn (Samson [recte Jephtha])-; When his loud voice (Athalia [recte Jephtha])-; Pleasure my former ways (Time and Truth)-; No more to Ammon's God-; Ye sacred Priests-Mme Mara; Farewell ye limpid springs (Jephtha)-; He gave them hailstones (Israel in Egypt)-.

Music: End Part I: concerto on the violincello-C. Ashley; End Part II: concerto on the harp-Mme Delaval

Event Comment: Mainpiece [1st time; MD 3, by George Colman, ynger]: The Scenery and Dresses are entirely new. The Musick composed by Storace.The Scenes designed and executed by Greenwood and Capon [the Gothic library was painted by Capon (Oracle, 21 Mar. 1796)]. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. [When Colman published his play he prefaced it with an acrimonious attack on Kemble, in which he accused him of deliberately trying to make the play a failure. But almost without exception the contemporary reviews excused Kemble's performance on the grounds of his obvious indisposition, and agreed that the play itself was unsatisfactory. "The play failed, and we are sorry to say did not merit to succeed...Kemble, who was tormented With an incessant cough, said he could not but be sensible that much of the displeasure of the house proceeded from his deficiency in a principal character...The whole audience with one voice cried out, 'No, no, Kemble-it is not your fault'" (Oracle, 14 Mar.). "The dialogue is extremely heavy, and there is little or no incident to relieve the tedium of more than four hours representation...Sir Edward Mortimer is a being distracted, with no adequate cause; a prey to remorse, which he of all men was the last to feel from the principles that make up his being. This therefore is the radical moral defect of the piece. But there is another which, though not equally strong, is equally fatal: there is no progression of interest, there is no involution of plot, there is no development of character" (Star, 14 Mar.). Other notices of the opening night were much in the same vein. Subsequently Colman revised the play, and it held the stage for many years. "The curtailments which have been made shorten the representation near an hour and a half, and the alterations are many and judicious" (Morning Herald, 21 Mar. 1796). Morning Herald, 23 July 1796: This Day is published The Iron Chest (2s.). Receipts: #471 9s. (468.13; 2.16)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: Characters by Kemble, Wroughton, Bannister Jun., Dodd, Barrymore, Suett, Master Welsh, Kelly, R. Palmer, Dignum, Sedgwick, Phillimore, Bannister, Master Webb, Banks, Hollingsworth, Trueman, Webb, Maddocks, Key, Whitmell, Miss Farren, Mrs Gibbs, Miss Tidswell, Sga Storace, Miss Granger, Miss DeCamp. Cast from text (Cadell & Davies, 1796), and London Chronicle, 14 Mar.: Sir Edward Mortimer-Kemble; Fitzharding-Wroughton; Wilford-Bannister Jun.; Adam Winterton-Dodd; Rawbold-Barrymore; Samson-Suett; Boy-Master Welsh; Armstrong-Kelly; Orson-R. Palmer; Robbers-Dignum, Sedgwick, Phillimore, Bannister; Robber's Boy-Master Webb; Peter-Banks; Cook-Hollingsworth; Gregory-Trueman; Simon-Webb; Walter-Maddocks; Helen-Miss Farren; Blanch-Mrs Gibbs; Dame Rawbold-Miss Tidswell; Barbara-Sga Storace; Girl-Miss Granger; Judith-Miss DeCamp; unassigned-Keys, Whitmell.
Cast
Role: Sir Edward Mortimer Actor: Kemble

Afterpiece Title: Harlequin Captive

Song: Mainpiece: The General Chorus-Cooke, Danby, Evans, Welsh, Wentworth, J. Fisher, Master DeCamp, Master Gregson, Atkins, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Mellon, Miss Wentworth, Mrs Maddocks, Miss Chatterley, Miss Menage, Miss Stuart, Miss Jackson

Event Comment: Afterpiece [1st time; P 2, author unknown]: The Pantomime partly new and partly compiled. The principal parts of the Compilation from The Choice of Harlequin, The Magic Cavern, The Enchanted Castle, The Sylphs, and The Sorcerer. The Music compiled from, and composed by, Michael Arne, Shield, J. C.? Bach, Spofforth, &c. The Scenery, Machinery, and Decorations are partly new, and the rest completely repaired by Hodgins, Phillips, Hollogan, Blackmore, and assistants. The Dances composed by Byrn. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #274 14s. 6d. (254.13.0; 20.1.6)

Performances

Mainpiece Title: Speculation

Afterpiece Title: Harlequins Treasure 0 or Jewels New Set

Afterpiece Title: Harlequins Treasure 1

Afterpiece Title: Harlequins Treasure 2

Event Comment: A New Opera (1st time [in London; 1st performed at Florence, 1793, as La Confusione nata dalla Somiglianza; ossiano, I Due Gobbi]); the music by Portogallo. [Viganoni had 1st appeared at the former king's Theatre throughout the seasons of 1781-82 and 1782-83.

Performances

Mainpiece Title: I Due Gobbi

Dance: End I: Divertissement-[, as17960310 End Opera: Le Bouquet- [see17960305

Event Comment: Benefit for Lewis. 1st piece [1st time: C 3, by John O'Keeffe, altered by him from his The Toy]. [2nd piece in place of The Irish Mimick, advertised on playbill of 17 Mar.] Oracle, 15 Mar.: Tickets to be had of Lewis, No. 6, Bow-street, Covent-Garden. Receipts: #384 18s. (272.4; 12.8; tickets: 100.6)

Performances

Mainpiece Title: The Lie Of The Day Or A Party At Hampton Court

Afterpiece Title: Catharine and Petruchio

Afterpiece Title: Harlequins Treasure 0

Afterpiece Title: Harlequins Treasure 1

Afterpiece Title: Harlequins Treasure 2

Performances

Mainpiece Title: The Way To Get Married

Performance Comment: As17960126, but Julia Faulkner-Miss Manselin place of Miss Wallis (1st time).

Afterpiece Title: Harlequins Treasure 0

Afterpiece Title: Harlequins Treasure 1

Afterpiece Title: Harlequins Treasure 2

Performances

Mainpiece Title: The Mysteries Of The Castle

Performance Comment: As17951104, but Julia (1st time)-Miss Mansel.

Afterpiece Title: A Divertisement

Entertainment: MonologueAfter dancing: Belles! Have at ye All-Mrs Mattocks

Ballet: End: Dermot and Kathlane; or, The Irish Wedding (composed by Byrn). Dermot-Byrn; Darby-Jackson; Patrick-Holland; Father Luke-Platt; Norah-Mlle St.Amand; Old Kathlane-Miss Smyth; Kathlane (only time [i.e. appearance] this season)-Mme Rossi. [And see17931018.

Performance Comment: Dermot-Byrn; Darby-Jackson; Patrick-Holland; Father Luke-Platt; Norah-Mlle St.Amand; Old Kathlane-Miss Smyth; Kathlane (only time [i.e. appearance] this season)-Mme Rossi. [And see17931018.]And see17931018.]
Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe. Altered by the author the following season as The Wicklow Mountains. Dross not listed in Airs, but it is the only other character in Larpent MS 1117]: With new Scenery, Music, and Dresses. The Music partly compiled, and the Overture, new Music, and the Accompanyments to the National Airs, composed by Shield.The Union Pipes and the Harp to be played by Topham and Weippert. The Scenes painted by Richards, Hodgins, Phillips, Hollogan, Blackmore and assistants. Books of the Songs to be had in the Theatre. Receipts: #215 (210.18; 4.2)

Performances

Mainpiece Title: The Lad Of The Hills Or The Wicklow Gold Mine

Afterpiece Title: Crotchet Lodge

Dance: With a new Irish Ballet (composed by Byrn)Spinsters' Lottery-Byrn, Platt, Mrs Watts, Miss Smyth, Mlle St.Amand. [Announced in playbill, but "The dance advertised was changed to another, on account of the indisposition of one of the performers" (Morning Herald, 11 Apr.).

Event Comment: Benefit for Mrs Martyr. 3rd piece [1st time; M. INT 1, by John Cartwright Cross. Larpent MS 1124; not published]: Founded on the recent and glorious Achievement, at the above French Fort, of Sir Sydney Smith. [On 17 Mar. 1796 a force under Sir William Sydney Smith had destroyed six French vessels in the Bay of Herqui.] To conclude with the British striking the French Colours on the Fort, burning their Corvettes in the Harbour. The new Music by Shield. Oracle, 29 Mar.: Tickets to be had of Mrs Martyr at her house, No. 16, Martlett-court, Bow-street, Covent-Garden. Receipts: #384 11s. 6d. (192.14.0; 10.1.0; tickets: 181.16.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Point at Herqui or British Bravery Triumphant

Dance: II: a Negro Dance-; 3rd piece: a new incidental Dance by Byrn-Mlle St.Amand, Holland, Byrn

Song: End I: Sweet Bird-Mrs Serres; accompanied on the German Flute (for this night only)-Ashe, from the Hanover-Square Concert; In Evening: Admiral Benbow-Incledon; 3rd piece: the following songs: The Mid Watch-Incledon; Tippy Bob-Munden; The Waiter-Fawcett; Irish Song-Johnstone; New Loyal Song-Mrs Martyr; Rondo-Mrs Clendining; Ye Gentlemen of England-Linton, Street, Incledon; Rule Britannia-Incledon, Johnstone, Chorus

Event Comment: A New Comic Opera; 1st Time [in London; 1st performed at Naples, 1787]. The Music by Paisiello

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: As17960412

Event Comment: Mainpiece [1st time; T 5, by Sophia Lee. Prologue and Epilogue by Harriet Lee (see text)]: With new Scenes, Dresses, &c. Receipts: #252 8s. (182.5; 68.8; 1.15)

Performances

Mainpiece Title: Almeyda Queen Of Granada

Afterpiece Title: The Smugglers

Event Comment: Afterpiece [1st time; F 2, by John O'Keeffe. Author of Prologue unknown]. Receipts: #168 16s. (158.5.6; 10.10.6)

Performances

Mainpiece Title: The Lad Of The Hills

Afterpiece Title: The Doldrum or 1803

Dance: As17960413

Event Comment: Benefit for Mrs Jordan. Mainpiece: In Act II a Masquerade Scene. [Author of Epilogue unknown.] Oracle, II Apr.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #658 19s. 6d. (319.0.0; 46.8.0; 1.17.0; tickets: 284.4.0; odd money: 7.10.6) (charge: free)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Escalus-Benson; Paris-C. Kemble; Montague-Phillimore; Capulet-Aickin; Romeo-Barrymore; Mercutio-Dodd; Benvolio-Whitfield; Tybalt-Caulfield; Friar Lawrence-Packer; Friar John-Maddocks; Balthazar-Banks; Sampson-Hollingsworth; Gregory-Evans; Abram-Jones; Peter-Burton; Apothecary-Waldron; Watch-Webb; Page-Miss Menage; Lady Capulet-Miss Tidswell; Juliet (1st time, and for that night only)-Mrs Jordan; Nurse-Mrs Hopkins; Epilogue-Mrs Jordan.

Afterpiece Title: The Sultan

Song: End IV: a Funeral Procession- to the Monument of the Capulets; with a Dirge-by Linley? Sen. Vocal PartsBannister, Sedgwick, Dignum, Master Welsh, Miss Leak, Miss DeCamp