Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
7384 results for: Keyword - Weston</i>, has some Requisites, may in Time be a tolerable Actor in <span class=
We found 4442 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

6526
26 July 1783 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe; text (1st authorized) published in Cumberland's British Theatre, xxxvii. Prologue and Epilogue by George Colman, the elder (Colman, Prose, iii, 244, 246, which give names of speakers)]: With new Scenes and Dresses. "It had four new scenes to decorate it, and those extremely well painted. In one of them a portrait of Captain Ambush is exhibited, which presented a very happy likeness of Williamson, by Alefounder" (Universal Magazine, Aug. 1783, p. 76)

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Medea and Jason

6527
12 August 1783 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe, based on Le Rival Suppose, by Germain Francois Poulain de Saint-Foix. It was written in honor of the 21st birthday, 12 Aug., of the Prince of Wales. Prologue by George Colman, the elder (Colman, Prose, m, 248)]: The Overture by Dr Arnold. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Oct. 1783: This Day is published The Birth Day (1s.)

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Birth Day or The Prince of Arragon

Dance: Afterpiece to conclude with a Grand Chorus and Dance (performers not listed)

Song: As17830613

6528
13 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Wilson. 1st piece: Taken from Beaumont and Fletcher. 2nd piece [1st time; F 2, by John Dent. Prologue by Turner (see text)]. 4th piece: A Tragical, Comical, Operatical, Pastorical, Pantomimical, Farcical, Burlettical, Preludical, Interludical, Whimsical, Rhetorical, Diabolical, Oratorical Representation, being the most Comical Tragedy that ever was Tragedized by any Comical Company of Tragedians. With the Triumphal Entry of Chrononhotonthologos into Queerumania, attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagelcts, Lutes, Bag-Pipes, Tabours and Pipes, Marrowbones and Cleavers, Post-Horns, French-Horns, Salt Box, Broomstickados, &c

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Receipt Tax

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

6529
19 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Mrs Bulkley. 2nd piece [1st time; c 2, by James Brown Williamson. MS: Larpent 630; not published. Prologue probably by the author; Epilogue by the author; speakers' names (Public Advertiser, 3 Sept.)]

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Lawyer

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

6530
22 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer. 3rd piece [1st time; F 1, by Richard Paul Jodrell. Text 1st published (with cast for later season) by W. Lowndes and J. Barker, 1786]

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Summer Amusement

Afterpiece Title: Seeing is Believing A Dramatic Proverb

Dance: As17830610

6531
27 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Bannister. Public Advertiser, 22 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. 1st piece [1st time; prel i, by William Finney. MS: Larpent 635; not published]

Performances

Mainpiece Title: The Green Room

Afterpiece Title: The English Merchant

Afterpiece Title: The Sheep Shearing

Song: End of Act I of mainpiece a favourite song by Miss George; End of Act IV Admiral Benbow by Bannister

Monologue: 1783 08 27 As 13 Aug. IMITATIONS. As 20 Aug

6532
28 August 1783 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; MF 2, by Charles Stuart and John O'Keene. Text 1st published, unauthorized, Dublin: For the Booksellers [1783]. Prologue by George Colman, the elder (O'Keeffe, I, 140)]: With a new Overture by Dr Arnold. With Italian, French, Irish, Scotch, Welsh and English

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: GRETNA GREEN

Music: Books of the Songs to be had at the Theatre

Song: As17830613

6533
29 August 1783 @ Haymarket Theatre

Event Comment: Benefit for Palmer. Public Advertiser, 26 Aug.: Tickets to be had of Palmer, No. 39, Goodge-street, Rathbone-place. Afterpiece: 1st time at that theatre. With a Sea Fight

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Critic or A Tragedy Rehearsd

Dance: As17830603

Song: End of afterpiece Stand to your Guns, as17830801

6534
18 September 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Barrymore; Sir Harry Sycamore-Parsons; Fairfield-Aickin; Mervin-Williames; Ralph-Suett; Giles-Chapman; Fanny-Mrs Wrighten; Lady Sycamore-Mrs Hopkins; Theodosia-Miss Wheeler; Patty (rst time)-Miss Field .

Afterpiece Title: The Lyar

Dance: End of Act I of mainpiece The Pastoral Lovers by Ferrere and Miss Stageldoir

6535
24 September 1783 @ Covent Garden

Event Comment: "[Kemble] has not, and we speak charitably, any pretensions to a first or second rank in the theatre. We are sorry for this, as he seemed to labour earnestly, but in vain" (London Magazine, Oct. 1783, p. 350). Paid Music 3 nights #23 19s. Receipts: #288 12s. 6d. (287/0/0; 1/12/6)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-[S.] Kemble (from the Theatre Royal, Dublin; 1st appearance on this stage); Roderigo-Bonnor; Cassio-Whitfield; Brabantio-Hull; Lodovico-Davies; Montano-Mahon; Duke-Booth; Gratiano-Fearon; Iago-Henderson; Emilia-Mrs Whitfield; Desdemona (1st time)-Miss Satchell .

Afterpiece Title: The Quaker

6536
01 October 1783 @ Covent Garden

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Impostor

Performance Comment: Trappanti-Lewis (1st appearance in that character); Don Philip-Wroughton; Don Octavio-Whitfield; Soto-Wewitzer; Diego-Thompson; Don Lewis-Booth; Alguazile-Jones; Corrigidore-Stevens; Don Manuel (ist time)-Edwin; Flora-Mrs Chalmers; Viletta-Mrs Wilson; Rosara-Mrs Lewis; Hippolita-Mrs Bates (2nd appearance on this stage) .

Afterpiece Title: The Flitch of Bacon

Dance: End of mainpiece Damon and Musidora by Harris and Miss Besford

6537
02 October 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel (1st time)-Bannister Jun.; Duke's Servant-Palmer; Sir Harry's Servant-Dodd; Philip-Baddeley; Freeman-Fawcett; Kitty-Miss Pope .

Dance: In afterpiece a Mock Minuet by Palmer and Miss Pope. [This was danced, as here assigned, in all subsequent performances.]

6538
07 October 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Brereton; Myrtle (1st time)-Farren; Cimberton-Suett; Mr Sealand-Aickin; Sir John Bevil-Packer; Humphrey-Wrighten; Daniel-Burton; Tom-Palmer; Phillis-Mrs Wilson (1st appearance in London); Luanda-Miss Wheeler; Isabella-Mrs Hedges; Mrs Sealand-Mrs Love; Indiana-Miss Farren .

Afterpiece Title: Comus

Song: In Act II of mainpiece song by Miss Field

6539
13 October 1783 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Henderson; King Henry-Clarke; Richmond-Wroughton; Buckingham-Hull; Stanley-Fearon; Tressel-Whitfield; Prince Edward-Miss M. Francis; Duke of York-Miss Painter; Norfolk-Booth; Lieutenant-Mahon; Catesby-Davies; Ratcliffe-Thompson; Lord Mayor-Helme; Oxford-J. Bates; Lady Anne (1st time)-Miss Satchell; Duchess of York-Miss Platt; Queen-Mrs Bates .
Cast
Role: Lord Mayor Actor: Helme

Afterpiece Title: End of Act II The Rival Knights

Afterpiece Title: Rosina

6540
30 October 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: A School For Fathers

Performance Comment: Lionel (1st time)-Barrymore; Colonel Oldboy-Parsons; Sir John Flowerdale-Aickin; Jenkins-Staunton; Harman-Williames; Jessamy-Dodd; Diana-Miss George (1st appearance in that character); Lady Mary Oldboy-Mrs Hopkins; Jenny-Miss Wheeler; Clarissa-Miss Phillips (1st appearance this season) .

Afterpiece Title: Robinson Crusoe

Dance: As17831009

6541
04 November 1783 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years. [Prologue by Nicholas Rowe.] Afterpiece [1st time; co 2, by John O'Keeffe, altered from his The Shamrock (see CG, 7 Apr. 1783); published (1st authorized) as noted above]: The selected Music by the Author of the Piece. The Overture, new Airs and Accompaniments by Shield. With New Dresses, Scenery, &c. The Words of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid O'Keeffe for Copyright, &c. of The Poor Soldier #315. Receipts: #218 14s. (215/7; 3/7)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Poor Soldier

Song: In mainpiece To thee, O, gentle sleep by Brett

6542
06 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17830923, but King Richard-Kemble (1st appearance in that character [in London]); Lady Anne (1st time)-Mrs Ward .
Cast
Role: Lord Mayor Actor: Phillimore

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude as17831104

6543
06 November 1783 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Rival Knights

Afterpiece Title: St

Performance Comment: Patrick's Day. Justice Credulous (1st time)-Quick; Doctor Rosy-Wewitzer; Serjeant Trounce-Booth; Lieutenant O'Connor-Mahon; Bridget-Mrs Pitt; Lauretta-Mrs Morton .

6544
08 November 1783 @ Covent Garden

Event Comment: Mainpiece [1st time; tc 5]: Altered from [The Picture, by Philip] Massinger [by Henry Bate; incidental music by William Shield. Prologue by William Pearce (see text)]. With New Dresses, Scenery, &c. Afterpiece: Written by O'Keeffe. London Chronicle, 10 Nov., prints the words of the Chorus, and also of a song sung by Quick, Poor Hillario, once so jolly, and of one sung by Mrs Martyr, Would you view the loveliest rose. Receipts: #209 16s. (205/3; 4/13)

Performances

Mainpiece Title: The Magic Picture

Afterpiece Title: The Poor Soldier

Song: In Act II of mainpiece a Grand Chorus [Crowned with conquest] by Bannister, Reinhold, Johnstone, Mattocks, Brett, Mahon, Doyle, Darley; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Kennedy. [For songs, see below.]

6545
24 November 1783 @ Covent Garden

Performances

Mainpiece Title: The Mysterious Husband

Performance Comment: Lord Davenant-Henderson; Capt. Davenant-Lewis; Capt. Dormer-Wroughton; Sir Harry Harlow-Aickin; Paget-Fearon; Sir Edmund Travers (1st time)-Wilson; Miss Dormer-Mrs Kemble (late Miss Satchell); Waiting Woman-Miss Platt; Lady Davenant-Miss Younge .

Afterpiece Title: Lord Mayors Day

6546
27 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Duke-Aickin; Cacafogo-Moody; Juan-Packer; Sanchio-Phillimore; Alonzo-R. Palmer; The Copper Captain-[Lee] Lewes; Margaretta (1st time)-Mrs Ward; Clara-Miss Barnes; Altea-Mrs Love; Old Woman-Mr Baddeley; Maid-Mr Waldron; Estifania-Miss Farren (1st appearance in that character) .

Afterpiece Title: Comus

6547
29 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamester

Performance Comment: As17831122, but Jarvis (1st time)-Packer .

Afterpiece Title: The Englishman in Paris

Dance: End of mainpiece, as17830918; In afterpiece, as17831004

6548
05 December 1783 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by William Jackson. MS: Larpent 638; not published; synopsis of plot in London Magazine, Dec. 1783, pp. 553-54]: With entire new Music composed by Jackson. Receipts: #146 1s. 6d. (121/6/0; 23/11/6; 0/1/6; tickets not come in: 1/2/6)

Performances

Mainpiece Title: The Metamorphosis

Afterpiece Title: The Apprentice

Dance: End of Act II of mainpiece, as17831018; End of mainpiece, as17831204

6549
05 December 1783 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin (1st time of his performing this season); Antonio-Clarke; Bassanio-Wroughton; Gratiano-Bonnor; Lorenzo (with songs)-Mattocks; Launcelot-Quick; Salanio-Booth; Solarino-Davies; Duke-Fearon; Tubal-Thompson; Jessica (with a song)-Mrs Morton; Nerissa-Mrs Wilson; Portia-A Young Lady (1st appearance upon any stage [Miss Ranoe]) .Miss Ranoe]) .

Afterpiece Title: Love a la Mode

Dance: End of Act III of mainpiece, as17831119

6550
15 December 1783 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harricks and Williams. Mainpiece: The Characters to be dressed in the Habits of the Times. [Author and speaker of Address not known.] Tickets delivered for The Wonder will be taken. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had and Places taken of Rice, at the Theatre

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Irish Widow

Monologue: 1783 12 15 End of Act I of afterpiece The Farmer's Blunder by Kenrick