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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7384 results for: Keyword - Weston</i>, has some Requisites, may in Time be a tolerable Actor in <span class=
We found 4442 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

6426
18 July 1781 @ Haymarket Theatre

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece [1st time; MF 2, by Elizabeth, Baroness Craven, later Margravine of Anspach. Larpent MS 564; not published. Author of Prologue unknown]: After the Prologue, a Naval Overture. The Airs from the most eminent Composers [with new music by Dr Arnold, Lady Craven, and Tommaso Giordani]. The Scenes new painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 19 July 1781: This Day is published the Songs in The Silver Tankard (6d.)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Silver Tankard or The Point at Portsmouth

6427
04 September 1781 @ Haymarket Theatre

Event Comment: [Mainpiece in place of The Separate Maintenance, announced on playbill of 3 Sept.] Afterpiece [1st time: MF 2]: Written by the Author of The Son-in-Law [John O'Keeffe]. The Overture and New Musick composed by Dr Arnold. The new Scenes painted by Rooker. Books of the Songs to be had at the Theatre. [Larpent MS 568; text 1st published (authorized), Cumberland's British Theatre, XXXI.

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Agreeable Surprise

6428
03 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Henderson; Duke (1st time)-Davies; Petruchio-Whitfield; Antonio-Quick; Frederick-Wroughton; 1st Constantia-Mrs Inchbald; Mother-Mrs Webb; Landlady-Mrs Pitt; 2nd Constantia-Miss Younge .

Afterpiece Title: Harlequin Free Mason

6429
13 October 1781 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft; in 1796 altered by the author and acted as The Mask'd Friend. Prologue by William Nicholson (see text). Epilogue attributed to Frederick Pilon (Public Advertiser, 15 Oct.)]: With New Dresses, Scenery, &c. Public Advertiser, 12 Nov. 1781: This Day will lie published Duplicity (price not listed). Paid Music #8 4s. 8d.; Chorus Singers #3 15s. Receipts: #204 16s. (202/7/6; 2/8/6)

Performances

Mainpiece Title: Duplicity

Afterpiece Title: The Flitch of Bacon

6430
25 October 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: A Trip To Scarborough

Performance Comment: Loveless-Smith; Young Fashion-Palmer; Sir Tunbelly Clumsey-Moody; Col. Townly-Brereton; Probe-Parsons; Lory-Baddeley; Lord Foppington-Dodd; Berinthia-Miss Farren; Amanda (1st time)-Mrs Brereton; Miss Hoyden-Mrs Abington .

Afterpiece Title: The Critic

6431
27 October 1781 @ Covent Garden

Event Comment: Mainpicce [1st time; burl 3, by Charles Dibdin]: Taken from [Amphitryon, by John] Dryden. [MS: Larpent 573; not published.] With new Scenery, Dresses, &c. The Music by several eminent Composers [Charles Dibdin, William Shield, &c.]. Books of the Songs to be had at the Theatre. Receipts: #153 15s. 6d. (151/8/0; 2/7/6)

Performances

Mainpiece Title: Jupiter And Alcmena

Afterpiece Title: The Norwood Gypsies

6432
05 November 1781 @ Covent Garden

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane (1st time)-Hull; Moneses-Wroughton; Axalla-Whitfield; Omar-Fearon; Dervise-L'Estrange; Prince of Tanais-Booth; Hali-Robson; Stratocles-Thompson; Zama-J. Wilson; Bajazet-Aickin; Selima-Mrs Inchbald; Arpasia-Miss Younge. The usual Prologue spoken by Wroughton .

Afterpiece Title: The Touchstone

Song: In Act IV of mainpiece To thee, O gentle sleep by Mrs Morton

6433
08 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Clarke; Bassanio-Wroughton; Gratiano-Lee Lewes; Lorenzo (with songs [My bliss too long; To keep my gentle Jessy])-Mattocks; Launcelot-Quick; Salanio-Booth; Solarino-L'Estrange; Duke-Fearon; Tubal-Thompson; Jessica (with a song [Haste, Lorenzo, haste away])-Mrs Morton; Nerissa-Mrs Lessingham; Portia-Miss Younge .

Afterpiece Title: Love a la Mode

Performance Comment: Sir Archy MacSarcasm-Macklin; Squire Groom-Lee Lewes; Sir Callaghan (1st time)-Egan; Mordecai-Quick; Sir Theodore Goodchild-Thompson; Charlotte-Miss Ambrose .

Dance: End of Act III of mainpiece, as17811101; End of Act IV The Arcadian Festival by Aldridge and Miss Besford

6434
10 November 1781 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; mf 2, by Isaac Jackman; music by William Shield. Authors of Prologue and Epilogue unknown]. Account-Book, 1 Apr. 1782: Paid Jackman in full for the Divorce #50. Receipts: #207 3s. 6d. (186/9/0; 20/3/6; 0/11/0)

Performances

Mainpiece Title: King Arthur

Afterpiece Title: The Divorce

Song: As17811022

6435
13 November 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; Gonzalez-Aickin; Alonzo-Wrighten; Antonio-Phillimore; Sebastian-Lamash; Francisco-Norris; Ferdinand-Farren; Miranda (1st time)-Miss Phillips; Ariel-Miss Field. Chorus of Spirits-Chaplin, Holcroft, Fawcett, Phillimore; Miss Collett, Mrs Love, Mrs Booth, Miss Barnes, Mrs Smith, Mrs Granger, &c . Miss Collett, Mrs Love, Mrs Booth, Miss Barnes, Mrs Smith, Mrs Granger, &c .

Afterpiece Title: The Divorce

Dance: In Act I of mainpiece a Dance of Spirits by Miss Armstrong, &c.; In Act III a Dance of Fantastic Spirits [performers not listed. These were danced, as here assigned, in both subsequent performances]. In Act IV a Dance by Henry, Miss Armstrong, &c

6436
27 November 1781 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Samuel Jackson Pratt. Author of Prologue unknown. Epilogue attributed to the Hon. Richard Fitzpatrick (Crouch, 1, 125), and to Richard Brinsley Sheridan (I. A. Williams in The London Mercury, Aug. 1924, pp. 412-15)]: With New Scenes (see 29 Nov.), Dresses and Decorations. Public Advertiser, 12 Dec. 1781: This Day is published The Fair Circassian (1s. 6d.). Receipts: #149 19s. (126/19/0; 22/17/6; 0/2/6)

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Apprentice

Music: In Act III of mainpiece an Epitbalamium [not listed in playbill, but see17811129]

6437
28 November 1781 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe; MS: Larpent 577; not published. The following season this was altered, and acted successfully as The Castle of Andalusia]: With new Scenes, Dresses and Decorations. A new Overture, and the whole of the Music under the Direction of Dr Arnold. Books of the Songs to be had at the Theatre. Public Advertiser, 29 Nov.: The admirable first scene, the subterraneous Receptacle of the Banditti, is the production of the ingenious Mr Richards. Receipts: #182 10s. (180/12/6; 1/17/6)

Performances

Mainpiece Title: The Banditti Or Loves Labyrinth

Afterpiece Title: The Apprentice

6438
29 November 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Quaker

Performance Comment: Lubin (1st time) -Suett; Solomon-Fawcett; Easy-Wrighten; Steady-Bannister; Gillian-Miss Collett; Cicely-Mrs Love; Floretta-Mrs Wrighten .

Music: In Act III of mainpiece an Epithalamium [performers not listed; music by ThomasLinley Sen. (see text). This was included in all subsequent performances]

6439
13 December 1781 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by Richard Tickell, some of the songs attributed to Richard Brinsley Sheridan; synopsis of plot in Public Advertiser, 18 Dec. Songs (no pub., 1781) omits several [i.e. all the non-singing] characters. MS not in Larpent; not published]: With entirely new Music and a new Overture [by Thomas Linley Sen.]. To conclude with a View of St. Mark's Place, and a grand Representation of the Carnival. With new Scenes, Dresses, and Decorations, designed by De Loutherbourg, and executed under his Direction. Books of the Songs to be had at the Theatre. Public Advertiser, 19 Dec. 1781: This Day are published the Songs in The Carnival of Venice (6d.). Account-Book, 11 Jan. 1782: Received from Miss Giles for 1,550 Books of the Songs in the Carnival #31. Receipts: #225 18s. 6d. (216/4/0; 9/14/6; 0/0/0)

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: The Apprentice

6440
17 December 1781 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Henderson; Macduff-Clarke; Duncan-Hull; Banquo (1st time)-Whitfield; Malcolm-J. Bates; Lenox-L'Estrange; Seyton-Thompson; Seyward-Robson; Doctor-Fearon; Hecate-Reinhold; Witches-Booth, Mrs Pitt, Webb; Gentlewoman-Mrs Poussin; Lady Macbeth-Mrs Yates .

Afterpiece Title: The Golden Pippin

Song: Mainpiece: Vocal Parts by Reinhold, Doyle, J. Wilson, Baker, Darley; Mrs Morton, Miss Morris, Mrs Davenett, Miss Stuart, Miss Willis, Miss Elrington, &c

6441
03 January 1782 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; P 2 (?), author unknown, based on the anonymous Harlequin's Jacket. MS not in Larpent; not published; synopsis of action in Public Advertiser, 4 Jan.]: With New Scenes, Dresses and Decorations. Half Price will be taken as usual. Receipts: #220 18s. (182/16/0; 37/19/6; 0/2/6)

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: Luns Ghost or The New Years Gift

Dance: In afterpiece by Zuchelli, Miss M. Stageldoir, &c

6442
16 January 1782 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Performance Comment: As17810917, but Marrall (1st time)-Fearon; Furnace-Booth; omitted: Watchall, Parson Welldo, Taylor, Vintner . omitted: Watchall, Parson Welldo, Taylor, Vintner .

Afterpiece Title: The Choice of Harlequin

6443
21 January 1782 @ Drury Lane Theatre

Event Comment: Afterpiece: For the 1st Time in 2 acts [CO 2, altered from the same, probably by the author, John Burgoyne. Text 1st published by R. Baldwin, 1788. For composer see 1 Feb.]. Receipts: #234 3s. (199/19/0; 33/12/6; 0/11/6)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Maid of the Oaks

Dance: End of mainpiece the Minuet de la Cour, as17820104; End of Act I of afterpiece New Dance by Zuchelli, Lemcrcier, Miss Armstrong, the Miss Stageldoirs, &c

6444
22 January 1782 @ Covent Garden

Performances

Mainpiece Title: As You Like It

Performance Comment: Jaques-Henderson; Orlando-Lewis; Adam-Hull; Duke Senior-Clarke; Corin-Thompson; William-W. Bates; LeBeu-Booth; Sylvius-J. Bates; Amiens (with songs)-Mattocks; Oliver-Whitfield; Duke Frederick-Fearon; Charles-Webb; Touchstone-Quick; Celia (1st time)-Miss Satchell; Audrey-Mrs Davenett; Phoebe-Miss Stuart; Rosalind-Miss Younge .

Afterpiece Title: The Choice of Harlequin

Dance: End of Act I of mainpiece, as17811219; In Act V a Dance of Fortsters (performers not listed)

6445
25 January 1782 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17811208, but Justice Shallow (1st time)-Fearon; Mrs Page-Mrs Wilson; Mrs Mattocks's name listed in playbill . Mrs Mattocks's name listed in playbill .

Afterpiece Title: The Choice of Harlequin

6446
04 February 1782 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Performance Comment: As17811231, but King-Clarke; Polonius (1st time)-Edwin; Marcellus-Fearon; Bernardo-Booth .

Afterpiece Title: The Choice of Harlequin

6447
14 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule-Mattocks; Jobson (1st time)-Edwin; Butler-Fearon; Lady Loverule-Miss Platt; Nell-Miss Catley (1st appearance in that character) .

Dance: As17820211

6448
21 February 1782 @ Covent Garden

Event Comment: 3rd piece [1st time; past 2, by Matthew Feilde. MS: Larpent 585; not published; synopsis of plot in Public Advertiser, 22 Feb.]: With New Overture and Music, composed by [Michael] Arne. New Dresses, Scenes and Decorations. Books of the Songs to be had at the Theatre. Receipts: #247 12s. (243/19/6; 3/12/6)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Vertumnus and Pomona

Dance: End of Epilogue a new Pastoral Dance, Palemon and Lavinia, by Aldridge, Langrish, Mrs Davenett, Miss Francis, Miss Rowson, Miss Besford

6449
23 February 1782 @ Drury Lane Theatre

Event Comment: Variety is unavoidably deferred [Public Advertiser, 26 Feb.: on account of King's illness] till Monday next, when it will certainly be performed for the First Time. Receipts: #118 1s. 6d. (85/3/0; 32/16/0; 0/8/6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpiece The Distress'd Lovers, as17820219, but omitted: Miss Armstrong

6450
25 February 1782 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; c 5,by Richard Griffith. Prologue by Richard Tickell (see text). Author of Epilogue unknown]: With new Scenes, Dresses, and Decorations. Public Advertiser, 27 Mar. 1782: This Day is published Variety (1s 6d.). Receipts: #226 9s. 6d. (218/5/0; 7/14/6; 0/10/0)

Performances

Mainpiece Title: Variety

Afterpiece Title: The Quaker