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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7384 results for: Keyword - Weston</i>, has some Requisites, may in Time be a tolerable Actor in <span class=
We found 4442 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

6326
27 December 1779 @ Covent Garden

Event Comment: [The playbill retains Mrs Hartley as Imoinda, but she "being taken suddenly ill, Mrs Jackson, though at a very short notice, will appear in the character of Imoinda this Evening" (printed slip attached to BM playbill).] Afterpiece: With Alterations and Additions [P 3. This was originally entitled The Mirror; it is billed, correctly, as the 16th time. Synopsis of this alteration in London Chronicle, 28 Dec.]. Receipts: #191 3s. (188.8; 2.15)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Harlequin Every where

6327
27 December 1779 @ Haymarket Theatre

Event Comment: Permission [of the Lord Chamberlain]. Mainpiece: Written in imitation of Shakespeare by the late ingenious Dr Kenrick. Never performed there. The Characters entirely dressed in the Habits of the Times. Afterpiece: Not acted these 60 years [acted 4 Mar. 1737]. [Authors of Prologues and of Epilogue unknown.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets delivered for M'Cready and Mrs Davis will be admitted

Performances

Mainpiece Title: Falstaffs Wedding

Performance Comment: Falstaff-A Gentleman, [well known in the literary world, who has been prevailed on by his Friends to make his 1st attempt on the stage in that Character unidentified]; Justice Shallow-Barrett; Master Slender-Smith; Dr Caius-Petit; Pleadwell-Jackson; Francis-Master Screven; Bardolph-Munden; Friar Laurence-Halling; Officer-Hulme; Nym-Lee; Pistol-Parker; Ursula (with a song)-Miss Morris[, who sung last season at ranelagh; Mrs Quickly-Mrs Baker; Bridget-Miss Walker; Doll Tearsheet (with a song)-Miss Webb; Occasional Prologue-Davis; The original Epilogue-Miss Brangin.

Afterpiece Title: The Rival Milliners or A Medley of Suitors

Dance: V: Lonsdale

Song: End: Blow high blow low-Colvill

6328
29 December 1779 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Leoni; Hawthorn-Reinhold; Sir William Meadows-Fearon; Eustace-Robson; Hodge-Doyle; Justice Woodcock-Wilson; Deborah-Mrs Pitt; Margery-Mrs Wilson; Lucinda (1st time)-Mrs Willems; Rosetta-Miss Brown.

Afterpiece Title: Harlequin Every where

Dance: End II: The Coquette Quaker-Dagueville, Ratchford, Langrish, Miss Ross, Miss Matthews, Miss Valois

6329
08 January 1780 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17791111, but Lorenzo (with songs)-Vernon; Jessica (1st time [song omitted])-Mrs Wilson.

Afterpiece Title: Love a la Mode

Dance: End III: The Dockyard, as17791204; End IV: Dance-Master Dagueville, Master Holland, Miss Dagueville

6330
13 January 1780 @ Covent Garden

Performances

Mainpiece Title: The West Indian

Performance Comment: As17791201, but Stockwell (1st time)-Fearon.

Afterpiece Title: The Flitch of Bacon

6331
18 January 1780 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Charles Dibdin: With New Scenes and Dresses. The Overture, and all the Music entirely new, composed by Dibdin. Books of the Opera to be had at the Theatre. Public Advertiser, 18 Jan. 1780: This Afternoon is published The Shepherdess of the Alps (1s. 6d.). Receipts: #158 13s. (156.16.6; 1.16.6)

Performances

Mainpiece Title: The Shepherdess Of The Alps

Afterpiece Title: The Upholsterer

Dance: As17791022

6332
02 February 1780 @ Covent Garden

Event Comment: Afterpiece [1st time; F 2, by Frederick Pilon, altered from his The Device (see 27 Sept. 1779); incidental music by William Shield; Prologue by the author (see text)]. Account-Book, 16 June: Paid Pilon for the Deaf Lover #100. Receipts: #192 3s. (190.0.6; 2.2.6)

Performances

Mainpiece Title: The Widow Of Delphi

Afterpiece Title: The Deaf Lover

6333
05 February 1780 @ Covent Garden

Performances

Mainpiece Title: Fatal Falshood

Afterpiece Title: The Golden Pippin

Performance Comment: Jupiter-Reinhold; Paris-Mattocks; Momus-Quick; Mercury (1st time)-Robson; Venus-Miss Brown; Pallas-Mrs Morton; Iris-Miss Valois; Juno (with a new Scotch air)-Miss Catley (1st appearance these 3 years).

6334
07 February 1780 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Times, announced on playbill of 5 Feb.] Receipts: #262 18s. 6d. (252.13.0; 9.5.6; 1.0.0)

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: Fortunatus

6335
08 February 1780 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Mrs Kennedy; Peachum-Wilson; Lockit-Booth; Filch (1st time)-Doyle; Mat o' the Mint-Robson; Lucy-Miss Catley; Mrs Peachum-Mrs Pitt; Jenny Diver-Mrs Poussin; Mrs Coaxer-Mrs Whitfield; Diana Trapes-Mrs White; Polly-Miss Brown.

Afterpiece Title: The Deaf Lover

Dance: III: Hornpipe-Miss Besford. [This was danced, as here assigned, in all subsequent performances.

6336
12 February 1780 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17800208, but Mrs Peachum (1st time)-Mrs Webb; Diana Trapes-Mrs Pitt.

Afterpiece Title: The Deaf Lover

6337
17 February 1780 @ Covent Garden

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Comus

Performance Comment: Comus (1st time)-Peile; Bacchanal-A Gentleman (1st appearance on this stage [Burkett]); 1st Spirit-L'Estrange; Brothers-Whitfield, Robson; The Lady-Mrs Jackson; 2nd Bacchant-Mrs Kennedy; 2nd Spirit-Mrs Kennedy; 3rd Bacchant-Mrs Morton; Sabrina-Miss Brown; Pastoral Nymph-Miss Brown; 1st Bacchant-Miss Catley; Euphrosyne (with [song] Sweet Echo, assisted by Leoni)-Miss Catley.

Dance: As17791231

6338
22 February 1780 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley.] Miss Younge had a song [Wake, thou son of dullness] composed by Michael Arne. Authors of Prologue and Epilogue unknown]: New Scenes and Dresses. Account-Book, 16 June: Paid Mrs Cowley for suspending the publication of the Belle's Stratagem #100. Public Advertiser, 1 Apr. 1782: In a few Days will be published The Belle's Stratagem. A spurious Copy having been published in Ireland [in 1781] make[s] it necessary to observe that the above is the genuine Comedy, as performed at Covent Garden Theatre. Ibid., 9 Apr. 1782: This Day is published The Belle's Stratagem (1s. 6d.). Receipts: #213 19s. (212.15.6; 1.3.6)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Cross Purposes

6339
04 March 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Bellmour-Smith; Heartwell-Bensley; Fondlewife-Yates; Vainlove (1st time)-Davies; Captain Bluff-Moody; Sharper-Farren; Setter-Baddeley; Sir Joseph Wittol-King; Belinda-Miss Farren (1st appearance in that character); Araminta-Mrs Sharp; Silvia-Mrs Brereton; Lucy-Mrs Wrighten; Laetita-Miss Pope.

Afterpiece Title: Fortunatus

6340
14 March 1780 @ Covent Garden

Event Comment: Benefit for Henderson. Ode: With the Songs, Chorusses, &c. The Music by Dr Arne. "When I recited Mr Garrick's Ode in a private room, I felt what I said, and I believe gave it some effect. Very different was it upon the stage. My feelings were weakened and confounded by the band, my voice lost its scale, and was overpowered by the music in the orchestra" (Ireland, p. 47). Public Advertiser, 26 Feb.: Tickets to be had of Henderson at his house, Great Buckingham-street, York Buildings. [His 1st appearance as Sir John Brute was at Bath, 1 Jan. 1774.] Receipts: #234 13s. 6d. (charge:#105). Account-Book notes that Henderson sold 319 tickets for the boxes and 85 for the pit, together worth #92 10s., and that tickets sold at the doors were worth #142 3s. 6d

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Henderson (1st appearance in that character [in London]); Heartfree-Aickin; Col. Bully (with a song)-Mattocks; Razor-Brunsdon; Lord Rake-Robson; Justice-Thompson; Taylor-Jones; Constant-Wroughton; Lady Fanciful-Mrs Mattocks; Belinda-Mrs Lewis; Mademoiselle (1st time)-Mrs Whitfield; Lady Brute-Mrs Bulkley.

Afterpiece Title: An Ode by Garrick

Dance: As17790922

6341
01 April 1780 @ Covent Garden

Performances

Mainpiece Title: Artaxerxes

Performance Comment: As17791218, but Rimenes (1st time)-Robson.
Related Works
Related Work: Artaxerxes Author(s): J.A. Hasse

Afterpiece Title: The Spaniards Dismayed

Afterpiece Title: The Touchstone

Dance: End 2nd piece: Dance of Sailors-Langrish, others

6342
04 April 1780 @ Drury Lane Theatre

Event Comment: Benefit for Brereton. 2nd piece [1st time; INT I, by Hannah Cowley; not published]. Public Advertiser, 18 Mar.: Tickets to be had of Brereton, No. 11, Tavistock Street, Covent Garden. Receipts: #246 14s. 6d. (90.4.0; 26.0.6; 0.0.0; tickets: 130.10.0) (charge: #69 9s.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The School of Eloquence

Afterpiece Title: Selima and Azor

6343
05 April 1780 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: A new Comedy, in 5 Acts [1st time; author unknown; not in Larpent MS; not published. Authors of Prologue and Epilogue unknown]. Afterpiece: Never acted here. A Comedy in 2 Acts, taken from Moliere and D'Ancourt. The Doors to be opened at 5:00. To begin at 6:15. Tickets delivered for Vietch, Burton and Miss Brown will be taken

Performances

Mainpiece Title: A School For Ladies Or The Levee Of Lovers

Afterpiece Title: No Wit Like A Womans

6344
06 April 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17800401, but Frankly (1st time)-Farren.

Afterpiece Title: The ChristmasTale

Dance: As17800401

6345
10 April 1780 @ Covent Garden

Event Comment: Benefit for Aickin. Mainpiece: With the triumphal entry of Alexander into Babylonv. 2nd piece [1st time; M.INT I; compiler unknown]. Public Advertiser, 8 Apr.: Tickets to be had of Aickin, Bow Street, Covent Garden. Receipts: #300 12s. 6d. (235.10.6; tickets: 65.2.0) (charge: #73 14s.)

Performances

Mainpiece Title: Alexander The Great

Related Works
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Afterpiece Title: A Fete The Fete Anticipated

Afterpiece Title: The Flitch Of Bacon

6346
14 April 1780 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; CO 2, by William Augustus Miles]: The music entirely new, composed by Michael Arne. With new Scenes, Dresses, and Decorations. Books of the Opera to be had at the Theatre. Public Advertiser, 15 Apr. 1780: This Day is published The Artifice (1s.). Receipts: #119 8s. 6d. (71.12.0; 47.1.6; 0.15.0)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Artifice

6347
17 April 1780 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. Mainpiece: With the Grand Triumphal Entry. 2nd piece [1st time; INT I, probably by Robert Baddeley]: Baddeley, in the character of Moses in The School For Scandal, will present the Audience with a specimen of Jewish Education in a series of Instructions to his son Shadrach. Public Advertiser, 13 Apr.: Tickets to be had of Baddeley, No. 4, Little Russel Street, Covent Garden. Receipts: #246 13s. (178.10; 30.11; 0.17; tickets: 36.15) (charge: #79 4s. 6d.)

Performances

Mainpiece Title: Alexander The Great Or The Rival Queens

Related Works
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Afterpiece Title: Jewish Education

Afterpiece Title: The Critic

6348
22 April 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Whos The Dupe

Performance Comment: As17791209, but Granger (1st time)-Farren.

Dance: As17791215

6349
28 April 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Whos The Dupe

Performance Comment: As17800422, but Gradus (1st time)-Burton.

Dance: As17791215

Song: End IV: As17800411

6350
28 April 1780 @ Covent Garden

Performances

Mainpiece Title: The Volunteers

Afterpiece Title: The Merry Wives of Windsor

Performance Comment: As17791113, but Mr Ford (1st time)-Peile; Fenton-Robson; Simple-_; Bardolph-_; Pistol-_.

Afterpiece Title: The Deaf Lover