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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7384 results for: Keyword - Weston</i>, has some Requisites, may in Time be a tolerable Actor in <span class=
We found 4442 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

6276
12 February 1779 @ Covent Garden

Performances

Mainpiece Title: Zara

Performance Comment: Osman-The Gentleman who performed Douglas [on 14 Jan.: Rundell]; Nerestan-Wroughton; Orasmin-L'Estrange; Chatillon-Hull; Melidor-Thompson; Lusignan (1st time)-Digges; Selima-Miss Ambrose; Zara-Mrs Crawford.

Afterpiece Title: Three Weeks after Marriage

Dance: As17781223

6277
20 February 1779 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; F 2, author unknown. Not published]. Receipts: #172 10s. 6d. (125.1.0; 46.5.0; 1.4.6)

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: Jehu

6278
20 February 1779 @ Covent Garden

Event Comment: Afterpiece: 31st time (see 15 Feb.) [in place of The Liverpool Prize, announced on playbill of 18 Feb.]

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Touchstone

Song: As17790127

6279
22 February 1779 @ Covent Garden

Event Comment: Afterpiece [1st time; F 2, by Frederick Pilon]. Public Advertiser, 6 Mar. 1779: This Day is published The Liverpool Prize (1s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Liverpool Prize

Dance: End I afterpiece: The Burgomaster, as17790216

6280
13 March 1779 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Three Weeks after Marriage

Performance Comment: As17781029, but Drugget (1st time)-Wilson.

Dance: As17790216

6281
15 March 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Brilliant Fashion-Dodd; William-Baddeley; Sideboard-Burton; John-Philimore; Sir Bashful Constant-Yates; Mrs Lovemore-Miss Younge; Muslin-Miss Pope; Lady Constant (1st time)-Mrs Brereton; Mignionet-Mrs Bradshaw; Widow Belmour (with a song in character)-Mrs Abington.

Afterpiece Title: The Camp

6282
15 March 1779 @ Haymarket Theatre

Event Comment: Mainpiece: Not acted these 60 years [1st acted at dl, 9 Jan. 1730]. 2nd piece [1st time; M. INT I, probably by William Harricks. Larpent MS 506; not published]

Performances

Mainpiece Title: The Humours Of Oxford

Afterpiece Title: A Mirror for the Ladies

Afterpiece Title: The Wrangling Lovers

Song: End III: Hunting Song-Miss Harris

Monologue: Vaudeville.Between Acts 3rd piece: a few Pantomimical Scenes. Harlequin-Best; Columbine-Miss Dudley

6283
16 March 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Author

Performance Comment: Cadwallader-Bannister; Vamp-Moody; Governor Cape-Chambers; Young Cape-Aickin; Sprightly-Packer; Poet-Waldron; Robert-Wrighten; Printer's Devil-Burton; Arabella (1st time)-Mrs Cuyler; Mrs Cadwallader-Miss Younge (1st appearance in that character).

Dance: End: Minuet de la Cour, as17780919; Allemande, as17780919

6284
17 March 1779 @ Haymarket Theatre

Event Comment: Ode [1st time]: The Music principally composed by Barthelemon

Performances

Mainpiece Title: A Miscellaneous Act

Afterpiece Title: Victory an Ode Inscribed to Admiral Keppel Messiah

6285
20 March 1779 @ Covent Garden

Event Comment: Prelude [1st time;PREL I, probably by Richard Cumberland. Larpent MS 472; not published]. Mainpiece [1st time; M 3, by Richard Cumberland, based on Calypso and Telemachus, by John Hughes]: The Overture and all the Music entirely new, and composed by Butler. With new Scenery painted by Richards and Carver, and new Dresses. Books of the Masque to be had at the Theatre. Public Advertiser, 27 Mar. 1779: This Day is published Calypso (1s. 6d.)

Performances

Mainpiece Title: A New Prelude And Prologue

Afterpiece Title: Calypso

Afterpiece Title: Cross Purposes

Dance: In: Incidental Dances-Dagueville, Miss Besford, Miss Valois

6286
22 March 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Henderson (1st appearance in that character [in London]); Gloster-Aickin; Bastard-Palmer; Kent (1st time)-Hurst; Albany-Packer; Cornwall-Wrighten; Burgundy-Norris; Gentleman Usher-Burton; Physician-Wright; Old Peasant-Waldron; Servant to Cornwall-R. Palmer; Curan-Fawcett; Captain of the Guards-Chaplin; Edgar-Webster; Goneril-Miss Sherry; Regan-Mrs Colles; Arante-Miss Kirby; Cordelia-Miss Younge.

Afterpiece Title: High Life below Stairs

6287
23 March 1779 @ Covent Garden

Performances

Mainpiece Title: A New Prelude And Prologue

Afterpiece Title: Calypso

Afterpiece Title: The Liverpool Prize

Performance Comment: As17790222, but Debenture-Booth (1st time).

Dance: As17790320

6288
25 March 1779 @ King's Theatre

Event Comment: A New Serious Opera [1st time; SER 3, ascribed to Giovanni Gualberto Bottarelli]. The Music entirely new, composed by Sacchini. 2nd dance: The Music entirely new, composed by Charles Stamitz

Performances

Mainpiece Title: Enea E Lavinia

Dance: End I: a new Ballet, Hippomene et Atalante. Hippomene-Simonet, Atalante- Mlle Baccelli, Sg and Sga Zuchelli, Mlle Vidini, Slingsby; End II: a new Ballet, connected with the Opera, +Les Forges de Vulcain. Venus-Mme Simonet, the 3 Graces- Sga Zuchelli, Sga Tinti, Miss Rose, +Cupid- young Miss Simonet, +the 3 Cyclopes- Banti, Zuchelli, LeDet, +Vulcain- Slingsby; With a grand Chorus of the Cyclopes by $Sacchini-

Ballet: End Opera: a new Serious Ballet, La Fete du Ciel. Apollo-Mme Simonet; Flora-Sga Tinti; Zephir-Banti; Iris-Mlle Baccelli; To conclude with a grand Chaconne, in which-Mme Simonet will dance in a Man's Dress

6289
27 March 1779 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Midas

Performance Comment: Midas-Wilson; Apollo-Mattocks; Pan-Mahon; Jupiter-Fox; Damaetas-Wewitzer; Sileno-Baker; Juno-Mrs Poussin; Daphne-Miss Brown; Mysis (1st time)-Mrs Morton; Nysa-Mrs Mattocks.

Dance: As17790218

6290
05 April 1779 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Afterpiece [1st time; F 2, by James Cobb, based on La Fausse Suivante; ou, Le Fourbe Puni, by Pierre Carlet de Chamblain de Marivaux. Prologue by the author (Knapp, 117). Larpent MS 476; not published. In 1780 this was acted at the hay as The Female Captain]. Part of the Pit will be laid into the Boxes. Public Advertiser, 15 Mar.: Tickets to be had of Miss Pope, Little Russel-street, Covent Garden. Receipts: #202 10s. (54.14; 17.6; 1.12; tickets: 128.18) (charge: #65 17s. 2d.)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Contract or The Female Captain

6291
06 April 1779 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. Mainpiece: Not acted these 3 years [acted 16 Feb. 1778]. Mrs Mattocks' Benefit has been unavoidably obliged to be deferred till this Day. Tickets delivered for Tuesday the 23d of March will be admitted. Public Advertiser, 27 Mar.: Tickets to be had of Mrs Mattocks at her house in Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Sciolto (1st time)-Digges; Lothario-Lewis; Altamont-Farren; Servant-Thompson; Rossano-L'Estrange; Horatio-Aickin; Lavinia-Mrs Mattocks; Lucilla-Mrs Morton; Calista-Mrs Crawford.

Afterpiece Title: True Blue

Afterpiece Title: Midas

Dance: As17790405

6292
09 April 1779 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Upholsterer

Performance Comment: As17781202, but Quidnunc (1st time)-Booth.

Dance: End II: The Villagers, as17781127

6293
10 April 1779 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years [acted 17 Apr. 1777]. Afterpiece [1st time; F 2, by Hannah Cowley, based partly on The Stolen Heiress, by Susannah Centlivre]. Public Advertiser, 30 Apr. 1779: This Day at Noon is published Who's the Dupe? (price not listed). Receipts: #193 3s. 6d. (151.2.0; 39.12.6; 2.9.0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: A Monody

Afterpiece Title: Whos the Dupe

6294
15 April 1779 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Performance Comment: As17781023, but Isaac (1st time)-Wewitzer; Lopez-Brunsdon.

Afterpiece Title: The Apprentice

6295
27 April 1779 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of The Double Deception, announced on playbill of 26 Apr.] MS annotation on Kemble playbill: I believe this was the last time Miss Younge acted at Drury Lane. See C. G. T. November 10th, 1779. Receipts: #107 10s. 6d. (66.17.0; 32.16.0; 7.17.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Whos the Dupe

Dance: As17790417

6296
27 April 1779 @ Covent Garden

Event Comment: Benefit for Wilson. Mainpiece: Not acted these 3 years. 3rd piece: Written by D. Garrick, Esq., with Additions. 4th piece [1st time; MF 2, by Charles Stuart]: The Overture and Music chiefly new, by Gehot, and Shield, who composed the music to The Flitch of Bacon. Public Advertiser, 3 Apr.: Tickets to be had of Wilson, No. 2, Henrietta-street, Covent Garden. Ibid, 29 Apr. 1779: This Day is published The Cobler of Castlebury (1s.)

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Funeral or Grief a la Mode

Afterpiece Title: The Farmers Return from London

Afterpiece Title: The Cobler of Castlebury

6297
28 April 1779 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Richardson. Larpent MS 478; not published]. Receipts: #137 3s. (119.12; 13.18; 3.13)

Performances

Mainpiece Title: The Double Deception

Afterpiece Title: The Quaker

6298
01 May 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Comus

Performance Comment: As17781215, but The Lady (1st time)-Mrs Brereton.

Song: End IV: Tally ho!, as17790413; In afterpiece: Sweet Echo, as17790413

6299
10 May 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-King; Mr Strictland-Bensley (1st appearance in that character); Frankly-Palmer; Bellamy-Packer; Jack Meggot (1st time)-Lamash; Tester-Burton; Buckle-Wright; Ranger's Servant-Philimore; Jacintha-Mrs Robinson (1st appearance in that character); Mrs Strictland-Mrs Jackson (of cg; 1st appearance upon that stage); Lucetta-Mrs Davies; Milliner-Miss Kirby; Landlady-Mrs Bradshaw; Clarinda-Miss Farren.

Afterpiece Title: Whos the Dupe

Dance: to conclude with: Country Dance-; End I afterpiece: As17790417

Song: End II: Tally ho!, as17790413

6300
15 May 1779 @ King's Theatre

Event Comment: Opera [1st time; COM 3, by Carlo Francesco Badini, based on The Duenna, by Richard Brinsley Sheridan]: the Music entirely new by Bertoni

Performances

Mainpiece Title: La Governante

Dance: End I: new Ballet, Les Paysans Voles-Banti, Sga Tinti, Sg and Sga Zuchelli; End II: Ballet by Fairies, as17790302End Opera: new Ballet Espagnol, La Serenade Interrompuee-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, LeDet; with a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guittar-Noferi