SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4446 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: As17751114, but Lady Elizabeth Gray-Mrs King; first time, and Original Epilogue-_.

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Grecian Daughter

Cast
Role: Dionysius Actor: Mahon, first time
Role: Philotas Actor: Lewis, first time

Afterpiece Title: Prometheus

Performance Comment: As17760203, but short bill: Principal Characters-Lee Lewes, Mahon, Baker (first time), Wewitzer, Miss Valois, Sga Vidini; Vocals-Reinhold, DuBellamy; Dances-Sg and Sga Zuchelli.
Event Comment: Mainpiece: By Particular Desire and advertised as Garrick's last time of performing the character of Lusignan. This Farce of Two Acts was written by Mr Colman -the first Act was receiv'd with great Applause the second Act a little heavy -and not so much Applause as the first (Hopkins Diary). Paid Mr Park 1 chorus 4 nights (Jubilee) #1 10s. (Treasurer's Book). [The Westminster Magazine for March tells the plot of the afterpiece, and concludes: "The wit and dialogue of this piece will hardly keep it long in esteem with the public. They are sometimes lively, but generally pert and affected."] Receipts: #272 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Spleen or Islington Spa

Dance: V: The Sailors Revels, as17751220

Performances

Mainpiece Title: Douglas

Afterpiece Title: Comus

Performance Comment: Comus-Webster (with Songs in character and One New Composed by Dr Arne); Spirit-L'Estrange; Brothers-Thompson, Young; Bacchanals, Bacchants-Reinhold, Miss Dayes, DuBellamy, Baker, Miss Ambrose; The Song of Sweet Echo-Mrs Mattocks; Bacchant, Euphrosyne-Mrs Farrell (first appearance in that character); Pastoral Nymph, Sabrina-Miss Weller; Lady-Mrs Barry (first time).

Performances

Mainpiece Title: The Fatal Discovery

Performance Comment: Orellan-Barry (first time); Durstan-Aickin; Kathul-Hull; Connan-Wroughton; Euran-L'Estrange; Calmar-Young; First Pict-Thompson; Officer-Booth; Ronan-Webster; Rivine-Mrs Barry.

Afterpiece Title: Comus

Event Comment: Last time of performing Messiah this season

Performances

Mainpiece Title: The Messiah

Music: Between the Parts: A Concerto on German Flute-Florio; Concerto on Violin-Lamotte

Event Comment: House Pacini's Night Bought by the Managers (Hopkins Diary). The last time of performing till Easter. Paid salary #416 4s. 4d.; Mr Smith for Abrams [sic] the Jew #21; Miss Abrahams [sic] #10 10s. Receipts: #262 8s. 6d

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17760326 but Old Groveby-King; Maria (with the original Song)-Mrs Smith; first time. the Vocal Parts [briefly listed as]-Vernon, Davies, Mrs Scott, Mrs Wrighten.

Afterpiece Title: The Spanish Lady

Event Comment: Benefit for Mattocks. N.B. Half Price will be taken to the latter account [see 25 March]. Being positively the last time of performing the Mainpiece this season

Performances

Mainpiece Title: Douglas

Afterpiece Title: Prometheus

Entertainment: Interlude.End: True Blue, as17760409

Event Comment: House (Hopkins Diary). Afterpiece: For the last time this season. [Public Advertiser, 20 April: The following Accident happened at Drury Lane on Thursday in the Entertainment of the Jubilee. As Mr Hurst and Mr Palmer were representing the characters of Posthumus and Iachimo in the Fighting Scene where they were engag'd with extreme violence, the former narrowly escaped losing his eye from a severe wound in the temple."] Paid Richard Barnard for detecting a pickpocket 10s. 3 extra trumpets #1 2s. 6d. Receipts: #121 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Performance Comment: Biron-Young Gentleman from York; Isabella's child-Master P. Fisher; Isabella-Mrs Fisher; first time in London. In Act II, an Epithalamium-Millar, Miss Barret; Occasional Prologue-.

Afterpiece Title: Catherine and Petruchio

Performance Comment: Catherine-Mrs Fisher; Petruchio-Gentleman (who performs Biron ); Humorous Epilogue on Everybody-Somebody, in the character of No Body - Master Fisher.
Event Comment: House (Hopkins Diary). Garrick's last time of performing Kitely . Rec'd of Mr Aickin on Acct #20. Receipts: #250 16s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Cast
Role: Master Stephen Actor: Weston

Afterpiece Title: The Waterman

Dance: V: The Irish Fair, as17751003

Event Comment: Benefit for Wild (prompter) and Mahon. Mainpiece: Acted there but once. [See 20 March 1773.] Afterpiece: For the last time this season. Doors open half past 5. To begin half past 6 o'clock. [The Recruiting Serjeant interlude a Musical Entertainment by Isaac Bickerstaffe.

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Afterpiece Title: Midas

Dance: II: The Humours of the New@Market Races, as17760503

Monologue: Interlude. End: A Favourite Interlude (never perform'd there) call'd The Recruiting Serjeant. Serjeant-Mahon; Countryman-Wilson; Wife-Miss Dayes; Mother-Mrs Willems

Performances

Mainpiece Title: As You Like It

Performance Comment: As17760412 but Jaques-Jefferson; Amiens-Fawcett (first time); Jaques de Bois-_.

Afterpiece Title: The Waterman

Dance: I: The Sailors Revels, as17751220

Event Comment: Benefit for Mrs Love, Mrs Cross, and Mrs Millidge. Last time of performing both pieces this season. Afterpiece: By Desire. Tickets delivered for Macbeth, on Monday the 13th, and by Garland, Walker, L'Englois, and Mas. Pulley will be taken. This Benefit was fix'd and advertised for Macbeth on Tuesday the 21st but as Mr G., wanted that day to play himself he gave them the above Play and Farce as a Recompense for their coming later they had a very great House (Hopkins Diary). Rec'd stopages #9 9s. Receipts: #105 6d. Charges: #84. Profits to Mrs Love, Mrs Cross, and Mrs Millidge: #21 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

Dance: A Hornpipe-Walker

Event Comment: The last time but one of performing this Season. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Catherine and Petruchio

Dance: End Opera: The Humours of the New@Market Races, as17760503

Event Comment: Last time of the company's performing this season. The 75th night for the mainpiece; the 15th night for the afterpiece. Doors open half past 5. To begin half past 6 o'clock. [The manager miscounted the number of performances of the afterpiece, which was actually 14.

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End Opera: The Humours of the New@Market Races, as17760503

Performances

Mainpiece Title: The Cozeners

Performance Comment: Parts-Foote, Edwin (first time that stage), Aickin, Bannister, Griffith, Stephens, Parsons, Baddeley, Burton, Jackson, Miss Sherry, Miss Platt, Mrs Love, Mrs Jewell.

Afterpiece Title: The Lyar

Dance: The Merry Lasses-

Performances

Mainpiece Title: The Miser

Performance Comment: Miser-Shuter; Clerimont-Davis; Ramilie-Goss; Decoy-Lloyd; Furnish-Francis; Sparkle-Walters; Lawyer-Dyell; James-Jackson; Fredrick-a Gentleman; Harriet-Miss Essex; Mrs Wisely-Mrs Bishop; Wheedle-Miss J. Essex; Lappet-Mrs Gardner; Mariana-Miss Weller (a pupil of Dr Arne's, first time in that character).

Afterpiece Title: Midas

Entertainment: Before: An Address to the Town, with Imitations-Master Russell , a child but 6 years of age; End II: Bucks Have at ye all-Master Russell; End IV: Imitations-Decastro; End: The Cries of London-Shuter (By Desire); Jo Haine's Epilogue-Shuter riding on an Ass

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Duke and no Duke

Performance Comment: Trappolin-Palmer (first time in that character); Lavinio-L'Estrange; Mago-Fearon; Brunetto-R. Palmer; Alberto-Chaplin; Barberino-Griffith; Officer-Stevens; Puritan-Parsons; Duchess-Miss Platt; Prudentia-Miss Essex; Flammetta-Mrs Gardner.

Entertainment: End Opera: The Cries of London-Shuter

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Scrub (By Particular Desire and for that night only)-Shuter; Aimwell-a Gentlemen; Sir Charles-R. Palmer; Foigard-Jackson; Gibbet-Brown; Boniface-Griffiths; Sullen-Lloyd; Archer-Palmer; Cherry-Miss Essex; Lady Bountiful-Mrs Palmer; Gipsey-Mrs Love; Dorinda-Miss J. Essex; Mrs Sullen-Mrs Gardner; first time. Epilogue (spoken on an Ass)-Shuter.

Afterpiece Title: The Mayor of Garratt

Entertainment: End II: The Cries of London-Shuter; II: Imitations-Master Russell; IV: Scene of Lady Pentweazle (from Taste) Lady Pentweazle -Mas. Russell; End: Interlude from the Register Office-Lloyd, Miss Francis, Mrs Gardner

Event Comment: By Authority of the Lord Chamberlain. Benefit for Walker. Afterpiece [1st time; F 2]: by a Gentleman from Edinburgh [unidentified. Larpent MS 433; not published. Authors of Prologues unknown. Mrs Moss is identified on playbill of 22 Apr. 1777]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Walker, No. 4, New Round-court, Strand; of McIntosh, the King's Head, near Marybone-street; at the St. Andrew, Wapping; at the Mount-street Coffee-house, Grosvenor-square

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Prejudice of Fashion

Song: End: The Birks of Invermay-the Lady who performs Peggy

Event Comment: [As afterpiece Public Advertiser announces The Rival Candidates, but see Hopkins Diary, 12 Oct.] The Managers met again to-day, but nothing settled. Hamlet was given out. I saw Mr Sheridan, he told me that Mr Lacy and he had agreed that no Play should be given out, nor any Bills put up, till they had settled this Affair, which was to be done to-Morrow at Mr Wallis's (the Attorney's) where they were all to dine. I waited on Mr Lacy, who agreed to the same, and no Bills or Paragraph were sent to the Papers. All the Business of the Theatre is at a Stand, and no Rehearsal called. Wed. 16th--Mr Sheridan, Dr Ford and Mr Linley dined today by Appointment with Mr Wallis where Mr Lacy was to have met them; about four o'clock he sent a verbal Message that he could not come to Dinner, but would wait upon them in the Evening, and about nine o'clock he came, and everything was settled to the Satisfaction (of them all) and a Paragraph sent to the Papers, and the Hypocrite and Christmas Tale was advertised for Friday, but no Play was to be done on Thursday--Covent Garden did not play on Friday (Hopkins Diary). Public Advertiser, 16 Oct., summarizes the proprietors' dispute: the Drury Lane patent had been purchased [in 1747] by David Garrick and James Lacy. On his death Lacy had devised his half-share to his son, Willoughby Lacy; on his retirement from the stage Garrick had sold his half-share to Sheridan, Ford and Linley. The original agreement between Garrick and Lacy, as recited in a document retained by the attorney Albany Wallis was that, in case of the sale of either share of the patent, or any part of either share, the seller was obligated to offer the first refusal to purchase to the other partner, and that this was to be done only when the theatre was closed for the summer. In selling one half of his share to Robert Langford and to Edward Thompson, Willoughby Lacy was--so argued his three partners--acting illegally: he had not offered to them the first refusal, and he was negotiating the sale at a time when the theatre was open. Public Advertiser, 17 Oct.. prints a statement from Lacy saying that he did not feel himself bound by the original agreement between his father and Garrick, but that, in the interest of the business of the theatre, he had asked Langford and Thompson to withdraw their claim to partnership, to which request they had acceded. Receipts: #130 9s. 6d

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Lewis (1st appearance in that character); King-Clarke; Ghost-Aickin; Horatio-Hull; Laertes-Whitefield; Ostrick-Lee Lewes; Polonius-Quick; Player King-L'Estrange; Marcellus-Fearon; Bernardo-Booth; Francisco-Wewitzer; Rosencraus-Robson; Guildenstern-Thompson; Gravediggers-Dunstall, Jones; Ophelia-Mrs Mattocks; Player Queen-Mrs Poussin; Queen (1st time)-Mrs Jackson.

Afterpiece Title: The Golden Pippin

Event Comment: [Afterpiece in 3 acts, altered from Garrick's original 5 acts by Richard Brinsley Sheridan.] The Music composed by Dibdin. With New Dresses. The Scenes, Machines, &c. invented by DeLoutherbourg. The Christmas Tale reduced to three Acts (by R. B. Sheridan esq.) was performed for the first time as a Farce--was received with very great Applause--it is too long, and must be shortened (Hopkins Diary). Public Advertiser, 22 Oct. 1776: This Day at Four o'Clock will be published A Christmas Tale (1s.) [For Baker see 28 Sept.] Receipts: #241 14s

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: A ChristmasTale