SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4446 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Being the last time of performing both pieces till the Benefits. Mr Garrick's night. Paid salary list #522 7s. 6d.; Rec'd stopages #16 14s. (Treasurer's Book). [See 23 Feb. when the charges were returned, giving Garrick a clear benefit.] Receipts: #199 12s. Charges: #84. Profit to Garrick: #115 12s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Pigmy Revels

Event Comment: Both pieces will be laid aside for some time after this evening. Receipts: #201 13s. 6d

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Sorcerer

Event Comment: Oratorio composed by Dr Arne. Not performed these eight years. Boxes 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Tickets and places for the boxes to be taken of Mr Sarjeant (only) at the Stage Door. Books of the Oratorio to be sold at the theatre. Doors opened at Five o'clock. To Begin at Half past Six. [Note on prices, time, and books repeated each performance this season.] Charges: #35

Performances

Mainpiece Title: Judith

Music: I: Solo on Violin-Barthelemon; II: Concerto on French Horn-Sg Spandau

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: Cross Purposes

Event Comment: Mr Reddish who has to perform the part of Alonzo was not come to begin the 3d Act, which put us in great Confusion, at Length Mr J. Aickin consented to read the part, & we Cut Mr Aickins part quite out-An Apology was made to the Audience that Mr Reddish was not come, nor had he sent any Message-The Play went on;-before the play was finish'd Mr Reddish came to the House when the Play was over Mr King & Mr Reddish went on the Stage Mr King apologis'd the Audience in behalf of Mr Reddish & told them that Mr R. was ready to make oath that he had entirely forgot that it was a play Night, & that it was by meer chance he came to the House at all-his looks were so truely pitiable, the Audience had Compassion & excus'd him (Hopkins Diary). [MacMillan's note from Kemble differs slightly. Genest, V, 353, notes that the rebellion of the audience was quelled by an offer of return of entrance money to those wished to leave. He also notes that Reddish on the eleventh published an affidavit in confirmation of his statement, begging Pardon for disappointing the public.] Paid Mr Wright per order Mr G. G. #13 5s. 2d. Receipts: #143 7s. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Lady Fuz-Mrs Hopkins; Glib-King; Macaroni-Dodd; Sir Toby-Bransby; Orpheus-Vernon; Rhodope-Mrs Wrighten; Miss Fuz (first time)-Mrs Davies; Others-Packer, Palmer, Moody, J. Aickin, Wright, Johnston, Mrs Love, Mrs Bradshaw.

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Maskwell-Reddish; Sir Paul Plyant-King; Careless-Palmer; Brisk-Dodd; Lord Froth-Parsons; Mellefont-Brereton; Lord Touchwood-Packer; Lady Touchwood-Mrs Hopkins; Lady Froth-Mrs Abington; Lady Plyant-Miss Younge; Saygrace-Wright; Cynthia-Miss Platt; By way of Epilogue a little piece of Descriptive Poetry (First Time) call'd The Wishing Cap-King.

Afterpiece Title: The Deuce Is in Him

Dance: V: Comic Dance, as17720922

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performance Comment: Alexander-Smith; Clytus-Clarke; Lysimachus-Hull; Hephestion-Wroughton; Cassander-Gardner; Thessalus-R. Smith; Polyperchon-Perry; Roxana-Miss Miller; Parisatis-Miss Pearce; Sysigambis-Mrs Vincent; Statira-Mrs Hartley (first time); Triumphal Entry into Babylon-.

Afterpiece Title: The Padlock

Dance: End II: New Dance, as17730206

Event Comment: By the Particular Desire of several persons of distinction. Tickets delivered for the Resurrection will be taken. The Last time of performing this Season

Performances

Mainpiece Title: The Prodigal Son Messiah

Event Comment: Afterpiece: For the last time this season. Receipts: #224. 6s

Performances

Mainpiece Title: She Stoops To Conquor

Afterpiece Title: The Golden Pippin

Event Comment: Great Room, Crown and Anchor. Third time. Still announced as to be Rehearsed, and still in Manuscript

Performances

Mainpiece Title: The Jesuit

Event Comment: Benefit for Hull. Mainpiece [a tragedy by Thomas Hull, based upon the version by William Hawkins, 1749, suggested by William Shenstone, and instigated by the presence of Mrs Hartley among the actresses at cg]: Never acted before. Characters to be dressed in the Habits of the Times (playbill). Charges #64 5s. Profit to Hull #50 13s. 6d., plus #75 6s. from Tickets (Box 165; Pit 171; Gallery 84) (Account Book). Receipts: #114 18s. 6d

Performances

Mainpiece Title: Henry The Second Or The Fall Of Rosamond

Afterpiece Title: The Citizen

Dance: After the Epilogue: The Irish Lilt, as17721028

Event Comment: Benefit for Lewes. Mainpiece [a Tragedy by Nicholas Rowe]: not acted these 20 years. [See 3 Feb. 1756.] The characters dress'd in the habits of the times (playbill). Charges #69 14s. Profit to Lee Lewes #153 18s. (Box 227; Pit 417; Gallery 346) (Account Book). Receipts: #84 9s

Performances

Mainpiece Title: Lady Jane Grey

Afterpiece Title: Harlequin Sorcerer

Entertainment: End: A New Occasional Epilogue written by Mr Goldsmith will be spoken-Lewes

Performances

Mainpiece Title: Tamerlane

Performance Comment: As17721104, but Bajazet-Reddish; Moneses-Diamond; first time; Arpasia-Miss Younge; The Original Song-Mrs Scott in Act IV; Usual Prologue-_.

Afterpiece Title: A Trip to Scotland

Dance: End: A Hornpipe-Mrs Sutton

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17730101, but Paris-Perry; Capulet-Younger; Tibalt-Owenson; Juliet-Mrs Hartley (first time); Escalus-_.

Afterpiece Title: Harlequin Sorcerer

Entertainment: Epilogue.After the Play: Goldsmith's Epilogue-Lewes

Event Comment: Last time of performing this season. Rec'd from Condell in full for Fruit rent this season #20. Paid Besford for making properties as per bill #3 17s. (Account Book). Receipts: #121 13s

Performances

Mainpiece Title: She Stoops To Conquor

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: Buona Figliuola-Sga Syrmen (first time).

Dance: I: Pastoral Dance-Asselin, Mlle Grenier; II: Allemande-Slingsby, Mlle Lafond; End Opera: Grand Ballet with Gavot-Mlle Heinel, Fierville

Performances

Mainpiece Title: The Minor

Performance Comment: As17730526, but Shift (with Imitations)-Hutton; 2nd time in that part. Transfer-_.
Cast
Role: Transfer Actor: Weston

Afterpiece Title: The Mayor of Garratt

Cast
Role: Sneak Actor: Weston
Role: Mrs Bruin Actor: Mrs Weston

Dance: I: Wooden Shoe Dance-; End: The Haymakers, as17730526

Event Comment: Music by Barthelemon, Sung first time these 4 years. Admittance 3s. 6d. The New Building and various parts of the Garden will be illuminated for this night only with a great number of different colored lamps. Nobility and Gentry are most respectfully desired to drive their carriages into an adjoining piece of ground properly prepared and lighted up for that purpose. Staffmen will attend to direct the servants and to call the carraiges

Performances

Mainpiece Title: The Magic Girdle

Music: Solo Concerto on Basson-the celebrated M. LeCouteux, first performance in this kingdom; Concerto on Violin-Barthelemon; Comic act-Three Italian Musicians blind from birth

Event Comment: The Second time. By Particular Desire

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Double Disappointment

Dance: A Double Hornpipe, as17730614 a new Pantomimic Pastoral Dance-M. Drouville, Courtney, Miss Lings, Miss Wilkins

Event Comment: The last time of performing this season

Performances

Mainpiece Title: Il Cid

Dance: I: Ballet, with a Pasacal-Fierville; II: A Grand Ballet, intermixed with Grand Chorusses-; Grand Ballet, with a Pas de Cinq-Slingsby, Mlle Grenier, Sga Crispi, Asselin, Mlle Lafond; End Opera: a Grand Ballet, with Louvre, Grand Chacone-Fierville

Event Comment: Benefit for Mrs Woodman. [She takes a second one because as a note on her bill suggests her first benefit was postponed several times, with resultant confusion and meagre income.

Performances

Mainpiece Title: Il Dilletante

Performances

Mainpiece Title: The Macaroni

Performance Comment: Parts-Cresswick (from the Theatre Royal in York), Fearon, Bolton, Farren, Davis, Williams LeMarch, Lloyd, Jacobs, a Young Lady, first time; Miss Atkinson, Mr Palmer, Mrs Dyer, Mrs Williams; Epilogue-to be spoken in the character of the Macaroni.

Afterpiece Title: The Apprentice

Song: III: O What a Charming Thing's a Battle-Bannister

Performances

Mainpiece Title: The Modish Wife Or Love In A Puzzle

Performance Comment: Parts-Cresswick (from York), Follett, Davies, Fearon, Lloyd, Burton, Williams, Mrs Greville (from Theatre Royal in Richmond), a Young Lady, first time; Mrs Roche, Miss Atkins, Mrs Williams; With a Prologue-.

Afterpiece Title: The Irish Widow

Entertainment: End of Play: A Comic Medley-Cresswick; and a Variety of Imitations-Hutton

Event Comment: Music of Afterpiece composed by Dibdin. Sigr Como and Sgna Crespi danc'd for first time very Indiff (Hopkins Diary). Paid Printer's Bill #11; Copper plate Printing Bill #3 2s. (Treasurer's Book). [The printing bill averaged #9 6s. per week and came to #344 2s. No further itemization will be made of it this season.] Receipts: #195 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Wedding Ring

Dance: I: A New Comic Dance call'd The Mountaineers-Como, Sga Crespi, first appearance

Event Comment: [The Westminster Magazine this month continues to develop its familiar theme that the English stage is in a state of decline, proven this time by reference to the influx of new dancers, pretty maids (who cannot act), dull plays which will admit of some pageantry. Yet the author praises Garrick for acting at dl so often himself this early in the season.

Performances

Mainpiece Title: None