SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4442 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Phillimore, Miss Barnes & Miss Tidswell. Mainpiece: Not acted these 8 years [acted 20 May 1783]. [Kean was from the hay.] Receipts: #283 11s. 6d. (15.12.0; 15.3.6; 0.16.0; tickets: 252.0.0) (charge: #106 1s. 8d.)

Performances

Mainpiece Title: The Runaway

Performance Comment: George Hargrave-Barrymore; Drummond-Packer; Justice-Waldron; Sir Charles Seymour-Whitfield; Jarvis-Lamash; Mr Morely-Aickin; Mr Hargrave-Moody; Lady Dinah-Mrs Hopkins; Emily (1st time)-Miss Barnes; Susan-Miss Tidswell; Harriet-Mrs Kemble; Bella-Mrs Goodall.

Afterpiece Title: The Minor

Song: Between acts: Miss Barnes

Entertainment: Monologue. As17890527

Event Comment: Benefit for King. 1st piece: Altered [by MacNamara Morgan] from The Winter's Tale. 2nd piece [1st time; C 3, by Thomas King. Not in Larpent MS; not published]: An Alteration, never yet performed, of Sir John Vanburgh's [sic] Mistake. Public Advertiser, 10 Feb.: Tickets to be had of King, at his house in Gerrard-street. Receipts: #321 2s. 6d. (249.14.0; 4.8:6; tickets: 67.0.0)

Performances

Mainpiece Title: The Sheep Shearing Or Florizel And Perdita

Afterpiece Title: Lovers Quarrels

Performance Comment: Principal Characters-King, Holman, Ryder, Farren, Rock, Thompson, Miss Chapman, Mrs Bernard, Mrs Mattocks, Mrs Pope. [Cast from playbills of 12 May and 15 Oct. 1790: Sancho-King; Don Carlos-Holman; Lopez-Ryder; Don Lorenzo-Farren; Don Alvarez-Rock; Don Felix-Thompson; Angelina-Miss Chapman; Isabella-Mrs Bernard; Jacintha-Mrs Mattocks; Leonora-Mrs Pope.]

Afterpiece Title: Bon Ton

Dance: End 1st piece: Tamborine Dance, as17891021

Song: In II 1st piece: Come come my good Shepherds-; and trio, Get you hence!-

Entertainment: Monologue. After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King

Event Comment: Benefit for Mrs Martyr. Tickets sold at the Doors will not be admitted. [Prologue by John Wolcot (European Magazine, May 1790, p. 386).] Gazetteer, 15 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlet-court, Bow-street, Covent-garden. Receipts: #293 7s. 6d. (136.14.0; 13.8.6; tickets: 143.5.0)

Performances

Mainpiece Title: Fontainbleau

Performance Comment: As17900218, but Celia (1st time)-Mrs Mountain; Miss Dolly Bull (for that night only)-Mrs Martyr (1st appearance in that character).

Afterpiece Title: The Padlock

Dance: As17900323

Song: End I afterpiece: The Knife Grinder's Song, composed and to be sung in character-Reeve

Entertainment: Monologue. After Dancing: A New Occasional Prologue-Bernard

Event Comment: Benefit for Dignum. Diary, 17 May: Tickets to be had of Dignum, the corner of Leigh-street, Red Lyon-square. Receipts: #323 19s. (31.14.0; 8.2.6; 0.12.6; tickets: 283.10.0) (charge: #105 16s.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Piety in Pattens

Afterpiece Title: The Quaker

Performance Comment: As17891223, but Steady (1st time)-Sedgwick.

Song: End II: The Lass of Richmond Hill (composed by Hook)-Dignum; End IV: The Greenwich Pensioner-Dignum; End: Poor Jack-Dignum

Event Comment: Benefit for Burton, Haymes & Miss Hagley. Diary, 17 May: Tickets to be had of Haymes, No. 2, Broadway, Blackfriars [others not listed]. Receipts: #222 (32.5; 14.1; 1.19; tickets: 173.15) (charge: #106 7s. 6d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: True Blue

Afterpiece Title: The Quaker

Performance Comment: As17900519, but Solomon (1st time)-Burton; Easy-Maddocks.

Song: End IV: The Lass of Richmond Hill-Dignum

Event Comment: Benefit for Phillimore, Miss Tidswell, Miss Barnes & Miss DeCamp. [La Fete Marine was 1st performed at king's, 27 Apr. 1786.] Oracle, 19 May: Tickets to be had of Phillimore, Little Russel-street; of Miss Tidswell, Stanhope-street, Clare Market; of Miss Barnes, No. 23, Clare-street, Clare Market; of Miss DeCamp, No. 64, Tottenham-court-road. Receipts: #41 14s. (27.4; 11.13; 2.17; tickets: none listed) (charge: #108 7s. 2d.)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Performance Comment: As17901130, but Flint-Phillimore; Jenny (1st time)-Miss Barnes; Serjeant-_.

Dance: End: a new Dance, composed by D'Egville, La Fete Marine, in which introduced La Cossaque et Le Pas Russe-the young D'Egvilles, Miss D'Egville, Miss DeCamp

Event Comment: Benefit for Hull. Paid Macleish for Printing [playbills] to 28th Inst. #92 2s. 6d. Oracle, 14 May: Tickets to be had of Hull, No. 31, Bow-street, Covent-Garden. Receipts: #186 2s. 6d. (89.3.6; 4.10.0; tickets: 92.9.0)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: The Comedy of Errors

Performance Comment: Dromio of Ephesus-Quick; Antipholis of Syracuse-Macready; Antipholis of Ephesus-Bernard; AEgeon-Hull; Duke-Davies; Dromio of Syracuse (1st time)-Blanchard; Abbess-Miss Chapman; Luciana-Mrs Mountain; Adriana-Mrs Bernard.

Dance: As17910507

Song: End: Black Eyed Susan-Incledon

Monologue: After Dancing: a Selection of Poetry and Music descriptive of a day. Part I: Morning. Tantivy the welkin resounds (composed by Hook)-Mrs Martyr; PART II: Noon. Thou soft flowing Avon (from Garrick's Ode to Shakespeare)-Incledon; PART III: Evening. Pastoral Duet-Williamson, Mrs Mountain; PART IV: Night. The Soldier's Festival, as 16 May How sleep the brave (composed by Dr Cooke)-Incledon, Williamson, Davies, a Young Gentleman; introductory Chorus-Hull; How stands the Glass around-Incledon; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees

Performance Comment: Part I: Morning. Tantivy the welkin resounds (composed by Hook)-Mrs Martyr; PART II: Noon. Thou soft flowing Avon (from Garrick's Ode to Shakespeare)-Incledon; PART III: Evening. Pastoral Duet-Williamson, Mrs Mountain; PART IV: Night. The Soldier's Festival, as 16 May How sleep the brave (composed by Dr Cooke)-Incledon, Williamson, Davies, a Young Gentleman; introductory Chorus-Hull; How stands the Glass around-Incledon; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees.
Event Comment: Benefit for Blanchard. Morning Herald, 2 May: Tickets to be had of Blanchard, No. 11, Beaufort's-buildings, Strand. Receipts: #254 18s. 6d. (103.14.6; 3.3.0; tickets: 148. .0) (charge: #105)

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Lincos Travels

Afterpiece Title: The Padlock

Performance Comment: Leander (1st time)-Incledon; Don Diego-Davies; Scholars-Farley, Evatt; Mungo-Blanchard; Ursula-Mrs Webb; Leonora-Mrs Blanchard (1st appearance on this stage).

Song: End IV: Wine cannot cure the Pain I endure, as17920412

Event Comment: Benefit for Mrs Mountain. 1st piece: Not acted these 4 years [acted 22 May 1789]. 3rd piece: Not acted these 18 years [acted 3 June 1783]. Morning Herald, 27 Apr.: Tickets to be had of Mrs Mountain, No. 9, Bow-street, Covent Garden. Receipts: #119 10s. (117.12.6; 1.17.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Winters Tale

Performance Comment: Florizel-Holman; Polixenes-Aickin; Camillo-Hull; Cleomenes-Powel; Clown-Quick; Autolicus (with songs)-Munden; Leontes-Harley; Perdita (with Come, come, my good Shepherds) (1st time)-Mrs Mountain; Paulina-Mrs Fawcett; Dorcas-Miss Stuart; Mopsa-Mrs Harlowe; Hermione (for that night only)-Mrs Pope.

Afterpiece Title: The Irishman in London

Afterpiece Title: The Golden Pippin

Song: In 2nd piece: As17920421; End II: a Selection of the most favourite Catches and Glees from Harrison and Knyvett's Vocal Concert-; O let the merry peal go on-(Danby); When Arthur first in Court began-(Callcott); Tweedside What beauties does Flora-(Corfe); Come let us all a Maying go-(Hilton)

Event Comment: Benefit for Hull. Morning Herald, 14 May: Tickets to be had of Hull, No. 31, Bow-street, Covent Garden. Receipts: #235 11s. 6d. (143.1.6; 6.1.0; tickets: 86.9.0) (charge: #105)

Performances

Mainpiece Title: The Duenna

Performance Comment: As17911101, but Don Jerome (1st time)-Powel.

Afterpiece Title: The Intrigues of a Morning

Performance Comment: As17920418, but Physicians-_Wilson, Powel (1st time).

Dance: As17920420

Song: End I afterpiece: Wine cannot cure the Pain I endure, as17920412

Event Comment: Benefit for Harley. 1st piece: In Three Acts. Morning Herald, 7 May: Tickets to be had of Harley, No. 51, Great Queen-street, Lincoln's-inn-fields. Receipts: #308 14s. 6d. (104.2.0; 6.13.6; tickets: 197.19.0) (charge: #105)

Performances

Mainpiece Title: The Comedy Of Errors

Performance Comment: Dromio of Ephesus-Quick; Antipholis of Syracuse-A Young Gentleman (1st appearance on any stage [unidentified]); Antipholis of Ephesus (1st time)-Harley; Duke-Davies; Angelo-Powel; Dr Pinch-Cubitt; AEgeon-Hull; Dromio of Syracuse-Blanchard; Abbess-Miss Chapman; Luciana-Mrs Mountain; Adriana-Mrs Fawcett.

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Comus

Dance: As17920410

Song: End II 1st piece: a new Comic Song, The Ups and Downs of Life-Munden; in 3rd piece: Give me Wine rosy Wine, Nor on beds of fading flowers-Incledon

Event Comment: Benefit for Marshall and Mrs Harlowe. Mainpiece: In Act V a Grand Battle between the Britons and Romans. Morning Herald, 17 May: Tickets to be had of Marshall, No. 17, Crown-court, Bow-street, Covent-Garden; of Mrs Harlowe, No. 54, Drury-lane. Receipts: #256 7s. (104.2; 1.10; tickets: 150.15) (charge: #105)

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Holman; Bellarius-Aickin; Guiderius-Harley; Arviragus-Davies; Cymbeline-Powel; Pisanio-Hull; Cloten (1st time)-Marshall; Iachimo-Farren; Queen-Mrs Platt; Helen-Mrs Watts; Imogen-Mrs Pope.

Afterpiece Title: A Divertisement

Dance: End III: A Divertisement, as17920410; In afterpiece: the Dances-Byrne, Mlle St.Amand

Song: II: Masquerade, in which Hark! the Lark at Heaven's Gate sings-Incledon, Marshall, Gray, Linton, Darley, Mrs Mountain, Mrs Martyr; End II: (for that night only) The Lucky Escape; or, The Ploughboy's return from the Sea (composed by Dibdin)-Mrs Harlowe in Character

Entertainment: MonologueEnd: Jeu D'Esprit, as17920516; Little Pig lays without any Straw, as17920516

Event Comment: Benefit for Mrs Billington. Mainpiece: Not acted these 3 years [acted 13 May 1790]. Public Advertiser, 28 Apr.: Tickets to be had of Mrs Billington, No. 53, Poland-street, Oxford-road. Receipts: #320 4s. 6d. (205.14.6; 3.10.0; tickets: 111.0.0) (charge: #105)

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Lionel-Johnstone; Colonel Oldboy-Quick; Sir John Flowerdale-Hull; Harman-Davies; Jenkins-Darley; Jessamy-Marshall; Diana-Mrs Mountain; Lady Oldboy-Mrs Webb; Jenny-Mrs Martyr; Clarissa (1st time)-Mrs Billington.

Afterpiece Title: The Deserter

Performance Comment: Henry-Johnstone; Russet-Darley; Simkin-Cubitt; Skirmish-Blanchard (1st appearance in that character); Jenny-Mrs Martyr; Margaret-Mrs Davenett; Louisa (with Auld Robin Gray) (1st time)-Mrs Billington.

Song: In: an additional Obligato Bravura Song (composed by Sacchini,)-Mrs Billington; accompanied on the violin-Weichsel; the favorite Rondo, Se Ti Perdo (composed by Guglielmi)-Mrs Billington (as introduced in The Woodman)

Music: End II: a concerto on the Grand Piano Forte-Mrs Billington

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Larpent MS 961; not published; synopsis of plot in Universal Magazine, Nov. 1792, p. 393]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Music composed principally by Storace, with a few Pieces selected from Anfossi, Bianchi and [La Bella Pescatrice, by] Guglielmi. Books of the Songs to be had at the Theatre. The Doors to be opened at 5:15. To begin at 6:15 [see 15 Apr. 1793]. "The dialogue of operas now a days is thought of little consequence, and in this instance, the author has certainly strictly adhered to that opinion; however, by the aid of Painter, Composer, Taylor and Performers [The Pirates] will certainly long continue to attract admiration" (Thespian Magazine, Jan. 1793, p. 169). Receipts: #359 10s. 6d. (336.6.6; 23.0.0; 0.4.0)

Performances

Mainpiece Title: At Kings The Pirates

Performance Comment: Characters by Kelly, Suett, Sedgwick, Benson, Dignum, Caulfield, Phillimore, Bannister Jun., Wewitzer, Alfred, Bland, Mrs Crouch, Sga Storace, Mrs Bland, Miss DeCamp. Cast from Songs (E. Cox, 1792), and playbill of 16 May 1794: Don Altador-Kelly; Don Gasparo-Suett; Don Guillermo-Sedgwick; Captain of the Ship-Benson; Genariello-Dignum; Captain of the Guard-Caulfield; Cosmino-Phillimore; Blazio-Bannister Jun.; Sotillo-Wewitzer; Sailor-Alfred; Stefano-Bland; Donna Aurora-Mrs Crouch; Fabulina-Sga Storace; Fidelia-Mrs Bland; Marietta-Miss DeCamp; Lazzaroni-Banks, Fawcett, Cooke, Lyons; Pirates-Dubois, Whitmell, Nokes, Keys; Vintagers-Walker, Nicolini, Bidotti, Miss Brooker, Mrs Harris, Mrs Barrett, Mrs Haskey, Mrs Brigg, Miss Bourk; Sailors-Fairbrother, Maddocks, Webb, Bourk; General Chorus-Danby, Shaw, Welsh, Dorion, Brown, Dorion Jun., Mrs Shaw, Mrs Bramwell, Mrs Edwin, Mrs Butler, Mrs Gaudry, Miss Edwin, Miss Gaudry, Miss Kirton.

Afterpiece Title: Katharine and Petruchio

Dance: The Dances (composed by D'Egville)-Hamoir, D'Egville, Master D'Egville, Miss Prevot, Miss Menage, Miss Phillips, the Miss D'Egvilles. [These were danced, as here assigned, in all subsequent performances until 8 Apr. 1793.

Event Comment: Benefit for Mrs Bateman. Morning Herald, 20 May: Tickets to be had of Mrs Bateman at her house, the corner of Carlisle-street, Soho-square. Receipts: #397 1s. 6d. (161.18.6; 47.4.0; 1.3.0; tickets: 186.16.0) (charge: #157 8s. 8d.)

Performances

Mainpiece Title: At Kings All In The Wrong

Afterpiece Title: The Citizen

Performance Comment: As17921027, but Young Wilding-Benson; Maria (1st time)-Mrs Bateman; Quildrive-_.

Entertainment: In the course of the Evening: [at end of mainpiece (Thespian Magazine, July 1793, p. 50)] Fencing-La Chevaliere D'Eon, Mrs Bateman, an English Officer

Event Comment: Benefit for Caulfield, Miss DeCamp, Miss Tidswell & Miss Heard. [In mainpiece the playbill assigns Mr Worthy to Benson but "an apology was made for the absence of Benson...His part of Worthy was read by Whitfield" (Thespian Magazine, July 1793, p. 50).] Tickets delivered for the 8th of June will be admitted. Morning Herald, 24 May: Tickets to be had of Caulfield, No. 8, Dartmouth-street, Westminster; of Miss DeCamp, No. 70, Tottenham-Court-Road; of Miss Tidswell, No. 3, Little Charles-street, St. James's-square; of Miss Heard, No. 13, Panton-street, Hay-market. Receipts: #182 3s. (28.17; 3.5; tickets: 150.1) (charge: #86 8s.)

Performances

Mainpiece Title: At Hay The Recruiting Officer

Performance Comment: Mr Ballance-Packer; Scale-Fawcett; Scruple-Maddocks; Mr Worthy-read byWhitfield; Captain Plume-Wroughton; Captain Brazen-Dodd; Serjeant Kite (1st time; with O! what a charming thing's a battle)-Caulfield; Bullock-Moody; Coster Pearmain-Hollingsworth; Tho. Appletree-Burton; Welch Collier-Suett; Constable-Banks; Sylvia (with a song)-Mrs Jordan; Melinda-Miss Heard (1st appearance in that character); Lucy-Miss Tidswell; Rose-Miss Pope.

Afterpiece Title: The Mariners

Event Comment: [Afterpiece in 2 acts. On 2 and 8 May 1794 it was acted, as originally, in 3 acts.] Receipts: #241 14s. (227.5; 14.9)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Lewis; Strickland-Farren; Bellamy-Davies; Jack Meggot-Bernard (1st time [i.e. appearance] these 2 [recte 3] years); Tester-Blanchard; Buckle-Thompson; Frankly-Holman; Mrs Strickland-Miss Chapman; Jacintha-Miss Hopkins (from the Theatre Royal, Edinburgh; 1st appearance on this stage); Lucetta-Mrs Mattocks; Milliner-Mrs Follett; Clarinda-Mrs Pope.

Afterpiece Title: Robin Hood

Event Comment: Benefit for Miss Poole. 3rd piece: Not acted these 6 years [acted 5 May 1790). Morning Chronicle, 7 Apr.: Tickets to be had of Miss Poole, No. 18, Charles-street, Covent Garden. Receipts: #206 12s. (102/8/0; 4/17/6; tickets: 99/6/6)

Performances

Mainpiece Title: Everyone Has His Fault

Afterpiece Title: THE SAILORS FESTIVAL

Afterpiece Title: THE TWO MISERS

Performance Comment: Gripe-Quick; Lively-Davies; Mustapha-Richardson; Osmond-Townsend; Ali-Cubitt; Hunks (1st time)-Fawcett//Jenny-Mrs Mountain; Harriet (for that night only)-Miss Poole .

Music: End of Act II of mainpiece concerto on the Piano Forte, composed by Krumpholtz, accompanied by the Full Band, by Miss Poole

Song: End of Act IV of mainpiece Mad Bm, in character, by Miss Poole

Event Comment: Benefit for Munden. 2nd piece hst time; MF 2 , by Samuel Birch. MS: Larpent 1011; not published]: The Overture and Music composed by Attwood. Books of the Songs to be had at the Theatre. Murning Chronicle, 28 Apr.: Tickets to be had of Munden, No. 6, Frith-street, Soho. Receipts: #423 5s. (132/12/6; 6/18/0; tickets: 283/14/6)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: THE PACKET BOAT or A Peep behind the Veil

Performance Comment: Principal Characters by Quick, Johnstone, Incledon, Munden//Miss Poole, Mrs Martyr. [Cast from European Magazine, May 1794, p. 388: Supple-Quick; Captain O'Phoenix-Johnstone; Woodford-Incledon; Scamper-Munden; Vintage-Powel; Midship-Cross//Isidora-Miss Poole; Jacquelina-Mrs Martyr; Commode-Mrs Watts.] hathi. hathi.

Afterpiece Title: BRITISH FORTITUDE AND HIBERNIAN FRIENDSHIP

Monologue: 1794 05 13 End of Act I of 1st piece A Plague on both your Houses; or, A Peep into New Drury and Covent-Garden Theatres, to conclude with a Comic Song, in the Character of an Old Woman of Eighty, by Munden

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miss Thomas. Tickets to be had of Miss Thomas, No. 41, Great Portland-street; and of Rice at the Theatre, where places for the Boxes may be taken. To begin at 6:45. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Servants to keep places are requested to be at the Theatre at half past Five o'Clock

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: THREE WEEKS AFTER MARRIAGE

Performance Comment: Sir Charles Racket-Wilkinson; Lovelace-Field; Woodley-Jones; Drugget-Wewitzer//Mrs Drugget-Mrs Thompson; Nancy-Mrs Jones [thus Oracle; Morning Herald: Mrs Lawson]; Dimity-Mrs Wewitzer [thus Oracle; Morning Herald: Miss Kent]; Lady Racket (1st time)-Miss Thomas .

Music: End of mainpiece Master Julien Baux, a Child under Six Years of Age, will perform a Concerto on the Violin by Viotti

Monologue: 1794 05 22 End of afterpiece an Occasional Address by Miss Thomas

Event Comment: Benefit for Follet, Sloper & Farley. By Particular Desire of His Excellency the Turkish Ambassador [see 7 May). 2nd piece: To conclude with a Representation of the Engagement and Defeat of the French Navy, by the British Fleet under the Command of Lord Howe, on the Glorious First of June (1794); with the bringing in La Juste, Sans Pareille, L'America, L'Achille, Northumberland, et L'Eupeteux; and the Sinking of Le Vengeur; with Rule Britannia. Receipts: #357 10s. (66/2/6; 3/16/6; tickets: 287/11/0)

Performances

Mainpiece Title: The School For Wives

Performance Comment: As17940122, but Leeson-Farren; Spruce (ISt time)-Farley; omitted: Leech, Crow, Wolfe, Mrs Tempest . omitted: Leech, Crow, Wolfe, Mrs Tempest .

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: HARLEQUIN AND FAUSTUS

Event Comment: Benefit for Mrs Siddons. Mainpiece: Translated from Voltaire. Not acted these 20 years [acted l6 Nov. 1779]. Afterpiece: Not acted these 18 years [not acted since 19 Apr. 1774]. Morning Chronicle, 9 Apr.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. [Mrs Siddons's 1st appearance as Palmyra was at Manchester, 1 Apr. 1778. Adress by Samuel Rogers (European Magazine, May 1795, p. 344). Epilogue by David Garrick.] Receipts: #569 8s. 6d. (293.14.6; 59.10.6; 8.0.0; tickets:208.3.6) (charge:#204 1s.)

Performances

Mainpiece Title: Mahomet The Impostor

Performance Comment: Mahomet-Palmer; Mirvan-Barrymore; Ali-Caulfield; Zaphna-Kemble; Alcanor-Bensley; Pharon-Packer; Palmyra (1st time [in London])-Mrs Siddons.

Afterpiece Title: Edgar and Emmeline

Entertainment: Monologues. End: an Occasional Address-Mrs Siddons; Afterpiece to conclude with: the original Epilogue-Mrs Siddons

Event Comment: Mainpeice: 13th Time [i.e. in continuation of the reckoning for the previous season]. Receipts: #271 11s. 6d. (265.0.6; 6.11.0)

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: Principal Characters-Lewis, Quick, Pope, Munden, Harley, Bernard, Middleton, Miss Wallis, Mrs Mattocks, Mrs Davenport, Miss Leserve, Mrs Pope. [Cast adjusted from playbill of 16 May 1796: Cheveril-Lewis; Item-Quick; Mr Mordent-Pope; Donald-Munden; Lennox-Harley; Grime-Bernard; Clement-Middleton; Joanna-Miss Wallis; Mrs Sarsnet-Mrs Mattocks; Mrs Enfield-Mrs Davenport; Betty [not listed on playbill, but in Larpent MS 1077]-Miss Leserve; Lady Ann Mordent-Mrs Pope.

Afterpiece Title: Sprigs of Laurel

Event Comment: Benefit for Whitfield. 1st piece: Written by the late Mr Benson [see 9 June]. Morning Herald, 21 May: Tickets to be had of Whitfield, No. 19, Piazza, Covent Garden. Receipts: #127 15s. (79.11.0; 40.5.6; 3.12.6; tickets: none listed; odd money: 4.6.0) (charge: #223 3s. 5d.)

Performances

Mainpiece Title: Love And Money

Afterpiece Title: First Love

Performance Comment: As17960505, but David Mowbray (1st time)-Whitfield.

Afterpiece Title: My Grandmother

Event Comment: Benefit for Dignum. Morning Herald, 20 May: Tickets to be had of Dignum, No. 23, New North-street, Red-lion-square. Receipts: #148 10s. 6d. (81.10.0; 57.6.6; 2.3.0; tickets: none listed; odd money: 7.11.0) (charge: #214 1s. 7d.)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17950926, but Snake-Phillimore; Maria (1st time)-Miss Heard; Maid-_.

Afterpiece Title: No Song No Supper

Afterpiece Title: A Musical Olio

Song: End II: The Little Waist- (composed by Hook); End IV: The Sailor's Journal (composed by Dibdin)-Dignum