SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4442 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit Or The Female Crusoe

Afterpiece Title: The Inconstant

Performance Comment: Old Mirable-Aickin; Young Mirable-Wroughton; Captain Duretete (1st time)-Bannister Jun.; Petit-R. Palmer; Oriana-Mrs Goodall; Lamorce-Miss Tidswell; Bisarre (1st time)-Mrs Jordan.

Afterpiece Title: The Son in Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

Event Comment: Benefit for Miss DeCamp. 1st piece: Never [previously] acted here. Times, 11 May: Tickets to be had of Miss DeCamp, No. 14, Tottenham-court-road. Receipts: #435 2s. 6d. (153.16.6; 57.2.0; 1.16.0; tickets: 222.8.0) (charge: #232 15s. 2d.)

Performances

Mainpiece Title: The Italian Monk

Performance Comment: Schedoni-Palmer; Vivaldi-C. Kemble; Ansaldo-Aickin; Spalatro-R. Palmer; Paullo-Suett; Stiletto-Caulfield; Corvino-Evans; Familiars-Trueman, Maddocks; Marchioness-Mrs Powell (1st appearance in that character); Olivia (1st time)-Mrs Sparks; Abbess-Miss Tidswell; Ellena de Rosalba-Miss DeCamp; Margaritone-Miss Arne; Gradisca (1st time)-Mrs Walcot; Fioresca-Mrs Bland.

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva (1st time)-Barrymore; Figaro-R. Palmer; Antonio-Wewitzer; Bazil-Maddocks; Page-Miss DeCamp; Countess (1st time)-Miss Biggs; Susan-Mrs Jordan (1st appearance in that character).

Afterpiece Title: Blue Beard

Event Comment: Benefit for Bannister. 3rd piece [1st time: INT 1. Larpent MS 1218; not published]: A Sequel [to Sylvester Daggerwood], written by John? O'Keeffe. Times, 24 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. Receipts: #318 17s. (86.6.0; 44.4.6; 2.0.6; tickets: 186.6.0, of which Bannister to pay for half over #100) (charge: none listed)

Performances

Mainpiece Title: The Tempest

Performance Comment: As17971223, but Ariel-Mrs Bland; Hyppolito-Mrs Powell; Dorinda (1st time)-Mrs Jordan; Alonzo-_; Antonio-_.

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Eleventh of June or The Daggerwoods at Dunstable

Afterpiece Title: Blue Beard

Song: 1st piece: Vocal Parts, as17980224, but Ms _Leak

Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Performances

Mainpiece Title: Othello Moor Of Venice

Performance Comment: Othello-A Young Gentleman (from the Theatre Royal Dublin; 1st appearance on this, and 4th on any stage [Huddart]); Roderigo-Knight; Cassio (1st time)-Betterton; Brabantio-Hull; Lodovico-Whitfield; Duke-Waddy; Gratiano-Powel; Montano-Clarke; Iago-Murray; Emilia (1st time)-Mrs Litchfield; Desdemona-Mrs Pope (1st appearance in that character [in London]).in London]).

Afterpiece Title: The Genoese Pirate or Black Beard

Performance Comment: Principal Ballet Characters-Follett, Bologna Jun., Bologna Sen., Dyke, Whitmore, Abbot, Wilde, Blurton, Platt, Jackson, Hawtin, Powers, Findlay, Rayner, Webb, Farley, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Burnett, Mrs Ward, Miss Bologna, Mrs Wybrow (1st appearance); Vocal Characters-Townsend, Hill, Linton, Street, Tett, Curties, Master Standen, Miss Gray; [Larpent MS lists the parts: Abdallah, Capt. Teach, Garrat Gibbons, Cesar, Gunner, Carpenter, Seamen-Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria">Clarke, William, Drunken Negro-$Simmons, Servants, Negro Boy-$Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.

Dance: In afterpiece: Dance of Negroes-

Event Comment: Benefit for Wild, prompter. 1st piece: In 3 Acts; Not acted these 7 years [acted 6 May 1797]. 2nd piece [1st time; M. INT 1]. 4th piece: To conclude with a View of the Infernal Regionsv, and a Shower of Firev. Revived under the Direction of Delpini. The Songs, Duets & Chorusses by Reeve. The rest of the Music composed by Gluck. Receipts: #287 (149.4.6; 2.0.0; tickets: 135.15.6)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Whitsun Festival

Afterpiece Title: Five Thousand a Year

Performance Comment: George Fervid-Lewis; Frederick Fervid-Pope; Sir Mathew Maxim-Munden; Henry Hastings-H. Johnston; Mr Goulding-Murray; Paragraph-Farley; Truepenny-Waddy; Dick-Simmons; Officer-Wilde; Maria-Mrs Glover; Lady Julia-Mrs Pope; Aurelia-Mrs H. Johnston; Lady Maxim-Mrs Mattocks.
Cast
Role: Henry Hastings Actor: H. Johnston

Afterpiece Title: Don Juan or The Libertine Destroyed

Performance Comment: Don Juan (1st and only time)-H. Johnston; Governor-Bologna Sen.; Don Fernando-King; Fisherman-Hawtin; Spanish Gents.-Lee, Curties, Atkins; Alguazile-Thompson; Waiters-Abbot, Wilkins; Musicians, Sailors-Wilde, Blurton, Platt, Lewiss, L. Bologna, Klanert; Scaramouch-Delpini; Donna Anna (1st time)-Miss Mills; Fishermen's Wives-Mrs Atkins, Miss Wheatley; (with the duet, Thus for Man the Woman fair)-Mrs Atkins, Miss Wheatley; Dancers-Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Lloyd; Ladies-Ms Leserve, Ms Gilbert, Ms Burnett, Ms Iliff, Ms Norton, Ms Whitmore, Ms Blurton.

Song: End I: the Battle Song-Incledon as18000522

Event Comment: Benefit Hale and Mrs Hale. Mainpiece Written by Shakespear, reviv'd by particular desire. Containing the Memorable Battle of Agincourtv, with the total overthrow of the French Army, and many other Historical Passages. In order to preserve a proper decorum, and that this play may not be interrupted in its performance, the Publick may be assured there will not be any building on the stage.-General Advertiser. [In advance bill Nancy; or, The Parting Lovers had been advertised; Tom True Blue-$Beard; Father-$Leveridge; Captain of Press Gang-$Bencraft; Nancy-$Mrs Clive.

Performances

Mainpiece Title: The Life Of King Henry The Fifth

Performance Comment: King Henry-Hale; Fluellin-Hippisley; Pistol-Woodward; French King-Cashell; Dauphin-Goodall; Archbishop of Canterbury-Chapman; Exeter-Stephens; English Soldier-Rosco; Constable of France-Bridgwater; Burgundy-Gibson; Queen of France-Mrs James; Catherine-Mrs Hale; French Soldier-Destrade (being the first time of his attempting to speak on the stage); With the Chorus (after the manner of the ancients)-Ryan; In the play will be properly introduc'd the Songs To Arms, Britons Strike Home-Leveridge, Beard, Reinhold; With a New Prologue for the Occasion-.

Afterpiece Title: The Lottery

Event Comment: Acted there but once. By Authority. Tickets deliver'd out by Miss Barton which could not get in on Thursday last, will be admitted this Night. [An Epistle from Mr Theophilus Cibber, to David Garrick, Esq. London: 1755, dated Nov. 20, 1755: When Th. Cibber returned from Guilford last July, he found a discharge from Covent Garden (p.5) He got a license from the Duke of Grafton to open Little Haymarket (p. 6). He began and acted ten nights in three weeks, with some success, but when Drury Lane opened, Th. Cibber was ordered to stop (p. 7). He then petitioned the Duke of Grafton to have The Haymarket for two or three times weekly for the rest of the season. He hoped that the Little Haymarket might be a nursery for young performers, as well as for new pieces (p. 24). See dl 24 Nov.

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Lethe

Performance Comment: Aesop-Pinner; Mercury-Miss Davies; Charon-Carr; Gentleman-Parker; Tatoo-Turner; Drunken Man-Quelch; Old Man-Pittard; Frenchman-Blakey; Taylor-Paget; Servant-May; Mrs Tattoo-Miss Barton; Mrs Rist-Miss Carey; Lord Mayor, Cardinals, Judges, Players, Soldiers (horse and foot)-the rest of the Comedians.
Cast
Role: Servant Actor: May

Dance: PPierrots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-a small jolly Tar, seven years old; La Dance de Village-Settree, Sga Fiorentina

Event Comment: Benefit for Shuter. Mainpiece: Not acted these 4 years. [See 15 May 1760.] Afterpiece: A Tragi-comi-Pastoral-Farce by the late Mr Gay. Not acted these seven years. [See 15 May 1759.

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Afterpiece Title: The What Dye Call It

Performance Comment: Timothy Peascod-Woodward; Sir Roger-Marten; Justice Statute-Redman; Corporal-R. Smith; Sir Humphrey-Wignel; Peter Nettle-Bennet; Soldier-Holtom; ThomasFilbert-Shuter; Steward-Anderson; Stave-Costollo; Dorcas-Miss Helm; Constable-Lewis; Aunt-Mrs Copin; Joyce-Master Besford; Kitty Carrot-Miss Elliot; first time, with the song 'Twas when the seas were roaring-.

Dance: II: Hornpipe-Miss Pitt; End: New Grand Ballet, as17640320

Song: III: Will be a Duette-Mattocks, Miss Polly Young

Entertainment: End: The Cries of London-Shuter

Event Comment: Benefit for Mattocks. Last time of performing till the Holidays. [See additions in bills for 5 April.] Charges #72 16s. Profit to Mattocks #108 17s. 6d., plus #37 1s. from tickets (Box 135; Pit 22). Receipts: #181 13s. 6d. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Country Madcap

Monologue: True Blue; or, The Press Gang. Principal Parts-Mattocks, Reinhold, Baker, Mrs Baker; The Dance-Aldridge. [See 11 May 1773.

Performance Comment: Principal Parts-Mattocks, Reinhold, Baker, Mrs Baker; The Dance-Aldridge. [See 11 May 1773.]See 11 May 1773.]
Event Comment: New Scene [1st time; by Edward Thompson, with music by Dr Arne. Larpent MS 438; synopsis ("Macheath, after trial, is sentenced to work on the Thames" in London Chronicle, 18 Oct.]. Paid Hull on Acct. of salary as Acting Manager #30. Account-Book, 23 Mar. 1778: Paid Capt. Thompson for writing the new Scene in The Beggar's Opera #25. Receipts: #240 9s. (240.2.6; 0.6.6)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath (with additional songs)-Mrs Farrell (1st appearance in that character); Peachum-Wilson; Lockit-Dunstall; Filch-Wewitzer; Mat o' the Mint-Baker; Lucy-Mrs Mattocks; Mrs Peachum-Mrs Pitt; Mrs Slammekin-Mrs Green; Polly-Miss Brown; To conclude with a New Scene-. [This was included in all subsequent performances, although notice of it is omitted from the playbills of 8 and 15 Dec., 2 and 14 May 1778.]This was included in all subsequent performances, although notice of it is omitted from the playbills of 8 and 15 Dec., 2 and 14 May 1778.]

Afterpiece Title: The Commissary

Dance: End: As17771008; III: a Hornpipe-Miss Besford

Event Comment: [Mainpiece in place of Fatal Falshood, announced on playbill of 24 Apr.,] Afterpiece [1st time; MF 2, by Frederick Pilon]: The new Songs and Overture composed by Shield. The new Scenes by Richards and Carver. With a view of the English and Spanish Fleets entering the Bay. [This notice is included in all subsequent playbills.] Public Advertiser, 25 Apr. 1780: This afternon is published the Songs in The Siege Of Gibraltar (6d.). Ibid, 3 May 1780: This morning is published The Siege Of Gibraltar (1s.). Receipts: #168 5s. (166.4; 2.1)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Siege Of Gibraltar

Performance Comment: Principal Characters by Mattocks, Reinhold, Quick, Wilson, Edwin, Whitfield, Egan, Mrs Wilson, Mrs White, Mrs Morton. Cast from text (G. Kearsly, 1780) and London Chronicle, 3 May 1780: Beauclerc-Mattocks; Major Bromfield-Reinhold; Ben Hassan-Quick; Serjeant Trumbull-Wilson; Woolwich-Edwin; Muley-Whitfield; Serjeant O'Bradley-Egan; Lieutenant-Wordsworth; Officers-Booth, Fearon, Robson; Sailor-W. Bates; Soldiers-L'Estrange, Thompson, Wewitzer; Mob-Jones, Ledger, Brunsdon, Bates, Stevens; Jenny-Mrs Wilson; Moll Trumpet-Mrs White; Zayde-Mrs Morton.
Cast
Role: Ben Hassan Actor: Quick
Event Comment: Mainpiece [1st time; C 5, by Charles Macklin, a re-writing of his The True-Born Scotsman, based partly on Nanine, by Voltaire, 1st acted at the Smock Alley Theatre, Dublin, 10 July 1764. Author of prologue unknown. Epilogue by Frederick Pilon (Public Advertiser, 28 May 1781). Text 1st published (unauthorized), Dublin, 1785]: The Characters new dressed. Receipts: #173 14s. 6d. (172.12.0; 1.2.6)

Performances

Mainpiece Title: The Man Of The World

Performance Comment: Principal Characters by Macklin, Lewis, Wilson, Aickin, Clarke, Wewitzer, Booth, L'Estrange, Thompson, J. Wilson, Miss Platt, Miss Satchell, Mrs Wilson, Mrs Davenett, Miss Younge; Cast from London Chronicle, 11 May 1781, and adjusted from playbill of 19 Oct. 1782: Sir Pertinax Macsycophant-Macklin; Egerton-Lewis; Lord Lumbercourt-Wilson; Sidney-Aickin; Melville-Clarke; Counsellor Plausible-Wewitzer; Serjeant Eitherside-Booth; Tomlins-L'Estrange; John-Thompson; Sam-J. Wilson; Lady Macsycophant-Miss Platt; Constantia-Miss Satchell; Betty Hint-Mrs Wilson; Nanny-Mrs Davenett; Lady Rodolpha Lumbercourt-Miss Younge; Prologue-Macklin; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Upholsterer

Event Comment: Benefit for T. Ansell, Pilfold, Marks & Furkins. Tickets delivered by Claridge, Doe, Wells, Roberts, Walker, Cox, Abbot, R. Ledger, Sargent, Seymour for She Stoops to Conquer [announced on playbill of 27 May] will be admitted this Evening. [Afterpiece in place of Retaliation, announced on playbill of 27 May. This was Miss Catley's last appearance on the stage (erroneously stated in DNB, Grove, &c. as taking place in 1784).] Receipts: #245 3s. (26/0/6; 2/10/6; tickets: 216/12/0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Performance Comment: As17820214, but Sir John Loverule-Davies; Jobson (1st time)-Booth; Butler-J. Wilson .

Dance: End of mainpiece The Merry Sailors by Langrish and others

Event Comment: Afterpiece [1st time; mf 2, by John Dent. Prologue by the author (see text)]: A new Overture and Songs by Hook. Account-Book, 19 Nov.: Paid Dent for his farce #100. Receipts: #84 17s. (53/14; 30/18; 0/5)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Too Civil by Half

Performance Comment: Principal Characters by Palmer, Baddeley, Wrightcn, Waldron, Burton, Chapman, Parsons; Mrs Hopkins, Miss Collett, Miss Phillips. [Cast from text Q. Stockdale, 1783), and Morning Post, 6 Nov.: Captain Freeman-Palmer; Butler-Baddeley; Bustle-Wrighten; Pestle-Waldron; Mortar-Burton; Lieutenant Bumper-Chapman; Sir Toby Treacle-Parsons; Lady Treacle-Mrs Hopkins; Bridget-Miss Collett; Nancy-Miss Phillips.] Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances, except on 3 and 19 May 1783.] hathi. Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances, except on 3 and 19 May 1783.] hathi.

Dance: End of Act I of mainpiece, as17820917; End of mainpiece, as17821005

Song: As17820928

Event Comment: Benefit for Waldron. Public Advertiser, 9 May: Tickets to be had of Waldron, No. 19, Martlet-court, Bow-street, Covent Garden. Mainpiece [1st time in London; C 5, by Francis Godolphin Waldron, 1st acted at Richmond, Aug. 1782, as The Belle's Stratagem; or, The Female Fortune-Hunters, and again at the HAY in 1794 as Heigho for a Husband! Prologue by the author (MacMillan, Larpent Catalogue, 100). Author of Epilogue unknown. MS: Larpent 599; not published]. Afterpiece: Not acted these 8 years. The Indisposition which prevented King from performing last Friday continuing, Palmer has very kindly undertaken and studied the Character King intended to have appeared in this Evening. Receipts: #126 15s. 6d. (34/5/0; 21/18/6; 2/15/0; tickets: 67/17/0) (charge: #106 9s. 8d.)

Performances

Mainpiece Title: Imitation Or The Female Fortune hunters

Performance Comment: Principal Characters by Palmer, Brereton, Aickin, Moody, Baddeley, Wrighten, Suett, Chapman, Wright, Alfred, Parsons; Mrs Bulkley, Mrs Wrighten, Mrs Hopkins, Miss Tidswell, Miss Farren. [Cast from European Magazine, May 1783, p. 387: Frank Millclack-Palmer; Young Rackrent-Brereton; General Fairlove-Aickin; O'Sock-Moody; Timothy-Baddeley; Manager-Wrighten; Strolling Players-Suett, Chapman, Wright, Alfred; Old Rackrent-Parsons; Charlotte Fairlove-Mrs Bulkley; Dorothy-Mrs Wrighten; Mrs Millclack-Mrs Hopkins; Chambermaid-Miss Tidwell; Maria-Miss Farren.] Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren . Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren .

Afterpiece Title: The Ladies Frolick

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)

Event Comment: Mainpiece: Not acted these 4 years. Afterpiece [1st time; F 2, by James Cobb. MS: Larpent 698; not published; synopsis of plot in Public Advertiser, 28 Apr. Prologue by the author (Public Advertiser, 9 June)]. Account-Book, 30 May: Paid Cobb in full for Humourist #100. Receipts: #58 16s. (28/15; 29/1; 1/0)

Performances

Mainpiece Title: The Earl Of Essex Or The Unhappy Favourite

Afterpiece Title: The Humourist or Whos Who

Performance Comment: Characters by Parsons, Bannister Jun., Williames, Alfred, Baddeley; Mrs Ward, Mrs Wilson, Miss Tidswell, Mrs Hopkins. [Cast from London Chronicle, 29 Apr., and Town and Country Magazine, May 1785, p. 231: Sir Anthony Halfwit-Parsons; Dabble-Bannister Jun.; Beaumont-Williames; Blunt-Alfred; Frolick-Baddeley; Miss Halfwit-Mrs Ward; Mrs Meddle-Mrs Wilson; Diana-Miss Tidswell; Jenny-Miss Hale; Mrs Matadore-Mrs Hopkins.] Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Dance: As17850307athi

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, altered by the author from his The Country Attorney. Prologue and Epilogue probably by Cumberland. Larpent MS 828; not published; synopsis of plot in Universal Magazine, May 1789, p. 267]: With new Dresses, &c. Receipts: #165 6s. 6d. (155.5.6; 10.1.0)

Performances

Mainpiece Title: A School For Widows

Performance Comment: Characters by Lewis, Ryder, Quick, Pope, Farren, Davies, Fearon, Mrs Mattocks, Miss Tweedale, Mrs Rock, Miss Wewitzer, Mrs Abington. Cast from London Chronicle, 9 May, and Larpent MS: Jack Marmoset-Lewis; Mr Worldly-Ryder; Sir Wilful Wayward-Quick; Frederick-Pope; Lord Mirabel-Farren; Mr Gayless-Davies; Sterling-Fearon; John-Evatt; Mrs Worldly-Mrs Mattocks; Arabella-Miss Tweedale; Lucy-Mrs Rock; Mrs Gayless-Miss Wewitzer; Lady Charlotte Richmore-Mrs Abington; Prologue-Pope; Epilogue-Mrs Abington.

Afterpiece Title: The Highland Reel

Event Comment: Benefit for Mrs Wells, mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Robert Merry. Epilogue by Miles Peter Andrews (World, 16 May)]. Morning Herald, 30 Mar. 1793: This Day is published The Dramatist (1s. 6d.). Public Advertiser, 29 Apr: Tickets to be had of Mrs Wells, No 15, Beaufort Buildings, Strand. Receipts: #291 8s. 6d. (173.19.0; 9.9.6; tickets: 108.0.0)

Performances

Mainpiece Title: The Dramatist Or Stop Him Who Can

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Middleton, Thompson, Macready, Blanchard, Mrs Wells, Mrs Webb, Miss Brunton. Cast from 1st authorized text (T. N. Longman, 1793), and World, 16 May: Vapid-Lewis; Lord Scratch-Quick; Ennui-Edwin; Harry Neville-Middleton; Peter-Thompson; Willoughby-Macready; Florville-Blanchard; Servant-Evatt; Marianne-Mrs Wells; Lady Waitfor't-Mrs Webb; Letty-Miss Brangin; Louisa Courtney-Miss Brunton; Prologue-Bernard; Epilogue-Miss Brunton.

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells

Performance Comment: In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells.
Event Comment: Benefit for Mrs Wells. Mainpiece [1st time; C 4, author unknown, not in Larpent MS; not published. Epilogue by Robert Merry (World, 30 Apr.). On 11 May acted as The Female Pursuit]: Taken from Moor's Gil Blas. Public Advertiser, 27 Apr.: Mrs Wells trusts the Public will have the Candour to excuse her not appearing in the Play, as the principal Woman's Character has many changes in it, and the Fatigue of going through various and numerous Imitations would render her incapable of undertaking it. Gazetteer, 9 Apr.: Tickets to be had of Mrs Wells, No. 12, Weymouth-street, Portland-place. Receipts: #301 14s. (166.2; 10.1; tickets: 125.11)

Performances

Mainpiece Title: The Female Adventure Or Stop Her Who Can

Performance Comment: Principal Characters by Holman, Bernard, Farley, Macready, Thompson, Mrs Achmet, Mrs Bernard, Mrs Pitt, Mrs Powell, Mrs Martyr. Cast from European Magazine, May 1790, p. 386: Don Lewis-Holman; Gil Blas-Bernard; Pedro-Farley; Don Felix-Macready; Don Gabriel-Thompson; Aurora-Mrs Achmet; Isabella-Mrs Bernard; Bernarda-Mrs Pitt; Beatrice-Mrs Powell; Laura-Mrs Martyr; Epilogue-Mrs Mattocks.

Afterpiece Title: Cymon

Dance: Following Imitations at end: As17891021; In afterpiece: Dances, as17900409

Entertainment: End II: Tragic Imitations [of Mrs Siddons in Belvidera's 1st scene in Venice Preserved, I.i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells

Event Comment: Benefit for a Fund for the Relief of those whose Infirmities oblige them to retire from the Stage. The whole Pit will be laid into the Boxes. Those Ladies and Gentlemen who have seats in the Pit are earnestly requested to be early at the Theatre, and Servants are desired to attend at half past Four o'Clock to keep Places. "The fine tragic powers of [Mrs Siddons] and Kemble were but wasted on the turgid trumpery of the play...But Kemble in this scene [end of Act III] was so impassioned and transcendent that it killed all the rest of the piece. The scorn of Mrs Siddons at his dissimulation--her haughty bearing and marking emphasis, with the piercing powers of her eye, are all treasured where they should be" (Oracle, 16 May). Receipts: #117 14s. (107.11.0; 9.12.6; 0.10.6; tickets: none listed, but Oracle, 17 May, reports that tickets were purchased for as much as one guinea and a half) (charge: free)

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Manuel-Aickin; Gonzalez-Packer; Garcia-Barrymore; Perez-Haymes; Alonzo-Phillimore; Osmyn-Kemble; Heli-Benson; Selim-Williames; Almeria-Mrs Powell (1st appearance in that character); Zara-Mrs Siddons (only time of her performing [in this play] this season); Leonora-Miss Tidswell.

Afterpiece Title: All the Worlds a Stage

Event Comment: Mainpiece [1st time; C 5, by Joseph Richardson, based on The Coxcomb, Francis Beaumont and John Fletcher. Prologue by Richard Tickell. Epilogue by John Burgoyne (see text)]: With new Dresses, Decorations, &c. Morning Herald, 1 May 1792: This Day is published The Fugitive (1s. 6d.). Receipts: #315 7s. 6d. (275.0.0; 39.2.0; 1.5.6)

Performances

Mainpiece Title: The Fugitive

Performance Comment: Characters by Dodd, Bensley, King, Wroughton, Parsons, Palmer, Barrymore, Maddocks, Wewitzer, Phillimore, Benson, Banks, Mrs Hopkins, Miss Farren, Mrs Jordan, Mrs Kemble, Mrs Ward, Miss Pope. [Cast from text (J. Debrett, 1792): Lord Dartford-Dodd; Sir William Wingrove-Bensley; Admiral Cleveland-King; Mr Wingrove-Wroughton; Old Manly-Parsons; Young Manly-Palmer; Mr Welford-Barrymore; Jenkins-Maddocks; Larron-Wewitzer; O'Donnel-Phillimore; William-Benson; Servant-Banks; Mrs Manly-Mrs Hopkins; Miss Herbert-Miss Farren; Miss Julia Wingrove-Mrs Jordan; Miss Manly-Mrs Kemble; Mrs Rachel Cleveland-Mrs Ward; Mrs Larron-Miss Pope; Prologue-Bannister Jun; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances, except on 14 and 16 May.]These were spoken, as here assigned, at all subsequent performances, except on 14 and 16 May.]

Afterpiece Title: All the Worlds a Stage

Event Comment: Benefit for Incledon. 1st piece: As originally performed in 3 acts. Not acted these 7 years [acted 28 Oct. 1789]. 2nd piece [1st time; M. INT 1, attributed to John Cartwright Cross. MS: Larpent 1021; not published]. Morning Chronicle, 19 Apr.: Tickets to be had of lncledon, No. 15 , Charlotte-street, Bloomsbury. Receipts: #396 12s. 6d. (122/12/6; 6/0/6; tickets: 267/19/6)

Performances

Mainpiece Title: Robin Hood

Performance Comment: Robin Hood (for that night only)-Bowden (1st appearance on this stage these 7 years); Little John-Quick; Allen o'Dale (1st time)-Townsend; Ruttekin-Bernard; Fitzherbert (1st time)-Richardson; Scarlet-Davies; Bowman-Cubitt; Edwin (for that night only)-Incledon//Clorinda- Mrs Martyr; Stella (1st time)-Mrs Mountain; Annette (1st time)-Miss Barnett; Angelina-Miss Poole (1st appearance in that character) .

Afterpiece Title: NAPLES BAY or The British Seamen at Anchor

Performance Comment: Principal Characters by Johnstone, Bowden, Incledon, Munden, Townsend, Cubitt//Miss Poole. [Cast from Larpent MS: Michael-Johnstone; Captain Cable-Bowden; Ensign Platoon-Incledon; Quadrant-Munden; Rattling-Townsend; Legatto-Cubitt; Mr Temple-Thompson// Caroline-Miss Poole.] To open with Paisiello's Grand March. May our Navy Old England for ever protect (composed by Shield) by Incledon and Bowden. No good witbout an exception (composed by Dibdin) by Johnstone. Stamd to your Guns, my Hearts of Oak (composed by Carter) by Bowden. When on board our trim vessel (composed by Carter) by Munden. Beviamo tutti tre (composed by Giardini) by Johnstone, Incledon, Linton, &c. Italian Air, accompanied on the Harp, by Miss Poole. Water parted from the sea (composed by Dr Arne) by Incledon. God preserve his Majesty [singers not listed] . To open with Paisiello's Grand March. May our Navy Old England for ever protect (composed by Shield) by Incledon and Bowden. No good witbout an exception (composed by Dibdin) by Johnstone. Stamd to your Guns, my Hearts of Oak (composed by Carter) by Bowden. When on board our trim vessel (composed by Carter) by Munden. Beviamo tutti tre (composed by Giardini) by Johnstone, Incledon, Linton, &c. Italian Air, accompanied on the Harp, by Miss Poole. Water parted from the sea (composed by Dr Arne) by Incledon. God preserve his Majesty [singers not listed] .

Afterpiece Title: THE FOLLIES OF A DAY

Dance: In 2nd piece A Medley Hornpipe in Wooden Shoes by Byrn

Song: End of 1st piece Black-Eyed Susan by Incledon

Event Comment: Benefit for Middleton. 3rd piece [in place of The Frolics of an Hour, advertised on playbill of 1 June]: Engagement and Funeral Processionv as 6 May. Morning Chronicle, 30 May: Tickets to be had of Middleton, No. 53, Great Marlborough-street, Oxford-street. Receipts: #172 9s. 6d. (106.3.0; 6.9.0; tickets: 59.17.6)

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: Three Weeks after Marriage

Performance Comment: As17950501, but Drugget (1st time)-Munden; Woodley-_; Lovelace-_.

Afterpiece Title: The Death of Captain Faulknor

Song: 3rd piece: As17950506; Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course of entertainments: The Storm-Incledon

Event Comment: Benefit for Haymes. 1st piece: Not acted these 2 years [not acted since 24 Apr. 1793]. 2nd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Receipts: #236 2s. 6d. (66.17.6; 11.10.6; tickets: 157.14.6)

Performances

Mainpiece Title: Such Things Are

Performance Comment: Twineall-Lewis; Sir Luke Tremor-Quick; Sultan-Haymes; Elvirus-Holman; Lord Flint-Richardson; Meanwright-Macready; Zadan-Powel; Keeper-Thompson; Haswell-Pope; Lady Tremor-Mrs Mattocks; Aurelia-Mrs Mountain; Female Captive-Mrs Pope.
Cast
Role: Haswell Actor: Pope

Afterpiece Title: Arrived at Portsmouth

Cast
Role: Apollo Actor: Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Hercules Actor: Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Diana Actor: Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Orion Actor: and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: and Cupid Actor: Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Persians Actor: Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Parthian Actor: Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Scythian Actor: Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Ethiopian Actor: Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Amazonian Actor: Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Grecian Actor: Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Thracian Actor: Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lycian Actor: Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: representing the Landing of Julius Caesar Actor: Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Saxon Archer Actor: Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Danish Archer Actor: Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Norman Archer Actor: English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: English Archer Actor: Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn

Afterpiece Title: Rosina

Dance: End 2nd piece: Highland Festivity, as17951125

Song: In 2nd piece: songs as in 3rd piece, 12 Apr. We've bade the restless seas adieu-; O why to be happy, as17960314+With Rosabel what joy to stray-Townsend; Here we laugh and work together-; With pride we steer'd for England's coast-Incledon; When love was a stranger-Mrs Mountain; The seaman who of wars may tell-Incledon, Bowden; Rule Britannia-

Performance Comment: We've bade the restless seas adieu-; O why to be happy, as17960314+With Rosabel what joy to stray-Townsend; Here we laugh and work together-; With pride we steer'd for England's coast-Incledon; When love was a stranger-Mrs Mountain; The seaman who of wars may tell-Incledon, Bowden; Rule Britannia-.
Event Comment: Benefit for Palmer. [1st piece originally acted in 1767 as Dido. Prologue by David Garrick.] 3rd piece [1st time; INT 1, consisting of 3 tales in verse inserted into a continuous verse narrative]: As intended for Representation at the Theatre Royal, Hay-market, by George Colman Ynger. Morning Herald, 3 Apr. 1797: This Day is Published My Nightgown and Slippers (2s. 6d.). True Briton, 25 Apr.: Tickets to be had of Palmer, No. 39, Great Pulteney-street, Golden-square. Receipts: #491 16s. (152.3; 77.16; 11.16; tickets: 250.1) (charge: #232 18s. 6d.)

Performances

Mainpiece Title: The Queen Of Carthage

Performance Comment: Characters-Barrymore, Palmer, Caulfield, Aickin, Packer, C. Kemble, Whitfield, Cooke, Maddocks, Webb, Mrs Siddons, Miss Stuart, Miss Heard. Partial cast from European Magazine, May 1797, p. 341: Aeneas-Barrymore; Narbal-Palmer; Iopas-Caulfield; Dido-Mrs Siddons; Characters-Aickin, Packer, C. Kemble, Whitfield, Cooke, Maddocks, Webb, Miss Stuart, Miss Heard; [Text (Longman [et al], 1808) lists the other parts: Bitias, Achates, Gyas, Cloanthus, Sergestus, Adoam, Barce, Anna Prologue-C. Kemble.

Afterpiece Title: The Spoild Child

Afterpiece Title: My Nightgown and Slippers

Ballet: The Scotch Ghost. As17970105