SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr Cape"/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr Cape")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7172 matches on Event Comments, 2005 matches on Performance Comments, 607 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: By particular Desire. Juliet by Mrs Morland from the Norwich Theater a thin small figure too long a waist--wants power has a small impediment in her Speech she may be useful but never Capital--Pretty well receiv'd (Hopkins Diary). Mrs Morland the late Miss Westray (O. Smith) (Winston MS 10)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequins Invasion

Performance Comment: As17700929, but Corporal Bounce-Palmer; Forge-_; Sukey Chitterlin-Mrs Davies.
Event Comment: Afterpiece: By Desire. Garrick return'd last night from Bath (Dr Burney's News Clippings-Winston MS 10)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17701029, but Capulet-Burton; Juliet-Mrs Morland (2nd appearance); the Vocal Parts-Kear, _Bannister, _Dibdin, _Davies, Miss _Radley.

Afterpiece Title: The Elopement

Event Comment: great applause to the Play (Hopkins Diary). Mainpiece: A tragedy never before acted [by Mrs Celisia]. Prologue (by Whitehead)-Reddish; Epilogue (by Garrick)-Mrs Barry. New Scenes, Dresses and Decorations (Winston MS 10). [The Gentleman's Magazine for Feb. reviewed the mainpiece in great detail, concluding: "A combat between two knights in the days of chivalry and honour, not to determine whether a person accused is innocent or guilty, but whether a person under the infamy of acknowledged guilt shall suffer, is, as the Scotch peasant says emphatically of his pupil, a phenomenon. It is, however, but justice to Mrs Barry, to say, that in performing the part allotted her in this piece, she rises like perfection out of chaos, and therefore those who have not yet seen it represented should by no means be deterred by these strictures on the composition, supposing them to be just."

Performances

Mainpiece Title: Almida

Afterpiece Title: The Lyar

Event Comment: Benefit for Barry. Barry did not act Doubtless ill (Winston MS 10). Tickets delivered for All for Love will be taken. On Account of the extraordinary demand for places, most part of the Pit will be laid into the Boxes. Send servants by half past 4 o'clock

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17710312 but Beau Clincher-Jefferson.

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance, as17700922

Event Comment: Benefit for Miss Radley. Miss Radley ill, did not perform (Winston MS 10). N.B. Miss Radley humbly hopes it will be a sufficient apology to those Ladies and Gentlemen who have honoured her with taking places, that her present ill state of health renders it impossible for her to perform this evening

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17700925, but Sir Harry-Hartry; Theodosia-Mrs Scott.

Afterpiece Title: High Life below Stairs

Performance Comment: As17710318 but Kitty (with Song and Mock Minuet)-Miss Pope.

Dance: I: Comic Dance, as17710416

Event Comment: [Letter in the paper from William Havard denying the report of his having #50 a year annually from the Fund, or that he ever intended it (Winston MS 10).

Performances

Mainpiece Title: None

Event Comment: Doors open at 5 o'clock. Play begins at 6 o'clock. [Young Lady identified by Kemble note on playbill and by Winston MS 10. Her identity appears from playbill of 13 Oct. where her name occurs in character of Rosetta along with the statement that it is her fourth appearance on any stage. She appears on the weekly payroll from the first week at 16s. 6d. per day (Account Book). The Westminster Magazine believed her to be no actress (October issue): "Her musical powers were not extraordinary; her acting powers still worse."] Receipts: #206 14s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Intriguing Chambermaid

Dance: The Fingalian Dance-Mas. Blurton, Miss Besford; Double Hornpipe-Mas. Blurton, Miss Besford. [See17720921.

Event Comment: Afterpiece: By Desire. [Gentleman who played Axalla tentatively suggested as a son of Henry Carey who played Henry IV in 2 Henry IV 27 April 1773 (Winston MS 10). He had been on the playroll since the first of this season at 5s. per night.] Receipts: #160 9s. (Account Book)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Comus

Event Comment: Last time of performing the Afterpiece this season (playbill). Died of a [lingering?] fever Dr Hawksworth (Winston MS 10). Receipts: #189 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Elopement

Event Comment: To the writer of the letter signed Hotspur in the Morning Chronicle 13 Jan. 1774; Sir: I solemnly disavow myself the writer of any anonymous letter in this or any other Newspaper relative to the School for Wives and as to the villainous accusation respecting any personal insult offered me at Liverpool I pronounce it to be a notorious lie. I now call on you to stand forth with your name and your proofs or the world will be convinc'd you are an infamous malignant assassin. Thursday Nt. Jan. 13 1774. James Reddish (Winston MS 10, from Dr Burney News Cuttings). Receipts: #255 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Anatomist

Event Comment: Mainpiece: Not acted these years. [See 17 March 1772. Gentlewoman identified by Hopkins Manuscript Notes and by Winston MS 10. The Westminster Magazine for March (p. 111) gives out that "she was very lately a boarder with the celebrated Charlotte Hayes; a circumstance which will inform our readers that her figure is pleasing and also that she is young and hadsome. It is but justice, however, to add that she possesses the internal as well as external requisites of a good actress; for she discovers great feeling and sensibility; and indeed promises to be an ornament to the theatre."] Receipts: #192 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Midas

Event Comment: Benefit for Dodd. Afterpiece: Not acted these 9 years. [See 26 March 1763.] Married at Marylebone Church-W. Lacy, Esq one of managers of Drury Lane to Miss Orpen, daughter of an eminent hatter (Winston MS 10). Married: Willoughby Lacy, Esq to Miss Orpen of St Mary-le-bon (Gentleman's Magazine, 1744, p. 141). Receipts: #166 16s. Charges: #64 12s. Profits to Dodd: #102 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The School Boy

Entertainment: Bucks Have at ye All-Dodd

Event Comment: hg [Garrick gave a grand Entertainment at Hampton Gardens. Illuminated also Shakespeare's Temple with 6,000 lamps and fireworks (Winston MS 10).

Performances

Event Comment: The Cobler publish'd. Servants are oblig'd to withdraw end of Act 1 who are keeping places (Winston MS 11). Receipts: #244 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Chances

Performance Comment: As17741207, but Don Frederick-_.

Afterpiece Title: The Cobler

Event Comment: [The Gentleman who played Hamlet identified by Winston MS 11 (from O. Smith) as Lewis Hallam, from America, brother to Mrs Mattocks.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Druids

Event Comment: Benefit for Lamash, Griffiths, Kear, and Carpenter. Tickets deliver'd by Stevens and for The Gamesters will be taken. The Gamesters cannot be performed on account of Parsons's indisposition. Carpenter only acted (Winston MS 11). Receipts: #194 12s. Charges: #66 8s. 6d.Profits to beneficiaries: #128 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Performance Comment: As17750306 but Varland-Waldron; Louisa-Miss Hopkins; Lucy-Mrs Millidge; Charlotte-Mrs Mattocks from Covent Garden.

Afterpiece Title: Tom Thumb

Dance: V: The Sailors Revels, as17740920

Event Comment: Baddeley commenced his Magic Lanthorn 30 May continuing Thursday and Saturday nights till 20 June at Marlebone Gardens 8 o'clock at 2s. 6d. (Winston MS 11)

Performances

Event Comment: St Patrick's Day oblig'd to be deferr'd on account of Indisposition of Mrs Pitt. The Slip now converted into Boxes at 5s. Was only 2s. (Folger News Clipping, and Winston MS 11 note from the Morning Post of 9 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17751002, but Nurse-Mrs Bradshaw (from dl).

Afterpiece Title: Cross Purposes

Event Comment: Baddeley was prevented exhibiting the Magic Lanthorn at Hampstead (Winston MS 11). [See comment upon Baddeley's Magic Lanthorn in Garrick's Meeting of the Company.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17601226, but Mercutio-Garrick, 1st time; Lady Capulet-_; Tibalt-_.

Afterpiece Title: Taste

Performances

Mainpiece Title: The Macaroni Adventurer Or Womans A Riddle

Afterpiece Title: Fashionable Love or The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

Performances

Mainpiece Title: Love For Love

Performance Comment: As17861211, but Valentine-Whitfield; Ben (1st time)-Palmer.

Afterpiece Title: End of Act II mainpiece Jewish Courtship

Afterpiece Title: The Mistake of a Minute

Performances

Mainpiece Title: National Prejudice

Afterpiece Title: The Poor Soldier

Performance Comment: As17901217, but an additional song(for that night only)-Incledon.

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

Event Comment: Benefit for Incledon. 1st piece: As originally performed in 3 acts. Not acted these 7 years [acted 28 Oct. 1789]. 2nd piece [1st time; M. INT 1, attributed to John Cartwright Cross. MS: Larpent 1021; not published]. Morning Chronicle, 19 Apr.: Tickets to be had of lncledon, No. 15 , Charlotte-street, Bloomsbury. Receipts: #396 12s. 6d. (122/12/6; 6/0/6; tickets: 267/19/6)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: NAPLES BAY or The British Seamen at Anchor

Afterpiece Title: THE FOLLIES OF A DAY

Dance: In 2nd piece A Medley Hornpipe in Wooden Shoes by Byrn

Song: End of 1st piece Black-Eyed Susan by Incledon

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Olympus in an Uproar or The Descent of the Deities

Related Works
Related Work: The Widow of Delphi; or, The Descent of the Deities Author(s): Thomas Butler