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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8853 results for: Keyword - Weston</i>, but changed (<i>Winston MS 10</i>). Paid $Mr <span class=
We found 7165 matches on Event Comments, 1877 matches on Performance Comments, 585 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

6201
01 June 1776 @ Drury Lane Theatre

Event Comment: House (Hopkins Diary). Garrick's last time of performing Ranger (playbill). Rec'd Sga Paccini's Debt in full #75; Condell's 3rd payment: Fruit Office #20. Paid Blandford, Chandler's bill (after deduction) in full #14 12s. 2d.; Balance of Mad. Paccini and Martini's acct. in full #6 10s.; Bensley in full; Everard's debt and costs #5 15s. 6d. (Treasurer's Book). [Publish'd this month, Garrick's Looking Glass; or, the Art of Rising on the Stage. Price 2s. 6d. Printed for T. Evans By S. J. Pratt. Informative on most stage fundamentals. A poem in three cantos. Publish'd in July, A Lecture on Mimicry, as it was deliver'd with great applause at the Theatres in Covent Garden and the Haymarket, and the Great Room in Panton St. In the course of which were introduced a great variety of theatrical Imitations, to which is added Jerry Sneak 's return from the regatta and a Lecture upon Lectures. By G. S. Carey. Price 1s. @"I'll...on myself depend.@Inever yet found manager my friend.@By you supported boldly I'll oppose@My mimic powers against a host of foes.' Foote, Barry, and toothless Macklin, singers and dancers.] Receipts: #226 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Performance Comment: As17760129, but Soldiers-Cubitt, _Griffith.

Dance: I: The Savage Hunters, as17751118

6202
05 October 1776 @ Drury Lane Theatre

Event Comment: Afterpiece: To conclude with a Grand Representation of a Regattav. [This was included in all subsequent performances.] Paid Supernumeraries #5 13s. 6d.; Billstickers #2 14s.; Music 1st week #25 7s. 6d.; Miss Younge's Cloathes #5. King being hoarse the Prelude [see 21 Sept.] was omitted--Miss Pope made her first Appearance these 2 years upon this stage in Miss Sterling--but coolly received (+Hopkins Diary). Receipts: #213 8s. 6d

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Waterman

6203
08 October 1776 @ Covent Garden

Event Comment: Account-Book, 31 Oct.: Paid Miss Catley for 5 nights performance #136 10s. Receipts: #242 15s. 6d. (241.2.6; 1.13.0)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Comus

6204
01 November 1776 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Paid Kirk Housekeeper's bills to October 12 #102 19s. 4d.; Chorus Singers #6 15s. They called for the Epilogue (to the Runaway) and made a great Noise for it all through the first Scene of the Farce, but it was not spoken. Miss Younge was not down ready to begin [the mainpiece], Sheridan ordered the Curtain to be drawn up, it was two Minutes before she came to begin (Hopkins Diary). Receipts: #219 16s. 6d

Performances

Mainpiece Title: The Runaway

Afterpiece Title: A ChristmasTale

Dance: In: The Savage Hunters, as17761024, but _Helme, Prelot

6205
07 November 1776 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years. Account-Book: Paid Mrs Barry on account for finding her own Dresses #50. Receipts: #133 1s. 6d. (131.15.6; 1.6.0)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Padlock

Dance: End: The Merry Sailors, as17761106

6206
09 November 1776 @ Covent Garden

Event Comment: [The playbill lists Mattocks in place of Robson, but "Mattocks being really ill, Robson, at short Notice, supplied his Place' (Morning Post, 11 Nov.).] Mainpiece: With New Dresses and other Decorations. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Apprentice, announced on playbill of 8 Nov.] Paid one-half year's Land Tax #61 5s. Receipts: #283 (282.9; 0.11)

Performances

Mainpiece Title: The Duenna Or The Double Elopement

Afterpiece Title: The Upholsterer

Dance: End: The Irish Lilt-Aldridge, Miss Valois

6207
14 November 1776 @ Covent Garden

Event Comment: Mainpiece: With a New Scene and New Dresses. Afterpiece [1st time; CO 2, by Charles Dibdin and Edward Thompson. Thompson's name does not appear on the title-page of the text; it has been added by J. P. Kemble on the half-title of his copy now in the Huntington Library]: The Music chiefly composed by Dibdin [Public Advertiser, 15 Nov.: Three of the airs and the finale were composed by Samuel Arnold; one air by John Abraham Fisher]. With New Scenes [ibid: by Dall, Richards, and Carver], Dresses and Decorations. Books of the Songs to be had at the Theatre. Account-Book, 7 Feb. 1777: Paid Dibdin in full for copyright of the Seraglio #20; ibid, 2 June 1777: Received of Cooper for Songs & Books sold of The Seraglio #19 10s. 9d. [Mrs Ward was from the Birmingham theatre]. Receipts: #221 11s. 6d. (219.7.0; 2.4.6)

Performances

Mainpiece Title: Ethelinda Or The Royal Convert

Afterpiece Title: The Seraglio

Music: V: the Original Music for the Sacrifice by Purcell-

6208
15 November 1776 @ Drury Lane Theatre

Event Comment: The Maid of the Oaks [announced on playbill of 14 Nov.] is obliged to be deferred on account of Mlle Dupre's sudden illness. Paid 2 Oylbills to Oct. 25 #253 7s. Receipts: #98 12s. 6d

Performances

Mainpiece Title: The Hypocrite

Performance Comment: As17761018, but Darnley-Reddish.

Afterpiece Title: Bon Ton

Dance: End II: As17761101

6209
25 November 1776 @ Covent Garden

Event Comment: Benefit for Dibdin. In Act IV of mainpiece the Procession from the Abbey at the Coronation of Anne Bullenv. Paid John Doe for sticking Black Bills #6 3s. Receipts: none listed (charge: #84)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Seraglio

Performance Comment: As17761118, but a new Obligato Song [by Dr Arne-Leoni; accompanied [on the violin]-Fisher.
Cast
Role: butAbdallah Actor: Robson in place of Mattocks.

Dance: I: the Banquet, with Dancing-Dumay, Miss Matthews

6210
16 December 1776 @ Covent Garden

Event Comment: Afterpiece: In 2 acts, taken from Wycherley [by John Lee (Public Advertiser, 14 Dec.)]. Paid Pattinson, Tallow Chandler, #41 19s. Receipts: #167 18s. (166.9.6; 1.8.6)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Country Wife

6211
27 December 1776 @ Covent Garden

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Frolicks

Performance Comment: As17761226, but Pierrot-Wewitzer; Servant-Stevens.

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

6212
20 January 1777 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Paid Palmer of Bath, Spermacetti Candles #259 16s.; Stacy, Colourman #106. Receipts: #175 3s. 6d. (159.10.0; 15.13.6; 0.0.0; tickets: none listed) (charge: #005)

Performances

Mainpiece Title: Semiramis

Afterpiece Title: Harlequins Invasion

6213
06 February 1777 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Miss Leeson, but she "being suddenly indisposed, Mrs Whitefield yesterday, at very short notice, undertook the part of Cleora" (Morning Chronicle, 7 Feb.).] Paid Woodfall on acct. of his Two [Benefit] Nights #150 [and see 20 Feb.]. Receipts: #233 17s. (230.14; 3.3)

Performances

Mainpiece Title: Sir Thomas Overbury

Performance Comment: As17770201, but Cleora-Mrs Whitefield in place of Miss Leeson.

Afterpiece Title: Comus

Dance: As17761123

Song: As17770107

6214
22 March 1777 @ Drury Lane Theatre

Event Comment: On Account of Mrs Yates's Indisposition A Trip to Scarborough [announced on playbill of 20 Mar.] is obliged to be deferred. [The playbill retains Mrs Abington as Miss Prue, but "Last Saturday night, Mrs Abington being suddenly taken ill, Mrs Mattocks supplied the Part in Love for Love; and though we will not pretend to put her comic Abilities on a Level with those of Mrs Abington, yet her Performance was exceedingly humourous and entertaining" (Gazetteer, 24 Mar.).] Paid Mrs Abington in lieu of a benefit #200. Receipts: #218 8s. (188.0.0; 28.15.6; 1.12.6)

Performances

Mainpiece Title: Love For Love

Performance Comment: As17761129, but Miss Prue-Mrs Mattocks [of cg].of cg].

Afterpiece Title: The Milesian

Performance Comment: As17770320but Mrs Belfield-_.

Dance: As17770215

6215
01 April 1777 @ Covent Garden

Event Comment: Account-Book, 30 Apr.: Paid Murphy #119 13s. for the 12th night of Know Your Own Mind on Apr. 1st, after deducting charge of #73 10s. Receipts: #193 3s. (192.4.6; 0.18.6)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Harlequins Frolicks

Dance: As17761226

6216
11 April 1777 @ Covent Garden

Event Comment: Receipts: #226 8s. (224.18; 1.10). Account-Book: Paid Aickin in lieu of a Benefit #90

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: As17770125

6217
12 May 1777 @ Drury Lane Theatre

Event Comment: Account-Book: Paid Author's ballance for 1 Night of the Trip to Scarborough & 4 Nights for the School for Scandal #741 0s. 6d. Receipts: #257 7s. 6d. (251.16.0; 5.0.0; 0.11.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: All the Worlds a Stage

6218
14 October 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. [Henderson had 1st acted Shylock at Bath, 21 Dec. 1774; and 1st in London at hay, 11 June 1777.] Paid Printers Bills to the 11th Inst. #32 8s. Receipts: #234 6s. 6d. (209.7.0; 23.19.6; 1.0.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Quaker

Dance: End III: Rural Grace, as17771002

6219
20 October 1777 @ Covent Garden

Event Comment: Some of the Audience having objected to the Omission of a Scene on Friday night, that Scene will be restored this Evening. [Public Advertiser, 18 Oct., specifies the scene as that of Diana Trapes in Act III, the exclusion of whom "breaks a principal Link in the Chain of the Plot."] Paid Guard [master carpenter] for Scene-men #19 15s. Receipts: #287 16s. (286.8; 1.8)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17771017, but Diana Trapes-Mrs White.

Afterpiece Title: Cross Purposes

Dance: Hornpipe, as17771017; End: As17771001

6220
22 October 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: The 21st night [i.e. in continuation of the reckoning for the previous season]. Account-Book, 21 Nov.: Paid Sheridan Net Rect. of Scl. for Scandal 22d Oct. last #280 11s. Receipts: #280 11s. (274.10.0; 5.8.6; 0.12.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Quaker

Song: In III: song-Vernon. [This was sung, as here assigned, in all subsequent performances, except on 20 May 1778.

6221
11 November 1777 @ Drury Lane Theatre

Event Comment: [The playbill retains Mrs Baddeley as Polly, but she "being indisposed Miss Walpole played the part of Polly on Tuesday night' (London Chronicle, 12 Nov.).] Paid Chettell, timber merchant, #286 13s. Receipts: #135 15s. 6d. (118.10.0; 16.18.6; 0.7.0)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17771108, but Polly-Miss Walpole.

Afterpiece Title: The Elopement

Dance: End II: The Minuet de la Cour, as17771107, but Master _Holland, Henry

6222
29 November 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 6 years [acted 11 Feb. 1774]. Afterpiece: Not acted these 2 years. Paid Lampmen #4 10s.; Billstickers #2 14s.; Tailor #4 19s. 3d. Receipts: #144 12s. 6d. (126.3.0; 16.19.0; 1.10.6)

Performances

Mainpiece Title: King John

Afterpiece Title: The Deuce is in Him

6223
21 January 1778 @ Covent Garden

Event Comment: Mainpiece [1st time; T 5, by John Home. Prologue by the author (London Chronicle, 16 Feb.). Epilogue by David Garrick (ibid.)]: New Scenes, Dresses, &c. Account-Book, 26 Jan.: Paid Wild for [obtaining] license for Alfred #2 2s. Public Advertiser, 14 Feb. 1778: This Day is published Alfred (1s. 6d.). Receipts: #246 (241.17.6; 4.2.6)

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Padlock

Dance: End: The Villagers-Aldridge, Langrish, Master Jackson, Miss Valois

6224
23 April 1778 @ Covent Garden

Event Comment: Account-Book, 20 Apr.: Paid Mrs Green in lieu of a Benefit #84. Receipts: #204 13s. (203.9; 1.4)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

6225
15 October 1778 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; M. ENT 2, by Richard Brinsley Sheridan (also attributed to Richard Tickell). Prologue by Richard Tickell (London Chronicle, 23 Oct.). Text 1st published probably by T. Lowndes, 1795]: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [near Maidstone, Kent, where a military encampment had been in existence for several months], from a View taken by DeLoutherbourg and executed under his direction. [This was included in all subsequent performances.] With a New Overture and other Music [by Thomas Linley Sen.]. New Scenery, Dresses and Decorations. Account-Book, 16 Oct.: Paid Supernumeraries & Soldiers for Camp #35 5s. 6d. Receipts: #266 0s. 6d. (258.16.0; 6.18.0; 0.6.6)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Camp

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