SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7165 matches on Event Comments, 1877 matches on Performance Comments, 585 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [W+Winston MS 9 notes that Rich's Register names Jane Shore and The Royal Chace for this night. If so, see casts for 9 Oct. (Jane Shore) and 7 Dec. (The Royal Chace). Credence may be given this note by the fact that the next performance of Summer's Tale is listed in playbills as 20 Jan. 1766, the Fifth Day.

Performances

Mainpiece Title: The Summers Tale

Dance: As17651209

Event Comment: For the Authors. [See "David Garrick and the Clandestine Marriage," by Frederick L. Bergmann, PMLA (March, 1952), pp. 148-62, a study of Garrick's contribution on basis of the Folger Library MS.

Performances

Mainpiece Title: The Clandestine Marriage

Performances

Mainpiece Title: Zara

Performance Comment: As17660123, but Lusignan-Powell.

Afterpiece Title: Daphne and Amintor

Dance: I: A Dance-Aldridge, Miss Baker; After the Entertainment: A New Dance call'd the Fortune Tellers-Aldridge, Miss Baker

Entertainment: End: King (for that night only) will present the Audience with a New Comic Descriptive Piece call'd Ralph's Ramble Or O'Rare London! (being a short sequel to a comic character in the Maid of the Mill.)-King

Performances

Mainpiece Title: Cymon

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The Perplexities

Performance Comment: As17670131, but New Epilogue- (playbill); Epilogue-_.

Dance: End of Play: The Gallant Peasants, as17670113

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: Midas

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Cunning Man

Music: III: New Concerto, as17670212

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Dr Faustus

Event Comment: BB. Johnson's Head Bill 11s. (Treasurer's Book). Drank tea with my Landlady and went with her husband and two gentlemen to see the new Play...as I did not care to refuse. Could not get into the Pit, at which I was not displeased. I fancy this comedy will take, tho it had nothing else to support it but the character of Freeport, which is played by Yates...We had a Prologue written by the author of the play and spoken by King; and an Interlude by way of Epilogue written by Garrick and spoken by King and Mrs Abington. A concerto on the Harpsichord by Burney Jr and dance. The play is taken from L'Ecosseisse of Voltaire (Neville MS Diary). Receipts: #193 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Music: After Interlude: The New Concerto on Harpsichord, as17670212

Dance: HHearts of Oak, as17670212

Event Comment: Half past 5 went to the 5s. Gallery at the Opera House to see the comic opera La Buona Figliola, altered from Goldoni. The Music by Sg Nic Piccini, a Neopolitan composer. The Marq by Sg Lovatini, Castina by Sga Zamporini, the German by Sg Marigi. These I believe are reckoned the best of the company. I can't say I was greatly entertained, tho the music is very pleasing. There is something very absurd and truly characteristic of the present age in supporting a set of people at an immense expense to perform plays in a language which very few here understand. We had dances after every act by Sg Adriani, Sga Radicati, &c. It is said the dances at the opera are better than those at the theatres, but I am no great judge either of music or dancing. The scenes, particularly that of the Garden with waterworks &c. are very fine. They who go into the Pit &c. must be in a vile French dress (Neville MS Diary)

Performances

Mainpiece Title: La Buona Figliuola

Dance: [Unspecified.

Performances

Mainpiece Title: The Messiah

Music: As17670306

Performances

Mainpiece Title: La Conquesta Dell Messico

Dance: After each act: Dancing-Slingsby, Signora Radicati

Performances

Mainpiece Title: Manasseh

Music: CConcerto on violin-Sig Giardini

Event Comment: Benefit for Dickinson (1st Gallery Office Keeper). House charges #84. [Deficit #54 14s.] Went at 5 to see King Lear...oblig'd to stand in a corner of ye Pit. It is said that Powell does Lear as well as Garrick...Mrs Palmer-Cordelia. This is Mrs Yates's part, but she is become a great woman and refuses to play for many of ye Benefits (Neville MS Diary). Receipts: #29 6s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Performance Comment: As17670423 but Burgundy-J. Palmer; Cordelia-Mrs Palmer; Arante-Mrs Hippisley.

Afterpiece Title: The Register Office

Dance: End: A Double Hornpipe, as17670511

Performances

Mainpiece Title: Alexanders Feast

Song: Coronation Anthem-

Event Comment: NNeville MS Diary: At 6 went to Marybone Gardens, a place of the kind of Ranelagh-but not so elegant nor frequented by such good company--indeed much indifferent company resort to both. A transparent picture of a Patagonian man, woman and child was exhibited for the first time; went and returned on foot. Marybone fields are much pleasanter than the gardens. Got home about 11

Performances

Event Comment: With several curious and uncommon performances by the Venetian and his children. Neville MS Diary: At 6 got into the Pit at Sadler's Wells just as the entertainment began with concerts. The singing by Mrs Lampe, Master Herryman, &c. Dancing by Sg Grimaldi, Tassoni, Miss Reynolds from Drury Lane. Tumbling, but not equal to that by Plaida's company. Postures in which the Venetian and his children (a boy and a girl particularly) excel greatly. One stands on his hands, turns his feet backwards to his haunches, and walks in this position or forms an arch with his breast, while the other stands on his head upon it, the father carries one on his hand around his body, one stands on his head on his father's hand. These I mention as a specimen of many more, equally curious, tho' seeing these postures is disagreeable to a humane mind. The Father balances too the slack rope. The whole concluded with the pantomimic entertainment called Merlin

Performances

Mainpiece Title: Merlin Or The Enchanter Of Stonehenge

Performances

Mainpiece Title: The Commissary

Performance Comment: As17670604 but Young Gentlewoman (sixth time on any stage); Jenny-_.
Cast
Role: Coachman Actor: Weston
Role: Transfer Actor: Weston
Role: Snarl Actor: Weston

Afterpiece Title: The Mayor of Garratt

Performance Comment: As17670608 but Sir Jacob-Sowdon; Bruin-J. Palmer (Neville).
Cast
Role: Jerry Sneak Actor: Weston

Performances

Mainpiece Title: Theodosius

Afterpiece Title: Miss in Her Teens

Performance Comment: As17670626 but Tag-.

Dance: III: A Serious Dance-; End: A comic dance-Miss Froment, a little girl (Neville)

Performances

Mainpiece Title: The Provoked Husband

Cast
Role: Squire Richard Actor: Weston

Afterpiece Title: A Duke and no Duke

Cast
Role: Methodist Actor: Weston

Dance: Serious Dance-; Hornpipe, as17670722

Performances

Mainpiece Title: Alexander Or The Rival Queens

Related Works
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Afterpiece Title: A Duke and no Duke

Cast
Role: Methodist Actor: Weston

Dance: As17670729 but Italian Peasant-Dulm ($Neville)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Lying Valet

Dance: End: Miss Froment