SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4018 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: La Contadina In Corte

Afterpiece Title: Il Soldano Generoso

Dance: End I: new Pantomime Dance (composed by Zuchelli) Il Desertore-Sg and Sga Zuchelli, Henry, young Miss Andreas, Miss Simonet; End II: a grand Masquerade Dance-the other partsSg and Sga Zuchelli, Sga Tantini, Henry, Slingsby; in which a Chaconne(in character by the various Masks)-; and which will open with a Minuet-Favre Guiardele, Mme Simonet (1st appearance this season); End afterpiece: new Grand Balletconnected with the Opera-Favre Guiardele, Mme Simonet, Sga Tantini, Slingsby

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17800119, but Brush-Burton.

Afterpiece Title: The School of Eloquence

Afterpiece Title: Selima and Azor

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Apprentice

Dance: End of Act III of mainpiece Hornpipe by Miss Besford

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Golden Pippin

Performances

Mainpiece Title: The Fashionable Wife Or The Female Gallant

Afterpiece Title: The Lawyer Nonsuited

Dance: End of mainpiece a Hornpipe by Middleton

Song: End of Act III of mainpiece The Soldier tir'd of War's Alarms; End of Act V The Merry Roundelay, both by Miss Hemet

Monologue: 1782 05 06 End of afterpiece Bucks have at ye All by Middleton

Performances

Mainpiece Title: Richard Iii

Performance Comment: As17821014, but Richmond-?; Lord Mayor-Bates .

Afterpiece Title: Lord Mayors Day

Event Comment: [In mainpiece the playbill retains Wroughton as Richmond, but on the Kemble playbill his name is deleted, and a MS annotation substitutes Kemble's.] Receipts: #226 1s. (221/12; 4/9)

Performances

Mainpiece Title: Cg King Richard The Third

Performance Comment: As17831013, but Richmond-Kemble; Lady Anne-Mrs Kemble [i.e. formerly Miss Satchell (see17831124)] .i.e. formerly Miss Satchell (see17831124)] .

Afterpiece Title: Friar Bacon

Event Comment: Benefit for Baddeley. Public Advertiser, 2 Apr.: Tickets to be had of Baddeley, No. 2, Little Russel-street, Covent-garden. [In mainpiece the playbill assigns Ogle to King, but on the Kemble playbill a MS annotation substitutes Barrymore.] 2nd piece [1st time: INT I, probably by Robert Baddeley. MS: Larpent 692; not published]. Receipts: #226 3s. 6d. (105/18/0; 30/11/6; 0/16/0; tickets: 88/18/0) (charge: #111 17s. 7d.)

Performances

Mainpiece Title: The Beaus Duel Or A Soldier For The Ladies

Afterpiece Title: The St

Afterpiece Title: Rosina

Cast
Role: 850328but Rosina Actor: Miss Field

Monologue: 1785 04 11 End of Act I of mainpiece The History of John Gilpin, the Linen Draper by Baddeley

Performances

Mainpiece Title: The Campaign Or Love In The East Indies

Afterpiece Title: Retaliation

Dance: As17841116

Event Comment: "The great powers of Mrs Jordan cannot be better displayed than in the wonderful contrast of her Country Girl and Viola. In one all archness and vivacity; in the other serious, gentle, tender and sentimental" (Public Advertiser, 16 Nov.). [In afterpiece the playbill retains Parsons as Sir Anthony Halfwit, but on the Kemble playbill his name is deleted and a MS annotation substitutes Wilson's. "Parsons was taken suddenly ill & J. Wilson read his part" (MS annotation on British Museum playbill, in Harris, 11).] Receipts: #108 12s. (79/11/0; 28/13/6; 0/7/6)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Humourist

Performance Comment: As17850922, but Sir Anthony Halfwit-read by Wilson .

Dance: As17851103

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Performance Comment: As17850917, but Gillian-Mrs Forster [i.e. formerly Miss Field] .i.e. formerly Miss Field] .

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: Didone Abbandonata

Dance: End I: Divertissement, as17870116; End Opera: La Fete Provencale, as17870308

Performances

Mainpiece Title: Virginia

Performance Comment: See17870322but Principal Parts-Rubinelli, Mengozzi, Balelli, Cremonini, Sga Schinotti, Sga Benini. Larpent MS 731 lists the parts: Icilius, Lucius Virginius, Appius Claudius, Publius, Tullia, Virginia.

Dance: End I: Divertissement, as17870116; End Opera: La Jardiniere, as17870322

Performances

Mainpiece Title: Tit For Tat

Performance Comment: As17880723 but Young Meanwell (1st time)-Iliff [misprinted "Ilett"].misprinted "Ilett"].

Afterpiece Title: A Quarter of an Hour before Dinner

Afterpiece Title: The Gnome or Harlequin Underground

Dance: End 1st piece: January and May-[see17880627

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

Performances

Mainpiece Title: The Catch Club i

Afterpiece Title: The Comet or How to Come at Her

Afterpiece Title: The Son in Law

Afterpiece Title: The Benevolent Planters

Dance: As17890805

Entertainment: Monologue As17890617

Performances

Mainpiece Title: Next Door Neighbours

Performance Comment: As17910718 but Prologue-_; Epilogue-_[and thereafter].and thereafter].

Afterpiece Title: The Padlock

Afterpiece Title: The Irishman in Spain

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Swindlers

Song: Vocal Parts, as17911214; Masque of Neptune and Amphitrite, as17911109

Event Comment: A New Serious Opera [1st time; SER 2, by Teresa Bandettino]; the Music [a pasticcio] by Sarti, Giardanello [i.e. G. Giordani], Tarchi and Federici. Under the direction of Federici. With new Dresses, Scenes, &c. [In 2nd ballet the playbill retains Nivelon as Achilles , but "Favre Gardel took the part of Achilles, vice Nivelon' (Diary, 12 June).

Performances

Mainpiece Title: Odenato And Zenobia

Dance: End I: Le Jaloux Puni, as17930601 but Mlle _Gardel, Master Menage; +The Court Minuet-Favre Gardel, Mlle Millerd; a new Pas Seul-Mlle Hilligsberg

Ballet: End Opera: Iphiginia in Aulide. As17930423, but Achilles-Favre Gardel; Egisthus-Aumer? [see17930615 and 17930618

Performance Comment: As17930423, but Achilles-Favre Gardel; Egisthus-Aumer? [see17930615 and 17930618.see17930615 and 17930618.
Event Comment: Mainpiece [1st time; T 5, by Joseph Berington, altered from the same, by Gotthold Ephraim Lessing. MS: Larpent MS 1041; not published; synopsis of plot in Morning Herald, 30 Oct. It has hitherto been assumed that this play was altered by Benjamin Thompson, but "This Tragedy was translated from the German by the Rev. Jos. Berrington [sic]" (Kemble Mem.). Dr. Berington's authorship is also referred to in London Chronicle, 30 Oct. 1794. Thompson's translation was published by Vernor and Hood in 1800. Prologue by Richard Cumberland. Epilogue by George Colman, ynger (London Chronicle, 29 Oct.)]: The Dresses, Scenes and Decorations are entirely new. The Scenery in the four first Acts is the work of Signor Barzago and of his Brother; and in the fifth of Greenwood, by whom also a new Frontispiece is designed and executed. [Miss Miller, who had appeared the previous season as a chorus singer, is identified in European Magazine, Nov. 1794, p. 363.] The Doors to be opened at 5:15. To begin at 6:15 [see 20 Apr. 1795]. Powell: Emilia Galotti rehearsed at 10. The New Frontispiece and Stage doors were exhibited for the first Time this Evening. Receipts: #317 19s. 6d. (270.8.6; 46.5.0; 1.6.0)

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Prize

Performance Comment: As17940918, but Caroline-Sga Storace.

Performances

Mainpiece Title: Lisola Del Piacere

Afterpiece Title: Le Nozze dei Contadini Spagnuoli

Dance: End II: Paul et Virginie, as17950411; In intermezzo: The Fandango-Mme DelCaro, Aumer

Music: End I: a concerto

Performances

Mainpiece Title: Le Nozze Di Dorina

Afterpiece Title: Semiramide Act II only

Dance: As17950522

Music: As17950616

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: Principal Characters-Lewis, Quick, Pope, Munden, Harley, Bernard, Middleton, Miss Wallis, Mrs Mattocks, Mrs Davenport, Miss Leserve, Mrs Pope. [Cast adjusted from playbill of 16 May 1796: Cheveril-Lewis; Item-Quick; Mr Mordent-Pope; Donald-Munden; Lennox-Harley; Grime-Bernard; Clement-Middleton; Joanna-Miss Wallis; Mrs Sarsnet-Mrs Mattocks; Mrs Enfield-Mrs Davenport; Betty [not listed on playbill, but in Larpent MS 1077]-Miss Leserve; Lady Ann Mordent-Mrs Pope.

Afterpiece Title: Sprigs of Laurel

Performances

Mainpiece Title: The Dependent

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: A New Divertissementin which-Mlle Parisot will dance, for the first time in this Country; End Opera: Paul et Virginie, as17960116