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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4521 results for: Keyword - Weston</i>, but changed (<i>Winston MS 10</i>). Paid $<span class=
We found 4018 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1226
29 September 1790 @ Covent Garden

Event Comment: Paid Music the 13th, 15th, 17th Inst. #23 9s. 6d.; Properties Ditto #2 5s.; Kettle Drum Ditto 15s.; Wardrobe #11 1s. 6d.; Supernumeraries #1 16s. 6d.; Chorus Singers #3; Cox for Scenemen #28 2s. 7d.; Hodgins [painter] #4 4s.; Extra Music #2 5s.; Richards, painter #20. [Wilson's last appearance at this theatre was on 20 Jan. 1786.] Receipts: #222 2s. 6d. (208.16.6; 13.6.0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Poor Soldier

1227
02 October 1790 @ Drury Lane Theatre

Event Comment: Paid Properties 6s. 2d.; 4 Constant Scenemen 2 weeks #10 8s.; Carpenters #4 2s. 1d.; Lampmen #2 14s.; Tailor 4 weeks #5 12s. 10d. Afterpiece: 8th Night [i.e. in continuation of the reckoning for the previous season]. Receipts: #289 12s. (253.18; 35.0; 0.14)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Adventurers

1228
07 October 1790 @ Drury Lane Theatre

Event Comment: Paid Printer's bill [for playbills] to date #16 12s. 6d. Receipts: #227 16s. (157.6.0; 68.16.6; 1.13.6)

Performances

Mainpiece Title: King Henry The Fifth Or The Conquest Of France

Afterpiece Title: The Romp

1229
15 October 1790 @ Covent Garden

Event Comment: Paid Dick for making Cloaths #28 2s. 6d. Afterpiece: Taken from Vanburgh's [sic] Mistake. Receipts: #214 0s. 6d. (209.18.6; 4.2.0)

Performances

Mainpiece Title: Fontainbleau Or Our Way In France

Afterpiece Title: Lovers Quarrels

1230
25 October 1790 @ Covent Garden

Event Comment: Paid Scott, Copper lace man, #100. Mainpiece: Masquerade as 13 Sept. Receipts: #200 7s. 6d. (196.6.0; 4.1.6)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17900913, but Prince-Evatt; Paris-Macready.

Afterpiece Title: The Provocation

Song: As17900913, but Solemn Dirge-_Cubitt, Miss _Rowson

1231
20 November 1790 @ Drury Lane Theatre

Event Comment: Paid Nicolls for Ropes #5 7s. Receipts: #250 15s. (200.8; 46.16; 3.11)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17900911, but Cicely-Mrs Bland [i.e. formerly Miss Romanzini]; Servant-_; Hubert-_.

Afterpiece Title: The Critic

Performance Comment: As17901027, but Dangle-R. Palmer.

1232
03 December 1790 @ Covent Garden

Event Comment: Paid 1@2 yrs Kings Taxes for Theatre #84 2s. 6d. Receipts: #146 3s. 6d. (140.3.6; 6.0.0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: A Divertisement

Dance: End I in V: As17901020; In afterpiece: Dancing, as17901123

1233
30 December 1790 @ Drury Lane Theatre

Event Comment: Paid Kemble in lieu of Two Benefits last Season #364 Receipts: #192 14s. 6d. (154.17.0; 36.4.0; 1.13.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Fairy Favour

1234
22 February 1791 @ Covent Garden

Event Comment: Paid Messrs Enderby, Oilmen, #128 7s. 6d. Receipts: #185 14s. (177.18; 7.16)

Performances

Mainpiece Title: The School For Arrogance

Afterpiece Title: The Farmer

1235
17 September 1791 @ Covent Garden

Event Comment: Paid Music 16th Inst. #7 16s. 6d.; Properties 7s. 7d.; Wardrobe #6 17s. 9d.; Cox for Scenemen #14 18s. 7d.; Hodgins, painter, #4 4s.: Pugh, painter, #4 4s. Receipts: #142 5s. (137.2.6; 5.2.6)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love in a Camp or Patrick in Prussia

1236
01 October 1791 @ Drury Lane at King's Theatre

Event Comment: Paid Johnston's bill #7 10s. 6d.; Supernumeraries #6 12s.; Chorus by R. Shaw #10; Mantuamaker #13 5s. 4d.; Foulis for Music Copying #2 8s.; Land Tax 1 Yr. #79 12s. 6d.; Billstickers #3 6s.; Booth, tailor, #14 13s. 1d. "Mrs Jordan has a voice, the tones of which are infinitely more musical and sweet than those of any professional singer we have. There is also an interest about her singing, arising not from what may be called musical feeling, but the impression of the subject. Thus, though sometimes a little untrue, we love her songs, and forbear to weigh them in the diatonic or chromatic scales" (Oracle, 3 Oct.). Receipts: #450 3s. (393.2; 56.3; 0.18)

Performances

Mainpiece Title: Poor Old Drury

Cast
Role: Muses Actor: Mrs Powell, Mrs Goodall, Miss Hagley, Miss DeCamp, Miss Collins, Miss Heard, Mrs Shaw, Mrs Butler, Mrs Brigg

Afterpiece Title: The Rivals

Afterpiece Title: The Spoild Child

1237
15 November 1791 @ Covent Garden

Event Comment: Paid the Duke of Bedford one years Rent #192 10s. The Doors to be opened at 5:15. To begin at 6:15 [see 26 Apr. 1792]. Receipts: #237 2s. 6d. (235.9.6; 1.13.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Follies of a Day

1238
16 November 1791 @ Drury Lane at King's Theatre

Event Comment: Paid Times, advertising opening, #3 7s. 6d. Afterpiece: With new Dresses and Decorations. Receipts: #292 9s. 6d. (200.4.6; 88.3.0; 4.2.0)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Richard Coeur de Lion

Dance: In afterpiece: the young D'Egvilles, Miss DeCamp. [Included, as here assigned, in all subsequent performances.

1239
10 January 1792 @ Drury Lane at King's Theatre

Event Comment: Paid Secret Service Money #40. Receipts: #317 19s. (278.16; 35.11; 3.12)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Humourist

1240
17 February 1792 @ Drury Lane at King's Theatre

Event Comment: Paid Rent of king's? Haymarket Theatre #2,890. Receipts: #257 12s. 6d. (199.8.6; 53.13.0; 4.8.0; ticket not come in: 0.3.0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Sultan

Dance: As17911210

1241
30 April 1792 @ Covent Garden

Event Comment: Paid Poor Rate for the Theatre #21 16s.; Macleish, printer [of the playbills], to 7th Inst. #67 1s. Receipts: #210 13s. 6d. (207.17.0; 2.16.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina

Music: As17920125

1242
22 September 1792 @ Drury Lane Theatre

Event Comment: Paid 7 constant Carpenters #2 2s.; 4 Scenemen #5 7s.; The World for Advertisement #1 10s. Receipts: #238 5s. 6d. (166.13.6; 69.11.0; 2.1.0)

Performances

Mainpiece Title: At Kings The Rivals

Afterpiece Title: No Song No Supper

1243
13 October 1792 @ Drury Lane Theatre

Event Comment: Paid Street, Woollen Draper, in full #133 18s. 6d.; Chorus to 11th Inst. #8 5s.; Yarroway, Timber Merchant, in full #143 6s. Receipts: #293 2s. 6d. (209.3.6; 82.11.0; 1.8.0)

Performances

Mainpiece Title: At Kings The Fugitive

Afterpiece Title: Richard Coeur De Lion

Dance: In afterpiece: Master L. D'Egville, Miss Menage, Miss S. D'Egville. [Danced, as here assigned, in all subsequent performances.

1244
22 January 1793 @ Drury Lane Theatre

Event Comment: Paid Wrighten, prompter, to 29th December, #30 19s. 2d. Receipts: #245 15s. 6d. (211.7.6; 31.6.0; 3.2.0)

Performances

Mainpiece Title: At Kings The Pirates

Performance Comment: As17930119, but Genariello-Caulfield in place of Dignum; Captain of the Guard-Cooke in place of Caulfield.

Afterpiece Title: Katharine and Petruchio

1245
23 September 1793 @ Covent Garden

Event Comment: Paid Music 4 Nights #35 19s. 4d.; Chorus Singers #4 10s.; Wardrobe #7 11s.; Supernumeraries #4 6s.; Sloper for Scenemen #25 8s. 2d.; Mr Bigge, renter, #20 7s. 6d. Receipts: #281 12s. (279.17; 1.15)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Midnight Wanderers

1246
12 October 1793 @ Covent Garden

Event Comment: Paid Hodgins [scene painter] and assistant #6 5s. Receipts: #243 7s. 6d. (233.0.6; 10.7.0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Chaplet

Performance Comment: As17931002, but Principal Pantomimic Characters-Hawtin in place of _Simpson, Ledger of Hawtin; Vocal Characters-Miss +Kirton, in place of Mrs _Masters.

Dance: III: a Hornpipe in Character-Byrn

Entertainment: When in War on the Ocean, as17931002; New Song-Gray in place of Incledon; The Music, as17931002; The Dances, as17931002

1247
17 October 1793 @ Covent Garden

Event Comment: Paid Macleish, printer [of playbills], in full for last season #62 7s. Mainpiece: Not acted these 3 years. Receipts: #176 1s. (167.7.6; 8.13.6)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Farmer

Dance: As17931015

1248
20 November 1793 @ Drury Lane Theatre

Event Comment: Paid Nicolls for Ropes #5 7s. Receipts: #250 15s. (200.8; 46.16; 3.11)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17930911, but Cicely-Mrs Bland [i.e. formerly Miss Romanzini]; Servant-_; Hubert-_.

Afterpiece Title: The Critic

Performance Comment: As17931027, but Dangle-R. Palmer.

1249
03 December 1793 @ Covent Garden

Event Comment: Paid 1@2 yrs Kings Taxes for Theatre #84 2s. 6d. Receipts: #146 3s. 6d. (140.3.6; 6.0.0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: A Divertisement

Dance: End I in V: As17931020; In afterpiece: Dancing, as17931123

1250
19 March 1794 @ Drury Lane Theatre

Event Comment: Paid Jacobs for carpenters bill to 8th Inst. #56 16s.; Powell for Advertisements [in newspapers] #112 16s. Receipts: #598 7s. 6d. (570/10/6; tickets: 19/10/0; 8/7/0)

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller. Leader as17940312ART I. Overture. Comfort ye my people and Every Valley by Harrison. And the glory by Chorus. Thus saith the Lord and But who may abide by Meredith. And he shall purify by Chorus. Behold! a Virgin and O thou that tellest by Kelly. For, behold! and The people that by Meredith. For unto us by Chorus. There were Shepherds by Sga Storace. Glory to God by Chorus. Rejoice greatly by Master Welsh. Then shall the Eyes and He shall feed his flock by Mrs Bland. Come unto him by Sga Storace. His yoke is easy by Chorus. PART II. Behold the Lamb by Chorus. He was despised by Mrs Crouch. Surely he hath borne by Chorus. All they that see him by Kelly. He trusted in God by Chorus. Thy rebuke hath and Behold! and see by Harrison. He was cut off and But thou didst not by Miss Leak. Lift up your heads by Chorus. Unto which of the by Kelly. Let all the Angels by Chorus. Thou art gone up by Mrs Bland. The Lord gave by Chorus. How beautiful by Master Welsh. Their sound is gone by Chorus. Why do the nations by Meredith. Let us break by Chorus. He that dwelleth and Thou shalt break them by Dignum. Hallelujah by Chorus. PART III. I know that my Redeemer liveth by Master Welsh. Since by Man by the Principal Singers and Semi-Chorus. By Man came also the Resurrection of the Dead by Chorus. For as in Adam all die by Semi-Chorus. Even so in Christ shall all he made alive by Chorus. Behold! I tell by Meredith. The trumpet shall sound, accompanied on the trumpet by Hyde, and Then shall be brought to pass [singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .

Music: End of Part I concerto on the flute by Ashe; End of Part II concerto on the violin by Giornovichi