SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4018 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Paid Bibb (sword cutler) #15 13s.; Paid L'Alamaine (embroiderer) #6 15s. (Account Book). Receipts: #162 5s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17711101, but Eustace-Owenson; incidental Dance-_.

Afterpiece Title: Harlequin Skeleton

Dance: II: The Lamplighter, as17711016

Event Comment: Paid Mr J. French by consent of assignees [24 Jan.] #5 5s.; Paid Mr J. French's assignees his balance of acct with managers #60 9s. (Treasurer's Book). Garrick (Hopkins Diary). Receipts: #258 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17711017, but Friar-Inchbald; Hero-Miss Hayward, 1st time.

Afterpiece Title: The Padlock

Event Comment: Paid one year's Assurance on #10,000 in the Sun Fire Office to 25 March 1773, #50. Paid Hewetson & Lonsdale (lace men) as per Bill #42 5s. (Account Book). Receipts: #149 (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17720220, but Wellbred-Lewes; Dame Kitely-Mrs Bulkley.

Afterpiece Title: Mother Shipton

Event Comment: Paid Black? Lyon bill #2 7s. 4d. (Treasurer's Book). [This is a recurring item weekly throughout the season varying in amounts from about #1 to #3. Tavern. Run by Yearley Waterer. Not noted further. Total payments this season about #75.] Public Advertiser, Theatrical Intelligence: Any Young Lady inclined to the Stage, is offered an advantageous Opportunity to experience her Theatrical Abilities in a very desirable Situation. As this Advertisement appears not from an itinerant Manager, nor results from a Dearth of People, but a Wish to promote Merit, which often (for want of the proper Mode of Application, or Fear in the Parties of their Intentions being made public, in case their Services should not be received) lies hid and unnoticed, it is hoped none but such as are possessed of a good Figure, as that will be greatly regarded, and whose Capabilities are blended with a real Inclination will apply. Enquire for W. at No. 114, in Long-Acre between the hours of Eleven and One on Wednesday or Thursday Morning in person, as no Attention will be paid to any Substitute. The Stage: A Gentlewoman, who has played capital Characters with unblemished Reputation in the three Kingdoms, takes this Method of acquainting such Ladies who have Talents and Inclination for the stage, that she undertakes to instruct them for the Profession many having been unsuccessful, more from Want of previous Instructions than Want of Genius. Her Attention to the great Articles of Reading and Speaking, with Elegance and Propriety, as well as Expression, Grace, and Ease, will be found of infinite Service to those who are assisted by the least Understanding. Those Ladies who do not intend to display their Talents in Public may be instructed for their Amusement. Enquire for E. H. No. 2 Queen Street, near Windmill Street, Haymarket. N.B. Any Lady will be waited on by a Line directed as above. [These advertisements ran for a number of days.] Receipts: #183 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Event Comment: Paid chorus 2 nights (this incl.) #5 1s. Paid Mr J. French on acct #10 10s. (Treasurer's Book). Receipts: #143 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Irish Widow

Cast
Role: Thomas Actor: Weston

Dance: I: Comic Dance, as17720922

Event Comment: Paid author of The Irish Widow, an overcharge on his Bt. 31 Oct. last, #10 10s.; Paid Mr Wallis on note #3 3s.; Mr Nickels for ropes #10 12s.; Mrs Chitty for coals, #47 10s. (Treasurer's Book). Receipts: #250 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Lyar

Event Comment: Paid Cipriani (painter) as per bill #42. Paid McMillen (Shoemaker) #18 2s., and Love & Lewis (woolen drapers) #11 7s. (Account Book). [Cipriani possibly painted new scenes for Elfrida.] Receipts: #152 4s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Royal Chace

Event Comment: Paid salary list #513 17s. 6d.; Rec'd stopages #16 7s. 6d.; Paid Mr J. French on acct #12 (Treasurer's Book). Receipts: #157 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Arthur

Performance Comment: As17721112, but Vocals-Davies.

Afterpiece Title: The Irish Widow

Cast
Role: Thomas Actor: Weston

Dance: I: The Irish Fair, as17721023

Event Comment: Paid Pattinson (tallow chandler) #36; Paid Carpue (silk dyer) #14 5s. (Account Book). Receipts: #221 7s. 6d

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Dance: End of Piece: The Old Ground Young, as17720928

Event Comment: Paid Buxton & Enderby (oyl merchants) #128. Paid Mr Darley for 2 Books of Col[oure]d Prints #4 6s. 6d. (Account Book). Receipts: #203 6d

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: Harlequin Sorcerer

Event Comment: Paid Mrs Leverton (mantua maker) as per Bill #26 14s.; Paid Farrington & Scarr (haberdashers) #6 15s. (Account Book). Receipts: #184 12s. 6d

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Dance: End: The Bird Catchers, as17721207

Event Comment: Paid Younger a Bill for Writing Parts #5 16s. 9d.; Paid Buxton and Enderby (oyl merchants) #101 3s., and Pattinson (tallow chandler) #28 7s. (Account Book). Receipts: #172 2s. 6d

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Harlequin Sorcerer

Event Comment: Paid Pearce & Son for Cloaths #38; Paid Mrs Mackmillan for Papier Machee Ornaments #4 4s. (Account Book). Receipts: #206 1s

Performances

Mainpiece Title: The Golden Pippin

Afterpiece Title: The Apprentice

Performance Comment: As17720928, but Prologue_.

Dance: I: The Merry Sailors, as17721012; II: Rural Amusements, as17730206; End: New Dance, as17730206

Event Comment: Paid One Year's Rector's rate for theatre due Xmas #8 15s., and ditto for House in Bow Passage #6s. 3d.; Paid ditto for Watch rate for theatre #17 10s., and same for House in Bow Passage 12s. 6d. (Account Book). Receipts: #175 14s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: The Golden Pippin

Event Comment: Paid half year's Poor's Rate for theatre due Mich last #24 15s. 10d., and ditto for House in Bow Passage 17s. 9d. Paid Palmer (wax chandler) #46 8s. Receipts: #136 1s. 6d. (Account Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Fair

Event Comment: Paid one year's Ground Rent for theatre due Mich. last #100 minus Land Tax allow'd #10 12s. 6d.-#89 7s. 6d. Paid ditto for New Bldg adjoining theatre #30 minus land tax allow'd #3 3s. 9d.-#26 16s. 3d. Receipts. #125 4s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17731112

Event Comment: Paid Younger for 2 Licenses (King Henry II, and The Man of Business) #4 4s. Paid Farrington & Scarr (haberdashers) #26 16s. Receipts: #179 7s. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Performance Comment: As17740112, but Principal characters-_Gardner, Owenson.

Afterpiece Title: The Sylphs

Event Comment: Paid 3 day's salary list at #76 14s. 1s. per diem, #230 2d. 3d.; Mrs Greville on note #21; Tallow chandler's 1st bill #24 8s. 5d.; Lampmen #2; Bill stickers #3 12s.; Handbills 8s.; Carpenter's Bill #13 3s. 10d.; Taylor's Bill #6 13s. 6d.; Mantua maker's Bill #4 6s. 2d.; J. Stevens 18s.; Mr King's extra salary #1 10s.; Mrs Abington's Cloaths #1; Painters salaries #14 2s.; Mr J. French on Acct #15 5s.; Hire of Violin &c. 7s.; candlemen #1 13s. (Treasurer's Book). [The following items of those listed among the above Saturday expenditures were constant. The averages and total payments for them will be given in the following table, and no further itemization of them will be made]: @Item: Weekly Average Total Season Payment@Lampmen #4 8s. #162 16s.@Billstickersers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Carpenters #9 10s. #351 10s.@Taylors #9 5s. #342 10s.@Mantua Makers #3 #111@J. Stevens 18s. #33 6s.@Mr King (extra as a deputy Manager?) #3 #111@Mrs Abingtons Clothes #1 12s. 4d. #60@Painter's Bills #10 10s. #388 10s.@Candlemen & extras #8 14s. #313 4s.@ Neither Carver or Royee is listed this season, but the amount customarily paid them for the two preceding seasons is made this season as a constant outlay, but "To Painters." DeLoutherbourg receives his first payment 14 Oct.

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Padlock

Event Comment: Paid 3 day's salary at #100 12s. 6d. per diem #301 17s. 6d. Salaries short-paid last week #168 8s. 6d.; Tabor and Pipe #3 13s. 6d. Louchre [Lauchery] #8 8s. Mr Abington #2; Mr King #3; (Treasurer's Book). [The payment to King was the first of 37 similar ones for extra salary amounting to #111. That to Mrs Abington was the first of weekly payments for her clothes account, amounting to #60 for the season. No further mention will be made of these items.] Receipts: #265 9s. 6d. (Treasurer's Book). [From the Middlesex Journal (7-9 Oct.) quoted by Hampden, Eighteenth Century Journal: "The Way of the World, though confessedly replete with wit and character, is not the most entertaining play in representation. It is so full of plot and intrigue, that it demands an Unusual degree of attention in the performers and audience to excite admiration. On Saturday they seemed averse to assist the author. Mr King in Witwou'd was as entertaining and full of spirits as usual. Mr Jefferson in the gay admired Mirabel (independent of the antique mode of his wig, and formal cut of his clothes, which surely were both uncharacteristic) seemed in attempting to be quite natural, to keep the entire plot of the play in his own bosom, looked more like the father than the Mirabel of Congreve. Mr Reddish was a contrast to his friend Mirabel; he seemed attentive nervous, and played the latter part of his character well....Mrs Abington's person, manner and dress were fashionable and elegant; but though the character was certainly a fine one, there was a want of that spirit best calculated to call her powers into action: her delivery was tediously formal; and had the audience been deprived of their sight they would conclude that Capt. Bobadill had got into petticoats. Her dress was no more decent than Madam Hidou's was on her first appearance last year; stays so low cut before puts modesty to the blush; and will not be countenanced by an English audience, though made after the French fashion....Mrs Greville, to convince the town that she could keep a secret, whispered it to only a few friends in the Pit....her indifference is intolerable, and should be noticed by her employer."

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Deserter

Event Comment: Paid Trumpets six nights this included #6 15s.; L. Saunderson, 11 weeks salary #22; Mr Abrams paid by the late Mr Johnston #25. Receipts: #155 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Performance Comment: As17751127, but Prologue-_.
Event Comment: Paid Mrs Yates 9 Days Cloaths #10 10s. 10d.; Renters' Interest #8 [this paid daily throughout season]. Receipts: #250 9s. 6d. (221.17.0; 26.5.0; 2.7.6)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17771007, but King Henry-Bensley (1st appearance in that character).

Afterpiece Title: The Quaker

Event Comment: Paid DeLoutherbourg 1 month #41 13s. 4d. [this paid monthly]. Receipts: #167 17s. (143.13.0; 22.0.6; 2.3.6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Camp

Event Comment: Paid Chorus to 18th inst. #18; Paid Danby for writing music #6 14s. 9d. Receipts: #101 19s. (78.8.0; 23.3.6; 0.7.6)

Performances

Mainpiece Title: The Generous Impostor

Afterpiece Title: Comus

Dance: Pastoral Interlude of Singing and Dancing-

Song: II: Music-Linley; Pastoral Interlude of Singing and Dancing-; Vocal Parts-Gaudry, DuBellamy, Miss Field, Miss Collett. [The Music by Linley; Vocal Parts-Gaudry, DuBellamy, Miss Field, Miss Collett (see text). This was included in all subsequent performances.

Event Comment: Paid Lampmen #3 18s.; Mantuamaker #1 6s.; Supernumeraries #2 14s. 6d.; Tailor #7 2s.; Billstickers #4 10s.; Yeomen and Their Majesties' Servants [for 22 Sept.] #5 11s. 1d.; Renters' Interest #30 [this last paid daily]. Receipts: #237 19s. 6d. (199/16/0; 36/15/6; 1/8/0)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: All the Worlds a Stage

Event Comment: Paid Miss Farren's benefit Allowance [i.e. the sum paid her in lieu of a benefit] #300. Receipts: #190 16s. 6d. (141.8.0; 45.12.0; 3.16.6)

Performances

Mainpiece Title: Love In Many Masks

Afterpiece Title: The Spoild Child

Dance: As17900308