SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4018 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: Primrose Green or Love in the Country

Dance: After Monologue: The Jockies, as17910507

Song: End II: Black Eyed Susan-Incledon

Entertainment: Monologue. End: Dissertation on Hobby@Horses: The Statesman's Hobby; The Soldier's Hobby; The Beau's Hobby; The Lady's Hobby; The Fidler's Hobby; Mrs Mountain's Hobby; The Manager's Hobby; and His Own Hobby-Bernard

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Village Coquette

Event Comment: 1st piece [1st time; PREL 1, by Richard Cumberland. Larpent MS 958; not published]. Without insisting on the great Expence that has been incurred in re-building this Theatre (in the erecting of which no other Object has been attempted but the greater ease, safety and accomodation of the Spectators) it appears upon the Books that the Annual Disbursements of the past Seasons have gradually been encreasing from Year to Year, under the Direction of the present Proprietor, to nearly the sum of #10,000 per Annum more than the usual Expenditure of any of his Predecessors; it is therefore trusted the Necessity of the following small Advancement of the Prices of Admission to the Boxes and the Pit will be sufficiently apparent to the Justice of that Public whose Liberality has never yet been doubted. E. Barlow, Treasurer. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. No Money to be returned. The Office for taking Places for the Boxes is removed to Hart-street. The principal new Entrance to the Boxes is from the Great Portico in Bow-street; from the Small Portico are Entrances to the Pit and Gallery only. In the Old Passage from the Piazza are new Entrances to the Boxes, Pit, and Gallery. Carriages coming to Bow-street Entrances are desired to set down and take up with the Horses' Heads towards Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 12 Nov.]. [The audience objected vociferously to the increased prices of admission and to the absence of a 2nd gallery (and see under 19 Sept.). "The Prelude passed off without a syllable of it being heard...Two acts of The Road to Ruin displayed the performers' skill in pantomime, for not a word was heard...The Irishman in London then walked over the stag amidst the same riot and confusion which attended the preceding pieces" (Times, 18 Sept.).] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: As17920926, but Wowski-Mrs Martyr; Yarico-Mrs Crouch (of king's); Hush Ev'ry Breeze-Mrs Crouch; Sweet Bird (by Handel)-Mrs Crouch; accompanied on the flute-Ashe (from the Hanover-Square Concert); Planters-_; Sailor-_.

Afterpiece Title: Money at a Pinch or The Irishmans Frolicks

Dance: End: The Merry Sailors-

Song: In afterpiece: the following songs (incidental to the Piece) The Row, The Land of Potatoes, My sweetest Honoria (to a favorite air of Carolan's)-Johnstone

Event Comment: Benefit for Bannister. Under the Patronage of His Royal Highness The Prince of Wales. [In mainpiece the playbill retains Mrs Bland as Ariel , but "Ariel was, on account of the sudden indisposition of Mrs Bland, read by Miss Heard" (Diary, 8 May). Miss Heard may also have substituted for Mrs Bland in the afterpiece.] Afterpiece [1st time; F 2, by James Cobb, for whose authorship see Kemble Mem. Larpent MS 982; not published]. Public Advertiser, 2 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing Cross. Receipts: #227 8s. (95.17; 7.5; tickets: 124.6) (charge: #90 2s. 6d.)

Performances

Mainpiece Title: At Hay The Tempest

Performance Comment: As17921213, but Ferdinand-Barrymore; Caliban-Bannister; Hyppolito-Miss Collins; Ariel read by-Miss Heard; Miranda-Mrs Crouch.

Afterpiece Title: Fortunes Wheel

Song: In: Vocal Parts, as17921213, Sedgwick, _Kelly, Mrs +Crouch; Masque of Neptune and Amphitrite, as17930102 In course of Evening: +The Little Farthing Rushlight-Bannister Jun

Performances

Mainpiece Title: The Tempest

Afterpiece Title: HARLEQUIN PEASANT or A Pantomime Rehearsed

Song: Masque as17931119, but Neptune-Caulfield. Vocal Parts omitted

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Saint Andrews Festival or The Game at Goff

Afterpiece Title: Bon Ton

Performance Comment: As17950209, but added to Sir John Trotley: the original Prologue-King.

Performances

Mainpiece Title: The Follies Of A Day

Performance Comment: As17941003, but Antonio-Munden; The Page (with a song)-Mrs Clendining (1st appearance in that character); Marcelina-_; Agnes-_.

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque In Honor of the Nuptials of His Royal Highness the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795

Afterpiece Title: The Poor Soldier

Performance Comment: As17940919, but Dermot (for that night only)-Mrs Clendining; Fitzroy (with Old Towler)-Incledon.

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Performances

Mainpiece Title: The Quaker

Performance Comment: As17960712 but added: Easy-Burton; Countrymen-_.

Afterpiece Title: Don Pedro

Performances

Mainpiece Title: Rosina

Afterpiece Title: A Trip to Scarborough

Performance Comment: As17961217, but Berinthia-Miss Mellon; Shoemaker-_; Taylor-_; Mendlegs-_; Jeweller-_.

Afterpiece Title: The Hovel

Song: In: Sweet Echo-Miss Leak; the Echo-Master Welsh

Performances

Mainpiece Title: Cato

Afterpiece Title: Cambro Britons or Fishguard in an Uproar

Afterpiece Title: Animal Magnetism

Song: In 2nd piece: Together let us range the fields-Incledon, Mrs Mountain; Gallant Soldiers born to Arms, Old England will be England still-Incledon; To arms! Britons strike Home!-Incledon, Bowden

Performances

Mainpiece Title: The Purse Or Benevolent Tar

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Irish Legacy

Performances

Mainpiece Title: Cheap Living

Afterpiece Title: Fast Asleep

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17971102, but Peter-_; Friar John-_; Apothecary-_.

Afterpiece Title: Britains Brave Tars

Song: As17971102

Event Comment: Benefit for Mrs Abington. 1st piece: By Permission of the Author. 2nd piece [1st time; C 1, attributed to Frances Abington. Larpent MS 1209; not published]: From La? Somnambule; or, Sleep Walker [by Antoine deFeriol, comte de Pont-de-Veyle]. Receipts: #303 12s. (176.1.6; 4.1.0; tickets: 123.9.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Matrimony

Afterpiece Title: High Life below Stairs

Song: In III 1st piece: song-Incledon; in 2nd piece: Strike the Harp in praise of Bragela-

Performances

Mainpiece Title: Will And No Will Or Wits Last Stake

Afterpiece Title: Trials of the Heart

Afterpiece Title: The Wedding Day

Performance Comment: As17990131, but Sir Adam Contest-King.

Song: End 2nd piece: The Country Club-Bannister Jun.; In 3rd piece: In the dead of the Night-Mrs Jordan

Entertainment: Monologue End: Foote's Prologue to The Author-King; in which is introduced the well-known Fable of The Man the Boy and the Ass-King

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Gander Hall

Event Comment: Afterpiece [1st time; M. ENT 2, by William Linley. Larpent MS 1246; not published]: With new Scenes, Dresses, and Decorations. The Overture and Musick entirely new, composed by William? Linley. Books of the Songs to be had in the Theatre. [Notice on playbill of 20 Nov.: The Author of The Pavilion, submitting with deference to the decision of the Public, has withdrawn it for the present to make such alterations as he hopes may render it an Entertainment better entitled to their approbation. (On 21 Jan. 1800, altered, it was acted as The Ring.)] "Miss DeCamp need never wish to have a better foil to her exquisite style of acting, than the puny efforts of Kelly and Mrs Crouch. They may be singers, but never should attempt to perform" (Dramatic Censor, I, 9). Receipts: #291 4s. 6d. (157.3.0; 131.8.6; 2.13.0)

Performances

Mainpiece Title: The Secret

Afterpiece Title: The Pavilion

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Ring or Love Me for Myself

Music: As17991127

Dance: As17991127

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Related Works
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: La Famiglia De Bertholdi Alla Corte Del Re Alboino

Dance: [Unspecified.]

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17601226, but Mercutio-Garrick, 1st time; Lady Capulet-_; Tibalt-_.

Afterpiece Title: Taste

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Imposters or A Cure for Credulity

Dance: I: A New Hornpipe-Miss Besford; End Comedy: Mirth and Jollity, as17760102

Performances

Mainpiece Title: The Suicide

Afterpiece Title: Miss in her Teens

Performance Comment: As17780522, but Captain Flash-Davis; song-_.