SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4018 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Sga Crespi. Tickets deliver'd by Harwood will be taken. Rec'd Stopages #14 14s. Paid half yrs. paving #19 13s. 9d.; three quarters land and Window tax (Covent Garden Parish) #12 2s. 9d.; Ditto for paving #6; Ditto for Rector's rate 13s. 4d.; Duke of Bedford's Rent half year to Lady day last #164 2s. 10d. Receipts: #25 17s. Charges: #66 18s. 6d. Deficit to Sga Crespi: #41 (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: As17751211, but in Act II, a New Dance called The Berger Galans-.

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17760314 but Miss Fuz-Miss P. Hopkins; Wilson-Brereton; Manager-Packer; Others-Lamash, _Packer.

Dance: V: A Grand Chaconne-Como, Sga Crespi

Event Comment: Benefit for Wright, Carpenter, and Butler. Paid salary list #621 16s. 6d. Receipts: #44 1s. 6d. Charges: #74 14s. Deficit to Wright, Carpenter, and Butler: #30 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Genii

Performance Comment: As17751211, but Clown-Carpenter; other characters-_Bannister, Garland.

Dance: IV: The Jealous Harlequin, as17760117

Event Comment: Benefit for Mrs Bradshaw and Mrs Johnston. Paid Mr Parsons in lieu of Benefit #105. Receipts: #73 17s. Charges: #64 15s. Profits to Mrs Bradshaw and Mrs Johnston: #9 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17760325 but Mat@O@Mint-Wright; Mrs Peachum-Mrs Johnston.

Afterpiece Title: Bon Ton

Performance Comment: As17760419 but Davy-Parsons.

Dance: End Opera: a Favourite Dance call'd The Gardeners, as17760116

Event Comment: Afterpiece: By Desire. Benefit for Fawcett, Mr Legg, and Mr Kear. Rec'd Stopages #12 14s.; From Sinking Fund #496. Paid Building and Watch rate for Covent Garden Parish #2 11s. 8d. Receipts: #30 15s. Charges: #67 9s. 6d. Deficit to Fawcett, Legg, and Kear: #36 14s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17760412 but Jaques-Jefferson; Amiens-Fawcett (first time); Jaques de Bois-_.

Afterpiece Title: The Waterman

Performance Comment: As17760425 but Robin-Fawcett; to conclude not only with The Regatta-; but with the Original Song-Kear.

Dance: I: The Sailors Revels, as17751220

Event Comment: Benefit for LaMash, Griffith, Blurton, and Cubitt. Paid salary list #621 16s. 6d. (Treasurer's Book). Tickets delivered by Miss Berkley will be taken. Mainpiece: Nor acted these two years. [See 8 April 1774.] Receipts: #57 11s. 6d. Charges: #71 9s. Deficit to La Mash, Griffith, Blutton, and Cubitt: #13 17s. 6d. (Treausrer's Book)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Election

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003; II: The Sailors Revels, as17751220

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Performance Comment: As17760411 but Prologue-_; Epilogue-_.
Event Comment: Mrs Yates imperfect in Violante . House (Hopkins Diary). Paid half yrs. poor's rate #2 13s. 4d. Receipts: #260 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Performance Comment: As17760510, but Robin-Dodd; the Original Song-_ (playbill). [The Public Advertiser lists Robin -Fawcett.]
Event Comment: Benefit for Watson, Roberts, Wilson, and Palmer. Tickets deliver'd by Humphreys will be taken. Paid subscription to charity school and Easter offering #2 12s. 6d. (Treasurer's Book). [Probably to St Martin's Charity school #2 2s.; and Offering 10s. 6d., as indicated by payments in earlier 70's.] Receipts: #37 3s. 6d. Charges: #84. Deficit to Watson, Roberts, Wilson, and Palmer: #46 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Padlock

Dance: V: The Sailors Revels, as17751220

Event Comment: Benefit for Mortimer, Tomlinson, Carlton, Sen, and Mr Walton. Rec'd Stopages #11 13s. 6d. Paid salary list #621 16s. 6d.; Extra trumpet, flute and hautboy #1 7s. 6d. (Treasurer's Book).Tickets deliver'd by Page and Silvester will be taken. Receipts: #4314s. 6d. Charges: #84. Deficit to Mortimer, Tomilson, Carlton senr, and Mr Walton: #40 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003

Event Comment: House (Hopkins Diary). Garrick's last time of performing Ranger (playbill). Rec'd Sga Paccini's Debt in full #75; Condell's 3rd payment: Fruit Office #20. Paid Blandford, Chandler's bill (after deduction) in full #14 12s. 2d.; Balance of Mad. Paccini and Martini's acct. in full #6 10s.; Bensley in full; Everard's debt and costs #5 15s. 6d. (Treasurer's Book). [Publish'd this month, Garrick's Looking Glass; or, the Art of Rising on the Stage. Price 2s. 6d. Printed for T. Evans By S. J. Pratt. Informative on most stage fundamentals. A poem in three cantos. Publish'd in July, A Lecture on Mimicry, as it was deliver'd with great applause at the Theatres in Covent Garden and the Haymarket, and the Great Room in Panton St. In the course of which were introduced a great variety of theatrical Imitations, to which is added Jerry Sneak 's return from the regatta and a Lecture upon Lectures. By G. S. Carey. Price 1s. @"I'll...on myself depend.@Inever yet found manager my friend.@By you supported boldly I'll oppose@My mimic powers against a host of foes.' Foote, Barry, and toothless Macklin, singers and dancers.] Receipts: #226 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Performance Comment: As17760129, but Soldiers-Cubitt, _Griffith.

Dance: I: The Savage Hunters, as17751118

Event Comment: House (Hopkins Diary). Last time of Garrick's performing Richard . Ladies desired to send their Servants a little after Five to keep places, to prevent Confuson. It is Vanity to endeavor to describe Mr G. Merits they beggar all Descripiton, suffice it to Say he was what he represented (Hopkins Diary). [MacMillan's note from Kemble conservatively toned down.] Paid Sg Como and Crispi in full #3 8s. 3d. Mr Hurd ditto 7s. 6d. Receipts: #284 10s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17760527, but Richmond-Lacy.

Afterpiece Title: The Anatomist or The Sham Doctor

Event Comment: By Command of their Majesties. When the play began there was a very great Noise the performers were oblig'd to Stop and go off the Stage Mr Reddish went on and desir'd to Know their pleasure they said they wanted the Pit door be open'd to let out some of the people for so many had Crowded in that they could not Sit down-the door was open'd and in a little time after all was quiet and the Play was begun once more at a quarter after Seven. During this time the King Sent Two Messages to Mr G. to desire that he would not let this Noise disconcert him and his Majesty would take care that all should be quiet before the play began (Hopkins Diary). [MacMillan's note from Kemble: "I cannot say enough of Mr Garrick's Performance tonight." Kemble further notes that Garrick's fatigue led them to abandon further performances until Saturday 8 June.] Paid Mr Heard extra allowance #3; Ditto on note #5 5s.; Mr Carpenter's salary 15s.; Mr Martini a grautity #10 10s.; Wallis salary in full 13s. 4d. Receipts: #293 5s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17760603 but Richmond-Palmer.

Afterpiece Title: Bon Ton

Event Comment: Last time but one of the Company's performing this season. House. Mr Garrick as before Mr Vernon being hoarse Mr Davies play'd Sr. John Loverule some body in the Pit call'd for Vernon as his Name was in the Bills Mr Davies told them that Mr Vernon had been ill these two day [sic] and it was thought unnecessary to trouble them with an apology they afterwards call'd for the Early Horn Mr Davies told them he did not know of doing the part till after two therefore he was not prepar'd. they call'd out & bid him go on his own way (Hopkins Diary). [MacMillan's note from Kemble omits the comment on the afterpiece. Song The Early Horn had been traditional for the part of Sir John for over 30 years. See 10 Sept. 1741.] Paid Mr Short, Chorus, 5s.; Blurton 4 days salary in full #1 6s. 8d.; French on acct #100. Receipts: #305 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Devil to Pay

Event Comment: Afterpiece: To conclude with a Grand Representation of a Regattav. [This was included in all subsequent performances.] Paid Supernumeraries #5 13s. 6d.; Billstickers #2 14s.; Music 1st week #25 7s. 6d.; Miss Younge's Cloathes #5. King being hoarse the Prelude [see 21 Sept.] was omitted--Miss Pope made her first Appearance these 2 years upon this stage in Miss Sterling--but coolly received (+Hopkins Diary). Receipts: #213 8s. 6d

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Waterman

Event Comment: Account-Book, 31 Oct.: Paid Miss Catley for 5 nights performance #136 10s. Receipts: #242 15s. 6d. (241.2.6; 1.13.0)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Comus

Event Comment: By Command of Their Majesties. Paid Kirk Housekeeper's bills to October 12 #102 19s. 4d.; Chorus Singers #6 15s. They called for the Epilogue (to the Runaway) and made a great Noise for it all through the first Scene of the Farce, but it was not spoken. Miss Younge was not down ready to begin [the mainpiece], Sheridan ordered the Curtain to be drawn up, it was two Minutes before she came to begin (Hopkins Diary). Receipts: #219 16s. 6d

Performances

Mainpiece Title: The Runaway

Afterpiece Title: A ChristmasTale

Dance: In: The Savage Hunters, as17761024, but _Helme, Prelot

Event Comment: Mainpiece: Not acted these 2 years. Account-Book: Paid Mrs Barry on account for finding her own Dresses #50. Receipts: #133 1s. 6d. (131.15.6; 1.6.0)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Padlock

Dance: End: The Merry Sailors, as17761106

Event Comment: [The playbill lists Mattocks in place of Robson, but "Mattocks being really ill, Robson, at short Notice, supplied his Place' (Morning Post, 11 Nov.).] Mainpiece: With New Dresses and other Decorations. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Apprentice, announced on playbill of 8 Nov.] Paid one-half year's Land Tax #61 5s. Receipts: #283 (282.9; 0.11)

Performances

Mainpiece Title: The Duenna Or The Double Elopement

Afterpiece Title: The Upholsterer

Dance: End: The Irish Lilt-Aldridge, Miss Valois

Event Comment: Mainpiece: With a New Scene and New Dresses. Afterpiece [1st time; CO 2, by Charles Dibdin and Edward Thompson. Thompson's name does not appear on the title-page of the text; it has been added by J. P. Kemble on the half-title of his copy now in the Huntington Library]: The Music chiefly composed by Dibdin [Public Advertiser, 15 Nov.: Three of the airs and the finale were composed by Samuel Arnold; one air by John Abraham Fisher]. With New Scenes [ibid: by Dall, Richards, and Carver], Dresses and Decorations. Books of the Songs to be had at the Theatre. Account-Book, 7 Feb. 1777: Paid Dibdin in full for copyright of the Seraglio #20; ibid, 2 June 1777: Received of Cooper for Songs & Books sold of The Seraglio #19 10s. 9d. [Mrs Ward was from the Birmingham theatre]. Receipts: #221 11s. 6d. (219.7.0; 2.4.6)

Performances

Mainpiece Title: Ethelinda Or The Royal Convert

Afterpiece Title: The Seraglio

Music: V: the Original Music for the Sacrifice by Purcell-

Event Comment: The Maid of the Oaks [announced on playbill of 14 Nov.] is obliged to be deferred on account of Mlle Dupre's sudden illness. Paid 2 Oylbills to Oct. 25 #253 7s. Receipts: #98 12s. 6d

Performances

Mainpiece Title: The Hypocrite

Performance Comment: As17761018, but Darnley-Reddish.

Afterpiece Title: Bon Ton

Dance: End II: As17761101

Event Comment: Benefit for Dibdin. In Act IV of mainpiece the Procession from the Abbey at the Coronation of Anne Bullenv. Paid John Doe for sticking Black Bills #6 3s. Receipts: none listed (charge: #84)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Seraglio

Performance Comment: As17761118, but a new Obligato Song [by Dr Arne-Leoni; accompanied [on the violin]-Fisher.

Dance: I: the Banquet, with Dancing-Dumay, Miss Matthews

Event Comment: The Characters will be dressed in the Habits of the Times. The Musick of Macbeth had a proper Attention paid to it in the getting up by Mr Linley (who composed the Additional Accompaniments) and went off with great Applause. Mrs Melmoth, who came out at Covent Garden [on 26 Feb. 1774], made her first Appearance upon this Stage in Lady Macbeth, was very wild in the Part, met with some Applause. The Play was dressed in the Habits of the Times. [Note added by J. P. Kemble: I have seen some of these Habits, and very paltry and very improper they were] (Hopkins Diary). [Mrs Melmoth was from the Edinburgh theatre.] Receipts: #191 1s. 6d

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Hotel

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Event Comment: Afterpiece: In 2 acts, taken from Wycherley [by John Lee (Public Advertiser, 14 Dec.)]. Paid Pattinson, Tallow Chandler, #41 19s. Receipts: #167 18s. (166.9.6; 1.8.6)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Country Wife

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Frolicks

Performance Comment: As17761226, but Pierrot-Wewitzer; Servant-Stevens.

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

Event Comment: Selima and Azor [announced on playbill of 13 Jan.] is obliged to be deferred on Account of Dodd's Illness. Paid Prompter's Bill #23 17s. 6d. Receipts: #233 13s. (210.2; 22.8; 1.3)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Harlequins Invasion

Performance Comment: As17770101, but Old Woman-Mr Davies [i.e. doubled Mercury].i.e. doubled Mercury].