SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4018 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Receipts: #122 7s. 6d. Paid Barry his his one third of surplus above the #80 House Charges: #14 2s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: A Duke and no Duke

Event Comment: Receipts: #109 9s. 6d. Paid Barry his one third surplus above the #80 House Charges: #9 16s. 6d. (Account Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Contrivances

Dance: FFingalian Dance, as17571013

Event Comment: Receipts: #110 6s. 6d. Paid Barry his one third of surplus above the #80 House Charges: #10 2s. 2d. (Account Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17571008, but Hamlet-Barry; Bernardo-Bencraft.

Afterpiece Title: The Mock Doctor

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Mainpiece [by Elijah Fenton]: Not acted these 10 years. [See 12 March 1745.] Receipts: #110 15s. 6d. Paid Barry his one third of the surplus above the #80 House Charges: #10 5s. 2s. (Account Book)

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The Contrivances

Event Comment: By Command of the Prince of Wales. Present the Prince and Princess of Wales, Prince Edward, Lady Augusta, and Princess Elizabeth. Receipts: #219 1s. 6d. Paid Barry his one third of the surplus above #80 House Charges: #46 7s. 2d. Gave the yeoman of the Prince and Princess #1 1s. (Account Book)

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The Knights

Ballet: The Judgment of Paris. As17571217

Dance: As17571217

Event Comment: Receipts: #184 17s. 6d. Paid Thos Luppino for dancing dresses for Dioclesian, #25 14s. (Account Book)

Performances

Mainpiece Title: The Prophetess

Event Comment: Receipts: #112 13s. 6d. Barry's 1!3 of profits came to #10 17s. Paid Wm. Blackmore for sundries for Dioclesian, #11 18s. (Account Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Contrivances

Dance: JJovial Coopers, as17571107

Event Comment: [B$Barry's one-third of surplus came to #40 16s. 4d. The fourteen Renters who received payments on 23 Feb. were New Renters (i.e., they had purchased shares only since the beginning of the current season). The Hutchison Mure Esq Account (See cg 1757 Estimate of Constant Expenses) lists forty shares outstanding for Old Renters at 2 shillings per night. Rich, during the next thirty days, sold new shares until by 27 March 1758 he had on his books forty-five New Renters in addition to the 40 old ones. Their names will appear as they bought in. On this night (25 Feb.) George Wolley purchased one share. This was an appropriate time to sell stock in the theatre since Rich could now show a favorable balance on his nightly Account Books of #620 3s. 9d. with all bills paid, including interest to Old Renters.] Receipts: #202 9s. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Related Works
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Afterpiece Title: A Lover His Own Rival

Dance: JJovial Coopers, as17571107

Event Comment: Receipts: #135 16s. Paid Col. Philip Honywood one night's rent of one share commencing this day 2 shillings (Account Book)

Performances

Mainpiece Title: The Prophetess

Event Comment: Receipts: #140 17s. Barry's 1!3 of surplus came to #20 5s. 8d. The Renters were this night increased to 17 by purchases of one share each by Robert Randoll, Margaret Randoll, and John Powell. Paid Mr Arne for composing the Music in Dioclesian, #26 5s. (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Lethe

Performance Comment: As17580124, but Frenchman-_.

Dance: SSicilian Peasants, as17571217

Event Comment: Mainpiece: By Desire. Last Time of performing it. Receipts: #153 14s. 6d. Barry's 113 of surplus came to #24 11s. 6d. Paid George Lambert (scene painter) 3 months' salary #25. The following additional Renters came in this night at 1 share each: Thomas Fludyer, John Calcraft, Charles Lanoe, and Samuel Berkeley. Richard Vincent Sr bought in at 2 shares (Account Book)

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The Knights

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Being the last time of performing till the Holidays. Receipts: #119 5s. Rec'd 10 nights' rent from Mr Handel's Oratorios at #25 per night, #250, plus #2 2s. for Coals used for the Oratorios. Barry's 1!3 of the surplus this night came to #13 1s. 8d. Paid 54 Old Rentners' interest on 54 shares for Handel's Oratorios at 1s. 8d. per share, or #5 8s. per night, for 10 night, #54. [Mrs Lecuss came in as a regular renter for 1 share.] (Account Book)

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Contrivances

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Lalauze. Receipts: #48 19s. 6d. Charges: #63. Deficiency to Lalauze #14 0s. 6d. covered by #104 2s. from tickets (boxes 138; pit 322; gallery 213). Mr Jarvis, a stationer, seems also to have had some tickets, for which he paid in #8 13s. 6d. (Account Book)

Performances

Mainpiece Title: Alzira

Afterpiece Title: Harlequin Statue or The Jealous Farmer Deceivd

Dance: I: Fingalian Dance-Miss Toogood, Apprentice to Lalauze; III: The Provincial Sailors, as17580408 IV: By Desire, Louvre, Minuet-Lalauze, Miss Toogood; V: Savoyards, as17580408

Event Comment: Benefit for Miss Hillyard. Receipts: #46 17s. Charges: #63. Deficiency cover'd by tickets, #105 9s. (boxes 170; pit 279; gallery 211). Rec'd from John Rich, #100, being part of the sum paid to Mr Finny on account of the New Building (Account Book)

Performances

Mainpiece Title: Coriolanus

Performance Comment: As17580314 but Volumnia-Mrs Vincent; Brutus-_; Sicinius-_.

Afterpiece Title: The Knights

Dance: II: Prussian Sailors-Master Settree, Miss Twist (Scholars to Mr Settree); III: Comic Dance-Master Settree, Miss Twist; IV: Roast Beef of Old England or The Antigallican-Leppie, Miss Hilliard; V: A Grotesque Minuet-Leppie, Miss Hilliard

Event Comment: Benefit for Costollo and Mrs Green. Tickets sold at the Doors will not be admitted. Receipts: #56 0s. 6d. Charges: #63. Deficiency of #3 9s. 9d. each covered by income from tickets: Costollo, #92 17s. (boxes 72; pit 367; gallery 198); Mrs Green, #37 7s. (boxes 55; pit 106; gallery 77). Paid Robertson for working the Ostridge in [Harlequin] Sorcerer 6 nights at 2s. 6d. per night, 15s. (Account Book)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17571215, but Occasional Prologue-_; Young Bevil-Barry; Cimberton-Costollo; (A song in Character for Tom;) Phillis-Mrs Green; Indiana-Mrs Bellamy; Singing-Mrs Chambers.

Afterpiece Title: Harlequin Statue

Performance Comment: As17580421 but Farmer-Costollo.

Dance: A Tambourine-Miss Vallois

Event Comment: Benefit for Dunstall and Miss Ferguson. Tickets sold at the doors will not be admitted. Receipts: #37 1s. Charges: #63. Dunstall paid the whole deficiency of #25 19s. from his tickets: #140 5s. (boxes 108; pit 685; gallery 105). Miss Ferguson cleared from her tickets #20 15s. (boxes 1; pit 68; gallery 103) (Account Book)

Performances

Mainpiece Title: The Amorous Widow

Performance Comment: As17580311 but Comic Prologue-_.

Afterpiece Title: The Englishman Returned from Paris

Dance: A Tambourine-Miss Vallois; a Comic Ballet-Guerin, Lucas, Rochford, Dumay, Gosly, Miss Dawson, Miss Viviez, Mrs Guerin, Mlle Jansolin

Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Double Disappointment

Performance Comment: As17581004, but Jeremy-R. Smith.

Dance: As17581016

Event Comment: Benefit for Charles Sarjant, late of Uxbridge, under Misfortunes. Afterpiece not acted this season. Ladies send servants by half after three. Mr Sarjant hopes his friends will favor him with their company tonight, and excuse his not having paid his respects to them in person, having been unhappily confined by the gout

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Flora or Hob in the Well

Dance: FFingalian Dance, as17581111; The Threshers, as17581016

Event Comment: Admission: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for Boxes to taken of Mr Sarjant at the Stage Door of the Theatre. Play to begin exactly at o'clock. [This information, appearing at the foot of each bill, will not be repeatdd hereafter, except for significant differences.] Receipts: #111 5s. Deficit brought over from last season accounts, Journal T. Folio, 182, #164 0s. 6d. Paid Mr Lambert 3 month's salary to 15 Aug. last #25 (Covent Garden Cash Book). [Goldsmith's Bee (1759, p. 9) remarks on the better business used by Lovegold in the French theatre than used at cg: "Lovegold [in France] in the height of his passion stops to pick up a pin, quilting it in his coat, and snuffs out an extra candle." Implies that such subconscious revelations of the character of the miser might well be used by the English.

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Event Comment: Receipts: #41 13s. 6d. Paid J. Powell 6 nights Renters to instant: #72 6s.; Guards 6 nights #4 4s.; Mrs Rich 6 nights to instant #31 10s.; C. Rich ditto #6; J. Rich #20; Mr Gum for Scenemen #6 9s. 3d.; Performers 5 nights #185 11s. 6d.; Servants 6 nights #23 13s. [The expenditures for renters (100) at 2s. 4d. each per acting night, is a weekly constant. The amount for Mrs Rich of #5 5s. each acting night as well as that of #1 for C. Rich each acting night, is a constant. These will not be further recorded, nor will the nightly constant of 13s. for the guards, and 5s. 4d. nigthly for the barber.

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Contrivances

Dance: Comic Dance,The Threshers-Leppie, Granier, Mlle Capdeville

Event Comment: Receipts: #73 11s. 6d. Paid Sarjant 3 months salary to Mich. last #10. [His annual salary as Housekeeper was #40. No further record will be made of these quarterly payments.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman Returned from Paris

Dance: As17591010

Event Comment: Receipts: #109 15s. 6d. Bill setter's bill paid, #3 15s. 6d. [Miss Brent enter'd the 8th ins. at 13s. 4d. per night. Mr and Mrs Tariot enter'd ditto at 5s. each per night. Mrs Stephens advanc'd to 5s. per night.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Catherine and Petruchio

Dance: As17591012; The Threshers, as17591005

Event Comment: Mainpiece: By Particular Desire. Receipts: #196 13s. 6d. Paid Mr Hildersley a bill for wig #4 19s. 6d. Rec'd from Barrington #3 5s. 11d. being so much stopp'd from his for 6 nights performance lost on the Princess of Orange's death

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Knights

Dance: As17591012; with a New Comic Dance call'd The Irish Turf@Cutters-Poitier Jr, 1st time here in 3 years, Miss Capdeville

Event Comment: Receipts: #115 1s. 6d. Sent Mrs Ward by order of Rich #10; Paid for a Pompadour Cloath Coat & Breeches, Waistcoat button holes & binding gold #10 10s.; for a suit embroider'd with silver #8 8s.; for a Blue coat for Hull #1 3s.; for a Coat and waistcoat loop'd and bound with gold #7 7s. Advanc'd to Beard #60

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Lying Valet

Dance: As17591017

Event Comment: Receipts: #144 6s. Paid Gom for capenters from 22-29 Sept. 1759, #9 4s. 2d

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Catherine and Petruchio

Dance: As17591017