SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4018 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Maid Of Honour

Afterpiece Title: The Padlock

Performance Comment: As17841019, but Leonora-Miss Field .
Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. Mainpiece: Not acted these 4 years [acted 15 May 1782]. Afterpiece: Not acted these 5 years [not acted since 25 Mar. 1775]. [In mainpiece the playbill assigns Banquo to Bensley, but "Poor Bensley's illness last night took him off; but on another night he will give and take in the triumph" {Public Advertiser, 4 Feb.). In afterpiece he is assigned to The Guardian. On the Kemble playbill in both cases his name is deleted and MS annotations substitute Hull's.] "Macbeth at Drury-lane will. . . gag the drivellers who, on the failure of Constance [in King John], ventured a sweeping prophecy of condemnation that 'the Siddons never could play Shakespeare.' Would it not have been better to have borrowed Farren, rather than Hull, for Banquo?" (Public Advertiser, 4 Feb.). "'Why,'say some of the critics, 'should Mrs Siddons wear a white dress in her last scene of Lady Macbeth? She is supposed to be asleep, not mad.' What reason except custom can be given for a mad heroine appearing in white we know not [and see DL, 20 Dec. 1782]. Yet there is an obvious reason why a person walking in their sleep should wear a white dress of the loose kind worn by Mrs Siddons ... It [is] the nearest resemblance which theatrical effect will admit, to the common sort of night-dresses" (Public Advertiser, 7 Feb.). Receipts: #346 16s. (198/10/0; 7/2/6; 0/8/6; tickets: 140/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Song: In mainpiece: The Original Music by Matthew Locke, with additional Accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Miss Phillips, Miss Field, Mrs Love, Mrs Booth, Miss Barnes, Mrs Burnett, Miss Simson, Miss Cranford, Miss Burnett, Mrs Smith, the Miss Stageldoirs, Miss George, Mrs Wrighten. [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.]

Event Comment: [In mainpiece the playbill retains Clarke as Antonio, but on the Kemble playbill a MS annotation substitutes Hull.]

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17841110, but Antonio-Hull .

Afterpiece Title: Love a la Mode

Dance: End of Act in of mainpiece, as17840922; End of Act IV, as17840917

Event Comment: Benefit for Aickin. Afterpiece [1st time; F 2. MS: Larpent 693; not published; synopsis of plot in Town and Country Magazine, supra]: Taken from a Piece written by Smollett, never published or performed. [This attribution is open to question.]

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Israelites or The Pamperd Nabob

Dance: As17841116

Song: Preceding afterpiece a Trio, composed by an English composer in 1540 [unidentified], by Davies, Darley, Brett. The new Words by Holcroft, the new Accompaniments by Shield

Performances

Mainpiece Title: Finta Principessa

Dance: As17850329hroughout

Event Comment: Benefit for Bensley. Public Advertiser, 2 Apr.: Tickets to be had of Bensley, No. 32, Gerrard-street, Soho. [In mainpiece the playbill retains Packer as Belmour, but on the Kemble playbill a MS annotation substitutes Hull.] Receipts: #296 5s. 6d. (165/3/0; 17/7/6; 0/10/0; tickets: 113/5/0) (charge: #106)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17841023, but Belmour-Hull [of CG] .of CG] .

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Nunnery

Event Comment: [In mainpiece the playbill retains Aickin as Duke Senior but on the Kemble playbill a MS annotation substitutes Staunton.] Receipts: #233 14s. (214/0/0; 18/19/6; 0/14/6)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17850430, but Duke Senior-Staunton .

Afterpiece Title: The Humourist

Dance: As17850430

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: New Readings by Johnny Bulcalf With his Journey to London

Afterpiece Title: The Irish Widow

Dance: End of 2nd piece, as17850505

Song: End of Act IV of 1st piece Stand to your Guns by Bannister

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Seeing is Believing A Dramatic Proverb

Dance: As17850609

Event Comment: [In mainpiece the playbill assigns Frederick to Murray, but on the playbill in the New York Public Library Theatre Collection his name is deleted and a MS annotation substitutes Francis's.] Boxes 3s. Pit 2s. Gallery 1s. To begin precisely at 7:00. The Public are respectfully informed that the Company will perform here but four or five Weeks longer, being engaged elsewhere. The Theatre is not only very commodious, but also remarkably cool. The Days of performing will be regularly Mondays, Wednesdays and Fridays

Performances

Mainpiece Title: The Wonder A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Song: After the Monologue, by Miss Cranford

Monologue: 1785 06 17 End of mainpiece an Occasional Address to the Audience by Wright

Performances

Mainpiece Title: Turk And No Turk

Afterpiece Title: Nature Will Prevail

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Gretna Green

Afterpiece Title: Harlequin Teague

Performance Comment: As17850713 but Dr Caterpillar-Swords .
Cast
Role: Fainting Butcher Actor: Painter

Music:

Event Comment: Benefit for Bannister Jun. Public Advertiser, 22 July: Tickets to be had of Bannister Jun., No. 29, Bow Street, Covent Garden. 1st piece: In 3 acts, altered from Shakespeare [by Frederick Pilon. Prologue by the alterer (European Magazine, Aug. 1785, p. 150)]. 2nd piece: Acted but once [on 27 Aug. 1783]; with Alterations

Performances

Mainpiece Title: Alls Well That Ends Well

Afterpiece Title: The Green Room or Cut and Come Again

Afterpiece Title: Gretna Green

Performance Comment: As17850720 but omitted: Painter. imitations. In 2nd piece various Imitations, Vocal and Rhetorical, by Bannister Jun .
Cast
Role: Fainting Butcher Actor: Painter

Performances

Mainpiece Title: The Feast Of Thalia Or A Dramatic Olio

Afterpiece Title: First Course an Operatic Dish The Dead Alive

Afterpiece Title: Second Course a Comic Dish More Frightend than Hurt

Afterpiece Title: a Desert The Honest Yorkshireman

Monologue: 1785 08 16 End of Second Course, by way of Entremet, Joe Haynes's Epilogue, riding on an Ass, by Wilson

Performances

Mainpiece Title: The Two Connoisseurs

Afterpiece Title: Here and There and Every Where

Dance: In afterpiece, by Byrne, Ratchford, Giorgi Jun., Miss Francis, Miss Rowson, Mrs Invill, Giorgi's Scholars, the two Miss Simonets. [The dances were included, as here assigned, in all subsequent performances.]

Event Comment: [Mainpiece in place of The Duenna, announced on playbill of 7 Dec. In afterpiece the playbill retains Mrs Morton, but on the Kemble playbill a MS annotation substitutes Mrs Inchbald. And see 10 Dec.] Receipts: #85 6s. 6d. (82/16/6; 2/10/0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Appearance is against Them

Performance Comment: As17851026, but Mrs Inchbald in place of Mrs Morton .

Dance: End of Act II of mainpiece Leap Year, as17851010

Event Comment: [In afterpiece the playbill retains Cubitt as Noodle, but on the Kemble playbill a MS annotation substitutes Brett.] Receipts: #134 2s. 6d. (124/17/0; 9/5/6)

Performances

Mainpiece Title: The Roman Father

Performance Comment: As17851017, but Horatius (1st time)-Farren; Valerius-Davies; Valeria-Mrs T. Kennedy .

Afterpiece Title: Tom Thumb

Performance Comment: As17851121, but Noodle-Brett .

Performances

Mainpiece Title: Percy

Afterpiece Title: Appearance is against Them

Monologue: 1785 12 10 Before the mainpiece an Occasional Address spoken by Holman

Event Comment: [In mainpiece the playbill retains Mrs Ward as Lady Sneerwell, but on the Kemble playbill a MS annotation substitutes Mrs Inchbald.] Receipts: #209 11s. 6d. (176/14/0; 32/16/0; 0/1/6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17850920, but Lady Sneerwell-Mrs Inchbald [of CG] .of CG] .

Afterpiece Title: The Jubilee

Song: In Act III of mainpiece song by Chapman

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

Performances

Mainpiece Title: Didone Abbandonata

Dance: As17860124 throughout

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Projects

Dance: End of Act I of mainpiece The Lucky Return, as17860105

Song: In Act V of mainpiece a song by Mrs Forster

Performances

Mainpiece Title: The Peruvian

Afterpiece Title: The Country Wife

Performances

Mainpiece Title: The Follies Of A Day

Performance Comment: As17860201, but Antonio-Edwin; Susan-Mrs Bannister (1st appearance in that character) .

Afterpiece Title: The April Fool or The Follies of a Night

Song: In the course of the evening Sweet Echo (from Comus) by Mrs Bannister