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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4521 results for: Keyword - Weston</i>, but changed (<i>Winston MS 10</i>). Paid $<span class=
We found 4018 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

3251
28 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: GRETNA GREEN

Music: Books of the Songs to be had at the Theatre

Song: As17830613

3252
02 October 1783 @ Covent Garden

Event Comment: [In mainpiece the playbill assigns Diana to Mrs Martyr, but "News of Mrs Martyr's husband's death having reached her the day before, an apology was made for her not playing Diana; Miss Wheeler, however, from the other house proved a very agreeable substitute" (.European Magazine, Oct. 1783, p. 310). In afterpiece the playbill assigns Lucy to Mrs Wilson, but on the Kemble playbill a MS annotation substitutes Mrs Davenett.] Receipts: #134 19s. 6d. (133/9/0; 1/10/6)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: Retaliation

3253
14 October 1783 @ Covent Garden

Event Comment: [In mainpiece the playbill assigns Peachum to Wilson, and Lockit to Booth, but on the Kemble playbill MS annotations substitute Booth and Thompson.] Receipts: #140 6s. (139/2; 1/4)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: End of Act I The Rival Knights

Afterpiece Title: Three Weeks after Marriage

Performance Comment: Cast not listed, but see17840512 .

Dance: In Act III of mainpiece Hornpipe by Miss Besford

3254
21 October 1783 @ Covent Garden

Event Comment: [In 1st piece the playbill assigns Father Paul to Mahon, but on the Kemble playbill a MS annotation substitutes Booth.] Receipts: #174 15s. (171/11; 3/4)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Rival Knights

Afterpiece Title: Tristram Shandy

Performance Comment: As17830917, but Widow Wadman-Miss Platt .

3255
12 November 1783 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill assigns Stockwell to Aickin, but on the Kemble playbill his name is deleted, and a MS annotation substitutes Thompson's.] Receipts: #132 12s. 6d. (92/2/0; 40/5/6; 0/0/0; tickets not come in: 0/5/0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Fortunatus

3256
20 November 1783 @ Drury Lane Theatre

Event Comment: [In afterpiece the playbill assigns Serjeant Drill to Staunton, but on the Kemble playbill a MS annotation substitutes Wilson.] Afterpiece: To conclude with a Perspective Representation of the Camp at Cox-Heath [see 15 Oct. 1778. This was included in both subsequent performances]. Receipts: #110 12s. (70/17; 37/0; 0/5; tickets not come in: 2/10)

Performances

Mainpiece Title: Wonder

Afterpiece Title: The Camp

3257
05 December 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Metamorphosis

Afterpiece Title: The Apprentice

Performance Comment: As17831103, but Simon-Suett; added: Watchman-Kenny; Spouters-R. Palmer, Phillimore, Fawcett, Spencer, Williames, &c .

Dance: End of Act II of mainpiece, as17831018; End of mainpiece, as17831204

3258
05 December 1783 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End of Act III of mainpiece, as17831119

3259
16 December 1783 @ King's Theatre

Performances

Mainpiece Title: Lalbergatrice Vivace

Dance: End of Act I The Pastimes of Terpsycore, as17831206; End of Opera a New Divertisement, in which a Pas de Deux by Vestris [fun.] and Mme Theodore, and a Pas de Trots by Lepicq, Slingsby, Mme Rossi

3260
09 January 1784 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Staunton as King John, but on the Kemble playbill a MS annotation substitutes L'Estrange.] Receipts: #223 13s. (211/18; 11/15)

Performances

Mainpiece Title: Edward The Black Prince

Performance Comment: As17841020, 1783 but King John-L'Estrange [of CG] .of CG] .
Cast
Role: 83 but King John Actor: L'Estrange

Afterpiece Title: Harlequin Junior

Performance Comment: As17840108, but Chapman in place of Kenny .

3261
23 February 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Patriot

Afterpiece Title: The Reprisal or The Tars of Old England

3262
19 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Veil

Afterpiece Title: Jewish Education

Afterpiece Title: The Quacks or The Credulous Man

Dance: End of mainpiece, as17840311athi

3263
08 May 1784 @ King's Theatre

Performances

Mainpiece Title: Issipile

Dance: End of Act I New Divertissement, as17840424; End of Opera Le Tuteur Trompe, as17840325athi

3264
31 May 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Fox

Afterpiece Title: Gretna Green

Music: [Prologue by George Colman, the elder.]

Dance: End of Act III of mainpiece, as17840528

3265
02 June 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Election Of The Managers

Afterpiece Title: The English Merchant

3266
10 June 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing A Dramatic Proverb

Afterpiece Title: Gretna Green

Afterpiece Title: The Election of the Managers

3267
14 June 1784 @ Covent Garden

Event Comment: [Extra night] Benefit for Bonnor. Afterpiece [1st time; INT 1]: Translated [by Charles Bonnor] from a new Production of Dorvigny, entitled La Fete de Campagne; ou, L'Intendant Comedien malgre Lui, now acting in Paris with uncommon Applause [MS: Larpent 664; not published; in later season occasionally acted under the title of Transformation]. Tickets to be had of Bonnor, No. 19, Piazza, Covent Garden. Bonnor begs leave to inform his Friends and the Public that on account of his Absence at the time his Night was to have been appointed he was induced to decline a Benefit in the course of the Season, but the Manager having obligingly made him an Offer of the Theatre, free of all Expense, and the several Performers kindly engaging to assist him, he has fixed on this Day. Receipts: none listed

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: As17840126, but Adelaide-Mrs Bates; Jaqueline-Miss Platt [Public Advertiser retains Mrs Morton]; omitted: Fabian, Officers .Public Advertiser retains Mrs Morton]; omitted: Fabian, Officers .

Afterpiece Title: The Manager an Actor in Spite of Himself

Song: End of mainpiece a favourite song by Mrs Martyr. monologues. End of Act IV of mainpiece The Adventures of a Buck by Bonnor; End of afterpiece a new address, Belles have at ye all! by Mrs Bates

3268
04 October 1784 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin Rambler

Song: Mainpiece: Vocal Parts by Johnstone, Brett, Gaudry, Doyle, Lloyd; Mrs Kennedy, Miss Wheeler, Mrs Martyr, Mrs Morton, Mrs Chalmers, Mrs Davenett, Miss Stuart, Mrs Bannister

3269
28 October 1784 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, author unknown; frequently attributed to Thomas Vaughan, but his authorship denied in a letter written by him to editor of the Oracle, 13 Feb. 1796. Author of Prologue unknown. Epilogue by Edward Topham (European Magazine, Nov. 1784, p. 393). MS: Larpent 670; not published; synopsis of plot in London Magazine, Nov. 1784, p. 389]. Receipts: #161 2s. 6d. (142/9/0; 18/0/6; 0/13/0)

Performances

Mainpiece Title: Deception

Afterpiece Title: The Padlock

Dance: End of Act IV of mainpiece a New Dance incident to the Piece by Mr and Miss Hamoir

3270
03 November 1784 @ Covent Garden

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Merchant of Venice; afterpiece of Love a-la-Mode, both announced on playbill of 2 Nov. In afterpiece the playbill assigns Young Wilding to Bonnor, but on the Kemble playbill a MS annotation substitutes Palmer.]

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Lyar

Dance: As17841022

3271
18 December 1784 @ King's Theatre

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

3272
27 December 1784 @ Covent Garden

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Magic Cavern or Virtues Triumph

Song: In Act I of mainpiece song by Brett

3273
08 January 1785 @ Covent Garden

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Magic Cavern

3274
20 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Caldron or Pantomimical Olio

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

3275
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]