SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4018 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Court of Alexander

Event Comment: Rec'd a Message from Mr Barry that he was not able to play King Lear on Fryday, which was at the bottom of today's Bills, but that he believ'd he could play on Saturday. He did not play again till Mond. the 15, King Lear (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17691222, but Young Bevil-Reddish, first time; Tom-King; Phillis-Miss Pope.

Afterpiece Title: The Jubilee

Performance Comment: As17691226, but Ostler-J. Burton. [He is listed for two parts by the Public Advertiser.]He is listed for two parts by the Public Advertiser.]

Performances

Mainpiece Title: The Royal Slave

Performance Comment: As17691128, but Aboan-a Young Gentleman, first appearance on any stage.

Afterpiece Title: The Minor

Cast
Role: Transfer Actor: Weston

Dance: II: By Particular Desire, for the first time, a Minuet, Allemande-Sieur Daigville, Miss Ross (his apprentice of 4 months); IV: The English Gardeners, as17691206

Entertainment: End: Bucks Have At Ye All-Palmer

Performances

Mainpiece Title: Love For Love

Performance Comment: As17691223, but Sir Sampson-Sparks; Jeremy-W. Palmer; . .

Afterpiece Title: The Brave Irishman

Entertainment: II: The Paraphrase of Shakespeare's Seven Ages of Man-King

Dance: End: As17700428

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: The Author

Dance: End: Comic Dance, as17701017

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17701013, but Manly-Hull; Lady Townly-A Young Lady [Miss D'Arcy] (who never appeared on any stage).Miss D'Arcy] (who never appeared on any stage).

Afterpiece Title: Midas

Performances

Mainpiece Title: Semiramide Riconosciuta

Performances

Mainpiece Title: La Contadina In Corte

Event Comment: [The Young Gentleman identified as Owenson by Hopkins MS Notes. Confirmed by Sir Nicholas Nipclose, in The Theatres (2nd. ed. London, 1722, p. 51) speaking of Inchbald's introduction to the London stage with advertisement of "first appearance" though he had been many years an itinerant actor, "this is a trick to gain, from curiosity, what may pay by one night the whole season's pitiful salary of such actors; several mushrooms have vegetated thus; but none more worthless or short lived, than Mr Owenson; brought forward modestly in Tamerlane, some weeks since; without even the requistes of a grown-up school-boy."] Receipts: #180 6s. (Account Book)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Author

Performance Comment: As17711018, but Arabella-Mrs Dyer.

Dance: End: A New Comic Dance, call'd The Jovial Gardners-Sga Manesiere, Miss Hamoir, Mr Drouville[, being his 1st appearance. [See17630312.

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Deuce Is in Him

Dance: End: The Fingalian Dance with Double Hornpipe-Mas. Blurton, Miss Besford

Monologue: Preceded: New Occasional Prelude. The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Deuce Is in Him

Dance: V: Comic Dance, as17720922

Event Comment: Music by Sacchini and other celebrated composers. The Dances under the direction of Pitrot. With New Cloaths, Scenes and other Decorations. Pit and Boxes Half a Guinea; Gallery 5s.; Second Gallery 3s. Doors to open at 5:30. To begin at 7:00 p.m. N.B. Fierville having unfortunately sprained his ankle by a fall at the rehearsal yesterday...Mariottini, who never appeared in England before, has kindly undertaken to supply his place. The Managers beg leave to acquaint the Nobility and Gentry that Mesdames Favier having arrived from Florence, but being indisposed from the great fatigue of the journey are incapable of dancing this day

Performances

Mainpiece Title: Lucio Vero

Dance: I: Grand Comic Pantomime Ballet, call'd La Bagatelle-Bocchini, Sga Mazzoni, other principals; II: A Pastoral Dance with a Pas de Trois, de Deux-Mariottini, Bocchini, Sga Mazzoni; End Opera: A Grand Serious Ballet-; with a Grand Chaconne-Fierville

Entertainment: A Poetical Exordium-Mrs Yates [In which she proposed to intermix plays and operas this season. (Burney, II, 879, notes she could not get permission.)]

Performances

Mainpiece Title: The Fall Of Egypt

Music: As17740218

Performances

Mainpiece Title: Alls Well That Ends Well

Afterpiece Title: Thomasand Sally

Dance: End: A Comic Dance, The Italian Gardeners-Mr and Miss West (Late pupils of Sg Grimaldi) [their first appearance on this stage. [See dl 9 Dec. 1760.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman in Paris

Dance: II: The Provencale, as17740928

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Sylphs

Performance Comment: As17740926, [but Shortbill only Lewes, Miss Brown and Miss Valois listed.]

Dance: III: A New Grand Ballet, call'd The Vintage Festival-Daguville, Sga Vidini, [first time on that stage, and Mr Helm[, first appearance in England. [See dl 11 Oct. 1766.

Performances

Mainpiece Title: Philaster

Afterpiece Title: Daphne and Amintor

Dance: II: The Provencale, as17740928; III: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Comus

Performance Comment: As17741019, but Sabrina-Miss Wilde; 1st Bacchanal-Reinhold; 2nd Bacchanal-DuBellamy; Bacchants-Mrs Baker, others.

Dance: II: The Provencale, as17740928

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Romance of An Hour

Dance: I: The Vintage Festival, as17741007; End Opera: The Irish Lilt-Aldridge, Miss Valois. [See17731005]

Performances

Mainpiece Title: Samson

Music: End Part I: Hautboy Concerto-Vincent; Part II: Organ Concerto-Stanley

Performances

Mainpiece Title: Acis And Galatea With Drydens Ode

Music: End Part I: Concerto on Organ-Stanley; Part II: Violin concerto-Barthelemon