SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1708 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [The Young Gentleman identified as Owenson by Hopkins MS Notes. Confirmed by Sir Nicholas Nipclose, in The Theatres (2nd. ed. London, 1722, p. 51) speaking of Inchbald's introduction to the London stage with advertisement of "first appearance" though he had been many years an itinerant actor, "this is a trick to gain, from curiosity, what may pay by one night the whole season's pitiful salary of such actors; several mushrooms have vegetated thus; but none more worthless or short lived, than Mr Owenson; brought forward modestly in Tamerlane, some weeks since; without even the requistes of a grown-up school-boy."] Receipts: #180 6s. (Account Book)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Author

Performance Comment: As17711018, but Arabella-Mrs Dyer.

Dance: End: A New Comic Dance, call'd The Jovial Gardners-Sga Manesiere, Miss Hamoir, Mr Drouville[, being his 1st appearance. [See17630312.

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Clincher Jr Actor: Weston

Afterpiece Title: The Lottery

Dance: End: Comic Dance, as17720326

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Deuce Is in Him

Dance: End: The Fingalian Dance with Double Hornpipe-Mas. Blurton, Miss Besford

Monologue: Preceded: New Occasional Prelude. The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage

Event Comment: Music of Afterpiece entirely new Composed by Dibdin. [An adaptation of Goldoni's Il Filosofo di Campagna.] Book of Songs to be had at Theatre (playbill). The Wedg R. a Comic Opera of Two Acts wrote & composed by Mr Dibdin. The Music very pretty--as the Author was kept a Secret The Town fancy'd that is one of Mr Bickerstaff & call'd out to know who was the Author. Mr Garrick inform'd them that he had no power to declare who the Author was but he could assure them that it was not Mr Bickerstaffs this did not Satisfy them at last Mr Dibdin went on & declard himself to be the Author & made an Affidavit of it & then the Farce went on with Applause (Hopkins Diary). [Account of The Wedding Ring in Westminster Magazine for Feb. 1773.] Paid #4 4s. for licensing The Wedding Ring and Alonzo (Treasurer's Book). [Maria Macklin, in a MS letter to her father, 3 Feb. 1773, commented fully on this night's performance: "Written as it was suppos'd by Bickerstaffe. The music by Dibdin. I went with a party into the Gallery to see the event as there was a great riot expected, & indeed never did I see an audience more inflamed. They would not suffer them to begin the piece. At last Mr King came on with a written paper in his hand, which he said he was desir'd to read in the name of the managers. After a great noise they let him read it. He said just before the play began the managers had receiv'd a letter from Mr Dibdin in which he declared that Bickerstaff was not the author of that piece, that he had made oath of it, and was ready to do the same again, but that for very particular reasons the author could not be given up. Then they stopp'd him & roar'd out that the author should be given up then. He continued as loud as he possibly could, reading on that 'but that if Mr Dibdin did not very soon given up the author he never should be suffered to appear again on that stage or any other.' Very luckily that turn'd them as I believe the House would have come down. The piece then began. Before the end of the first act one of Bannister's songs were encor'd. The other party were against it and would not let it go on. They all stood up and insisted that the author should be known then. After some time the house being nothing but confusion, Dibdin was push'd upon the stage ready to drop with fright, and declared that he was the author himself. Then they were as noisy the other way. Made them finish the piece, but how you may guess in a storm. It is like the Padlock, but the songs not so good." (Brander Matthews, Actors and Actresses, extra illustrated, Vol. I. Harvard Theatre Collection.). Westminster Magazine this month included in parallel columns flattering "Characters of Mr Garrick and Mr Colman," the Rival managers. The article especially praised Garrick's acting.] Receipts: #252 3s. 6d

Performances

Mainpiece Title: The Fashionable Lover

Performance Comment: As17721028, but Aubrey-Jefferson.

Afterpiece Title: The Wedding Ring

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Deuce Is in Him

Dance: V: Comic Dance, as17720922

Performances

Mainpiece Title: The Fashionable Lover

Performance Comment: As17730201, but Bridgemore-Keen.

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: As17730403 but Goodall-Dunstall from Covent Garden.

Entertainment: After: (For that Night only) An Apology for Apologies-King

Dance: The Sailors Revels, as17720919

Event Comment: Music by Sacchini and other celebrated composers. The Dances under the direction of Pitrot. With New Cloaths, Scenes and other Decorations. Pit and Boxes Half a Guinea; Gallery 5s.; Second Gallery 3s. Doors to open at 5:30. To begin at 7:00 p.m. N.B. Fierville having unfortunately sprained his ankle by a fall at the rehearsal yesterday...Mariottini, who never appeared in England before, has kindly undertaken to supply his place. The Managers beg leave to acquaint the Nobility and Gentry that Mesdames Favier having arrived from Florence, but being indisposed from the great fatigue of the journey are incapable of dancing this day

Performances

Mainpiece Title: Lucio Vero

Dance: I: Grand Comic Pantomime Ballet, call'd La Bagatelle-Bocchini, Sga Mazzoni, other principals; II: A Pastoral Dance with a Pas de Trois, de Deux-Mariottini, Bocchini, Sga Mazzoni; End Opera: A Grand Serious Ballet-; with a Grand Chaconne-Fierville

Entertainment: A Poetical Exordium-Mrs Yates [In which she proposed to intermix plays and operas this season. (Burney, II, 879, notes she could not get permission.)]

Performances

Mainpiece Title: The Fall Of Egypt

Music: As17740218

Performances

Mainpiece Title: The Prince Of Agra

Afterpiece Title: The Dragon of Wantly

Dance: End: The Irish Lilt, as17731005

Performances

Mainpiece Title: Phaedra And Hippolitus

Afterpiece Title: The Ladies Frolick

Performance Comment: As17740415 but Beggars-Mas. Blanchard, _Waldron, _Messink.

Dance: V: The Irish Fair, as17730918

Performances

Mainpiece Title: Theodosius

Performance Comment: As17731203, but Theodosius-Brereton; Atticus-J. Aickin.

Afterpiece Title: The Conjuror

Dance: V: The Mountaineers, as17730930

Performances

Mainpiece Title: Alls Well That Ends Well

Afterpiece Title: Thomasand Sally

Dance: End: A Comic Dance, The Italian Gardeners-Mr and Miss West (Late pupils of Sg Grimaldi) [their first appearance on this stage. [See dl 9 Dec. 1760.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Meeting of the Company

Performance Comment: As17740917, but Parts-Wrighten, _Hurst, +Griffiths, _Ackman.
Cast
Role: Weston Actor: Weston
Role: Thomas Actor: Weston

Afterpiece Title: The Elopement

Performance Comment: As17740929, but Clown-Wright.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman in Paris

Dance: II: The Provencale, as17740928

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Sylphs

Performance Comment: As17740926, [but Shortbill only Lewes, Miss Brown and Miss Valois listed.]

Dance: III: A New Grand Ballet, call'd The Vintage Festival-Daguville, Sga Vidini, [first time on that stage, and Mr Helm[, first appearance in England. [See dl 11 Oct. 1766.

Performances

Mainpiece Title: Philaster

Afterpiece Title: Daphne and Amintor

Dance: II: The Provencale, as17740928; III: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Comus

Performance Comment: As17741019, but Sabrina-Miss Wilde; 1st Bacchanal-Reinhold; 2nd Bacchanal-DuBellamy; Bacchants-Mrs Baker, others.

Dance: II: The Provencale, as17740928

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Romance of An Hour

Dance: I: The Vintage Festival, as17741007; End Opera: The Irish Lilt-Aldridge, Miss Valois. [See17731005]

Performances

Mainpiece Title: Samson

Music: End Part I: Hautboy Concerto-Vincent; Part II: Organ Concerto-Stanley

Performances

Mainpiece Title: Acis And Galatea With Drydens Ode

Music: End Part I: Concerto on Organ-Stanley; Part II: Violin concerto-Barthelemon

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Performance Comment: As17741110, but Leonora-a Young Lady not 14 years of age, first time. Pupil to Mr Savage.

Dance: End Epilogue: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Fall Of Egypt

Music: As17750315

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: The Weathercock

Event Comment: Mainpiece: A Comedy [in 5 Acts by Sir William Davenant, slightly altered for the stage by Henry Woodward] never acted there. [The lady identified by Hopkins MS Notes and named in the Edition of 1775. The Westminster Magazine for Nov. suggests Shuter instead of Quick for Sancho. The review thought it an indifferent Comedy which "yet could be made a most excellent farce....The dialogue has all the rust of antiquity about it, and the modernizing scenes are left to the discretion of the performers. However, in representation, this piece cannot fail of entertaining....Miss Leeson, who appeared in the character of Isabella, has an agreeable plaasing figure, a good face and a marking eye; her voice is weak, but after she got rid of her fright was sufficiently articulate; there was an ease and nature in her deportment and dialogue that entitles her to encouragement."

Performances

Mainpiece Title: The Mans The Master

Afterpiece Title: The Two Misers

Dance: End: The Pilgrim, as17750927