SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1708 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Oxonian in Town

Dance: IV: A New Comic Dance, as17671021

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Midas

Dance: II: The Female Archer, as17671029; IV: The Merry Sailors, as17671009

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: Mainpiece: By Particular Desire. At 5 went into the Pit to see Love do Kite--like him better than Bransby in that character. End Act II a Pantomime dance by children called the Lilliputian Camp: Adjutant by Miss Rogers. J. Palmer did Bounce in Harlequin's Invasion, but not as well as Bransby. When King runs off in the Dancer's scene, Rooker comes on, jumps, King not being able, having had his thigh-bone broken 2 years ago (Neville MS Diary)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17671126, but Kite-Love.

Afterpiece Title: Harlequins Invasion

Dance: I: Hearts of Oak, as17671022; II: The Lilliputian Camp-

Performances

Mainpiece Title: The Stratagem

Cast
Role: Scrub Actor: Weston

Afterpiece Title: The Devil to Pay

Performance Comment: As17670925, but Lady Loverule-Mrs Johnston.

Dance: IV: The Irish Hay@makers, as17670919

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: Midas

Performance Comment: As17671027, but Apollo-Mattocks.

Dance: End: The Dutch Milkmaid, as17671114

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17671201, but Aimwell-Packer.
Cast
Role: Scrub Actor: Weston

Afterpiece Title: A Peep behind the Curtain

Dance: IV: The Lilliputian Camp, as17671202

Event Comment: Never Perform'd. Founded on Beaumont and Fletcher. Music by Thomas Linley. A Comic Opera the Music entirely new. [By Thomas Hull altered from The Royal Merchant; or the Beggar's Bush (Biographia Dramatica). See 19 Dec. 1767 for further note on Music.] Paid Mr Horne for 4 Tambourines #1 10s. (Account Book). Went into the Pit to see the opera founded on Beaumont and Fletcher, performed for the first time....The music may be good, but the piece is trifling and childish, barren of incident and character except that of Clause played by Bensley and the frightened peasant. The performers are in the Flemish dresses of the times, and do the piece much justice. At the beginning of the 2nd act some fellows in the 2s. Gallery began a disturbance, but were turn'd out and carried before Sir John Fielding, where they confessed that they were hired to disturb this performance by a publican, but refused to say whom....Stood in the well (Neville MS Diary). Receipts: #225 1s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Dance: I: A New Comic Dance, as17671021; II: A Grand Ballet The Garland-Fishar, Mrs Bulkley. [See17651003.

Event Comment: Mainpiece: By Desire. At half past 4 went into the Pit to see Garrick do Archer a 3rd time....It is not agreeable to see Packer make love--he is oblig'd to do Aimwell, Palmer being ill....Moody does Hob pretty well, but not so well as Yates. Hartry did not do Old Hob so well as Parsons (Neville MS Diary)

Performances

Mainpiece Title: The Stratagem

Cast
Role: Scrub Actor: Weston

Afterpiece Title: Flora

Performance Comment: As17671207, but Old Hob-Hartry.
Event Comment: [N$Neville stood in the Pit this evening]: Iachimo by Smith, but I like Holland better in that character; Cloten by Yates, tho' not equal in it to King...Afterpiece concluded by an original dance by Mr Arnauld and Mrs Thomson (Neville MS Diary). Receipts: #193 10s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17671228, but Caius Lucius-Gardner; Helen-Miss Mills.

Afterpiece Title: Thomasand Sally

Performance Comment: As17671202, but Sailor-DuBellamy.

Dance: III: The Garland, as17671214

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Elopement

Performance Comment: As17680206, but Parts-Watkins, _Hawksby.

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Elopement

Event Comment: The Last time of the company's performing this season. [Following deficiencies for this season paid up: Richard Smith, Lewes, Dumay, Condell, Potter, Thomas Smith, Quick, Furkins, Wilkinson, Abbott, Simmonds, Pullen, Stephenson, Asbury, Wilde, Francis, Mrs Griffiths, Claridge, and Sharratt (Account Book). This includes payment of half value of tickets for those who were granted partial benefits on that basis.] Music forfeits at end of season #17 6s. 11d. Neville MS Diary: Went...to see Cymbeline...chiefly to hear Powell speak an occasional prologue. Would not have gone had I known it was only a stale piece of flattery to George. [See The Gentleman's Magazine, 9 July p. 346: "On shutting up the playhouse in Covent Garden at the end of the season, admission into the theatre having been denied to Mr H and R through any other passage but Mr Powell's House, those gentlemen at the head of a large posse on the 17th of last month, [June] made a forcible entry by breaking open a window near the playhouse door in Hart street; after which they expelled by violence Mr Sargeant the Housekeeper, all his family and others; but the acting managers not being inclined to submit to the arbitrary proceedings of their colleagues, immediately applied for redress, where redress was effectually to be had, and this day they were formally expelled by virtue of a warrant from under the hand and seal of the high sherrifs of London and Middlesex, and the old housekeeper, Mr Sargeant, restored to his office of trust, to the great mortification of one of the champions who had been heard to say: That he had now got possession and d--n him if he would not keep it while he had a drop of blood in his body, and while there was one brick upon another belonging to the house."

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17671231, but New Occasional Prologue-Powell.

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Flora or Hob in the Well

Performances

Mainpiece Title: King Richard Iii

Dance: End: A Comic Dance call'd The Wake-Giorgi, Mrs King

Event Comment: This comic opera of two acts [Padlock] was written by Mr Bickerstaffe and is a very compleat, pretty piece,--the music very striking.--Mrs Dorman was hissed at first, but the piece went off very well, and much applauded (Hopkins Diary). New Scenes, Dresses, Music and other Decorations. Doors opened at half past 4. Play to begin exactly at 6 o'clock. [A three column retelling of the plot of the padlock appeared in Lloyd's Evening Post, for Oct. 5-7.

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Padlock

Event Comment: NNeville MS Diary: At 8 in the evening went into the Pit at dl saw the last two acts of Cymbeline--Imogen by a Miss Young being her second appearance on any stage. Her person is good, her action proper and her voice excellent, but her face is ordinary

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Harlequins Invasion

Cast
Role: Abram Actor: Weston

Dance: III: The Wake, as17680929

Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece: By Particular Desire. Neville MS Diary: Saw Douglas by a Mr Brereton, being his 3rd appearance. He is a pretty figure, but wants lemon in his voice, as Mr Garrick calls it. Lady Randolph by Mrs Barry. The Entertainment was Queen Mab, with a new scene representing the late Masquerade at the Opera House, with all the extravagances and intrigue which it occasions. Was very much squeezed in the Pit. Wish I was settled in th country at a distance from these crowded diversions

Performances

Mainpiece Title: Douglas

Afterpiece Title: Queen Mab

Event Comment: This tragedy was wrote by Mr Dow,--went off but So, so.--some hisses thro' the play, and at the end also when given out.--The scenery and dresses was very fine, was well adapted, and had applause.--Miss Younge played very bad, and much disliked--Mr Holland and Mr Aickin played well (Hopkins Diary). New Scenes, Dresses, and Decorations. [The Prologue is Larpent MS 289. It follows in content the suggestions of the Prologue to the Orphan of China ten seasons earlier:@"Too much the Greek and Roman chiefs engage@The Muse's care--they languish on our stage;@The modern bard struck with the vast applause@Of ancient masters, like the painter draws@From models only.--Can such copies charm@The Heart, or like the glow of Nature warm?@To fill the scene, tonight our author brings@Originals at least, --Warriours and Kings,@Heroes who like their Gems, unpolish'd shine,@The mighty fathers of the Tartar line,@Greater than those whom classic pages boast,@If those are greatest who have conquored most."@ An account of the plot of the mainpiece is in Lloyd's Evening Post, 16-19 Dec. Concludes: The play is said to have been written by Mr Dow, who lately favored the public with an accurate History of the Hindoos. The decorations and dresses were very magnificent. The performers who were the most distinguished by the audience were Mr Holland, Miss Younge, Mr Aickin, and Mr Jefferson. Mr Holland spoke the Prologue and Mrs Abington the Epilogue the latter of which furnished infinite entertainment, from the spirit and humour of that admirable actress. A Two column resume of the play appears in the Public Advertiser, 19 Dec.

Performances

Mainpiece Title: Zingis

Afterpiece Title: The Absent Man

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17680929, but King Henry VI-Reddish, 1st time.

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Tom Jones

Performance Comment: As17690114, but Parts-Miss Valois replaces Mrs White; Mrs_ Pinto. Mrs_ Pinto.

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: As17681219, but Oldcastle-_; Goodall-_.

Dance: End Opera: The Irish Lilt, as17680930

Performances

Mainpiece Title: Douglas

Afterpiece Title: Fortunatus

Performance Comment: As17681210, but the Masquerade-New Characters.

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Devil to Pay

Dance: I: The Wake, as17680929

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Padlock

Dance: I: New Comic Dance, as17681210