SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1708 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Englishman Returnd from Paris

Performances

Mainpiece Title: Il Re Pastore

Dance: With new Dances-

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Modern Fine Gentleman or 1757

Performances

Mainpiece Title: Creusa

Afterpiece Title: The Tamer Tamd

Song: Beard

Performances

Mainpiece Title: Rosmira

Dance: With new dances

Event Comment: A New Opera. The Musick by Sig Baldassare Galuppi. [Mingotti had been advertising for subscriptions for next season but now Vanneschi announces that he was secured the licence for next year from the Lord Chamberlain and he is the new Director of the operas (Daily Advertiser).

Performances

Mainpiece Title: Euristeo

Dance: With New dances-

Event Comment: [W+Winston MS 8 lists Harlequin Skeleton; or, The Royal Chace.] Receipts: #42 6s. (Account Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Merlins Cave or The Royal Chase

Event Comment: Altered from Shirley by Garrick--(some hissing at it) (Cross). [See Theatrical Review, 1757 and Beginning of 1758 for generally favorable contemporary comment, but one which deplores Garrick's retention of Shirley's obsolete expressions. The printed version contains scenes in Act III not appearing in the Larpent MS] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Gamesters

Dance: TThe Market, as17571126

Performances

Mainpiece Title: Solimano

Dance: Signora Forti, Signora Bonomi, Grimaldi, Signora Lescot

Performances

Mainpiece Title: Belshazzar

Performances

Mainpiece Title: Madrigal And Truletta

Performance Comment: Characters-Mr Cibber; & Co., with a Prologue-; Epilogue-; an Ode-; a Dirge-; a Funeralv and Processionv; With Proper Habits, Scenes, Machines, and All Heroic Decorations. Larpent MS 148 lists parts: Madrigal-; Buckramo-; Straspada-; Lyric-; Acrostic-; Fustiano-; Epigram-; Goosino-; Bodkinda-; Presboradalio-; Yardwandelli-; Buttonelli-; Thimbletorio-; Truletta-; Sculliona-; Scourella-; Ghosts of Cabbagino and Truletta-; Poets-; Taylors-; Drums-; Trumpets-.
Cast
Role: Buttonelli Actor:

Afterpiece Title: Sir ThomasCallico or The Mock Nabob

Performances

Mainpiece Title: Solomon

Performances

Mainpiece Title: Susanna

Performances

Mainpiece Title: Samson

Performances

Mainpiece Title: Judas Maccabeus

Performances

Mainpiece Title: Comic Lectures

Performances

Mainpiece Title: Zara

Performance Comment: As17591103, but Melidor-_; An Occasional Prologue written and-Havard.

Afterpiece Title: The Male Coquette

Performance Comment: As17591017, but Arabella-Miss Haughton; Mrs Dotterel-Mrs Bennet; Yates_; With the Prologue-Garrick.
Event Comment: This is a farce of Macklin's Writing, it went off very greatly-he play'd Shylock too (Cross). Receipts: #190 (Cross). [Garrick and Lacy had contracted with Macklin for this Farce two weeks before this performance, according to the following document (BM Add. MS 27925): Memorandum of an Agreement relating to Mr Macklin's Farce and his Playing & performing in the said Farce, with such plays as shall be performed on which the said Farce shall be acted as aforesaid as follows: Imprimis: The said Farce to be publicly performed before Christmas, otherwise not this season on account of the Managers other engagements. Item: Mr Macklin to have for his performing in the said plays and Farce a Fifth part of the profits of the first five nights after deducting sixty-three pounds for the charges of each night during the said five nights-and the sixth night to be for the Benefit of Mr Macklin, he paying the usual charges of sixty-three pounds. Item: The Managers to have it in their power to stop the performances of the said Farce at the end of Six nights on account of their other engagements,-and in case the Receipt of any one night of the said nights on which the said Farce shall be performed as aforesaid shall fall short of One Hundred pounds. Then the Managers to have it in their power to stop the performance of said Farce as the Receipt does not amount to One Hundred pounds. Item: The said Six nights for the said Farce & plays in which Mr Macklin shall perform as aforesaid not to be played immediately succeeding one another, but alternately with such plays as the Managers shall think Convenient. Lastly: That if the said Farce shall meet with the disapprobation of the Publick, that then it shall be in the Power of Discretion of the Managers to stop the performance thereof. Dated this 28th day of November, 1759. S@ James Lacy, D. Garrick. Witness: R. Cross, Geo. Garrick.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Performance Comment: Actors only listed, but Genest, IV, 579, lists: Sir Archy Macsarcasm-Macklin; Sir Callaghan-Moody; Squire Groom-King; Mordecai-Blakes; Sir Theodore Goodchild-Burton; Charlotte (with Prologue)-Miss Macklin.

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Performances

Mainpiece Title: Zimri

Music: As17600229

Performances

Mainpiece Title: Judas Maccabaeus

Music: As17600229

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Every Woman in Her Humour

Dance: TThe Cow Keepers, as17600313

Performances

Mainpiece Title: Antigona

Dance: Director of the Ballet: Giovanni Gallini. Dancer: Gallini, Mlle Asselin, Maranesi, Signora Provenzale

Performances

Mainpiece Title: Erginda Regina Di Livadia

Dance: Gallini, Mlle Asselin, Maranesi, Sga Provenzale

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Intriguing Chambermaid

Event Comment: IIsabel in the Farce by Miss Reed-her first appearance (Hopkins MS Notes). [But see 20 Oct.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disappointment

Performance Comment: As17600920, but Isabel-Miss Reed; Loveless-Fawcett.

Dance: The Mad Doctor, as17601014