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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2290 results for: Keyword - Weston</i>, but changed (<i>Winston MS 10</i>). <span class=
We found 1708 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1351
29 November 1666 @ no theater listed

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Performances

1352
28 March 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. The play, licensed on 27 Nov. 1667, was not printed until 1667. There is no certainty that this is the premiere, but it may well have been, as Pepys saw it on 30 March and on 11 April suggested that it had recently had its first showing: [The Duchess of Newcastle] was the other day at her own play, The Humourous Lovers; the most ridiculous thing that ever was wrote, but yet she and her Lord mightily pleased with it; and she, at the end, made her respects to the players from her box, and did give them thanks

Performances

Mainpiece Title: The Humourous Lovers

1353
16 April 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: In haste to carry my wife to see the new play I saw yesterday, she not knowing it. But there, contrary to expectation, find The Silent Woman. However in; and there Knipp come into the pit...[and] tells me the King was so angry at the liberty taken by Lacy's part to abuse him to his face, that he commanded they should act no more, till Moone [Mohun] went and got leave for them to act again, but not this play. The King mighty angry; and it was better indeed, but very true and witty. I never was more taken with a play than I am with this "Silent Woman," as old as it is, and as often as I have seen it. There is more wit in it than goes to ten new plays. Nathaniel Wanby, Coventry, 1667: We have known in our time that the Silent Woman hath had the loud applause of a whole theatre (BM Harleian MS. 6430, p.23)

Performances

Mainpiece Title: The Silent Woman

1354
06 May 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Humorous Lovers

1355
25 January 1671 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: Tartuffe

1356
26 February 1672 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Wit Without Money

1357
18 February 1673 @ Dorset Garden Theatre

Performances

Mainpiece Title: Macbeth

1358
05 June 1673 @ Whitehall or St. James's

Performances

1359
30 April 1674 @ Dorset Garden Theatre

Event Comment: This date of performance is not a certainty; for the evidence, see Spencer, Shakespeare Improved, p. 94. Neither is Shadwell's authorship of the alterations a certainty, for the contributions of other playwrights have never been fully determined. (See Nicoll, Restoration Drama, p. 43.) The instrumental music was composed by Matthew Lock, with new vocal music by James? Hart and Pietro Reggio. See Songs Set by Signior Pietro Reggio, 1680. And differing versions of the second Prologue and the second Epilogue are in BM Egerton MS. 2623, ff. 54-55. Downes (Roscius Anglicanus, pp. 34-35): The Year after in 1673. The Tempest, or the Inchanted Island, made into an Opera by Mr Shadwell, having all New in it; as Scenes, Machines; particularly, one Scene Painted with Myriads of Ariel Spirits; and another flying away, with a Table Furnisht out with Fruits, Sweetmeats and all sorts of Viands; just when Duke Trinculo and his Companions, were going to Dinner; all things Perform'd in it so Admirably well, that not any succeeding Opera got more Money

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

1360
27 January 1680 @ Drury Lane Theatre

Event Comment: It is not certain that this performance was given by the King's Company, but because it first produced the play, it has been assigned to Drury Lane. Pepys, Diary: Tuesday January the 27th...comeing home at night (after I had carryed my Cozen Winn Houblon home from a Play (shee would if she could). [Mornamont MS II, folio 1192, Cambridge University Library.] See also Arthur Bryant, Samuel Pepys: Years of Peril (New York, 1935), p. 314

Performances

Mainpiece Title: She Would If She Could

1361
06 March 1680 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

1362
09 March 1680 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

1363
25 March 1680 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: Omment

1364
January 1682 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is not known, but a copy in the British Museum (161 d 20) has a MS date, 27 Jan. 1681@2, and the play was advertised in True Protestant Mercury, 4-8 Feb. 1681@2; hence it was probably first presented in early January, perhaps late in 1681

Performances

Mainpiece Title: Mr Turbulent Or The Melanchollicks

1365
March 1682 @ Drury Lane Theatre

Event Comment: The King's Company. There is no indication as to when the first performance occurred, but as the play was entered in the Term Catalogues, May 1682, its first appearance was probably not later than March 1682. A copy in the Library of Congress has a MS date of 7 July, probably a date of acquisition. A song The larks awake the drowsy morn, with music by Pack, is not in the printed play but is in A New Collection of Songs and Poems by D'Urfey, 1683

Performances

Mainpiece Title: The Injured Princess Or The Fatal Wager

1366
31 May 1682 @ Dorset Garden Theatre

Performances

Mainpiece Title: Venice Preserved

Performance Comment: See16820209, but Prologue to The Dutchess On Her Return from Scotland, by Mr Dryden-; Epilogue to Her Royal Highness On Her Return from Scotland, by $Mr Otway-.

1367
August 1685 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not precisely known, but a broadside copy of the Epilogue, in the Bodleian Library, has a licensing date of 20 Aug. 1685, a MS date of 24 Aug. 1685. The play was licensed on 11 Sept. 1685. These dates suggest a premiere in mid-to late-August 1685. For Anne Bracegirdle as Clita and speaker of the Epilogue, see Lucyle Hook, Anne Bracegirdle's First Appearance, Theatre Notebook, XIII (1959), 135. The Prologue and Epilogue, separately printed, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 239-41. The broadside Prologue has a more detailed heading than that in the edition of 1686: Prologue To A Commonwealth of Women, Spoke by Mr Haynes, Habited like a Whig, Captain of the Scyth-men in the West, a Scythe in his Hand. Two songs, set by Samuel Ackroyde, are in The Theater of Musick, The Third Book, 1686

Performances

Mainpiece Title: A Commonwealth Of Women

1368
22 December 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: The Amorous Widow Or The Wanton Wife

1369
03 January 1687 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: The Rehearsal

1370
06 January 1687 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: A King And No King

1371
10 January 1687 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: The Spanish Curate

1372
11 January 1687 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

1373
28 January 1687 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maids Tragedy

1374
01 February 1687 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: The Committee

1375
15 May 1688 @ Drury Lane Theatre

Performances

Mainpiece Title: The Squire Of Alsatia