SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1708 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: La Fraschetana

Performance Comment: Principal Characters by Trebbi, Fochetti, Savoi, Micheli, Sga Prudom, Sga Luiggia? Farnese, Sga Sestini. [Cast from libretto (T. Cadell, 1776): Nardone-Trebbi; Don Fabrizio-Fochetti; Il Cavaliere Giocondo-Savoi; Pagnotta-Micheli; Donna Stella-Sga Maria Prudom [Inglesina]; Lisetta-Sga Luiggia Farnese; Violante-Sga Sestini. [The libretto does not assign Violante, but see Larpent MS 417.The libretto does not assign Violante, but see Larpent MS 417.

Dance: As17761102

Performances

Mainpiece Title: The Advertisement Or A Bold Stroke For A Husband

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Macaroni Adventurer Or Womans A Riddle

Afterpiece Title: Fashionable Love or The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Touchstone or Harlequin Traveller

Dance: In afterpiece: Dagueville, Miss Valois. [The dancing, as here assigned, was included in all subsequent performances, except on 4 Feb., 7 Apr., 10 May.

Song: In I: song-Leoni

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Touchstone or Harlequin Traveller

Dance: In afterpiece: Dagueville, Miss Valois. [The dancing, as here assigned, was included in all subsequent performances.

Performances

Mainpiece Title: La Contadina In Corte

Afterpiece Title: Il Soldano Generoso

Dance: End I: new Pantomime Dance (composed by Zuchelli) Il Desertore-Sg and Sga Zuchelli, Henry, young Miss Andreas, Miss Simonet; End II: a grand Masquerade Dance-the other partsSg and Sga Zuchelli, Sga Tantini, Henry, Slingsby; in which a Chaconne(in character by the various Masks)-; and which will open with a Minuet-Favre Guiardele, Mme Simonet (1st appearance this season); End afterpiece: new Grand Balletconnected with the Opera-Favre Guiardele, Mme Simonet, Sga Tantini, Slingsby

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17800119, but Brush-Burton.

Afterpiece Title: The School of Eloquence

Afterpiece Title: Selima and Azor

Event Comment: Opera [1st time; Past 3, author unknown]. The music [to Part I] composed by Giovanni Battista? Bianchi, [to Part II by] Rauzzini, [to Part III by] Giordani. With Grand Chorusses. With new Decorations devised and painted by Novosielski, and new Dresses. The Side-boards, with a cold Collation and all sorts of Wines, at 12 o'clock. The Performance under the direction of Vestris Sen., and to conclude with a Ball. Tickets, at 2 Guineas each, are ready to be delivered at the Office in Union-court, where Boxes may be taken. No Masks will be admitted. The Doors will be opened at 9:00, and the Performance to begin at 10:00. Books of the Performance will be given out (gratis) at the Theatre. Morning Herald, 7 June: The Omaggio, or homage paid by the vassals and tenants to their Lord, is naturally calculated to give free scope to lively, and sentimental music. In the former stile Bianchi and Giardini [sic] were equally succesful; and in the latter Rauzzini was surprisingly great, both as composer and performer...Slingsby would, in our opinion, have come out with as great a share of applause as the best of them, having to go through an English dance in his own stile, but by some unaccountable accident...the music-band stopped short when he was in the very climax of his exertions. The scenes are in the rural stile, with the addition of natural trees, flowering shrubs, &c., set in the neatest order...The company did not begin to move till about four, and by five the rooms were cleared. Public Advertiser, 7 June: The Vestris' gave incontrovertible proof of the variety of their powers...They did more, they shewed what this country had never seen-the possibility of presenting to the eye a large and extensive stage filled with dancers all in motion at the same time

Performances

Mainpiece Title: Lomaggio

Dance: Incident to the piece: Ballets by Vestris Sen.-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Apprentice

Dance: End of Act III of mainpiece Hornpipe by Miss Besford

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Golden Pippin

Performances

Mainpiece Title: The Fashionable Wife Or The Female Gallant

Afterpiece Title: The Lawyer Nonsuited

Dance: End of mainpiece a Hornpipe by Middleton

Song: End of Act III of mainpiece The Soldier tir'd of War's Alarms; End of Act V The Merry Roundelay, both by Miss Hemet

Monologue: 1782 05 06 End of afterpiece Bucks have at ye All by Middleton

Performances

Mainpiece Title: Richard Iii

Performance Comment: As17821014, but Richmond-?; Lord Mayor-Bates .

Afterpiece Title: Lord Mayors Day

Event Comment: [In mainpiece the playbill retains Wroughton as Richmond, but on the Kemble playbill his name is deleted, and a MS annotation substitutes Kemble's.] Receipts: #226 1s. (221/12; 4/9)

Performances

Mainpiece Title: Cg King Richard The Third

Performance Comment: As17831013, but Richmond-Kemble; Lady Anne-Mrs Kemble [i.e. formerly Miss Satchell (see17831124)] .i.e. formerly Miss Satchell (see17831124)] .

Afterpiece Title: Friar Bacon

Event Comment: Benefit for Baddeley. Public Advertiser, 2 Apr.: Tickets to be had of Baddeley, No. 2, Little Russel-street, Covent-garden. [In mainpiece the playbill assigns Ogle to King, but on the Kemble playbill a MS annotation substitutes Barrymore.] 2nd piece [1st time: INT I, probably by Robert Baddeley. MS: Larpent 692; not published]. Receipts: #226 3s. 6d. (105/18/0; 30/11/6; 0/16/0; tickets: 88/18/0) (charge: #111 17s. 7d.)

Performances

Mainpiece Title: The Beaus Duel Or A Soldier For The Ladies

Afterpiece Title: The St

Afterpiece Title: Rosina

Cast
Role: 850328but Rosina Actor: Miss Field

Monologue: 1785 04 11 End of Act I of mainpiece The History of John Gilpin, the Linen Draper by Baddeley

Performances

Mainpiece Title: The Campaign Or Love In The East Indies

Afterpiece Title: Retaliation

Dance: As17841116

Event Comment: "The great powers of Mrs Jordan cannot be better displayed than in the wonderful contrast of her Country Girl and Viola. In one all archness and vivacity; in the other serious, gentle, tender and sentimental" (Public Advertiser, 16 Nov.). [In afterpiece the playbill retains Parsons as Sir Anthony Halfwit, but on the Kemble playbill his name is deleted and a MS annotation substitutes Wilson's. "Parsons was taken suddenly ill & J. Wilson read his part" (MS annotation on British Museum playbill, in Harris, 11).] Receipts: #108 12s. (79/11/0; 28/13/6; 0/7/6)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Humourist

Performance Comment: As17850922, but Sir Anthony Halfwit-read by Wilson .

Dance: As17851103

Performances

Mainpiece Title: Zara

Afterpiece Title: Hurly Burly or The Fairy of the Well

Dance: In afterpiece, by Hamoir, Williamson, Miss Stageldoir, Mrs Sutton, &c. [The dance was included, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Performance Comment: As17850917, but Gillian-Mrs Forster [i.e. formerly Miss Field] .i.e. formerly Miss Field] .

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: Didone Abbandonata

Dance: End I: Divertissement, as17870116; End Opera: La Fete Provencale, as17870308

Performances

Mainpiece Title: Virginia

Performance Comment: See17870322but Principal Parts-Rubinelli, Mengozzi, Balelli, Cremonini, Sga Schinotti, Sga Benini. Larpent MS 731 lists the parts: Icilius, Lucius Virginius, Appius Claudius, Publius, Tullia, Virginia.

Dance: End I: Divertissement, as17870116; End Opera: La Jardiniere, as17870322

Performances

Mainpiece Title: Tit For Tat

Performance Comment: As17880723 but Young Meanwell (1st time)-Iliff [misprinted "Ilett"].misprinted "Ilett"].

Afterpiece Title: A Quarter of an Hour before Dinner

Afterpiece Title: The Gnome or Harlequin Underground

Dance: End 1st piece: January and May-[see17880627

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

Performances

Mainpiece Title: The Catch Club i

Afterpiece Title: The Comet or How to Come at Her

Afterpiece Title: The Son in Law

Afterpiece Title: The Benevolent Planters

Dance: As17890805

Entertainment: Monologue As17890617

Performances

Mainpiece Title: Next Door Neighbours

Performance Comment: As17910718 but Prologue-_; Epilogue-_[and thereafter].and thereafter].

Afterpiece Title: The Padlock

Afterpiece Title: The Irishman in Spain

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Oscar and Malvina or The Hall of Fingal

Song: II: song-Incledon