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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS 10 "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS 10 ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3356 results for: Keyword - Weston</i>, but changed (<i>Winston MS 10</i>). <span class=
We found 2722 matches on Event Comments, 851 matches on Performance Comments, 76 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

601
26 December 1786 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Enchanted Castle

602
21 April 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Transformation Or The Manager An Actor In Spite Of Himself

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Invisible Mistress

Entertainment: Monologue. End 2nd piece: A Touch of the Times; or, A Ramble through London-Bannister Jun

603
08 May 1789 @ Covent Garden

Performances

Mainpiece Title: A School For Widows

Afterpiece Title: The Highland Reel

604
04 June 1790 @ Covent Garden

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: The Dramatist

Afterpiece Title: Nootka Sound or Britain Prepard

605
07 March 1791 @ Haymarket Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Advertisement or A New Way to Get a Husband

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

606
10 May 1791 @ Covent Garden

Performances

Mainpiece Title: National Prejudice

Afterpiece Title: The Poor Soldier

Performance Comment: As17901217, but an additional song(for that night only)-Incledon.

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

607
16 August 1791 @ Haymarket Theatre

Performances

Mainpiece Title: The Battle Of Hexham

Performance Comment: As17910608 but Marquis of Montague-Cubitt; La Varenne-Evatt; Prince of Wales-Miss Kemble (1st appearance on any stage); Drummer-Chapman; Adeline-Miss Heard (1st appearance in that character); Goodman Hobbs-Rock; Rasher-Burton; Robbers-Bannister, +Davies; Villagers-Mrs +Bland, Mrs +Powell, Miss +Hale, Mrs +Edwin.

Afterpiece Title: The Northern Inn or The Days of Good Queen Bess

608
15 May 1792 @ Covent Garden

Performances

Mainpiece Title: The Widow Of Malabar

Performance Comment: As17910923, but Thompson_; Powel_; Evatt_; Mrs_ Rock. The rest of the parts are assigned.

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: A Cure for a Coxcomb or The Beau Bedevild

Song: In 3rd piece: will be introduced the following Favorite songs: When virtue forms-Mrs Davis; The Bottle-Davies; The Pleasures of the Chace-Incledon; Farewell each Tonish Life-Munden; Bucket of Water, 'Tis a mighty fine thing-Johnstone; Kitty Grogan, Tho' I'm no dancing master-Johnstone; Anna's Love-Incledon; The Pig, You all must have heard-Fawcett; To-morrow, In the downhill of life-Darley; You are aw nodding-Mrs Harlowe; Coach box, You may feast your ears-Cubitt

609
15 June 1792 @ Haymarket Theatre

Performances

Mainpiece Title: Poor Old Hay market Or Two Sides Of The Gutter

Afterpiece Title: The Young Quaker

Afterpiece Title: The Son in Law

610
30 June 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Suicide

Afterpiece Title: Young Men and Old Women

611
05 November 1793 @ Haymarket Theatre

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: GUY FAWKES

Afterpiece Title: THE PADLOCK

Song: 2nd piece: To conclude with God save the King, and a new Grand Emblematick Transparency

612
02 May 1794 @ Covent Garden

Event Comment: Benefit for Incledon. 1st piece: As originally performed in 3 acts. Not acted these 7 years [acted 28 Oct. 1789]. 2nd piece [1st time; M. INT 1, attributed to John Cartwright Cross. MS: Larpent 1021; not published]. Morning Chronicle, 19 Apr.: Tickets to be had of lncledon, No. 15 , Charlotte-street, Bloomsbury. Receipts: #396 12s. 6d. (122/12/6; 6/0/6; tickets: 267/19/6)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: NAPLES BAY or The British Seamen at Anchor

Afterpiece Title: THE FOLLIES OF A DAY

Dance: In 2nd piece A Medley Hornpipe in Wooden Shoes by Byrn

Song: End of 1st piece Black-Eyed Susan by Incledon

613
26 May 1794 @ Covent Garden

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Performance Comment: Cast not listed. [Larpent MS lists the parts: Palate, Fieldtree, Ensign Hardy//Patty, Jenny.] Written to introduce the following favorite Songs: Mary's Dream, The moon had climbed the highest hill (composed by Ralph [recte Relfe]), by Miss Poole; The Vestry Dinner, Churchwarden I have been (written by Cross, composed by Reeve), by Rees; The High Mettled Racer, See the course throng'd with gazers (composed by Dibdin), by Incledon (1st time); The Gipsey Ballad, A wand'ring Gipsey, Sir, am I (words and melody by Peter Pindar, Esq. [pseud. for John Wolcot], accompaniments by Shield), by Mrs Clendining; Kitty Grogan, Tho' I'm no Dancing Master (written by Collins, composed by Reeve), by Johnstone; The Storm, Cease, rude Boreas (written by George Alexander Stevens), by Incledon; [Auld] Robin Gray, Young Jamie lov'd me well, by Mrs Clendining; From morn till night I take my glass, by Incledon and Johnstone; Vo sol cando (composed by Vinci), by Miss Poole; The Triumph of Wine, What tho' from Venus Cupid sprung (composed by Dibdin), by Johnstone; Father, Mother and Suke (composed by Dibdin), by Fawcett. To conclude with the following Selection of Catches and Glees from Harrison and Knyvett's Vocal Concert: as17940523, but God preserve his Majesty in place of Water parted from the sea .

Afterpiece Title: THE SHIPWRECK or French Ingratitude

Performance Comment: Cast not listed, but probably same as17930527: English Characters. Captain Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons//Captain's Lady-Mme Rossi. French Characters. General Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland. Indian Characters. Indian Chief-Follett//Female Savage-Mr Rock .

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

614
04 June 1794 @ Covent Garden

Performances

Mainpiece Title: The World In A Village

Performance Comment: As17940516, but Dr Grigsby not so specified; added: Macready, Claremont .

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: THE HIGHLAND REEL

Dance: In 2nd piece Hornpipe by Bayzand

Song: 2nd piece: To conclude with a Song and Chorus [Come ye who from your souls (BUC, 281)], in Honor of His Majesty's Birth-Day

615
22 April 1795 @ Haymarket Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes Or The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

616
01 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note Or Lessons For Ladies

Performance Comment: Principal Characters by Quick, Holman, Johnstone, Fawcett, Middleton, Hull, Townsend, Macready, Powel, Miss Standen, Mrs Mattocks, Mrs Lee, Miss Hopkins, Mrs Davenport, Mrs Norton, Miss Wallis. Cast from text (T. N. Longman, 1795): Mr Hale-Quick; Sir Charles Leslie-Holman; Killeavy-Johnstone; Ned Dash-Fawcett; Mr Bloomfield-Middleton; Father-Hull; Tim-Townsend; Lieutenant Selby-Macready; Careful-Powel; Young Bloomfield-Miss Standen; Mr Bloomfield's Servant-Abbot; Porter-Coombs; Gentleman-Platt; Cook-Ledger; Butler-Williamson; Mrs Bloomfield-Mrs Mattocks; Sally Flounce-Mrs Lee; Miss Emma Hale-Miss Hopkins; Lady Supple-Mrs Davenport; Maid-Mrs Norton; Miss Russel-Miss Wallis; Gentlewoman-Mrs Follett; Prologue-Macready; Epilogue-Mrs Mattocks.
Cast
Role: Butler Actor: Williamson

Afterpiece Title: The Sailors Prize or May Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

617
06 May 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: Jack Of Newbury

Afterpiece Title: The Triumph of Hymen

Performance Comment: Hymen-Master DeCamp; Cupid-Master Welsh; Mercury-Fialon; Apollo-Aumer; Hercules-G. D'Egville; Castor-Fairbrother; Pollux-Boimaison; Psyche-Miss Granger; Diana-Miss Collins; Zephyrus-Mrs Fialon; Flora-Miss F. D'Egville; Britannia-Mrs Cuyler; Plenty-Mrs Butler; Commerce-Mrs Hedges; Loves, Graces, Chorus-Miss Menage, Miss Wheatley, Miss S. D'Egville, Mrs Beaufort, Mrs Brooker, Mrs Brigg, Miss Bourk, Mrs Bramwell, Miss Redhead, Miss Gawdry, Miss Stageldoir, Miss Chatterley, Cooke, Danby, Evans, Lyons, Maddocks, Welsh, Trueman.
Cast
Role: Plenty Actor: Mrs Butler

Afterpiece Title: Tit for Tat

618
06 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Maskd Friend

Afterpiece Title: The Way to Get Un Married

Cast
Role: 960319but Principal Characters Actor: Miss _Wallis, Mrs Knight.
Role: 960315but Rule Brittania Actor: Bowden, Townsend

Afterpiece Title: The Farmer

Performance Comment: As17951201, but Betty Blackberry (for that night only)-Mrs Knight; Flummery-_; Waiters-_; Landlady-_.

Song: In 2nd piece: The Sportman's snug little Cot-Incledon

Entertainment: Monologues, with Songs.End: The Barber's Petition-Fawcett (1st time); [with a song in character, Wigs [including His Own Wig, The Lover's Wig, Doctor's Wig, Coachman's Wig, Counsellor's Wig-Fawcett; End 2nd piece: A Ramble to Bath (1st time) [with a descriptive song in the character of Jacob Gawkey [in The Chapter of Accidents]-Knight

619
10 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: As17950923, but Spado-Quick; Pedrillo-Munden; Philippo (for that night only)-A Young Gentleman (1st appearance on any stage [Philipps]); Victoria (1st and only time)-Mrs Clendining; Catalina (1st time)-Mrs Mountain; Lorenza (with an Italian Scena and several Italian Airs, adapted by Shield)-Sga Salvini (1st appearance on this stage); Don Juan-_; Vasquez-_; Calvette-_; Isabel-_.

Afterpiece Title: The Witch of the Wood or The Nutting Girls

Dance: In: The Spanish Fandango-Byrn, Mlle St.Amand; II afterpiece: The Humours of a Country Fair-Holland, Platt, Bayzand, Cranfield, Ratchford, Mrs Lloyd, Mrs Blurton, Miss Smyth, Mrs Watts

Song: End: Sally in our Alley-Incledon

620
17 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: Alive and Merry

621
06 December 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Force Of Ridicule

Afterpiece Title: Richard Coeur de Lion

Performance Comment: As17961114, but Antonio-Master Welsh; Laurette-Miss Leak.

Dance: As17961019

622
23 May 1797 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: As17970509, but Inkle-Bowden; Yarico (for that night only)-Mrs Powell (of dl; 1st appearance in that character). 1st appearance in that character).

Afterpiece Title: Diamond Cut Diamond or Venetian Revels

Afterpiece Title: Cross Purposes

Performance Comment: As17970223, but Mrs Grub-Mrs Davenport.

Song: In: Ma chere Amie-Incledon; End Act I 2nd piece: to conclude with a Grand Serenade-, by Moonlight, on the Water, representing a View in the Bay of Venice, with distant Illuminations; A Madrigal-Incledon, Gray, Linton, which is echoed from various Gondolas, as they pass and repass, sounding their Oars to the Time of the Singers; The Storm-Incledon

623
17 March 1798 @ Covent Garden

Performances

Mainpiece Title: The Ghost

Performance Comment: As17971221, but Clinch-Farley.

Afterpiece Title: Hes Much to Blame

Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant

Afterpiece Title: A Devil of a Lover

624
17 April 1798 @ Covent Garden

Performances

Mainpiece Title: British Fortitude Or An Escape From France

Afterpiece Title: Curiosity

Afterpiece Title: Lock and Key

Performance Comment: As17970925, but Laura-Mrs Castelle; Servants and Sailors-_; Selina-_; Dolly-_.

625
15 October 1798 @ Covent Garden

Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: The Genoese Pirate or Black Beard

Dance: In afterpiece: Dance of Negroes-