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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "W T Fitzgerald Esq"/1) | (@(roleclean,performerclean) "W T Fitzgerald Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1966 results for: Keyword - W. T. Fitzgerald, Esq
We found 1326 matches on Performance Comments, 574 matches on Event Comments, 81 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1251
16 May 1781 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Farmers Return from London

Afterpiece Title: The Touchstone

Ballet: End III 1st piece: St. David's Day. As17810501

1252
30 May 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber Or The Fruitless Precaution

Afterpiece Title: The Genius of Nonsense

Dance: afterpiece: Master Byrn, Miss Byrn. [Danced, as here assigned, in all subsequent performances.

1253
23 July 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Silver Tankard

Dance: End: Minuet de la Cour, Allemande-Master Byrn, Miss Byrn

1254
08 August 1781 @ Haymarket Theatre

Event Comment: 1st piece [1st time; PREL I, by George Colman elder; also ascribed to George Keate. Larpent MS 565; not published]: In Three Scenes of Dialogue. 2nd piece: The Music compiled by Dr Pepusch. 3rd piece [1st time; B. BALL I (see king's, 29 Mar.)]: Ballet Tragi-Comique by Signior Novestris [i.e. George Colman, the elder]. The Music by Signior Gluck. With New Scenes, Dresses and Decorations. Machinist and Painter-Signior Rookereschi. Tailor-Signior Walkerino. Morning Chronicle, 9 Aug.: Bannister with great good sense played chastely, and suffered the burlesque to arise out of his serious performance of Polly, not attempting to render the character ridiculous by making it more outre than it was rendered by his voice and figure

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

1255
19 September 1781 @ Covent Garden

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Marriage Act

1256
21 September 1781 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Three Weeks after Marriage

Dance: End of mainpiece The Merry Sailors by Aldridgc, &c

1257
28 September 1781 @ Covent Garden

Performances

Mainpiece Title: The Double Gallant Or The Sick Lady Cured

Afterpiece Title: The Marriage Act

Dance: End of Act IV of mainpiece The Caledonian Shepherds by Aldridge and Miss Besford

1258
10 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Harlequin Free Mason

1259
20 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece by Harris, Langrish, Miss Matthews, Miss Besford. [This was the same, as here assigned, in all subsequent performances.]

1260
22 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Norwood Gypsies

1261
23 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Comus

1262
31 October 1781 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Jovial Crew

Dance: End of mainpiece, as17810928; End of Act I of afterpiece the original Crutch Dance (performers not listed; it was included in all subsequent performances)

1263
07 December 1781 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tom Thumb

Dance: As17811110

1264
11 December 1781 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth With The Humours Of Sir John Falstaff

Afterpiece Title: The Son in Law

Dance: End of Act II of mainpiece, as17811101

1265
26 December 1781 @ Covent Garden

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Choice of Harlequin or The Indian Chief

Song: As17811109

1266
31 December 1781 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Choice of Harlequin

1267
05 January 1782 @ Covent Garden

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Choice of Harlequin

1268
09 January 1782 @ Covent Garden

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Choice of Harlequin

1269
18 January 1782 @ Covent Garden

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Choice of Harlequin

1270
22 January 1782 @ Covent Garden

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Choice of Harlequin

Dance: End of Act I of mainpiece, as17811219; In Act V a Dance of Fortsters (performers not listed)

1271
29 January 1782 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth With The Humours Of Sir John Falstaff

Afterpiece Title: The Choice of Harlequin

1272
02 February 1782 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Choice of Harlequin

1273
19 March 1782 @ Covent Garden

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Rehearsal

Dance: End of mainpiece, as17811219

1274
30 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Deserter

Dance: As17820409

1275
03 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]