Event Comment: Charles II entered London on this day, an event which occasioned several works of a quasi-dramatic nature. One was The Famous Tragedie of the Life and Death of Mrs Rump...As it was presented on a burning Stage at Westminster the 29th of May, 1660. It has a Prologue and Epilogue; the author is not known. A second is An Ode Upon the Happy Return of King Charles II to his Languishing Nations, May 29. 1660. This work, by James Shirley, with music by Dr Coleman, was printed in 1660, and reprinted in A Little Ark, ed. G. Thorn-Drury (1921), pp. 21-23. A third is A True Relation of the Reception of his Majestie and Conducting him through the City of London...on Tuesday the 29 of this instant May, being the Day of his Majesties Birth

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Event Comment: Richard ye Third. Coriolanus. Andronicus. Julius Ceaser. The Moore of Venice [Othello]. Anthony & Clopatra. Cymbelyne. The Doubtfull Heire [Rosania; or, Love's Victory, by James Shirley]. The Impostor. The Brothers. The Sisters. The Cardinall. The Duke of Lerma. The Duke of Millan. Alphonso. The vnnaturall Cumbat. The Gardian. Aglaura. Arviragus & Philitia 1st pt. Arviragus & Philitia 2d pt. The Spartan Ladyes. The Bashfull Lover. Bussy D'Amboys. Brenoralt [or, The Discountented Colonel]. Country Captaine. The Variety. The Emperour of ye East. The Deserveing ffavorett. The Goblins. The ffatall Dowry. The Lost Lady. The Devell of Edmonton. More Desemblers then Weomen. The Mayor of Quinborough. The Northen Lasse. The Novella. Osmond ye Great Turke [or, The Noble Servant]. The Roman Actor. The Widdow. The Widdows Teares

Event Comment: Robert Shirley to Thomas Coke, Chartly, 21 Jan. 1695@6: I must agree with you that Wit and Sense seem this winter to have suffered an eclipse, and the dramatic writers more especially have showed how little they consulted either. I do assure you, I have not of late met with more of both than in your ingenious diverting letter to me, so that I am satisfied Wit is not retired out of town, but has only forsaken the stage. We that live in these northern parts are forced to range over fields and woods to find subjects of diversion, for in the frozen season of the year, there is nothing that is more so in the country than conversation. In my last ramble, either my own innate fancy, or the aversion I had to see such plays wrote in English as would hardly bear the reading, made me imagine I met with one of the Muses that had left the town, and by her discourse seemed to be Patroness of Dramatic Poetry. You know, Sir, to meet with a Nymph in the desert was no rarity in some countries heretofore, but yet I vow and swear between us, I asked her the occasion of her leaving the town, to which she made this sudden answer: @Neglected Wit is silent at a time@When puns, or bombast, stuff each doggrill rhyme.@In comic strain when they'd describe a fool,@The author proves the only ridicule.@In tragic verse while others fain would boast,@Landing some thousand Romans on the coast,@In what they would express themselves are lost,@Make Romans cowards, and make English great,@And make Bonduca valiant, to be beat.@Would Congreve or would Blackmoor now engage,@They might with manly thoughts reform the stage:@ ... As for Mr Southern's play, I have not yet seen it, so that I cannot at present give you my thoughts on it (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 359-60)

Event Comment: Betterton's Company. John Coke (see below), writing on 16 March 1696@7, referred to a "new farce" appearing at this theatre on this day, but no "new farce" is known at this period; on the other hand, an edition of Mountfort's farce published in 1697 indicates a revival in this season and is a likely possibility for this date. John Coke to Thomas Coke, 16 March 1696@7: Saturday a new farce was acted at the new house, which did not take. The Mourning Bride was acted till Saturday, and was full to the last (HMC, 12th Report, Part II, Cowper MSS., II, 368). Robert Shirley to Thomas Coke, 13 March 1696@7: I am, dear Sir, indebted to you in sending me so ingenious an account of Mr Congreve's tragedy, which I hear on all sides far exceeded what the world expected from him in that part of dramatic poetry (ibid)

Event Comment: Afterpiece: [By Christopher Bullock.] A Farce of one Act, taken out of a Play written by Mr Shirley, call'd, A Mad World, my Masters. Receipts: #40 9s

Event Comment: BBarry play'd at C. Garden some little Noise, on Account of his being ye occasion of ye late Riot, & demanding more Money than usual-but his speech declaring his Innocence; King Lear went on in quiet (Cross). It is hoped that the Ladies and Gentlemen who took places for the Fatal Marriage this evening will excuse its not being acted 'till tomorrow, as it is impossible for Mrs Cibber to perform the character of Isabella without proper respit. The Old Comedy alter'd from Shirley [The Gamesters] will be reviv'd next week (Public Advertiser). Receipts: #160 (Cross)

Event Comment: Benefit for Miss Pritchard. Part of Pit laid into Boxes. This day publish'd, Price 1s. Brief Remarks on the Original and Present State of the Drama. To which is added Hecate's Prophecy, being a characteristic Dialogue between future Mangers and their Dependents. [William Shirley? A most virulent attack on Garrick's management as well as Rich's Quotes from the Herald No. XX, a denunciatory article on the managers, deplores the pamphleteering attempt to praise Garrick, asks "Shall he shine the God of our Idolatry, merely for excluding every other emulous and aspiring candidate?"] Receipts: #170 (Cross)

Event Comment: Benefit for Quick. Mainpiece: Altered from Shirley. Never acted here. With proper Scenes, Dresses, and Decorations. [Epilogue by Edward Topham (European Magazine, May 1786, p. 368).] Afterpiece: In 2 Acts; written by Addison. Public Advertiser, 29 Mar.: Tickets to be had of Quick, No. 99, High Holborn. Receipts: #281 17s. 6d. (153/14/6; 4/4/0; tickets: 123/19/0) (charge: #105)