SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "W Howe"/1) | (@(roleclean,performerclean) "W Howe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1278 matches on Performance Comments, 268 matches on Event Comments, 32 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Marina

Afterpiece Title: The Mock Countess

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Honest Yorkshireman

Performances

Mainpiece Title: Bickerstaff's Unburied Dead

Afterpiece Title: Richard III

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Lyar

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Padlock

Dance: II: Turkish Dance-Dagueville, Sga Vidini

Performances

Mainpiece Title: Zenobia

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Ghost

Entertainment: End: Linco's Travels-King, Mrs Bradshaw

Dance: NNew Comic Dance, as17681210

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Miller of Mansfield

Event Comment: great applause to the Play (Hopkins Diary). Mainpiece: A tragedy never before acted [by Mrs Celisia]. Prologue (by Whitehead)-Reddish; Epilogue (by Garrick)-Mrs Barry. New Scenes, Dresses and Decorations (Winston MS 10). [The Gentleman's Magazine for Feb. reviewed the mainpiece in great detail, concluding: "A combat between two knights in the days of chivalry and honour, not to determine whether a person accused is innocent or guilty, but whether a person under the infamy of acknowledged guilt shall suffer, is, as the Scotch peasant says emphatically of his pupil, a phenomenon. It is, however, but justice to Mrs Barry, to say, that in performing the part allotted her in this piece, she rises like perfection out of chaos, and therefore those who have not yet seen it represented should by no means be deterred by these strictures on the composition, supposing them to be just."

Performances

Mainpiece Title: Almida

Afterpiece Title: The Lyar

Performances

Mainpiece Title: The Committee

Afterpiece Title: A Peep behind the Curtain

Dance: V: The Shepherds Frolic, as17710406

Performances

Mainpiece Title: The Duel

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: King John

Afterpiece Title: The Note of Hand; or, Trip to Newmarket

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Man of Quality

Dance: V: The Mountaineers, as17730930

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: The Tailors; A Tragedy for Warm Weather

Dance: As17780518

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: Midas

Dance: As17790610

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Mirror

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Afterpiece Title: Midas

Dance: End 2nd piece: new dance, The Italian Peasants-Master Byrne, Miss Byrne

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Deaf Lover

Dance: End IV: Dance of Sailors-Langrish