SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "W B Squire"/1) | (@(roleclean,performerclean) "W B Squire")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1698 matches on Performance Comments, 360 matches on Event Comments, 265 matches on Author, 252 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Blue-Beard; or, Female Curiosity

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Apprentice

Ballet: End: Moggy and Jemmy. Jemmy-Garman; Bauldi-Grimaldi; Lady-Miss Daniels; Maude-Mrs Brooker; Moggy-Sga Bossi DelCaro; Peasants-Goodman, Whitmell, Wells, Bayzand, Johnston, Gauron, Masters J. and W. Chatterley, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake, Ms Connelly

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Brilliants

Afterpiece Title: Comus

Dance: In II 3rd piece: a Dance-Naiads

Song: In: Maria; or, The Beggar Girl-Mrs Atkins; Young William-Incledon; a new song, The Negro Boy (written by Rees, and composed by Attwood)-Miss Sims (in character)

Performances

Mainpiece Title: The Wise Man Of The East

Afterpiece Title: Comus

Dance: In II afterpiece: a Dance by Naiads-

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

Event Comment: Cardell Goodman, the actor, was brought to court for complicity in a poisoning case. See Luttrell, A Brief Relation, I, 318, and J. C. Jeaffreson, A Young Squire of the Seventeenth Century (London, 1878), II, 143-44

Performances

Event Comment: Christopher Jeaffreson to Colonel Hill, 29 Oct. 1684: Sir James Hackett, lieutenant-colonell to the Lord Dunbarton's regiment, was wounded in the thigh by one Mr Potter in the Playhouse; of which woud he has since died. He is much lamented by his Majesty, and all that knew him (J. C. Jeaffreson, A Young Squire of the Seventeenth Century [London, 1878], II, 143-44)

Performances

Event Comment: The United Company. The date of the first performance is not known, but Lord Granville, writing on 5 May 1688, refers to the King's presence on the third day, and since The Squire of Alsatia may have begun its run about 2 May 1688, Crowne's play must have been produced by the end of April. Lord Granville to Sir William Leveson, 5 May 1688: The town is as empty of news as the Court; we have had a new play called The Fall of Darius (written by Crown), by which the poet, though he could get no fame, yet had a most extraordinary third day by reason the King's presence at it; the first day of its acting Mrs Bower [Barry] was taken so violently ill in the midst of her part that she was forced to be carried off, and instead of dying in jest was in danger of doing it in earnest. Mrs Cook is dead and Mrs Boute...is again come upon the stage, where she appears with great applause. We are promised this week another new play of Shadwell's called the Alsatia Bully, which is very much commended by those who have had the private perusal of it (HMC, 5th Report, Part II, pP. 197-98). Dedication, Edition of 1688: A misfortune fell upon this Play, that might very well dizzy the Judgments of the Audience. Just before the Play began, Mrs Barry was struck with a very violent Fever, that took all Spirit from her, by consequence from the Play; the Scenes She acted fell dead from her; and in the 4th Act her distemper grew so much upon her, She cou'd go on no further, but all her part in that Act was wholly cut out and neither Spoke nor Read; that the People went away without Knowning the contexture of the Play, yet thought they knew all....[My] Thanks to His Majesty for the Honor of his Presence, on the Day which was to be for my Advantage; which He was pleased to Grant me. [See L. C. 5@148, p. 195--in Nicoll, Restoration Drama, p. 356--for a grant of #20 as a gift from the King to Crowne for this play.

Performances

Mainpiece Title: Darius, King Of Persia

Event Comment: Benefit Will. Bullock. A Diverting Comedy...Written by the Author of The Squire of Alsatia. Beginning exactly at five a Clock by reason of the length of the Entertainments. At Common Prices

Performances

Mainpiece Title: The Miser

Dance: duRuel; Miller's Dance-Pinkeman

Entertainment: And performing these several Performances, first an Organ with three Voices, then the Double Curtel, the Flute, the Bells, the Huntsman, the Horn, Pack of Dogs, all with his Mouth-Mr Clinch of Barnet; and an old Woman of Fourscore Years of Age nursing her Grand/Child all which he does open on the Stage-Mr Clinch; Next performing several Mimick Entertainments on the Ladder, first he stands on the top-round with a Bottle in one hand, and a Glass in the other, and drinks a Health; then plays several Tunes on the Violin, with fifteen other surprizing Performances which no man but himself can do-a Gentleman

Event Comment: Benefit Butler and Pendrell. Tickets for Thursday 26 for The Squire of Alsatia taken

Performances

Mainpiece Title: The Committee

Music: As17200505

Dance:

Event Comment: During the summer of 1741, at the New Wells, London Spaw, Clerkenwell, the proprietor presented daily programs of pantomime, singing, and dancing. In midsummer, however, he added a single play to his program but did not list the cast. The sequence of plays included: July 9-16: Flora; or, Hob in the Well. July 17-25: Damon and Phillida. July 27-August 10: The Honest Yorkshireman. August 11-17: The Mock Doctor. August 24-September 7: The Generous Free-Mason; or, The Constant Lady; With the Comical Humours of Squire Noodle and his Man Doodle

Performances

Event Comment: DDaniel and Smith's Great Theatrical Booth will be perform'd a Droll with the Comical Humours of his Squire Pancho, etc....the memorable battle betwixt his Donship and the Windmillv. [Announced for the entire time of May Fair, May 1-15, but no bill after 30 April.] Noon to nine p.m

Performances

Mainpiece Title: Don Quixote De Le Mancha

Afterpiece Title: Harlequin Captive

Song: Convers, Miss Clarke

Performances

Mainpiece Title: Jane Shore; With Humours Of Capt

Performance Comment: Blunderbuss and Squire Lackbrains and His Man Weasel.

Afterpiece Title: The Adventures of Harlequin

Event Comment: Benefit for Packer and Champnes. Tickets delivered out for The Squire of Alsatia and The Lady's Last Stake will be taken. No Building on Stage. Full prices. [Rich's Register lists The Lady's Last Stake as mainpiece.

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Harlequin's Invasion

Dance: III: The Cow Keepers, as17600313

Performances

Mainpiece Title: Don Quixote In England

Performance Comment: advertised as "with the tragic adventures of the Knight of the Woeful Countenance, and the Comic humours of his merry Squire Sancho Panca. An Entertainment intirely adapted to the taste of all Ladies, Gentlemen, Bucks, Bloods, and Choice Spirits; but more expecially those who are fond of Liberpy and Roast Beef. In which will be introduced a group of odd, but diverting characters, being the work of a great master in the Creative Faculty. To render the dish more agreeable to every palate, it will be garnished with singing and dancing-; particularly a song on the late Victories obtained by our Fleets and Armies, and a Welcome to Southwark Fair. With a Hornpipe-a British Genius; whose valour was conducive to the reduction of Quebec. The whole to conclude with the View of a magnificent Monument erected to the Memory of the late General Wolfe. And a Monody- to be spoken on the death of that brave and much lamented Hero.".
Event Comment: Benefit for Love. Mr Love Hiss'd in the Scotchman. Dumont by Mr Powell (Hopkins). Characters Dress'd in Habits of Times. Mr Love was hissed very much in the Scotchman, and the Farce hissed at the end (Hopkins Diary-MacMillan). No building on stage. On Saturday Othello with a New Burletta call'd Music A-La-Mode, or Bayes in Chromatics For the Benefit of Vernon. [The principal characters were to have been played by King, Vernon, Packer, Fox, Mrs Mrs Dorman, and Miss Young (Public Advertiser, 13 April). But it was deferred at the last minute and seems never to have been performed. Larpent MS 237 lists the parts: Dr Crochet, Player-Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble">Packer; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble thought it a burlesque at the expense of Dr Arne (professor of nonharmonic music). The Player wants in it to banish all but four plays (Tamerlane, London Cuckolds, George Barnwell, and Twelfth Night) and fill stage performance with music.] Receipts: #208 14s. 6d. (MacMillan); charges: #64 4s. [Profit to Love: #144 10s. 6d.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Register Office

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker

Event Comment: At Half Past 5 went into the Pit to see Macklin do Shylock a second time...Woodward is inimitable as Squire Groom [in the afterpiece] Oblig'd to stand all night (Neville MS Diary). Receipts: #227 2s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: Tambourine-Master Blurton as17670427; IV: The Merry Sailors, as17671009

Event Comment: Paid Mr Heath for point lace, 9s.; Mr Cropley (linen draper) 2 bills #93 12s. 6d.; 8 extra trumpets for 6 nights, #18; Wax Chandler's Bill #21 3s. 4d.; Mr Squire, Chorus, 15 nights #3 15s.; Printer's Bill #9 6s.; Mr Weston's Note & Bill to Mr Flaherty #5 6s. 6d. (Treasurer's Book). Mrs Robinson Angelica-very indifferent (+Hopkins MS Notes). Receipts: #133 11s. (Treasurer's Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Institution of the Garter

Event Comment: Paid Master Thomson, Chorus, 13 nights #3 5s.; Mr Squire Chorus, 14 nights #3 10s. (Treasurer's Book). Receipts: #193 10s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Performance Comment: Faithful (the Man Bewitch'd)-Smith; Sir GeofFry Constant (a very extraordinary Ghost)-Stannard; Captain Constant (son of the Ghost)-Keynlas; Clinch-Shatford; Num (a Country Squire)-Mills; Slouch (his man)-Stannard Jun.; Lovely-Cross; Roger (a Countryman)-Watts; Trusty-Swords; Manage-Brown; Sir David Watchum-Lloyd; Laura-Mrs Beaufield; Maria-Miss Vernon; Dorothy-Mrs Reynolds; Lucy-Mrs Thompson; Belinda-Mrs Johnson. New Occasional Prologue spoken by Shatford .

Afterpiece Title: The Mayor of Garratt

Dance: End of mainpiece Hornpipe by Rothery

Song: Between the Acts Singing [singer not listed]

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: What d'ye Call It

Performance Comment: JonasDock, alias Timothy Peascod-Munden; Sir Roger-Davenport; Sir Humphrey-Thompson; Justice Statue-Street; Steward-Powel; Peter Nettle-Farley; Constable-Abbot; Countryman-Follett; Unborn Ghost-Master Standen; Smut, the Farrier's Ghost-Simmons; Squire Thomas, alias ThomasFilbert-Knight; Mother's Ghost-Mrs Henley; Grandmother-Mrs Gilbert; Dorcas-Mrs Watts; Aunt-Mrs Platt; Ghost of Bees-Mrs Norton; Kitty Carrots (with the original song, 'Twas when the seas were roaring)-Mrs Martyr.

Afterpiece Title: Tom Thumb