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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "VanLennep"/1) | (@(roleclean,performerclean) "VanLennep")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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111 results for: Keyword - VanLennep,
We found 110 matches on Event Comments, 1 matches on Performance Comments, 0 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

101
16 October 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408: Sr Fopling

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

102
18 October 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: Macbeth

103
26 October 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Adventures Of Five Hours

104
27 October 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Villain

105
01 November 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Town Fop; Or, Sir Timothy Tawdry

106
04 November 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

107
12 May 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81, a last, undated entry in a series of plays acted from 28 May 1675 to 12 May 1677. See also Nicoll, Restoration Drama, p. 348. A performance, dated 12 May 1677, is on the L. C. lists at Harvard; see VanLennep, Plays on the English Stage, 1669-1672, p. 12. Downes (pp. 36-37): All the Musick was set by Mr Banister, and being well Perform'd, it answer'd the Expectation of the Company. Two of the songs, with the music by Bannister, are in Choice Ayres and Songs, The Second Book, 1679. The Songs in Circe, published separately in 1677, bears a licensing date of 7 May 1677. The play was licensed 18 June 1677, and entered in the Stationers' Register, 19 June 1677

Performances

Mainpiece Title: Circe

108
June 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is not known. Luttrell, however, dated the copy he purchased 6 July 1680 (VanLennep, Two Restoration Comedies, pp. 57-58) and attributed it to Mrs Aphra Behn. If copies were available in early July, the play was most probably performed in June 1680. Langbaine (English Dramatick Poets, p. 547) had heard that Mrs Behn was the author, but A Comparison between the Two Stages (p. 11) attributed it to Thomas Betterton. For a discussion of the authorship, see also Ten English Farces, ed. Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 203-4

Performances

Mainpiece Title: The Revenge; Or, A Match In Newgate

109
November 1681 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is not known, but Luttrell dated his copy, 17 Dec. 1681; hence a November 1681 first production is likely. See VanLennep, Two Restoration Comedies, pp. 57-58

Performances

Mainpiece Title: The False Count; Or, A New Way To Play An Old Game

110
27 October 1697 @ Lincoln's Inn Fields

Event Comment: Rich's Company. This performance is known by a playbill in the Folger Shakespeare Library: At the New Theatre, in Little Lincolns-Inn Fields, this present Wensday the 27th of October, will be presented, A Comedy call'd, The Committee, or The Faithful Irishman. No Persons to Stand on the Stage. Nor any Money to be after Return'd [sic] the Curtain is Drawn up. By his Majesties Servants. Vivat Rex. [The playbill is reproduced, opposite page 230, in William VanLennep, Some Early English Playbills, Harvard Library Bulletin, VIII (1954).

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

111
23 August 1699 @ Bartholomew Fair

Performances

Mainpiece Title: Fryar Bacon; Or, The Country Justice : With The Humours Of tolfree The Miller, And His Son ralph

Performance Comment: A playbill: At Parker's and Doggett's Booth near Hosier-Lane End, in Smithfield, during the Time of Bartholomew-Fair, will be presented a New Droll, called, Fryar Bacon; or, The Country Justice: With the Humours of Tolfree the Miller, and his Son Ralph, Acted by Mr Doggett. With Variety of Scenes, Machines, Songs and Dances. Vivat Rex. (See William VanLennep, Some Early English Playbills, Harvard Library Bulletin, VIII (1954), opposite page 237.) The London Spy, August 1699, describes a visit to Bartholomew Fair, including an account of Doggett's droll and another, Dwarf Comedy, Sir-nam'd a Droll' called The Devil of a Wife. In the Post Man, 15-17 Aug. 1699, is an advance notice of rope dancing and a booth run by Barnes and Appleby between the Crown Tavern and the Hospital Gate, next to Miller's Droll Booth.