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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "University of Basil"/1) | (@(roleclean,performerclean) "University of Basil")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 63 matches on Performance Comments, 26 matches on Event Comments, 1 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Williamson; Doctor Bartholo-Moss; Basil-Aickin; Tallboy-R. Palmer; Argus-Barrett; Notary-Burton; Alcade-Chapman; Lazarillo-Bannister Jun. (1st appearance in that character on this stage); Rosina-Mrs Bannister.
Cast
Role: Basil Actor: Aickin

Afterpiece Title: The Citizen

Cast
Role: Basil Actor: Chapman

Dance: End: The Generous Sportsman, as17900625

Performances

Mainpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Palmer; Lazarillo-Bannister Jun.; Basil-Aickin; Argus-Chapman; Tallboy-R. Palmer; Notary-Burton; Doctor Bartholo-Parsons; Rosina-Mrs Bannister.
Cast
Role: Basil Actor: Aickin

Afterpiece Title: The Son-in-Law

Entertainment: Monologues. End: The Lecture upon Heads-Palmer; After which: Liberty; or, Two Sides of the Water-Bannister Jun

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-Bannister Jun.; Figaro-Wroughton; Antonio-R. Palmer; Basil-Phillimore; Page (with a song)-Mrs Bland; Countess-Mrs Ward; Agnes-Miss Heard; Susan-Miss Farren.
Cast
Role: Basil Actor: Phillimore

Performances

Mainpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Palmer; Doctor Bartholo-Parsons; Basil-Aickin; Lazarillo-Bannister Jun.; Argus-Wewitzer; Tallboy-R. Palmer; Alcade-Chapman; Notary-Burton; Rosina-Mrs Bannister.
Cast
Role: Basil Actor: Aickin

Afterpiece Title: Katherine and Petruchio

Performances

Mainpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Palmer; Doctor Bartholo-Parsons; Basil-Aickin; Tallboy-R. Palmer; Argus-Wewitzer; Notary-Cubitt; Alcade-Johnson; Lazarillo-Bannister Jun.; Rosina-Mrs Bannister.
Cast
Role: Basil Actor: Aickin

Afterpiece Title: The Liar

Performances

Mainpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Barrymore; Doctor Bartholo-Parsons; Basil-Aickin; Tallboy-Suett; Argus-Wewitzer; Notary-Burton; Alcade-Cooke; Lazarillo-Bannister Jun.; Rosina-Miss DeCamp.
Cast
Role: Basil Actor: Aickin

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: THE SPANISH BARBER

Performance Comment: Count Almaviva-Palmer; Doctor Bartholo-Parsons; Basil-Aickin; Tall Boy-Bland; Argus-Barrett; Notary-Abbot; Alcade-Cooke; Lazarillo-Bannister Jun.//Rosina-Miss Palmer (1st appearance [in London]) .in London]) .
Cast
Role: Basil Actor: Aickin

Afterpiece Title: TIT FOR TAT

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Palmer; Dr Bartholo-Suett (1st appearance in that character); Basil-Aickin; Notary-Maddocks; Alcade-Cooke; Lazarillo-Bannister Jun.; Argus-Wewitzer; Tallboy-Caulfield; Rosina-Sga Storace (1st appearance in that character).
Cast
Role: Basil Actor: Aickin

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: Bannian Day

Afterpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Palmer; Doctor Bartholo-Suett; Basil-Aickin; Tall Boy-R. Palmer; Argus-Caulfield; Notary-Abbot; Alcade-Trueman; Lazarillo-Wathen (1st appearance in that character); Rosina-Miss DeCamp.
Cast
Role: Basil Actor: Aickin

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-Palmer; Figaro-R. Palmer; Basil-Trueman; Servant-Lyons; Page-Mrs Bland; Antonio-Bannister Jun. (1st appearance in that character); Countess-Miss DeCamp (1st appearance in that character); Agnes-Miss Logan; Susan-Mrs Gibbs (1st appearance in that character).
Cast
Role: Basil Actor: Trueman

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Jew

Afterpiece Title: The Follies of a Day

Performance Comment: As17960808, but Antonio-Wewitzer; Countess-Miss Heard; Basil-_; Servant-_; Agnes-_.
Cast
Role: Basil Actor: Trueman

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Afterpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Palmer; Doctor Bartholo-Suett; Basil-Aickin; Tall Boy-R. Palmer; Argus-Caulfield; Notary-Abbot; Alcade-Trueman; Lazarillo-Wathen; Rosina-Miss DeCamp.
Cast
Role: Basil Actor: Aickin

Afterpiece Title: The Irish Legacy

Performances

Mainpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Barrymore; Doctor Bartholo-Suett; Basil-Aickin; Tallboy-R. Palmer; Argus-Caulfield; Notary-Abbot; Alcade-Waldron Jun.; Lazarillo-Wathen; Rosina-Miss DeCamp.
Cast
Role: Basil Actor: Aickin

Afterpiece Title: The Honest Thieves

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Barrymore; Doctor Bartholo-Suett; Basil-Aickin; Tall Boy-Palmer; Argus-Caulfield; Notary-Abbot; Alcade-Ledger; Lazarillo-Wathen; Rosina-Miss DeCamp.
Cast
Role: Basil Actor: Aickin

Afterpiece Title: A Mogul Tale

Event Comment: The King's Company. For an edition of this play from the MS prompt copy, see The Change of Crownes, ed. F. S. Boas (Oxford University Press, 1949). For the consequences of Lacy's ad libbing, see 16, 20, and 22 April, and 1 May. Pepys, Diary: I to the King's house by chance, where a new play: so full as I never saw it; I forced to stand all the while close to the very till I took cold, and many people went away for want of room. The King and Queene, and Duke of York and Duchesse of York there, and all the Court, and Sir W. Coventry. The play called The Change of Crownes; a play of Ned Howard's the best that ever I saw at that house, being a great play and serious; only Lacy did act the country-gentleman come up to Court, who do abuse the Court with all the imaginable wit and plainness about selling of places, and doing every thing for money. The play took very much.... Gervase Jaquis to the Earl of Huntington, 16 April: Here is another play house erected in Hatton buildings called the Duke of Cambridgs play-house, and yester-day his Matie the Duke & many more were at the King's Playe house to see some new thing Acted (Hastings MSS, HA 7654, Huntington Library)

Performances

Mainpiece Title: The Change Of Crowns

Event Comment: The King's Company acted at Oxford. John Dryden wrote a Prologue, To the University of Oxon, Spoken by Mr Hart, at the Acting of The Silent Woman, 1673, and an Epilogue, Spoken by the Same. There were first printed in the 1684 Miscellany Poems

Performances

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: K: & Q:. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406. BM Add. Mss. 27, 962v, f. 312 (a transcript of a newsletter by Salvetti), 14 Dec. 1674 (translation): On last Wednesday all the royal family were present at the theatre to hear the tragedy of Hamlet, which, for their greater entertainment, was adorned and embellished with very curious dances between the acts. [I am indebted to Professor George Hilton Jones, Kansas State University, for this item.

Performances

Mainpiece Title: Hamlet

Event Comment: It is not certain that this performance was given by the King's Company, but because it first produced the play, it has been assigned to Drury Lane. Pepys, Diary: Tuesday January the 27th...comeing home at night (after I had carryed my Cozen Winn Houblon home from a Play (shee would if she could). [Mornamont MS II, folio 1192, Cambridge University Library.] See also Arthur Bryant, Samuel Pepys: Years of Peril (New York, 1935), p. 314

Performances

Mainpiece Title: She Would If She Could

Event Comment: The Duke's Company. The date of the first production is not known, but the fact that Narcissus Luttrell purchased a copy on 22 March 1679@80 suggests that the premiere occurred not later than February. A copy, with Luttrell's date of purchase, is in the Ohio State University Library. (I am indebted to Professor J. H. Wilson for this information.

Performances

Mainpiece Title: The Misery Of Civil-war

Event Comment: The Duke's Company. Pepys, Diary: March 6 Saturday: See 2 acts of the New Play Orphan (Mornamont MS II, f. 1207, Cambridge University Library)

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Event Comment: Pepys attended an unnamed play. See Mornamont MS II, f. 1208 (Cambridge University Library)

Performances

Event Comment: Pepys again attended an unnamed play. See Mornamont MS II, f. 1230 (Cambridge University Library)

Performances

Mainpiece Title: Omment

Event Comment: The Duke's Company. The date of the first production is not known, but the date 31 May 1681 on a copy in the Ohio State University Library, representing Luttrell's purchase of a copy, argues for a performance initially in April or early May 1681. See Wilson, Six Restoration Play-Dates, p. 222

Performances

Mainpiece Title: Henry The Sixth: The First Part; With The Murder Of Humphrey Duke Of Glocester

Event Comment: The United Company. Lord Ashburnham's Diary: I waited on my Mother home and afterwards I went into the play (the Maiden Queen) There was a great deale of company, I came home before 8 at night, I am now not charm'd with Playes &c. (Ashburnham MS 932, East Sussex County Record Office, County Hall, Lewes, Sussex; I owe this entry and the subsequent ones from this MS to the kindness of Professor George Hilton Jones, Kansas State University). This is an unusual example of the revival of a play at the public theatre the day before its presentation at court

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor