SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Tom Killigrew"/1) | (@(roleclean,performerclean) "Tom Killigrew")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 676 matches on Performance Comments, 410 matches on Performance Title, 344 matches on Author, 110 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Pizarro

Afterpiece Title: High Life below Stairs

Performance Comment: As17980920, but Tom-_; Coachman-_; Kingston-_; Robert-_.
Cast
Role: Tom Actor: Maddocks

Dance: As17980920

Song: As17990529

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakley-Pope; Major Oakley-Aickin; Charles-Clarke; Russet-Davenport; Sir Harry Beagle-Fawcett; Lord Trinket-Palmer; Captain O'Cutter-Johnstone; Paris-Caulfield; William-Ledger; John-Abbot; Tom-Chippendale; Lady Freelove's Servant-Lyons; Lady Freelove-Mrs Harlowe; Harriet-Miss Heard; Toilet-Miss Leserve; Chambermaid-Mrs Jones; Mrs Oakley-Mrs Mattocks (1st appearance on this stage, and in that character).
Cast
Role: Tom Actor: Chippendale

Afterpiece Title: Fortunes Frolick

Entertainment: Monologue End: Epilogue pourtraying Characteristick Jealousies of the Spaniard the Italian the Dutchman the Frenchman and the Englishman [by Garrick]-Mrs Mattocks [see cg, 1 May 1798]

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: As17990622 but William-_; John-_; Tom-_; Lady Freelove's Servant-_; Toilet-_; Chambermaid-_.
Cast
Role: Tom Actor: Chippendale

Afterpiece Title: The Jew and the Doctor

Entertainment: Monologue As17990622

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: As17990622 but William-_; John-_; Tom-_; Lady Freelove's Servant-_.
Cast
Role: Tom Actor: Chippendale

Afterpiece Title: My Grandmother

Entertainment: Monologue. As17990622

Performances

Mainpiece Title: The Red cross Knights

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-C. Kemble; Freeman-Trueman; Philip-Caulfield; Duke's Servant-Palmer; Sir Harry's Servant-J. Palmer; Coachman-Ledger; Tom-Clarke; Kitty-Miss DeCamp; Cook-Mrs Hale; Cloe-Mrs Haskey; Lady Bab's Maid-Mrs Edward; Lady Charlotte's Maid-Miss Heard.
Cast
Role: Tom Actor: Clarke

Dance: In II afterpiece: Mock Minuet-Palmer, Miss DeCamp

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Naval Pillar

Performance Comment: Characters by Incledon, Johnstone, Munden, Fawcett, Emery, Townsend, Linton, Street, Hawtin; Mrs Martyr, Mrs Chapman, Miss Sims, Miss Wheatley, Mrs Sydney. [Cast from text (J. Barker, 1799): Ben Bowsprit-Incledon; Dennis-Johnstone; Habakuk-Munden; Sam Spritsail-Fawcett; Tom Tackle-Emery; Firelock-Townsend; Kitty-Mrs Martyr; Britannia-Mrs Chapman; Nancy-Miss Sims; Susan-Miss Wheatley; Jane-Mrs Sydney [in text: Mrs Gilbert]; unassigned-Linton, Street, Hawtin.
Cast
Role: Tom Tackle Actor: Emery

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: High Life below Stairs

Performance Comment: As17991001, but added: Tom-Maddocks; Coachman-Webb; Kingston-Fisher; Robert-Evans; Cook-_; Cloe-_.
Cast
Role: Tom Actor: Maddocks

Afterpiece Title: Rosina

Ballet: In 2nd piece: The Scotch Ghost. As17991202, but Glaude-Fisher

Event Comment: Possibly on this day, Davenant and Killigrew, with a united company, began acting at this theatre. In L. C. 5@137, p. 332 (6 Oct. 1660) is a list of His Majesty's Comedians: Burt, Hart, Mohun, Robert Shatterell, Lacy, Wintershell, Clunne, Cartwright, Edward Shatterell, Baxter, Loveday, Kynaston, Betterton. (See Nicoll, Restoration Drama, p. 294; Hotson, Commonwealth and Restoration Stage, p. 204.) Hotson, p. 205, states that the company acted daily from 8 to 16 Oct. 1660

Performances

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (Killigrew's), now removed from the red bull to Gibbons' Tennis Court in Vere Street. Probably Clun acted Falstaff. (See An Elegy Upon the Most Execrable Murther in A Little Ark, ed. G. Thorn-Drury, pp. 30-31.

Performances

Mainpiece Title: Henry The Fourthe Part I

Event Comment: For an account of the play, see John Wilson's The Cheats, ed. Milton C. Nahm (Oxford, 1935). It was licensed on 6 March (p. 124), acted, then forbade on 22 March in an order: Letter to Mr Tho. Killigrew: Signifying the Ks Pleasure that the New Play called the Cheates be no more represented till it be reuiewed by Sir Jo. Denham & Mr Waller. 22 March. 1662-3 (p. 130). Abraham Hill to John Brooke, 28 March 1663: P.S. The new play, called The Cheats, has been attempted on the Stage; but it is so scandalous, that it is forbidden (Familiar Letters of? Abraham Hill, [London, 1717], p. 103. Downes (Roscius Anglicanus, p. 16) concerning Lacy: @For his just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling, The Court gave him the Bays.

Performances

Mainpiece Title: The Cheats

Event Comment: The King's Company. This marks the opening of the new Theatre Royal in Bridges Street, Drury Lane, to which Killigrew moved his company from Vere Street. Downes erroneously gives the opening date as 8 April, a fact which led to the creation of the famous spurious playbill for Bridges Street, Thursday, 8 April 1663. See Montague Summers, The Restoration Theater (London, 1934), p. 15. Pepys, Diary: This day the new Theatre Royal begins to act with scenes the Humorous Lieutenant, but I have not time to see it, nor could stay to see my Lady Jemimah lately come to town, and who was here in the house. Downes (p. 3): Note, this Comedy was Acted Twelve Days Successively

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: The King's Company. It is difficult to determine the run of the play, as all the known performances fall on Mondays, Wednesdays, and Fridays, but, except for 30 January, a Fast Day, it may well have been performed daily. L. C. 5@138, f. 15: A Warrant to the Master of the Great Wardrobe to prouide and deliuer to Thomas Killigrew Esq. to the value of forty pounds in silkes for to cloath the Musick for the play called the Indian Queen to be acted before their Maties Jan. 25th 1663 (Nicoll, Restoration Drama, p. 354)

Performances

Mainpiece Title: The Indian Queen

Event Comment: [No notice of production exists. See William VanLennep, "Thomas Killigrew Prepares His Plays for Production," Joseph Quincy Adams; Memorial Studies, p. 805

Performances

Mainpiece Title: Comment

Performance Comment: ThomasKilligrew prepared Thomaso?. for production in the autumn of 1664, with an intended cast: Serulina-Wevar Elizabeth Weaver?; Calis-Franki Frances Davenport?; Angelica Bianca-M. Marsh Mrs Ann Marshall?; Anna-Core Mrs Corey?; Paulina-Nell Nell Gwyn?; Kecka-Bette Elizabeth Hall?, Elizabeth Davenport?; Lusetta-Knep Mrs Knepp?.
Event Comment: Pepys, Diary: Sir W. Pen and my wife and Mercer and I to Polichinelly, but were there horribly frighted to see Young Killigrew come in with a great many more young sparks; but we hid ourselves, so as we think they did not see us. By and by they went away, and then we were at rest again; and so, the play being done

Performances

Mainpiece Title: Puppetry

Event Comment: During February and March 1678@9 two plays, titles unknown, were acted before the King. See an order: To Edward Griffin, Esq. Treasurer of the Chamber, to be paid over to John Lacy, assigne of Charles Killigrew, Mastr of the revells, for two plays acted before his said Majestie in Feb'ry and March 1678@9 (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII 1851, 34)

Performances

Event Comment: Benefit for Miss Norris. Tickets at Stage Door. Rec'd Cash #73 11s. 6d., plus #73 6s. from tickets. Total #146 17s. 6d. Paid Blandford (Tallow Chandler) #17 18s.; Paid Mr Field for Mr Killigrew's 9 s[hares] for 100 nights #105 (Treasurer's Book). Receipts: #160 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Rehearsal or Bayes in Petticoats

Song: Between the acts: Miss Norris

Performances

Mainpiece Title: Entertainment

Performance Comment: A Dialogue between Tom a Countryman and Dick a Londoner (sung to the Tune, I'll never love thee more).
Event Comment: The Diurnal of Thomas Rugg, ed. Sachse, p. 71: 13 April 1660: His Excellency [Monk] with the Councill of State dined att on of the Halls in London [Fishmongers], and now by this time haveing dined att 9 of the cheifest Halls in London; and att every Hall theire were after diner a kind of a stage play and many prety anticks, som the citizan and soldier, others the country Tom and citty Dick [see 28 March 1660], att many Halls were dancing and singing, many shapes and ghostes and the like

Performances

Event Comment: The King's Company. Pepys, Diary: Tom and I and my wife to the Theatre, and there saw The Silent Woman. The first time that ever I did see it, and it is an excellent play. Among other things here, Kinaston, the boy, had the good turn to appear in three shapes: first, as a poor woman in ordinary clothes, to please Morose; then in fine clothes, as a gallant, and in them was clearly the prettiest woman in the whole house, and lastly, as a man; and then likewise did appear the handsomest man in the house

Performances

Mainpiece Title: The Silent Woman

Event Comment: The Duke's Company. Pepys, Diary: Mrs Pierce and her husband and I and my wife to Salisbury Court, where coming late he and she light of Col. Boone that made room for them, and I and my wife sat in the pit, and there met with Mr Lewes and Tom Whitton, and saw The Bondman done to admiration

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. This play should not be confused with Heraclius Emperour of the East by Lodowick Carlell. Pepys, Diary: My wife and I out to the Duke's playhouse, and there saw Heraclius, an excellent play, to my extraordinary content; and the more from the house being very full, anand great company; among others, Mrs Steward, very fine, with her locks done up with puffs, as my wife calls them: and several other great ladies had their hair so, though I do not like it; but my wife do mightily--but it is only because she sees it is the fashion. Here I saw my Lord Rochester and his lady, Mrs Mallet, who hath after all this ado married him; and, as I hear some say in the pit, it is a great act of charity; for he hath no estate. But it was pleasant to see how everybody rose up then my Lord John Butler, the Duke of Ormond's son, come into the pit towards the end of the play, who was a servant to Mrs Mallet, and now smiled upon her, and she on him. I had sitting next to me a woman, the likest my Lady Castlemayne that ever I saw anybody like another; but she is a whore, I believe, for she is acquainted with every fine fellow, and called them by their name, Jacke, and Tom, and before the end of the play frisked to another place. Mightily pleased with the play

Performances

Mainpiece Title: Heraclius

Event Comment: The King's Company. Pepys, Diary: All alone to the King's playhouse, and there did happen to sit just before Mrs Pierce, Mrs Knepp, who pulled me by the hair; and so I addressed myself to them, and talked to them all the intervals of the play, and did give them fruit. The play is Brenoralt, which I do find but little in, for my part. Here was many fine ladies--among others, the German Baron, with his lady, who is envoye from the Emperour, and their fine daughter, which hath travelled all Europe over with them, it seems; and is accordingly accomplished, and indeed, is a wonderful pretty woman. Here Sir Philip Frowde, who sat next to me, did tell me how Sir H. Belasses is dead, and that the quarrel between him and Tom Porter, who is fled, did arise in the ridiculous fashion that I was first told it, which is a strange thing between two so good friends. The play being done, I took the women, and Mrs Corbett, who was with them, by coach, it raining, to Mrs Manuel's, the Jew's wife, formerly a player, who we heard sing with one of the Italians that was there; and, indeed, she sings mightily well, and just after the Italian manner, but yet do not please me like one of Mrs Knepp's songs, to a good English tune, the manner their ayre not pleasing me so well as the fashion of our own, nor so natural

Performances

Mainpiece Title: Brenoralt Or The Discontented Colonel

Event Comment: The Duke's Company. Downes (Roscius Anglicanus, p. 31) lists it as one of several plays whose runs expired on the third day. Pepys, Diary: To the Duke of York's playhouse, but the house so full, it being a new play, The Coffee House, that we could not get in...The Journals of John Lauder Lord Fountainhall (ed. Donald Crawford, 1900), pp. 174-75: heir is the Dukes playhouse, wheir we saw Tom Sydserfes Spanish Comedie Tarugo's Wiles, or the Coffee House, acted....He could not forget himselfe: was very satyricall sneering at the Greshamers for their late invention of the transfusion of blood, as also at our covenant, making the witch of Geneva to wy it and La Sainte Ligue de France togither

Performances

Mainpiece Title: Tarugos Wiles Or The Coffee House

Event Comment: [The King's Company. Pepys, Diary: My wife and Mercer, and W. Hewer and Deb., to the King's playhouse, and I afterwards by water with them, and there we did hear the Eunuch (who, it seems, is a Frenchman, but long bred in Italy) sing, which I seemed to take as new to me, though I saw him on Saturday last [see 10 Oct. 1668], but said nothing of it; but such action and singing I could never have imagined to have heard, and do make good whatever Tom Hill used to tell me. [The Eunuch may be Baldassare Ferri.

Performances

Mainpiece Title: The Faithful Shepherdess