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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Tom Hill"/1) | (@(roleclean,performerclean) "Tom Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1599 results for: Keyword - Tom Hill
We found 853 matches on Performance Comments, 451 matches on Performance Title, 256 matches on Author, 216 matches on Event Comments, and 0 matches on Roles/Actors.

1576
26 October 1780 @ Covent Garden

Event Comment: [Afterpiece in place of Tom Thumb, announced on playbill of 25 Oct.] Receipts: #152 5s. (151.0; 1.5)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Humours of an Election

1577
08 November 1780 @ Covent Garden

Event Comment: Mainpiece: With new Scenery and Dresses. Afterpiece: Tom Thumb [announced on playbill of 7 Nov.] is obliged to be deferred on account of the Illness of a principal Performer. Receipts: #209 1s. 6d. (205.15.6; 3.6.0)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Humours of an Election

Dance: As17801107

1578
10 February 1781 @ Covent Garden

Event Comment: Mainpiece: Not acted these 4 years [acted 17 Feb. 1778]. Tom Thumb [announced on playbill of 9 Feb.] is unavoidably deferred on account of Mrs Webb's sudden indisposition. Receipts: #162 19s. 6d. (159.0.6; 3.19.0)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Jovial Crew

Cast
Role: Hilliard Actor: Davies

Dance: As17810208

1579
10 October 1781 @ Covent Garden

Event Comment: [Mainpiece in place of Much Ado about Nothing; afterpiece of Tom Thumb, both announced on playbill of 8 Oct. The playbill retains Quick as Isaac, but he "was taken ill & Wewitzer supplied his place" (MS annotation on BM playbill, CG, Vol. III).] Receipts: #177 (175/2; 1/18)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Harlequin Free-Mason

1580
03 November 1781 @ Covent Garden

Event Comment: Duplicity [announced on playbill of 2 Nov.] is again obliged to be deferred on account of Henderson's Indisposition. [Afterpiece in place of Tom Thumb, announced on playbill of 2 Nov.] Receipts: #94 19s. (92/7/6; 2/11/6)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Touchstone

1581
06 May 1782 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: A Fete, scene I

Performance Comment: A Forest. The Death of the Stag (singers not listed). Overture by Dr Arne. Hunting song, Give round the word, by Doyle. Foresters' Dance, scene II. The Cave of Echo. The Vauxhall Echo Catch, They say there is an echo here, by Davits, Robson, J. Wilson, Doyle, scene m. Mount Ida. Venus and the Grace, to whom she complains for the loss of her son [She that will but now discover}. Venus-Mrs Morton, scene IV. A Hall. Four and twenty fidlers all on a row, as17820423 scene V. A Camp. For Freedom and his Native Land, by Mrs Kennedy; the music by Hook; the words by Hull. SCENE VI. The Cavern of Despair. Mad Tom, by Reinhold; the music by Purcell. SCENE VII. A Palace and a Banquet. Honest Friends and jovial Souls (singers not listed). To conclude with a Chorus and Dance. Attendant Genius-Miss Langrish .

Afterpiece Title: The What d'ye Call It

1582
04 October 1782 @ Covent Garden

Event Comment: [Afterpiece in place of Tom Thumb, announced on playbill of 3 Oct.] "Covent Garden Theatre. As personal allusions and party views have been attributed to the dramatic satire, called The Wishes, the author thinks he cannot so effectively disclaim them as by entirely withdrawing the piece" (Unidentified clipping, dated 5 Oct. 1782, The Tale Edition of Horace Walpoles Correspondence, cd. W. S. Lewis, 1955, xxix, 219). Paid Guard for Scene Men from 8 June to 21 Sept., on 9 occasions, approximately #900. Paid Music #7 14s.; properties 9s. [both being an average payment throughout the season per night]. Receipts: #221 8s. 6d. (218/11/0; 2/17/6)

Performances

Mainpiece Title: The Walloons

Afterpiece Title: The Wishes

1583
29 November 1782 @ Covent Garden

Event Comment: Mainpiece: Never performed here. [Afterpiece in place of Tom Thumb, announced on playbill of 28 Nov. Address, probably written by Mrs Abington, printed in Public Advertiser, 9 Dec] Receipts: #274 19s. 6d. (271/5/0; 3/14/6)

Performances

Mainpiece Title: The Discovery

Afterpiece Title: St

Dance: End of mainpiece a new Dance, Diversion a-la-Mode, by Harris, Burn [i.e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews

1584
08 July 1786 @ Haymarket Theatre

Event Comment: [2nd piece in place of Peeping Tom, announced on playbill of 7 July.]

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Son-in-Law

Afterpiece Title: A Mogul Tale; or, The Descent of the Balloon

Dance: End of 2nd piece, ?s 6 July

1585
24 July 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Padlock

Afterpiece Title: Harlequin's Gambols

Song: End of 1st Monologue A Tax on Old Maids, as sung by Mrs Kennedy at Vauxhall, by Mrs Benson. monologues. End of mainpiece Peeping Tom of Coventry's Peep into Hammersmith; End of 3rd piece A Description of the Tombs in Westminster Abbey, both by Benson

Performance Comment: monologues. End of mainpiece Peeping Tom of Coventry's Peep into Hammersmith; End of 3rd piece A Description of the Tombs in Westminster Abbey, both by Benson .

1586
25 August 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Related Works
Related Work: Marforio, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Drapper, Buskin, Propter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lorg Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts Author(s): Edward Phillips

Song: End of 2nd Monologue Four-and-twenty Fiddlers all on a Row by Edwin. MONOLOGUES. Before mainpiece Peeping Tom of Coventry's Peep into London; End of mainpiece A Cure {or a Scolding Wife, both by Edwin

Performance Comment: MONOLOGUES. Before mainpiece Peeping Tom of Coventry's Peep into London; End of mainpiece A Cure {or a Scolding Wife, both by Edwin .

1587
23 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: (End of Act II mainpiece) Jewish Courtship

Afterpiece Title: The Mistake of a Minute

Performance Comment: Principal Characters-Bannister Jun., Dignum, Miss Romanzini, Mrs Crouch. Larpent MS lists the parts: Tim, Tom, Daisey, Nettle.
Cast
Role: Principal Characters Actor: Bannister Jun., Dignum, Miss Romanzini, Mrs Crouch. Larpent MS lists the parts: Tim, Tom, Daisey, Nettle.

1588
21 May 1787 @ Covent Garden

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Cantabs

Song: II 2nd piece: Come come my good Shepherds-Mrs Martyr; In course Evening: Four@and@Twenty Fidlers-Edwin

Monologue: Vaudeville End 2nd Piece: A Scene in a Masque Ball , with an Illumination. Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-

Performance Comment: Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-.
Cast
Role: Mad Tom Actor: Darley

1589
15 September 1787 @ Haymarket Theatre

Event Comment: [Mainpiece in place of The Agreeable Surprise; afterpiece of Peeping Tom, both announced on playbill of 14 Sept.] The last Night of performing this Season

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Romp

Cast
Role: Priscilla Tomboy Actor: Miss George.

1590
13 February 1789 @ Covent Garden

Event Comment: The Careless Husband [advertised on playbill of 12 Feb.] is obliged to be deferred, on Account of the Indisposition of Mrs Abington. [Afterpiece in place of Tom Thumb advertised on same.] Receipts: #119 6s. 6d. (107.1.0; 12.5.6)

Performances

Mainpiece Title: The Highland Reel

Afterpiece Title: The Miser

Dance: As17881107

1591
16 May 1793 @ Covent Garden

Event Comment: Benefit for Mrs Clendining. The Poetry of the additional Songs [in 1st piece] by Peter Pindar, Esq. [pseud. for John Wolcot]. Morning Herald, 27 Apr.: Tickets to be had of Mrs Clendining, No. 19, Martlett-court, Bow-street, Covent-garden. "Mrs Clendining's endeavours to entertain were successful, and Fitzroy by Incledon gave a rich feast to the musical amateur. The air beginning, 'Dear Tom, this brown jug,' had a fine effect by the music being omitted" (Diary, 18 May). Receipts: #273 17s

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Soldier's Festival

Afterpiece Title: The Poor Soldier

Music: End: a concerto of his own composition, on the Grand Piano Forte-King (1st appearance in public)

1592
21 May 1793 @ Covent Garden

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt

Afterpiece Title: A Divertisement

Performance Comment: With Dialogue intended only to introduce the following favorite songs, selected, written and composed (with new accompanyments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter-Cubitt; Peggy Perkins, Let bards elate-Blanchard; [Irish Drinking Song, Of the ancients its speaking-Johnstone; The Greenwich Pensioner ["Twas in the goodship Rover], Tom Bowling [Here a sheer hulk]-Darley; [Comic Song, How much I love thee-Powel; Taffy and Griddy, Abergavenny is fine-Mrs Martyr; [Hunting Song, To Batchelor's Hall, Poor Jack, Go patter to Lubbers, The Portrait, Come painter with thy happiest flight-Incledon; [To conclude with a Rural Masquerade-; [Indian Song, Dear Yanco say and true he say-Miss Broadhurst; [Sea Song, A Sailor's Life's a life of woe-Mrs Harlowe; [The Masquerade, Sure an't the world a Masquerade-Johnstone, Chorus.

Music: End I 3rd piece: a sonata from Op. 2, by Clementi, on one of Longman and Broderip's newly invented Grand Piano Forte Harpsichords, by the celebrated-Master Field a Child of Nine Years Old

Entertainment: Monologue. As17930410

1593
10 May 1794 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: A DIVERTISEMENT

Performance Comment: As17940412, but omitted: Speaking Characters, Tom Bo1Z1ling, Comic Song .

Afterpiece Title: MARGARET OF ANJOU

Song: In Act V of 1st piece, as17931216; End of 1st piece Black-Eyed Susan by Incledon

1594
22 April 1795 @ Haymarket Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes; Or, The Effects Of A West India Ramble

Performance Comment: Characters-Everard, Mrs Gardner; [Larpent MS lists the parts: Freeman , Hearley , Trunnell , Tom , Mrs Doggrell .] A new Occasional Prologue-Thornton.

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

1595
30 June 1796 @ Haymarket Theatre

Event Comment: [3rd piece in place of Peeping Tom, advertised on playbill of 29 June.

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The Jew

Afterpiece Title: The Deaf Lover

1596
25 January 1798 @ Covent Garden

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: As17971122, but Tom-_; John-_; Chamber@Maid-_; Toilet-_.

Afterpiece Title: Harlequin and Quixotte

Cast
Role: added to Principal Pantomime Characters Actor: Lee.
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Scaramouchillo Actor: Follett
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

1597
19 April 1799 @ Covent Garden

Event Comment: Benefit for Fawcett. 3rd piece [DO 2. Larpent MS 1251; not published]: Never acted at a Public Theatre [1st acted privately at Brandenburgh House, Hammersmith, 28 Feb. 1798]; Written by her Serene Highness the Margravine of Anspach. The Music partly by the Margravine, and partly by Sarti, Guglielmi, Paisiello, and Saphio. Grand Overture, La Chasse, by Reeve. The Scenery painted by Phillips, Lupino, Hollogan, &c. The Machinery by Sloper. The Dresses by Dick and Mrs Egan. Morning Chronicle, 17 Apr.: Her Serene Highness the Margravine of Anspach having, with unprecedented Kindness and Liberality, lent Mr Fawcett the Manuscript of the above magnificent and interesting Opera, he begs leave to state that nothing shall be wanted on his Part to render it as acceptable to the Public as it was to the Nobility who had the pleasure of seeing it at the Brandenburgh house Theatre. Ibid, 4 Apr.: Tickets to be had of Fawcett, No. 41, Frith-street, Soho. Receipts: #532 6s. 6d. (239.1.6; 2.9.0; tickets: 290.16.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Performance Comment: Being the intermediate part of the Night's Entertainment. End I of the Play John Appleby (1st time)-Fawcett; End II Black Ey'd Susan-; End III Poor Tom; or, Sailor's Epitaph-Incledon; Here a sheer hulk-Incledon; End IV Pull Away; or, Howe, St. Vincent, Duncan & Nelson-Fawcett; End Play Monsieur Tonson (Founded on Fact, and read at Freemason's Hall, in the Winter of 1795)-Fawcett.

Afterpiece Title: The Princess of Georgia

1598
12 June 1800 @ Covent Garden

Event Comment: Under the Patronage of their Royal Highnesses the Prince of Wales, Duke of York, Duke of Clarence, Duke of Cumberland, and Her Royal Highness the Duchess of York [and] the Duchess of Devonshire and the Duchess of Gordon. Benefit for O'Keeffe, the Unfortunate Author of the following successful Dramatic Pieces: The Son in Law, Agreeable Surprise, Peeping Tom, Dead Alive, Young Quaker, Life's Vagaries, Castle of Andalusia, Czar, Tony Lumpkin in Town, Poor Soldier, Modern Antiques, Basket Maker, Wild Oats, Wicklow Mountains, French Grenadier [never acted], Positive Man, Love in a Camp, Tantara Rara Rogues all, Beggar on Horseback, Toy, London Hermit, Highland Reel, Blacksmith of Antwerp, Man Milliner, Irish Mimic, Little Hunchback, World in a Village, Fontainbleau, Magic Banner, Farmer, Doldrum, Sprigs of Laurel, Birth Day, Prisoner at Large, &c. &c. Tickets delivered for The Belle's Stratagem will be admitted. [O'Keeffe is referred to as being unfortunate because he was totally blind. In delivering his Poetical Composition, which is printed in Dramatic Censor, II, 265-67, the Monthly Mirror, June 1800, p. 367, reports that he was led on and off the stage by Lewis. It also notes that "Mrs Jordan...came from Drury-Lane, where she had performed the Child of Nature, to officiate at Covent-Garden as the handmaid of charity."] The Last Night of the Company's performing this season. Receipts: none listed

Performances

Mainpiece Title: The Lie Of The Day

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Paul and Virginia

Cast
Role: Don Antonio Actor: Hill

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

1599
23 June 1800 @ Haymarket Theatre

Event Comment: [Afterpiece in place of Peeping Tom, advertised on playbill of 21 June.

Performances

Mainpiece Title: Sighs

Afterpiece Title: The Jew and the Doctor