SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Three eldest Princesses"/1) | (@(roleclean,performerclean) "Three eldest Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1260 matches on Event Comments, 484 matches on Performance Title, 175 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Ogleby-Kniveton; Lovewell-Mattocks; Sterling-Dunstall (first time for all three); Sir John Melvil-Bensley; Serjeant Flower-Morris; Truman-Perry; Traverse-R. Smith; Brush-Dyer; Canton-Quick; Miss Sterling-Mrs Bulkley; Fanny-Mrs Mattocks; Betty-Mrs Lessingham; Chambermaid-Miss Ward; Mrs Heidelberg-Mrs Green.

Afterpiece Title: The Portrait

Dance: End: New Pantomime Dance, as17701129

Event Comment: At Panton St., Haymarket. By the Italian Fantocini of Carlo Perico. This piece of the Italian theatre is in three acts, and decorated with many agreeable changes of brilliant scenery; in which Harlequin is to eat a Dish of Maccoroni. With a Large Addition of new Metamorphoses. [This ran for considerable time, and will not be noted further.

Performances

Mainpiece Title: Harlequin, Prince By Magic Art

Event Comment: Mainpiece: Not acted these three years. [See 5 Dec. 1767.

Performances

Mainpiece Title: Othello

Afterpiece Title: Mother Shipton

Event Comment: Benefit for King. King Played Bayes by desire and for the only time this season (Genest, V, 300). Part of Pit laid into Boxes. Mainpiece: Not acted in three years. [See 25 April 1767.

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Elopement

Dance: III: A New Dance call'd The Shepherds Frolic-Atkins, Mrs King

Event Comment: Not performed these three years [sic.]

Performances

Mainpiece Title: La Buona Figliuola Maritata

Event Comment: Positively the last night but one of Mr Foote's company performing this season. By permission of the Lord Chamberlain. A new mock Tragedy of three Acts. Tickets delivered out by Davis and Griffiths will be taken. Twenty box Tickets for the above mock Tragedy being taken out of a lady's pocket at Marybone 27 Aug., those sold at the doors will not be admitted

Performances

Mainpiece Title: Madrigal And Truletta

Afterpiece Title: The Busy Body

Event Comment: Paid Three days Salary at #80 12s. 3d. per diem--#241 16s. 9d. Paid Mrs W. Barry (half salary) 17s. 6d. [Mr Carver (presumably Robert Carver the scene painter) received, according to the treasurer's book, one pound daily throughout the season. This payment is listed separately each Saturday, and will not be mentioned hereafter.] Paid Lampmen #2; Bill-stickers #3 12s.; Handbills 8s.; Candlemen #1 8s.; Carpenters #7 5s. 2d.; Taylors #16 11s. 10d.; Mantua Maker #3 12s.; Stevens (Porter) 18s.; Supers & Kettle Drum #3 4s. (Treasurer's Book). [As these were constant weekly items in the Treasurer's Book their averages and season totals will be given in the following table, after which no further itemization will be made.] Receipts: #197 9s. (Treasurer's Book). Item Weekly Average Season Total@Lampmen #3 4s. #115 4s.@Bill Stickers #2 14s. #97 4s.@Handbills 12s. #21 12s.@ Candlemen #8 #288@ Carpenters #5 #180@ Tailor #6 #216@Mantua Maker #2 #72@ Stevens (porter) 18s. #32 8s.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Harlequin's Invasion

Event Comment: Reddish spoiled last scene by being imperfect (Potter, Theatrical Review). Paid three days salary at #81 8s. 11d. per diem--#244 6s.; Paid Mrs W. Barry's half salary 17s. 6d.; Paid Messrs. Reddish, J. Palmer, and Waldron short paid last week #1 (Treasurer's Book). Receipts: #229 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Harlequin's Invasion

Event Comment: By Command of their Majesties. Mr King paid #9000 for three fourths interest in Saddler's Wells (Winston MS 10). Paid a Tow bill 10s. (Treasurer's Book). [A monthly Purchase amounting to #4 10s. for the season, and not to mention hereafter.] Receipts: #252 11s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Harlequin's Invasion

Event Comment: Afterpiece: A Masque (in three parts) [by George Colman] never perform'd, in which will be introduc'd the Principal Solemnities at the Installation of the Knights of the Garter. With New Music, composed by Dr Arne, Habits, Decorations and Scenes. Books of the Masque to be had at the Theatre. Receipts: #220 10s. 6d. (Account Book). The greater part is borrowed with some variation from Ben Jonson [Masque of Oberon]. The same liberty has been taken with a few passages of Shakespeare, and a Chorus of the late Gilbert West, Esq. The final chorus is from Dryden...an effort to entertain the public by the combined powers of the most eminent proficients in the arts of Music, Painting and Poetry (Adv. to Printed Edn., Colman's Dramatic Works, IV, London, 1777)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Fairy Prince, with Installation of Knights of the Garter

Event Comment: For twentieth night the New Masque in Three Parts call'd The Institution of the Garter, or Arthur's Round Table Restor'd, Paid six day's salary list at #83 10s. 7d. per diem #501 3s. 6d.; Paid Mrs Abington on Cloaths acct #2 2s.; Paid Mr Vernon per order on note #20; Rec'd Stopages #13 5s. (Treasurer's Book). Receipts: #142 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Institution of the Garter

Event Comment: Paid Printer's Bill #9 6s.; Mrs Slaughter's Bill #9 14s. (Treasurer's Book). [The Public Ledger, 11 Dec., contains a three column discussion of the play Cymbeline.] Receipts: #133 2s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Harlequin's Invasion

Dance: III: The Sailors Revels, as17711008

Event Comment: Mainpiece: By Particular Desire. Afterpiece: With an Additional Scene painted by Cipriani, Representing the taking of the Bohemian Standard at the Battle of Cressyv. In memory of which, the Princes of Wales have ever since borne three Ostrich Feathers (the Bohemian Standard) as their crest, with the original motto Ich Dien. This scene is pleasingly executed and has a very good effect, and is the work of that celebrated artist Cipriani (Theatrical Review, II, p. 36). Paid Whitefield a Bill for making cloaths #30 8s. 7d. (Account Book). Receipts: #184 8s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Fairy Prince

Dance: IV: Comic Dance, as17711031

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Afterpiece: Not acted in three Years. [See 17 Dec. 1768.] Paid Printer's Bill #8 12s. (Treasurer's Book). #1500 given for 3 tragedies to author of Grecian Daughter (Winston MS 10). Receipts: #266 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Absent Man

Event Comment: G[arrick] This Night was advertis'd for Mr Barry's Benefit but he being ill his Benefit was deferr'd (Hopkins Diary). Garrick is removed from Southampton St. to Adelphi Terrace (Winston MS 10). This day is publish'd Theatrical Biography; or, Memoirs of the principal performers of the three Theatres Royal. Drury Lane: Garrick, Barry, Reddish, Aickin, King, Moody, Dodd, Love, Vernon, Parsons, Baddeley, Mrs Barry, Mrs Abington, Miss Younger, Miss Hayward, Mrs Baddeley, Miss Pope, Mrs Egerton, Mrs W. Barry and Mrs Jefferson. Covent Garden: Ross, Smith, Savigny, Woodward, Yates, Shuter, Bensley, Dyer, Mattocks, Clark, Mrs Yates, Mrs Mattocks, Miss Macklin, Mrs Bulkley, Mrs Green, and Mrs Thompson. Haymarket: Foote, Weston, Aikin, Didier, Davies, Mrs Gardner, Mrs Jewell, and Mrs Didier. Together with critical and impartial remarks on their respective professional merits. Printed for S. Bladon. Receipts: #265 18s. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

Dance: V: The Sailors Revels, as17711008

Event Comment: Never performed in this Kingdom. In the manner of an Oratorio. This is a species of entertainment borrowed from our volatile neighbors on the continent, and never performed in England before; that is not directly in this manner. [But see 4 May 1759.] The performance was divided into three parts: the First consisted of Mr Addison's celebrated Hymn, set to music by Mr Handel, which is a masterly performance; the second contained Miserere mei Dei, &c., the music compsoed by Sig Pergolesi; this is a noble performance; the third part consisted of a very fine anthem, by Sig Nigri of Milan, a work of great merit. A concerto on the French Horn (as 6 March) and a concerto on the Violin (as 11 March) (Theatrical Review, p. 220). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

Event Comment: Mainpiece: A New Comedy in three Acts written by Foote

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Virgin Unmask'd

Dance: As17720615

Event Comment: Miss Mansell made her first appearance upon this Stage in Louisa Dudley She has a good face her figure rather Clumsey a hoarse Voice & not much Simplicity (Hopkins Diary). [Reviewer for Town and Country Magazine agrees Miss Mansell not too good as Louisa. Macmillan note from Kemble differs slightly: "Miss Mansell's first appearance,--she played Louisa Dudley,--a slattern figure, rather clumsy,--a coarse voice,--and no simplicity,--very unfit for the character Hopkins Diary No 7."] Paid three day's salary list at #80 7s. 5d. per diem,-#241 2s. 3d.; Mr S. French, 6 days, #1 10s.; Lampmen #2 12s.; Bill stickers #3 12s. Handbills 5s.; Candlemen #1 8s.; Mantua Maker #6 1s. 2d.; J. Stevens (Porter) 18s. (Treasurer's Book). Receipts: #205 16s. 6d. [The constant payments are tabulated for the season as follows and will not be further itemized]: @Item Weekly Average Season Total Lampmen #3 #111@Bill Stickers #2 14s. #99 15s.@Handbills 12s. #21 12s.@Candlemen & extras #8 #296@Mantua Maker #4 5s. #150@J. Stevens 18s. #33 6s.

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Event Comment: Paid Black? Lyon bill #2 7s. 4d. (Treasurer's Book). [This is a recurring item weekly throughout the season varying in amounts from about #1 to #3. Tavern. Run by Yearley Waterer. Not noted further. Total payments this season about #75.] Public Advertiser, Theatrical Intelligence: Any Young Lady inclined to the Stage, is offered an advantageous Opportunity to experience her Theatrical Abilities in a very desirable Situation. As this Advertisement appears not from an itinerant Manager, nor results from a Dearth of People, but a Wish to promote Merit, which often (for want of the proper Mode of Application, or Fear in the Parties of their Intentions being made public, in case their Services should not be received) lies hid and unnoticed, it is hoped none but such as are possessed of a good Figure, as that will be greatly regarded, and whose Capabilities are blended with a real Inclination will apply. Enquire for W. at No. 114, in Long-Acre between the hours of Eleven and One on Wednesday or Thursday Morning in person, as no Attention will be paid to any Substitute. The Stage: A Gentlewoman, who has played capital Characters with unblemished Reputation in the three Kingdoms, takes this Method of acquainting such Ladies who have Talents and Inclination for the stage, that she undertakes to instruct them for the Profession many having been unsuccessful, more from Want of previous Instructions than Want of Genius. Her Attention to the great Articles of Reading and Speaking, with Elegance and Propriety, as well as Expression, Grace, and Ease, will be found of infinite Service to those who are assisted by the least Understanding. Those Ladies who do not intend to display their Talents in Public may be instructed for their Amusement. Enquire for E. H. No. 2 Queen Street, near Windmill Street, Haymarket. N.B. Any Lady will be waited on by a Line directed as above. [These advertisements ran for a number of days.] Receipts: #183 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin's Invasion

Event Comment: Paid John Doe and John Claridge 12s. 6d. each for performing 5 nights in the Ass [in Mother Shipton] to the 2nd inst. Paid John Smith 12s. 6d. for performing in the Hog in the same. Paid Younger for writing parts as per bill #7 4s. 10d. (Account Book). [N.B. The three Johns receiv'd 2s. 6d. each for making up in the ass and hog each night Mother Shipton was played for the rest of the season. No further notation will be transcribed of this payment.] Receipts: #152 8s. (Account Book)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Comus

Event Comment: Mainpiece: A New English Burletta, never performed, by the Author of Midas [Kane O'Hara], in three parts. Books of the Burletta to be had at the Theatre. Receipts: #229 14s. [The mainpiece had been censored by Licenser 5 April 1772 (Larpent MS 330) but had been passed later. The MS indicates stage directions "Curtain rising discovers a splendid Pavilion in the Clouds, Juno, Pallas and Venus at card table." Reviewed in the Westminster Magazine. Rev. Charles Jenner wrote the following "Ode to Miss Catley in the character of Juno." (Harvard Library original MSS No. 65 [1930].)] @Hail vulgar Goddess of the foul mouth'd race!@If modest Bard may hail without offence)@In whose majestic, blush-disdaining face@The steady hand of Fate wrote Impudence;@Hail to thy dauntless front, and aspect bold;@Thrice hail, magnificent, immortal scold!@ @Thee, Goddess, from the upper gallery's height@With heedful look the jealous fish-wife eyes,@Tho early train'd to urge the mouthing flight,@She hears thy bellowing powers with surprize.@Returns instructed to the realms that bore her,@Adopts thy tones and carries all before her.@ @Proceed then, Catley, in thy great career@And nightly let our maidens hear and see@The sweetest voice disgust the listning ear@The fairest face assume deformity!@So shalt thou arm them with their best defense,@And teach them Modesty by Impudence.

Performances

Mainpiece Title: The Golden Pippin

Afterpiece Title: The Commissary

Dance: I: A New Pantomime Dance call'd The Venetian Gardner-Mas. Blurton, Miss Capon. [See17650925]; II: [A New Dance-Aldridge, Miss Capon; End: [A New Grand Ballet, call'd Rural Amusements-Fishar, Sga Manesiere. [See17720424.

Event Comment: Benefit for Mrs Baker. Charges #75 9s. 6d. Profit to Mrs Baker #9 7s. 6d., plus #78 12s. from tickets (Box 98; Pit 272; Gallery 133). Paid Dr Goldsmith the balance of his three nights for the Mistakes of a Night, #502 18s. 6d. (Account Book). Receipts: #84 17s

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Man and Wife

Dance: End Opera: a New Dance-Mas. Langrish as17730426; End II of Comedy: A Hornpipe-Miller, scholar to Fishar

Event Comment: Twelfth Night was put up for this Night but Mrs Abington sent word She was hoarse & could not play, therfore it was chang'd to the Fair Quaker & great Bills put up about three (Hopkins Diary). [Twelfth Night was deferred until 10 Dec.] Paid Salary List #529 2s.; King's extra salary #3; Mr J. French on acct #10; Chorus 2 nights (this incl.) #4 1s.; Rec'd stopages #26 6s. 6d. Receipts: #104 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Genii

Event Comment: Afterpiece: Not acted these three years. [See 8 Jan. 1772.] Paid Housekeeper's Bill #4 6s. 5d.; Mr Cook's 4 boys, 5 nights (this incl.) #7 10s. Receipts: #214 4s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: The Guardian